Tag Archives: Nawab Sultan Jahan

Ibn Sina Academy of Medieval Medicines and Sciences is a legacy in four walls

Aligarh, UTTAR PRADESH:

Professor Syed Zillur Rahman, founder,Ibn Sina Academy of Medieval Medicines and Sciences with the author
Professor Syed Zillur Rahman, founder,Ibn Sina Academy of Medieval Medicines and Sciences with the author

Known for its locks, Aligarh, a city in Uttar Pradesh, has also locked a legacy in its reserve – for generations to benefit from it. It houses a rare academy and museum called Ibn Sina Academy of Medieval Medicines and Sciences. 

Located at Tijara House, amid a vibrant market place and residential area, Ibn Sina is hailed as the rarest house of legacies in arts and sciences combined under one roof. Named after the legendary scholar of philosophy and medicine Abu Ali Ibn Sina (980 -1037), this academy was accredited to the Ministry of Ayush in 2004 and promoted to Centre of Excellence in 2008.

The institution was established for encouraging and promoting research and studies in medieval sciences, especially Ibn-Sina’s as well as arts, culture, poetry, and other sciences. 

The bust of Ibn Sina with Charak inside the museum

Of Ibn Sina’s four stories, a major attraction is on its second floor which houses the Fazlur Rahman Museum of Orientalism, Art, and Culture. 

It has four main galleries; the crockery gallery has a large collection of oriental and British Indian utensils, hammami plates, bowls, tea sets that belong to prominent personalities such as Hakim Ajmal Khan, Nawab Sultan Jahan, Nawab Shahjahan Begum of Bhopal, Nawab Yusuf Ali Khan of Rampur and many others.

The textile gallery is ornate with attires, garments with gold and silver calicos studded with precious stones, one of which has entire Quranic surah Yaseen embroiled in gold zardozi on it, turbans worn in battles, among many other oriental attires. The picture gallery has prominent personalities of AMU’s pictures, drawings, photography, prints, etc.

Its miscellaneous gallery has coins, postage stamps, clocks, busts, pens, memes, and relics of prominent personalities. 

“We have over 2 Lakh stamps beginning from ever since the stamps started, from all countries and India. People who were pioneers in the world of arts and culture, education, and freedom fighters on whose names, and stamps were released, we have a collection of the same. shares Dr. Aftab who is a convenor at Ibn Sina.

In addition medical manuscripts, medical philately, medical souvenirs memories of physicians especially those of Nobel laureates are well preserved here.

The wall of fame (Pictorial history of some important Muslim families)

The connecting rooms of the galleries welcome you with a sofa of Raja Jai Kishan, a mirror of the times when they were made of iron sheets. The iron sheets called ‘aaina’ were rubbed so many times that they would become sparkling clear and shining to become a mirror. That’s how the mirror got its name ‘aaina’ Later it got a new name –sheesha – with the change of the material..

The academy is rare for numerous reasons. For avid readers of medicine, science, Urdu, Persian, Arabic, literature, poetry, oriental studies, researchers, students preparing for competitions, and scholars IbnSina is a heaven. It boasts of a rare collection of 32000 books, 17000 magazines, 1100 manuscripts, (makhtootaat), 21 rare Qurans including one pocket size in gold, and much more is in store.

Built by professor Syed Zillur Rahman, a medical academic and passionate Urdu litterateur from Aligarh, Ibn Sina was an extension of his colossal library that he had established in 1960 which soon extended into the world’s rare academy and museum of its kind in the year 2000. 

Collection of stamps 

“Hamare yahn Aurangzeb ke hath ka likha, aur uske bete ke hath ka, likha hua Quran hai,” gleams the professor, sharing the information.

Apart from a separate collection of Muslim women achievers, Ibn Sina boasts of the world’s best collection of Islamic sciences, Islamic medicines, and Islamic philosophy being published across countries such as Iran, Central Asia, Syria, Iraq Turkey, etc. Scholars from across the globe come here to refer to books in this section.

For Ghalib devotees, the academy has a separate section called Ghalib Study Centre. It “Ghalibka collection joh mare paas hai vo duniya mein kisike paas nahi hai,” claims the professor.

Delhi finds a special place here boasting of 7500 books, some as old as 1893, dictionaries as old as 150 years, authentic diwaan on Ameer Khusrau, books on and by the last Mughal Bahadur Shah Zafar, British period –Victorian Era with pictures in Lithographs and much more.

