Dr Mohammed Abdul Saleem, a distinguished Hyderabadi NRI and dental surgeon, has been appointed as the chairman of the Indian International School in Jeddah (IISJ), one of the largest Indian community schools in Saudi Arabia.
Dr Saleem formally assumed charge on Monday in the presence of school officials and management committee members. He succeeds Dr Hemalatha Mahalingan, who completed her tenure and made history as the first woman to head a community-run Indian school in the Kingdom.
A prominent figure in the expatriate Indian community in Jeddah, Dr Saleem has been actively involved in the school’s management. IISJ, established in 1969, serves the academic needs of the Indian expatriate community and is affiliated with the Central Board of Secondary Education (CBSE). The school, which has over 10,000 students, is recognized for its academic excellence and was among the first to introduce Telugu as an optional language for students.
Dr Saleem’s appointment is expected to bring further advancements to the institution, strengthening its commitment to quality education and community service.
source: http://www.radiancenews.com / Radiance News / Home> Education> Latest News / by Radiance News Bureau / February 26th, 2025
U. Mohammed Khalilulah, former President of MEASI, Anjuman-E-Himayath-E-Islam, All India Muslim Education Society, and Agent of Prince of Arcot Endowment, breathed his last on Tuesday at 4.45pm.
U. Mohammed Khalilullah was the legendary doyen of the Muslim community in Chennai, a highly respected, recognized and well-appreciated member of the chartered accountant fraternity, and a remarkable and graceful human being with the core inbuilt values of utmost decency and universal brotherhood.
Mr. Elias Sait, Hon. Secretary of MEASI and President of NCAA, in his condolence message, said: “Allah has called him back to the heavenly abode, taking him away from us. A big unmeasurable loss to our community, to his family, and to his innumerable friends and well-wishers.
“One of the saddest days for MEASI, AHI and many other Muslim institutions, and for all of us in this MEASI EC GROUP.
“All the staff of all MEASI institutions will be grieving over the loss of their father like figure for nearly three decades.
“Our condolences to his large family of daughter, sons and grandchildren, more particularly to his eldest granddaughter who took care of him so meticulously in every aspect, during the last years of his life. Allah give them the fortitude and sabar to bear this huge loss.”
At the time of transition of the services of Agent of Prince of Arcot Endowment from U. Mohammed Khalilullah to Nawabzada Mohammed Naser Ali on 29 November 2024, the Prince of Arcot, His Highness Nawab Mohammed Abdul Ali lauded Mr. Khalilullah for his decades of dedicated service to the Endowments. “His tenure of 31 years as the agent is marked by significant improvements and remarkable contributions to the development and overall progress of the institution,” he said.
source: http://www.radiancenews.com / Radiance News / Home> Latest News> Obituary / by Radiance News Bureau / February 27th, 2025
Marui Village (Nawada District), BIHAR / Kolkata, WEST BENGAL :
A young Jamal who met Gandhi in 1947 later shaped Kolkata’s hospitality scene and contributed to renowned chains like Arsalan and Mezban.
A scholar of Sanskrit, he is a well-known figure in the city’s literary circles. However, despite his generous donation of 15 katthas of land for a government hospital, the Bihar government has yet to honor the donors, leaving his legacy unacknowledged.
Primary Health Centre in Marui, Nawada and Jamal Ahmed ‘Jamal’
Kolkata:
In the heart of Kolkata’s vibrant Prafulla Sarkar Street, Jamal Ahmed, the 98-year-old hotelier and poet, sits in the backroom of Aliah Hotel, his voice resonating with the same intensity as the lively street outside.
Jamal Ahmed, a nonagenarian, is known in the city as a poet and a concerned citizen. But the 98-year-old is also a philanthropist. He has donated 15 Katthas of land in his native village in Bihar for a government hospital, which last year became operational.
A Philanthropic Legacy: Land Donation for a Government Hospital in Bihar
“The land (in Marui village, Nawada district) was the costliest in the adjoining areas. But my father, who decided to donate it to the government to build a hospital there, did not hesitate,” informed Firdaus Jamal, son of Jamal Ahmed.
