Rana Ayyub, an Indian investigative journalist and Global Opinion Writer at The Washington Post, is the recipient of one of the two coveted 2024 International Press Freedom Awards, as announced by Canadian Journalists for Free Expression (CJFE). She has been named for this award for her reporting that tenaciously upholds press freedom while holding governments accountable.
Ayyub will attend the CJFE Gala: A Night to Celebrate Courage in Journalism, where she will accept the award in Toronto on October 23.
When Ayyub went undercover in 2010 to look into the government’s role in communal violence – which is defined as violence based on race or religion – she established her reputation for fearless reporting. Since then, she has provided news and investigative reports about the persecution of minorities, state-sanctioned violence, and communal politics for a variety of Indian and international publications, such as The Washington Post, The New York Times, The Guardian, The Atlantic, and Foreign Policy. Her best-selling book, Gujarat Files: Anatomy of a Cover-up was released in 2016.
The Modi administration has reacted angrily to Ayyub’s political exposés. Ayyub is one of India’s most harassed and abused reporters, according to the International Centre for Journalists, and the UN special rapporteur has urged Indian government to stop the “relentless misogynistic and sectarian attacks” against her.
source: http://www.radiancenews.com / Radiance News / Home> Pride of the Nation> Awards / by Radiance News Bureau / October 04th, 2024
Sarah Khan wins maiden race in Apache RTR 200 class.
KY Ahamed (33) edging out Jagan Kumar to win the Pro-Stock 165cc Open race on 15 June 2024. Photo by Anand Philar
Chennai :
Two sets of siblings from Chennai hogged the limelight by winning four of the nine races on Saturday at the Madras International Circuit to light up the first round of the MRF MMSC fmsci Indian National Motorcycle Racing Championship 2024.
The 15-year-old Dave twins, Rakshith and Rakshitha took the honours in the Idemitsu Honda India Talent Cup (NSF 250R) and the National Championship Girls (Stock 165cc) races. It was a maiden win for both of them, in their respective categories.
Two other siblings, 28-year-old KY Ahamed (Pro-Stock 165cc Open) and his 17-year-old brother Abdul Basim (Novice 165cc), also won a race apiece to set off celebrations in both families.
Elsewhere, Sarthak Chavan, the 17-year-old from Pune, led a 1-2 finish for TVS Racing along with Bengaluru’s Chiranth Vishwanath, also 17, in the premier Pro-Stock 301-400cc category. The race was cut to four laps from scheduled six after a red flag stoppage following a Turn-3 crash (riders ok) and Sarthak, starting from pole, virtually destroyed the field on restart. Chiranth came in second, ahead of Hyderabad’s Sairahil Pillarisetty (Gusto Racing).
Sarthak, however, had a disastrous outing in the Pro-Stock 165cc Open race as he crashed when in the lead. On his exit, Sathak’s two TVS Racing team-mates, KY Ahamed and multiple National champion Jagan Kumar, were involved in a tight finish. Ahamed pipped his mentor Jagan in a photo-finish with another TVS Racing ace, Deepak Ravikumar, who had started the race from the pit lane, completing the podium. Chiranth, who was running second, also crashed, but resumed to finish fourth.
Also finishing on top step of the podium was Chennai’s Kaushik Subbiah Ganesan (RACR Castrol Power1 Ultimate) who won as he pleased in the Novice 301-400cc class that gained National championship status from this season.
Earlier, pole-sitter Abdul Basim, held off a strong challenge from Mysuru’s Tasmai Cariappa (Motul Sparks Racing) who led briefly in the penultimate lap but conceded the advantage. Basim went on to win with Tasmai and Coimbatore’s Abhinav G (Chandra LGE Racing) finishing second and third, respectively.
Rakshitha Dave, starting from P2, moved in front by Turn-2, deftly avoiding any jostling that was happening behind her, and enjoyed a trouble-free run for a commanding win. Another Chennai rider, Jagathishee Kumaresan (One Racing) and Ryhana Bee (Motul Sparks Racing) settled for second and third spots, respectively, while pole-sitter Ann Jennifer (Alpha Racing) came in a disappointing fourth.
