Tag Archives: Syed Ali Nadeem Rezavi – Historian

Tracing the roots of Aligarh and its famous university, often hailed as a mini-India

Aligarh, UTTAR PRADESH:

Aligarh Muslim University has given the town itself a facelift. Many luminaries have graced the halls of AMU, and it remains an oasis of learning amid uncertainties and controversies that surround the old town

A view of the Aligarh Muslim University Campus | Photo Credit: Sandeep Saxena

There is something about Aligarh that tells us that the past never dies. It merely reinvents itself to suit contemporary demands. Back in 1937, Mohammed Ali Jinnah, soon to transform into Quaid-e-Azam, took the route with a rare flourish. Recalling the Muslim League session in Lucknow in 1937, author-journalist Mohammed Wajihuddin writes in his persuasively argued, lucidly expressed book, Aligarh Muslim University, “The October 1937 Lucknow session was so important to Jinnah that he discarded his well-cut suits and donned flowing trousers and a long coat. From Mr. Jinnah, he transformed into Janab Jinnah and Quaid-e-Azam. While he had kept himself aloof from ordinary Muslims, now he began mingling with them….He travelled extensively, and Aligarh became a regular place to visit during these travels.” Around the same time, he raised the rhetorical slogan of ‘Islam in danger’ too.

Passing storm(s)

The following year when Jinnah visited AMU, which had begun as the Mohammedan Anglo-Oriental College in 1875, he was given a rousing welcome. The students’ union made him an honorary life member. “It was a tradition the union had followed since 1920, when Mahatma Gandhi was given this membership. In those days they would also put up a portrait of the guests they honoured on the Union Club’s wall. It was such a portrait of Jinnah’s at the AMU Students’ Union Club that created a storm on the campus on May 2, 2018,” writes Wajihuddin.

The storm, essentially a passing one, was caused by local MP Satish Gautam writing to the Vice Chancellor Tariq Mansoor demanding the removal of Jinnah’s portrait from the campus. The demand was not conceded but it made sure the university was in the spotlight, and as a consequence, Aligarh remained in the headlines for days on end. Like it did when the anti-Citizenship (Amendment) Act protests hit the campus in December 2019. Controversies and Aligarh seem to go together. Yet, AMU, despite frequent protests, occasional violence and various stirs, seems to be an island by itself wherein students seek knowledge, chart out great careers and soak in its culture just as the university’s founder Sir Syed Ahmed Khan, would have advised them. As academic-literary critic Shafey Kidwai, author of Sir Syed Ahmad Khan: Reason, Religion and Nation, said, “The question of his (Jinnah’s) glorification does not arise, but the university’s job is to protect the truth of history. His photo was there as the hall carried the names and photographs of all who visited it. The list incudes Mahatma Gandhi, Dr. B.R. Ambedkar, Maulana Azad and Sarojini Naidu.” Unsurprisingly, Prime Minister Narendra Modi called it ‘mini-India’ in an online address.

The story of a name

AMU has the unique distinction of taking along with it the name of the township where it is based, and giving the town itself a facelift. Otherwise, known for its brassware and lock industries, Aligarh has a chequered past, one that has seen many a nawab, maharaja or local leader make an attempt to leave an indelible impression on the town; the most recent one being an attempt by zila panchayat members to rename the place Harigarh. Vijay Singh, zila panchayat chairman, stated, “It was a long-pending demand to rename Aligarh as Harigarh.” He was probably referring to a similar call given in the late 1970s by members of the Jan Sangh, the precursor of the Bharatiya Janata Party (BJP). At that time, a new temple was also called Harigarh Mandir. Nevertheless, the demand to rename the place died down soon enough.

There is an interesting tale behind the name of Aligarh. It was initially called Kol or Koil. Though obscurity surrounds the origin of Kol, according to Edwin Atkinson, who compiled the first gazetteer of the district, the name Kol was given by Balram who slew the great Asura called Kol over here. Noted medieval India historian, Syed Ali Nadeem Rezavi, explained the genealogy of the place, at the height of the Harigarh controversy, stating, “Sometime before the Muslim invasion, Kol is said to have been held by the Dor Rajputs. Sultanate period sources, both Persian and non-Persian, mention Kol as a centre for the production of distilled wine. The sources of the period of Alauddin Khalji mention this town as Iqta Kol; Iqta was an administrative unit.” It continued to be called Kol during the Mughal age too with Emperor Jahangir calling it Kol in his memoirs.

However, things changed in the 18th century. The Jats captured the fort briefly and called it Ramgarh, quite removed from the earlier nomenclature of Sabitgarh and Muhammadgarh. Then came the Marathas who dubbed the fort as Aligarh after their governor Najaf Ali Khan. By the 19th century, the town itself came to be called Aligarh. Some locals dispute this fact-based assertion, claiming Aligarh is named after Hazrat Ali, the last caliph and son-in-law of Prophet Muhammad.

City of joy

In reality, Aligarh, not Kolkata, was the original City of Joy; it was only in 1985 that Dominique Lapierre called Kolkata the City of Joy. Some 50 years before that, popular Urdu poet Asrar-ul-Haq Majaz had called Aligarh as ‘Shahr-e-Tarab’ or the City of Joy! Moreover, Aligarh, and AMU, whose tarana (anthem) was penned by Majaz, transmits joy.