The market rate for land in Marui village is at least Rs 20 lakhs per kattha. In Bihar’s Nawada district, one kattha of land is equivalent to 3 decimals.
“I had told my mother that one day there will be a hospital in your name. So I had to do it,” Jamal Ahmed told eNewsroom. The family proposed the name of the hospital as QZJ Government Hospital, incorporating the names of Jamal and his parents. There is a board at the hospital where Jamal Ahmed Jamal’s name as the donor is mentioned. However, the Bihar government has yet to adopt the name suggested by the donors’ family.
The 20-bed primary hospital is now operational.
Poet Jamal Ahmed ‘Jamal’ | eNewsroom
When donating, I did not make any demands, such as asking for government jobs for my family members or insisting that a doctor from my family should practice here,” he said.
“I demand that either the Bihar Chief Minister (Nitish Kumar) or the Health Minister inaugurate the hospital,” the donor added.
Jamal Ahmed, a multifaceted personality, knows five languages and completed his Master’s in Sanskrit from Banaras Hindu University (BHU) and his Bachelor’s in Science (BSc) from Patna University. He frequently uses Sanskrit shlokas in his poetry. Much of his poetry focuses on communal harmony in the country.
A major event in his life was meeting the Father of the Nation, Mahatma Gandhi, on August 13, 1947 in Kolkata.
A Life of Literature and Peace: Jamal Ahmed’s Encounter with Mahatma Gandhi
“I was just 18 years old, but Gandhiji was desperately seeking peace for the country. When I heard that Gandhiji was in Kolkata and my uncle, Kareem Sahab, was going to meet him, I joined my uncle and reached Beleghata,” recalled the nonagenarian, quickly adding that he has no picture with Gandhiji.
“In my brief interaction, I requested Gandhiji for peace in the country and to stop the riots. Gandhiji replied that he came to Kolkata for this very purpose and would be traveling to other parts of the country for the same reason.”
The well-known hotelier has great command over recipes and dishes. “I have helped several hotel outlets in Kolkata and abroad set up their centers. Some of them are now big names, like Arsalan and Mezban.”
Jamal Ahmed’s sons run several hotels in Kolkata, including the famous Arafat Hotel on Rafi Ahmed Kidwai Road, which is managed by Firdaus Jamal.
Aliah Hotel on Prafulla Sarkar Street—where Jamal Ahmed feels he gains the wings to fly.
Preserving Harmony Through Poetry: The ‘Tatkal’ Poet’s Message for Unity
But in Kolkata’s literary circles, ‘Jamal’ is known for his ‘Tatkal’ poetry. A ‘Tatkal’ poet is one who can deliver a poem instantly, depending on the situation.
“I was very young when I met Gandhiji, and still, I recited a poem for him:
Andhi Tawaf Karti Hai, Gandhi Ki, Aye Jamal. Ye To Bhanwar Se Laye Hain Kashti Nikal Ke
(The storm circles around Gandhi, O Jamal. He is the one who has brought the boat out of the whirlpool.)”
The poet ‘Jamal’, an Acharya in Sanskrit often uses the couplet to promote communal harmony.
Yem niza pro weti ganna laguchetshaam udarnaam chatrinantu, washudhew kutumbakam.
A rough translation of this Sanskrit couplet is:
“This is ours, that is yours—those who think this way have small hearts. But for the great ones, the entire world is one.”
He also mentioned that the shloka is written at the entrance of the old Parliament building’s gate. Eleven members of Parliament, including Maulana Azad, had agreed to imprint it there.
source: http://www.enewsroom.in / eNews Room India / Home> Art & Culture> Bengal / by Shahnawaz Akhtar / February 19th, 2025
“The Book SangTrash: Shamim Ahmed’s account of the fight for human rights and Urduh” penned by Nurullah Jawaid is an immersive and powerful exploration of the life and activism of Shamim Ahmed, one of India’s most distinguished human rights advocates. As a pioneer of the Urdu movement, Shamim Ahmed’s story is one of unwavering dedication to social justice, human rights, and the preservation of cultural identity in the face of systemic injustice and political turbulence. This book, rich in historical and cultural context, offers an in-depth look at the life of a man who was not only a visionary leader but also a symbol of courage and resilience in the fight for equality and dignity.