Children using the library

The academy has a library for students especially those preparing for competitive exams. The 100-seater library has the best of books from literature, agriculture, science, math, medicine, etc.

“There is no fee to sit in this library. It opens every day from 10 to 10. This section has over 28000 books including 56 of Professor Rehman on Tibbi and Unnani medicines. there are separate sections for Unani medicine and Sir Syed Movement, biographies,” Dr Aftab Alam, the coordinator of Ghalib Study Centre informed.

There is a reason why the library has most books in Urdu and Persian on Indian history, culture, language, society, education, politics, medicine, etc. “Not much work in English has been done on Muslims. Most work has been done in Urdu and Persian. So this is our helplessness. Our focus is on India – the Hindustan. Indian scholars have done immense work in any domain, philosophy, travelogues, and medicines, especially in Islamic history, the Quran, and hadith that is comparable to anyone in the world, especially the Arabic and Persian world. The problem is we don’t read because we don’t read Urdu,” rues the professor. 

Why Ibn Sina was built has an interesting story. As a young man, Professor Rahman used to watch a bird who had made a nest and would bring food for her newborn, just as the routine was with a cat who had given birth to kittens – at his home. After some months, the birds flew, and the kittens grew and went away with their mothers.

“I thought to myself, ‘Is this the life God has created mankind for? Just be born, eat, sleep, and die like animals? God has created a man to not only take care of his family but also society, language, culture, community, and world.”

Ibn Sina Academy of Medieval Medicines and Sciences

So, he decided to create a legacy that he says would be useful for a generation after 80 years! “We are away from civilization by 80 years. A standard time to develop any civilization is 150 years. So, now people are not able to understand the legacy I have created but the students who read it 80 years later will know what it is. By then we would be a civilization.”

People get worried that the graph of Muslim development is going down. But the Professor feels it is nothing to be worried about. “Every civilization has to go through it. Our graph has risen. We were 10 crores in 1947. After Partition, 7 crore left for Pakistan had 3 crore stayed in India. We were nothing in 1947 but our buzurgs worked very hard to study and became scholars. Now we are making educational institutions, universities, hospitals, media houses, and so on. Most important is that girls are getting higher education and they will change the face of the nation,” he says, satisfied while emphasizing reading Urdu to know a legacy called India and the contribution of Muslims to it.

Rana Siddiqui Zaman is a Delhi-based senior columnist and art reviewer

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Stories / by Rana Siddiqui Zaman / January 10th, 2024

How a short film on Bhopal pays a poignant tribute to an age when women ruled the state

Bhopal , MADHYA PRADESH :

Begamon ka Bhopal is a lyrical ode to a forgotten time.

An 18-year-old widow who declared her infant daughter queen; a wife who survived an assassination attempt and held her husband captive; a princess who abdicated the throne in favour of her mother; a ruler who served as the only woman chancellor of Aligarh Muslim University.

The erstwhile royalty of Bhopal has borne some of the bravest, most dynamic rulers in the 19th and 20th century India. These nawabs were popular, fair, reformist, and fierce; they were also women.

While several women have enjoyed power as regent mothers and influential wives throughout history, Bhopal and its royalty are unique. Between 1819 and 1926, the kingdom saw four women rule it – women who were Nawab Begums, not just Begums, who ruled through inheritance, not proxy.

A still from Begamon ka Bhopal.
A still from Begamon ka Bhopal.

The movie

Much has been written about these women and their reign, including by the Nawab Begums themselves, documenting both the personal and the political events of their times.

The footprints they left behind have become part of Bhopal’s everyday life, informing and forming its consciousness and character. It is the exploration of this connect that has resulted in Begamon ka Bhopal, a short film, which is both an ode to the universal feeling of nostalgia, and a document of how an interaction with history can turn deeply existential and personal.

The movie has been directed by Rachita Gorowala, a 30-year-old alumna of Xavier Institute of Communications, Mumbai, and FTII, Pune, and will be available to viewers in January on filmsdivision.org.

Gorowala says she made the movie as her own experiment with truth: “A fascination with Pathan woman rulers who ruled Bhopal for over 100 years started me on Begamon ka Bhopal. A journey that may have begun on the lines of fascination with history became existential, introspective and deeper as an experiment with cinema.”