Here studied Begum Para, the heroine of the first talkie Alam Ara. In her painstakingly researched and elegantly produced book, The Allure of Aligarh, Huma Khalil writes, “The musical leanings of Padma Bhushan winner Talat Mahmood…can be traced back to when he used to sing the works of Ghalib and Mir, at the age of 16 in the school functions of Minto Circle. Award-winning film and theatre actor Naseeruddin Shah is still remembered as the finest badminton player of the university.” Not to forget Anubhav Sinha, Surekha Sikri and Zarina Hashmi. Incidentally, Hashmi brought Aligarh to her canvas. A mathematics graduate from AMU, Hashmi had seen villages burning around Aligarh in 1947 and could never forget her home and relatives who were dispersed in the violence.

If violence was here, could prayers have been far behind? Not quite. Hence, besides its historic mosque where countless students stand in neat rows for prayers, Aligarh has the age-old Khereshwar temple which, Khalil tells us, “is the oldest Shiva temple”. Tansen’s guru, Swami Haridas, lived here and Mughal emperors are said to have come down to the temple “to witness the magic of raga Malhaar”.

The persistence of knowledge

Of course, Aligarh has been a happy host to the annual numaish (exhibition) and for years its students frequented Tasveer Mahal, one of a dozen cinema halls in the city. Tasveer Mahal was more than a cinema. It was like a gateway to the University, a rendezvous point for students in the evening. It’s all gone now. What remains untouched is the determination of the students to learn. As Khalil recounts in her book, “Ilm (knowledge) is the second most used word in the Quran after Allah; Aligarh’s motto captures this ethos, ‘(Allah) taught man what he knew not’.” As youngsters seek to know more and more, Aligarh is like the body and AMU its soul.

source: http://www.thehindu.com / The Hindu / Home> Books / by Zia Us Salam / February 09th, 2023

Light on a leading light

NEW DELHI :

Mustajab Malik
Mustajab Malik

Mustajab Malik’s short film “Sir Syed Ahmed Khan” is quite relevant at a time when media circles are abuzz about a possible Bharat Ratna for him.

Many times adverse conditions bring out the best in a human being. So was the case with Sir Syed Ahmed Khan, a visionary and educationist, whose single greatest contribution among others to the posterity stands in the form of Aligarh Muslim University (AMU), the renowned centre of learning.

The 30-minute documentary “Sir Syed Ahmed Khan” is a part of the series “Charagh-e-Hind” directed by Mustajab Malik that traces his life highlighting several important aspects of his personality. “The objective of the series is to inspire the Muslim youth and enable them to change their mindset from ‘we have got nothing’ to ‘we must contribute’,” explains Mustajab, a veteran theatre person. Virendra Vashistha essays the role of Sir Syed and the script is written by Dr. Mohammad Aleem. Born on October 17, 1817 in Mughal nobility, Sir Syed after education joined the civil services. The First War of Independence in 1857, when he was munsif in Bijnor, had a profound impact on his life. Despite suffering personally as many of his family members were either killed or missing, he ensured protection to the women and children left by the British for safekeeping.

“Sir Syed was aware that the 1857 events reflected dissent on the part of Indians and that they were not well prepared for it,” comments historian, Prof. S.M. Azizuddin in the film. “An Essay “On The Causes Of The Indian Revolt” in 1859, the English translation of his discourse, was widely debated in the English Parliament leading many members to demand action against him.

Instead mourning the death of his loved ones, the educationist was deeply hurt by the repercussions on his community and nation. He decided to serve and provide hope in the time of despair. “When Muslims were being targeted and their confidence was at the lowest ebb, he stepped in to guide them in tune with the changing international environment,” remarks Dr. Khwaja Ekramuddin, an Urdu scholar, in the documentary. For achieving that Sir Syed identified knowledge and science as the prime tools and promoted Western style scientific education. He founded a modern madarsa in Moradabad and Ghazipur and the Scientific Society of Aligarh to instil scientific temper apart from having several scientific papers translated into Urdu.

Sir Syed’s meeting with Mirza Ghalib to write the foreword of his edition of Abul Fazl’s Ain-e Akbari, proved a turning point for him. The poet asked him to forget the past and concentrate on current developments and take into account the galloping progress in the West thereby turning him towards social reform.

During his stay in England for nearly two years from 1869 he visited several educational establishments and learning centres inspiring him to replicate them in India. This led to setting up Muhammadan Anglo-Oriental College in 1875. “Educating Muslims meant taking India forward,” comments Pradeep Saxsena, a Hindi scholar. In this cause he was helped by several Hindus in cash and kind. Besides seeking funds, Sir Syed also staged plays to espouse the cause. In 1920, 22 years after his death, it became AMU. The institution enrolled a large number of Hindu students and Babu Iswhari Prasad is among the first batch of graduates.

Sir Syed was swayed by all the British did. “He wanted their help and at the same time criticised them as proved by his essay on events of 1857. Besides he also rebutted the allegations made by Sir William Muir in his book “Life of Mahomet” in writing,” says Mustajab adding “he did not take to the streets protesting or led agitations and instead adopted the civilised method.”

The film highlights Sir Syed’s scholarship by informing the viewers of his 1846 book “Athar-al-Sanadid” which documents the Delhi monuments. “It was a first- of-its-kind attempt. In fact this authoritative work which cannot be ignored by anyone studying Delhi monuments,” comments Syed Ali Nadeem Rezavi, a historian shown in the documentary.

source: http://www.thehindu.com / The Hindu / Home> Friday Review / by S. Ravi / January 08th, 2015