The book delves into Shamim Ahmed’s lifelong struggle to address some of the most pressing socio-political issues of his time. Set against the backdrop of India’s dynamic and ever-evolving socio-political landscape, “SangTrash” chronicles Shamim Ahmed’s tireless efforts to combat the deeply ingrained inequalities that plagued the country, particularly the discrimination faced by marginalized communities. These efforts were not limited to his work as a human rights advocate but extended to his role as a cultural leader, educator, and innovator. Through the lens of his activism, the book paints a vivid picture of the complexities of Indian society during times of immense political and social upheaval.
Shamim Ahmed was not merely a passive observer of the struggles faced by the oppressed and underprivileged. He was a relentless force working to bring about tangible change. From his early days as a young idealist, Shamim Ahmed was deeply moved by the plight of the marginalized—those whose voices were suppressed by both society and the political elite. His passion for human rights led him to establish the Human Rights Protection Association (HRPA), an organization dedicated to addressing human rights violations across India. Through this platform, Shamim Ahmed sought to mobilize citizens to stand up for justice, regardless of their background, religion, or ethnicity.
In addition to his advocacy for human rights, Shamim Ahmed is best known for his work with the Urdu Movement. At a time when the Urdu language was facing marginalization and disintegration due to political pressures, Shamim Ahmed took it upon himself to revitalize and protect the language as an integral part of India’s cultural and literary heritage. His campaigns to promote Urdu literacy and its inclusion in educational institutions were not just about language preservation; they were about the empowerment of communities who saw Urdu as an essential part of their identity. Through this movement, Shamim Ahmed demonstrated that language is not merely a means of communication but also a symbol of cultural resistance and resilience.
As the narrative unfolds, “SangTrash” brings into focus the challenges Shamim Ahmed faced along the way. His activism was not without its detractors. Political opposition, societal resistance, and personal sacrifices were all part of the price Shamim Ahmed paid for his unwavering commitment to justice. The book sheds light on the obstacles he encountered, from the government’s attempts to suppress his initiatives to the skepticism and hostility from those who feared change. Yet, despite these challenges, Shamim Ahmed’s resolve remained unshaken. His determination to bring about social change and protect the rights of the disenfranchised never faltered, even when his own safety was threatened.
Shamim Ahmed’s legacy is further immortalized through his initiatives such as the “Food for All” campaign, which aimed to address hunger and poverty in India’s rural and urban areas. The campaign sought to ensure that food was available to every citizen, regardless of their social status, and to promote sustainable agricultural practices that would reduce reliance on outside aid. Through his leadership, the campaign brought together communities, activists, and policymakers, resulting in significant strides towards alleviating food insecurity in many regions.
Nurullah Jawaid’s writing not only brings Shamim Ahmed’s efforts to life but also contextualizes them within the broader historical and cultural milieu of India. By delving into the political, social, and economic landscape of Shamim Ahmed’s era, the book offers readers a nuanced understanding of the obstacles that activists and marginalized groups faced during this turbulent period.
“SangTrash” is a deeply informative and educational work that highlights the interconnectedness of human rights, cultural preservation, and social justice. It challenges readers to reflect on the ways in which systemic inequalities continue to shape society and the moral responsibility that each individual bears in addressing them.
The book also pays tribute to the human rights defenders who, like Shamim Ahmed, dedicate their lives to advocating for justice in an often hostile environment.
In telling Shamim Ahmed’s story, Nurullah Jawaid brings to the forefront the importance of collective action. The struggles faced by Shamim Ahmed were not his alone; they were shared by countless others who, inspired by his work, joined in the fight for a more equitable and just society. This collective action is central to the book’s message—individual activism can spark movements, but only through solidarity and collective efforts can lasting change be achieved.
“SangTrash” is not merely a biography of a prominent figure in Indian history. It is a call to action. By recounting Shamim Ahmed’s life and the impact of his work, the book challenges readers to engage with the pressing social issues of today, particularly those related to human rights, inequality, and cultural identity. The lessons of Shamim Ahmed’s life are timeless, and the values he fought for—equality, dignity, and mutual respect—remain as relevant as ever.