The movie speaks of a Bhopal long past, and seeks to conjure it up through a writer rooted in the city, a grandson who has preserved reels of films shot by his grandfather between 1929 and 1975, two royal descendants, a royal attendant.

The overarching emotion running through the movie is huzoona Persian word for powerful nostalgia, a longing for something lost but not gone. The characters speak of their own past lives, or their engagements and attempts to understand the past life of their city.

The emotion and the sense of old Bhopal is created through both audio and visual evocations – the magnificence and now the absence that marks palaces (Moti Mahal, Shaukat Mahal), the Taj-ul Masjid that is a solid link to the past and the present of the city. Music has been used powerfully – songs written and sung by Firoza Khan, one of the former royals who features in the movie – play like both a dirge and an ode.

“As a student of cinema, I learnt that a film is a medium of time and not of telling stories. Stories are meant to be heard and read. It is through juxtaposition of images and sounds that one creates an emotional journey,” says Gorowala.

Begamon Ka Bhopal is her first short film in the genre of poetic-realism, “a lyrical, musical, introspective journey”. “The movie is an ode to the times that once existed in Bhopal, through an everyday nostalgia that is lived by a writer, a film keeper and royal descendants. Each in their own way hold onto time and thus become it,” she says.

The movie has a lot of frames that show only parts, fragments – walking feet, hands busy with embroidery, dry rustling leaves – which seem to reflect the fragments in which we understand and engage with the past, the parts we hold on to, some passages, some stories that call out to us especially, and through which we try to understand the whole, through which we seek to anchor ourselves in the ocean of time.

The character Salahuddin, writer Manzoor Etheshaam, Nawabiyat descendants Firoza Khan and Meeno Ali, the royal attendant Zohra Phupo, all have important roles, the three women are symbols of the past and have survived into the present, the two men belong to the present and are trying to hold onto their connect with the past.

There is a powerful scene of Firoza fingering dolls as she talks of her own moulding into a member of a royal family post her marriage in 1961; she talks as she dresses up, her begum-ness coming alive with each addition of earrings, kangan, kaajal.

The Begums

For her movie, Gorowala had rich material to draw on. Bhopal’s famous Begums had a lot of variety among them in terms of personality and traits – the first, Qudsia, defied her court’s nobles and conventions to declare her infant daughter King in 1819.

Saif Ali Khan Pataudi has the blood of these begums in his veins. Photo: India Today
Saif Ali Khan Pataudi has the blood of these begums in his veins. Photo: India Today

Qudsia ruled as proxy for her daughter for 18 years, defending her kingdom against the battering armies of the mighty Marathas – Scindias, Holkars, Gaekwads – and her daughter’s inheritance against internal opposition.

However, some nobles managed to convince the British that a woman ruler was un-Islamic. Thus began a period of daughters inheriting the kingdom and their husbands ruling it. Qudsia’s daughter, Sikander, was married to her cousin Jahangeer. Jahangeer proved unpopular. He even tried to kill his pregnant wife, but she escaped, took refuge in another fort, and subsequently managed to imprison him inside the fort.

Jahangeer died at 26, and once again, his six-year-old daughter Shahjahan was declared king, with power to pass on to her husband when she would get married.

However, Qudsia argued and harangued the British till this clause was removed. Thus, Sikander, and then Shahjahan, both ruled Bhopal as kings who inherited the kingdom. After Shahjahan’s death in 1901, her daughter Sultan Jahan ascended the throne.

While Qudsia was brought up illiterate and in purdah, she rose to the occasion when the need befell her. Sikander was raised to be king. Shahjahan was the most feminine and the least austere of the four, and wrote several books. Sultan Jahan went back to observing purdah, and was the first chancellor of Aligarh Muslim University.

After Sultan Jahan, the throne went to a man, her son Mohammad Hamidullah Khan. However, after Hamidullah died in1960 and his eldest daughter Abida Sultan migrated to Pakistan, his younger daughter, Sajida Sultan, came to power. Sajida’s husband was Iftikhar Ali Khan Pataudi, the grandfather of Saif Ali Khan.

Incidentally, Abida Sultan’s son Shaharyar M Khan, Pakistan’s former foreign secretary, authored the book, The Begums of Bhopal, on his path-breaking ancestors.

source: http://www.dailyo.com / Daily O  / Home> Art & Culture / by Yashee   @ yasheesingh / December 24th, 2017