“I am very happy to score my first-ever win in the National championship. I had a good start today and a trouble-free run after going into the lead early in the first lap. The bike too performed very well,” said a delighted Rakshitha.
Idemitsu Honda India Talent Cup: Rakshith Dave reigned supreme in the NSF 250R race after initial battle with the more experienced Mohsin Paramban (Mallapuram) with Bengaluru’s AS James finishing third. It was Rakshith’s first-ever win in this class. Incidentally, Rakshith’s twin sister, Rakshitha made her debut in this class and finished 13th.
TVS One-Make Championship: Coimbatore’s Senthilkumar C took the honours in the truncated Open (Apache RR 310) race that was reduced to three laps from six due to a red flag stoppage following an on-track incident. Jayanth Pratipathi (Chennai) came in second, ahead of Nagercoil’s Ajai Xavier M.
Harshith V Bogar from Bengaluru notched a dominating win in the Rookie category with second-placed Saranjith KM (Thrissur) finishing some 10 seconds behind. Vijayawada’s Akarsh Jangam was a distant third.
Mumbai’s Sarah Khan won the Girls (RTR 200) race untroubled from Pune’s Saimah Ajaz Baig and Aisvarya V (Coimbatore).
The results (Provisional, all 6 laps unless mentioned):
Novice (Stock 301-400cc) Race-1: 1. Kaushik Subbiah Ganesan (Chennai, RACR Castrol Power 1 Ultimate) (12:17.257); 2. Lokesh V (Bengaluru, Pvt.) (12:23.458); 3. Varun Nanjundegowda (Mysuru, Gusto Racing India) (12:27.927).
Idemitsu Honda India Cup (NSF 250R) Race-1: 1. Rakshith S Dave (Chennai) (11:12.157); 2. Mohsin Paramban (Malappuram) (11:16.226); 3. AS James (Bengaluru) (11:16.669)
Sarah Rizvi has done her bit to issue a blow to the stereotype of the Muslim woman, moderately educated and socially subjugated, ensconced in hijab. She has cleared the IAS exam, ranking 86th among 734 successful candidates. More remarkably perhaps, she has achieved the feat with Urdu literature as one of her optional subjects.
“Urdu is my mothertongue. I learnt Urdu and Persian from my late grandfather, Khalid Hussain Khan, who was a lawyer in Uttar Pradesh. I have read Urdu poems and novels since childhood. My Urdu writing speed was bad but I wrote a page a day and that improved my pace of writing,’’ Sarah said. Mohammed Iqbal was, for her, the most difficult poet to understand. “But his shayeri is fabulous,’’ she said of the Kashmiri poet who wrote Sare Jahan se achchha, Hindustan hamara.
After finishing BCom from MMK College in 2003, Sarah attended a lecture on competitive exams by K M Arif, educationist and chairman of Alliance Foundation. That inspired her to go for the IAS. “I tried twice but could not clear even the preliminary stage. This was my third attempt and, masha Allah, I passed,’’ the 25-year-old said, adding that her success was the outcome of 10-12 hours of study a day.
While doing her BCom, Sarah also completed her foundation course in chartered accountancy. “I wanted to become a CA but Dr Arif suggested I study for the IAS exam instead. I was clueless about the exam procedure and the requisite study material but my family supported me,’’ she said. Sarah was also awarded a scholarship by MESCO, an NGO.
Sarah is now posted as section officer in the Haryana Accountant-General’s office.
Sarah’s father, Afzal Ahmed, a science graduate, and mother Nigar, an arts graduate from Aligarh Muslim University, run a small garments business.
Her elder brother, Wasif, a civil engineer, is working for a company in Dubai and Sarah’s twin sister, Sameera, a graduate in computer applications, from National College, is married and lives in Bahrain. “I feel more Mulims, especially women, should go for the competitive exams. Many women don’t even know what these exams are about but awareness is spreading,’’ Sarah said.