This book is also a reminder that activism is not always glamorous or celebrated in its time. Often, it is the courage of individuals like Shamim Ahmed, whose actions go against the grain of societal norms that change the world for the better. “SangTrash” is, therefore, more than just the story of one man; it is an inspiration for anyone who believes in the power of activism to bring about positive, meaningful change. It challenges readers to question the status quo and to take responsibility for shaping the future in a way that is more inclusive and just for all.
In conclusion, “SangTrash” is a tribute to Shamim Ahmed’s life and legacy. It is a book that encourages readers to consider the ways in which activism, grounded in human rights and social justice, can transform society. By examining the key moments in Shamim Ahmed’s life and the challenges he overcame, the book underscores the enduring importance of standing up for what is right, even in the face of adversity. Through this compelling narrative, “SangTrash” becomes not just a biography but a powerful call for activism in today’s world.
source: http://www.muslimmirror.com / Muslim Mirror / Home> Books> Positive Story / Reviewed by Kulsum Farooque / February 14th, 2025
At just nine, Ilaf Abdul Qadir made history by achieving a Guinness World Record for nonstop kata in karate. His remarkable feat took place at the WKMA Open Karate Championship 2025, in Chennai on February 8, where he performed a 30-minute uninterrupted kata, showcasing endurance, discipline, and skill.
A third-grade student at Presidency School, Mangaluru, Qadir proved age is no barrier to excellence. His relentless training earned him both a world record and a gold medal in Kumite. He is the youngest contestant from Dakshina Kannada to compete, setting a benchmark for young athletes.
Born to Mohammed Musthafa and Asiya Juveria, Qadir’s success stems from rigorous training and commitment. He hones his skills under trainers Nadeem and Zakiya Yasmeen from the SHORIN RYU KARATE ASSOCIATION, Moodbidri. Their mentorship and his determination shaped him into an exceptional athlete.
Expressing gratitude, Qadir credited his coaches, parents, and school. “It was tough, but I wanted to push myself and prove hard work makes anything possible,” he said. His record-setting performance demanded stamina, precision, and mental strength, which he displayed effortlessly.
Qadir’s success brings pride to his family and inspires young martial artists. His journey proves determination, discipline, and guidance turn dreams into reality. Aspiring to compete internationally, he aims to bring more laurels to India.
With his name in the Guinness World Records, Ilaf Abdul Qadir stands as an inspiration for young athletes, proving that hard work leads to greatness.
source: http://www.radiancenews.com / Radiance News / Home> Pride of the Nation> Awards> Focus / by Radiance News Bureau / February 16th, 2025
Shaukat Ali Khan, who received the “International Hero in Literature Award” from Cambridge University and was awarded the President’s Award, is now no more. He breathed his last on Saturday night during treatment in Jaipur. He was 87.
Born on 11 July 1936 in the family of Sahabzada Idris Ali Khan of Tonk, Shaukat Ali Khan is a distinguished personality of the Amiriya family. He was the first Director of Maulana Abul Kalam Azad Arabic-Persian Research Institute (APRI).
Sahabzada Shaukat Ali Khan participated in the International Sufism Seminar organized by India in Afghanistan.
In view of this, the then President Giani Zail Singh himself considered him worthy of being honored with the National Award.
Shaukat Ali Khan also received an award in a seminar organized by UNESCO.
Apart from being a writer, historian, translator, and poet, he possessed many salient features rarely found in the world of literature.
Shaukat Ali Khan with APRI team
The APRI, which has its own identity in the country and the world, is also the result of the hard work and dedication of Shaukat Ali Khan.
Shaukat Ali Khan with President of India Giani Zail Singh at APRI, Tonk
In 1986, then President Giani Zail Singh visited the APRI. At that time, he wrote, “I am happy that such a director and such an organization exists in Rajasthan, due to which Rajasthan is known in the Arabic-Persian world. This happens very rarely. The idea is that someone should establish a path for the simultaneous progress and development of both the languages. I am extremely proud that a single person has created a platform for the progress of the Arabic and Persian languages and made it popular in the world. For this, its director Shaukat Saheb should definitely get the National Award, which he deserves.”
The life of Shaukat Ali had many forms and colors. With his efforts, he not only converted a nursery into an institute but also brought glory to Tonk. The APRI is proof of his pioneering efforts and wisdom. As long as the APRI continues to exist, the name of Shaukat Ali Khan will be there.
Shaukat Ali Khan was initially appointed Nigran of Nawab Mohammad Ali Khan’s library. He collected about 50,000 Makhtutats and wrote about 60 books in different languages – two books in Arabic, 10 in Persian and about 45 in English.
He had been carrying out research and writing work for about 40 years. He was a scholar of Arabic, Persian, English, Hindi and Urdu languages. He has also served as a member of many national and international government organizations.
Shaukat Saheb, who presented papers at national and international conferences and seminars, also edited and translated 6000 manuscripts, and published about 300 articles in more than 100 journals in English and Urdu. There is a long list of honors received by him at the national and international levels as well as at the state level. After retirement, he was living his life as a Sufi saint.
People across the country, including Mujeeb Azad, Director of Tonk Arabic Persian Research Institute; Sahibzada Mohammad Ahmed Bhayyu Bhai, Chairman of Royal Family Tonk; Retired Research Officer Anwarunnisa Nadira, State General Secretary of Human Relief Society, Tehreek-e-Urdu Rajasthan Advocate Akhtar Khan Akela, Cricket Coach Imtiaz Ali Neelu, have expressed grief over his demise, calling it an irreparable loss for the Arabic-Persian Research Institute, Tonk residents, and the Tonk Royal Family.
Condolence Letter by Sachin Pilot, MLA of Tonk
Sachin Pilot, MLA of Tonk has also sent a condolence message.
Chaudhary Akbar Qasmi, national convenor of Sanjhi Virasat Manch, has written that Sahabzada Shaukat Ali Khan was a descendant of Tonk Nawab and was one of the great intellectuals of Rajasthan. No one can deny his important role in establishing a big library (Arabic Persian Research Institute) in Tonk City and in raising it from the ground to great heights. As long as he was able to walk, he stood before writers and research scholars as a bright lamp of hope.
He was indeed a man of knowledge and grace.
source: http://www.radiancenews.com / Radiance News / Home> Focus> Markers of Excellence> Obituary / by Raheem Khan / December 12th, 2023
Mohammad Hashim, a porter at the New Delhi Railway Station railway station and an eyewitness to the horrific tragedy of stampede in which 18 persons died, tuned into a savior of a four-year old child.
He gets emotional as he recounts how a 4-year-old girl was resuscitated.
“…We were working like any other day when we suddenly heard screams. All of us, all porters, rushed there. We saw children on the floor, women & men running helter-skelter.
#WATCH | Stampede at New Delhi railway station | Mohammad Hashim, a porter (coolie) at the railway station and an eyewitness narrates the scenes he saw yesterday; gets emotional as he recounts how a 4-year-old girl, who he saved, was resuscitated.
“People were screaming. We pulled up a lot of children and brought them out. A few people had died and some others had fallen unconscious. We brought them to the ambulance.
“I rescued out 8-10 children…A woman was crying that her 4-year-old daughter died. I rescued the child and brought her out. Two minutes later, the child started breathing again, and she broke down.
“Her mother burst into tears of joy…We can call ourselves either brave or fools that we too jumped in, risking our lives…We saved several lives…”
He said he and other porters had never seen such scenes in their lives.
“Entire staff, GRP, RPF and porters were working on it…The crowd was for several trains. It happens every day, not just yesterday. But only God knows what happened…But porters helped a lot, there are 1478 porters here…”
source: http://www.awazthevoice.in / Awaz, The Voice / Home> Stories / posted by Aasha Khosa / February 19th, 2025
Mahmood Akram’s journey continues to inspire linguists, educators, and students worldwide, proving that dedication and passion can break barriers in education and learning.
Nineteen-year-old Indian Muslim boy, Mahmood Akram, has astonished the world with his linguistic abilities and achieved what many consider impossible.
With the ability to write, read and type in 400 languages and speak 46 fluently, the Chennai-based Muslim teenager’s journey into languages began at an early age, guided by his father, Shilbee Mozhippriyan, who himself speaks 16 languages, according to media reports.
The young Indian boy believes English isn’t enough for global communication & wants to inspire people of Tamil Nadiu to learn more languages.
Akram’s extraordinary talent became evident when he learned the English alphabet in just six days and Tamil’s 299-character script in three weeks—a feat that typically takes months.
Encouraged by his father, a linguistics expert, he continued to explore languages, surpassing even his mentor’s knowledge by the age of six.
At just eight years old, Akram set a world record as the youngest multilingual typist. By 12, he had impressed German linguists by demonstrating fluency in 400 languages, securing another world record.
“I had struggled because I did not know the language of a particular state or country when I had to move to places like Israel, Spain, due to my job,” shares Shilbee, who also owns a doctorate in cognitive psychology among other degrees.
Akram’s journey continues to inspire linguists, educators, and students worldwide, proving that dedication and passion can break barriers in education and learning.
His passion for languages led him beyond conventional schooling. Unable to find suitable programmes in India, he pursued online studies through an Israeli institution, focusing on Arabic, Spanish, French, and Hebrew.
Inspired by his growing social media following, Akram began teaching languages at 14 through YouTube.
By 2024, he had conducted language workshops in Myanmar, Cambodia, Thailand, and Indonesia, sharing his expertise with students worldwide.
He is pursuing a BA in English Literature and a BSc in Animation at Chennai’s Alagappa University while also studying linguistics at the UK’s Open University.
Despite his academic commitments, he remains dedicated to refining his fluency across languages.
As Akram recalls, “My journey started at the age of four.” “My parents began teaching me Tamil and English alphabets, and I mastered the English alphabet in six days. They were astonished.” His aptitude didn’t stop there. He learnt the 299 alphabets of Tamil in just three weeks, a task that typically takes months.
source: http://www.gulftoday.ae / Gulf Today / Home> Culture / by Gulf Today Report / February 19th, 2025
A painting combats drugs.Horses displaying power in colour.
Renowned artist Akbar Saheb has been immersed in the field of art for over 50 years. He has been living and working in Dubai since 1996, and has been honoured with the Golden Visa for his many artistic achievements and exceptional creative contributions to the UAE, his adoptive country, and India, his home country.
His vast collection of artworks, inclusive now of over hundreds of paintings, spans various mediums, including those created in oil, acrylic, watercolour, and more recently, sculptures. His exhibitions extend to both global and local audiences. Among others, he has had a notable solo exhibition done in a new style he calls “Depthism” at Jehangir Art Gallery Mumbai (2023).
Later, he hosted another art event in Delhi. The theme was tolerance and Akbar Saheb says that “many people, including foreigners, were mesmerised by the artworks and their creative ideation.”
In 2024, he had a solo exhibition at the Al Habtoor Polo Resort and Club in Dubai. “It was a huge highlight of my creative career,” says Akbar Saheb. His artistic prowess has transcended borders, earning him recognition from the Indian government also. He has been invited to participate in governmental initiatives, such as Prime Minister Narendra Modi’s Mann Ki Baat (Conversations of the Mind) book.
He was the only artist selected to illustrate the volume; it won him recognition in the Rashtrapati Bhavan (President’s House) and with the public also, during the official launch of the volume. In 2022, he showcased his artwork in 6 solo exhibitions held across India, supported by the Indian Prime Minister’s Office. The shows were held in Ahmedabad, Baroda, Surat, Rajkot, Delhi and Varanasi; they were attended by many VIPs. Akbar created a collection of 55 paintings which served as platforms that presented India’s progress and the transformative impact of Mann Ki Baat initiatives.
Akbar Saheb in a contemplative mood.
The seeds of Akbar’s artistic journey were sown at the tender age of seven. Despite the absence of significant family support, he diligently pursued his passion for art. He began by crafting shop signboards and assisting college students with biology drawings, to finance his sketching material. Years later, his creative flair propelled him to leading advertising agencies, where he specialised in illustration with airbrush techniques. His dedication to art ultimately took him from India’s Bangalore and Mumbai, where he worked in major companies, to Dubai.
His paintings, especially those of horses, feature a bold use of colour and a fearless instinct to show movement. The firm brushstrokes are the vectors of the energy, vitality and dynamism of the animals. The pictures bring memories of the work of Indian artist M. F. Husain, whose horses too portrayed majesty and power.
Akbar Saheb is not merely an artist; he is a compassionate soul with a deep commitment to humanity, particularly towards children with disabilities. Through specialised painting classes and international collaborations, he empowers the children to express their artistry. “I strive to inspire children to embrace art, fill their minds with colours, and explore the world through creativity,” he says.
He has launched painting classes and charitable projects for disabled children, providing them a space for artistic expression and has also auctioned paintings for donations and charity. In an interview, Akbar shared his experience working with the children. “Engaging with these children and witnessing their resilience and creativity is truly humbling,” he said. “They inspire me and remind me of the beauty and strength within each person. Through such efforts, I hope to inspire others too to support and uplift special children, as they live their life and pursue art. Together, we can create a more inclusive and caring society.”
A composition by Akbar Saheb..
Alongside art sessions, the activities he initiates are aimed at raising resources for the development of children with special needs. His aim is to provide them with the necessary assets, materials and educational opportunities to nurture and develop their artistic talent. Investing in their growth, he believes, can create a future where every child, regardless of his or her ability, can thrive and contribute to the community.
Akbar’s extensive portfolio showcases an eclectic array of creative concepts, themes and styles – he has exhibited his works worldwide. “Recently,” he says, “I was invited to do live painting during the Gold Cup final at the Al Habtoor Polo Resort and Club. Both the teams involved played well; it was an intense match and ended in a tie. But finally, the UAE Polo team broke through, winning the final. My painting was gifted to the winning team for their amazing performance and playing skills!”
A painting titled Black Money.
Sheikha Maitha bint Mohammed bin Rashid Al Maktoum was the Patron of the event, for the sixth time, and also led the winning UAE team. Sheikha Maitha was the first woman from the UAE to represent the country in the Olympics, in 2008.
Akbar Saheb is known to numerous celebrities and prominent people; many of them own his paintings. He has produced multiple works depicting the UAE’s culture, and the growth of the country. The 18×7 foot, 50 year golden jubilee painting; paintings on Sheikh Zayed and Sheikh Mohammed bin Rashid Al Maktoum; plus over 50 paintings on UAE culture, are among his prized creations. His works range from commissions given by well-known individuals, to paintings done for his own satisfaction. Themes include horses, polo, history and culture and human existence, among others.
source: http://www.gulftoday.ae / Gulf Today / Home> Culture / by Muhammad Yusuf, Features Editor / February 24th, 2025
Ustad Waseem Ahmed Khan on maintaining his gharana’s parampara and his views on music.
Ustad Waseem Ahmed Khan
The illustrious Agra gharana of Hindustani classical music has had distinguished exponents and teachers who have imparted this school of music to countless disciples over the centuries. Ustad Waseem Ahmed Khan is a prominent vocalist of this gharana.
Born in 1974, Waseem Khan is the grandson of Ustad Basheer Khan from his father’s side and of Ustad Ata Hussain Khan from his mother’s side. He has thus inherited the rich repertoire of both the khandans . He took his initial taleem (education) from Ata Hussain Khan at the age of six. Thereafter, he learnt from his father, Ustad Naseem Ahmed Khan.
Waseem’s debut performance was at the age of 10. In July 1999, he became a scholar of ITC Sangeet Research Academy ( ITC – SRA) under erstwhile guru Ustad Shafi Ahmed Khan. He left the academy in April 2003 as an A-grade scholar. Since then he has performed at various venues all over the world, sharing the stage with maestros. He taught for five years as a senior faculty member of Shakhri Begum Memorial Trust, an academy run by Ustad Rashid Khan and is currently assisting with ITC-SRA projects. He is also a regular performer for All India Radio.
Waseem, based in Kolkata, will give his first ever concert in Kerala at the Kerala Sangeeta Nataka Akademi Hall, Thrissur, on September 21 at 5 pm. Prior to the concert, Waseem spoke to Friday Review on his gharana, Indian classical music and more. Excerpts from an e-mail interview.
What are the defining features of the Agra gharana?
The voice production is distinctive; the voice throw is open-throated. The other distinctive features are nom-tom alaap (the rhythmic section where the raga develops with a steady pulse employing syllables such as non-tom but without the binding of tala). The method of presenting a bandish (fixed, melodic composition) is also distinctive of this gharana. We break the bandish into many parts. For example, if there is an interesting line in the antara, we use this line for bol tan (rhythmic pattern of notes which uses the words of the bandish), bol bandh, bol vistar and so on. We are not supposed to create an artificial voice but rather polish the one gifted by God.
Is there an amalgamation of features of various gharanas in the Hindustani music we hear today?
Yes. It is healthy as long as one is able to express one’s identity clearly. Every gharana has its own beautiful features. Artistes of the past also adapted the features of other gharanas and enriched their music. They, however, retained a stamp of their gharana, which could be identified by the opening ‘sa’.
Being part of an ancient and reputed gharana, what are your responsibilities? Do you have another generation to take on the mantle?
It is a huge responsibility. But I feel proud too. I consider it is my duty to carry on this tradition and, if possible, enrich it. The most important aspect is to pass on this legacy to the next generation. My young daughter has started learning it and I’m also teaching students at the ITC-SRA Kolkata apart from my own students. The Agra gharana, today, has a lot of good artistes making their mark in the world of music.
Ustad Waseem Ahmed Khan
What is your opinion about lighter forms of classical music such as thumri, dadra…?
It is beautiful to sing the light forms also. Old masters of our gharana like Ustad Faiyaz Khan Sahib, for instance, used to sing the thumri and the dadra. I sing these in almost all my concerts. It is nice to switch to a relaxed mood after a heavy khayal.
Is there a link between spirituality and Indian classical music?
Definitely! Music without spirituality is meaningless. Our bandishes address gods irrespective of religion, requesting their mercy for the well-being of this world.
How do you decide which raga to sing at a concert?
The time of the concert plays an important role. Each raga is associated with a specific time. We follow that strictly. But this can be modified depending on the weather and the mood of the concert. For example, Malhar is a night raga. But we may choose it intuitively during a concert held in the day if it is raining outside. We do it because we feel that it will suit the mood and the effect is usually amazing. During festivals like Durga Puja or Basant Panchami, we render ragas like Gouri, Durga or Basant accordingly. And if it is a concert series, we render it according to the raga rendered earlier.
How much does an audience affect your performance?
Like any musician, I love to sing before a huge audience. But there should at least be a handful of good listeners whose presence should motivate me to sing wholeheartedly. In the past, music was confined to a few, now it is accessible to millions across the globe. The gharanas are flourishing, Dhrupad and khayal are intact, there are gurus and shishyas, and there is innovation.
Do you think that the classical music scene is strong and prosperous?
I don’t think there is any threat to good music. Earlier, maharajas were the promoters of classical music. Now we have corporates and organisations in that place. I can say that ITC is a classic example. Then there are organisations like SPICMACAY and NCPA that have also done their bit to carry forward this great tradition.
How relevant is Indian classical music in the modern world?
It is relevant in the modern world. When I see young boys in half-pants touching my feet and learning classical music seriously, I feel it is because they feel it is pertinent. And in the West, the young generation has taken it up enthusiastically.
If you were asked to pick a memorable concert, which would you choose and why?
That’s a tough one. There are so many, like the one in New York recently where the listeners asked me to sing only khayals with elaborate nom tom alaap and not even thumri or dadra. I was surprised. I’m looking forward to the concert series here where I’m sure I will be in the company of avid listeners.
Is the guru-shishya parampara still existent? And what is the best way of doing riyaaz (practice)?
I teach my students the same way I learned from my gurus. But it was tough then, as the gurus were task masters. In the case of riyaaz, my advice would be to do ‘Kharaj Riyaaz’(practice of holding notes on the lower octave, where every single sur is used with full breath) in the morning. It is extremely important for improving one’s voice culture.
If not a professional musician, what career would you have chosen?
I would have been a cricket player, perhaps. I was passionate about the game and played it during my college days. I admire Sourav Ganguly, I’m a great fan of his.
source: http://www.thehindu.com / The Hindu / Home> Entertainment> Music / by K Pradeep / September 19th, 2019