“This subject gives us an inside knowledge of government administration. And the topics are similar to the business administration course matter I read in college,” Sarah said, explaining why she chose public administration over accountancy as one of the optionals.
Sarah did her schooling from Canossa Convent School and St. Louis Convent High School in Andheri. She later joined CWC College for Commerce and Economics and eventually graduated from MMK College with 75.7 per cent marks.
(Courtesy Times of India)
source: http://www.ummid.com / Ummid.com / Home / by Mateen Hafeez, TNN (headline edited)
A long-term contributor to Frontline, Noorani was widely respected for his insightful analysis on constitutional and human rights issues.
A.G. Noorani is remembered as an intellectual who upheld the principles of democracy and constitutionalism throughout his long and distinguished career. | Photo Credit: The Hindu Archives
Renowned lawyer, constitutional expert, and prolific author who made significant contributions to legal scholarship and political discourse in India for over six decades, A.G. Noorani is no more. A long-term contributor to Frontline, Noorani was widely respected for his insightful analysis on constitutional and human rights issues.
Born in Bombay (now Mumbai) in 1930, Abdul Ghafoor Abdul Majeed Noorani began his career as a lawyer in the Bombay High Court in 1953. Though he practised law, Noorani devoted much of his time to writing on legal, political, and historical topics. His sharp intellect and deep knowledge of constitutional matters made him a sought-after commentator on Indian politics and jurisprudence.
Noorani was a regular contributor to leading publications like Economic & Political Weekly, The Hindustan Times, and The Statesman. However, it was his association with Frontline magazine, which began in the 1980s, that brought his incisive writing to a wide audience. His column “Constitutional Questions” ran for over three decades and was known for its meticulous research and balanced analysis of complex legal issues.
As an author, Noorani penned over a dozen books on various aspects of Indian constitutional law, politics, and history. Some of his notable works include The Kashmir Question (1964), Ministers’ Misconduct (1973), Constitutional Questions and Citizens’ Rights (2006), and The RSS: A Menace to India (2019). His writings often took a critical look at government overreach and erosion of democratic norms.
Noorani was known for his strong advocacy of civil liberties and secularism. He was a vocal critic of laws that he believed infringed on fundamental rights, such as preventive detention laws and restrictions on freedom of expression. His legal expertise made him a respected voice in debates on judicial reforms and accountability.
Though he never held any official position, Noorani’s opinions carried weight in legal and political circles. He was often consulted on constitutional matters and his writings were cited in academic works and even Supreme Court judgments.
Noorani leaves behind a rich legacy of constitutional scholarship and political commentary. He is remembered as an intellectual who upheld the principles of democracy and constitutionalism throughout his long and distinguished career.
While revered in progressive and liberal circles, Noorani was not without his critics. Some felt his views were too idealistic or out of step with changing political realities. Nonetheless, his commitment to constitutional values and rigorous analysis earned him respect across the political spectrum.
Here’s a curated list of articles Noorani wrote for Frontline. We have kept them outside the paywall to honour the genius that he was.
“He (Mahatma Gandhi) said that while he did not think that Umar Sobhani was a revolutionary, he was frank and open by nature and he (Gandhi) thought that if Umar felt convinced that a revolution was the best way to secure the well-being of India, he would not hesitate to adopt such methods. He thought that in such a case Umar Sobhani would plainly tell him (Gandhi) of his intentions…” This is what Mahatma Gandhi was reported to have told to C.I.D on 8 May 1919 during a police interrogation.
Unsung Heroes of Freedom Struggle
Sobhani was a rich businessman from Mumbai who traded in cotton and joined the freedom struggle early in his life.
Those who take an interest in Mahatma Gandhi consider Young India, an English journal edited by Gandhi, and Navajivan, a Gujarati journal, as his voice. Interestingly, these journals were started by Sobhani who later cajoled Gandhi to take charge as the editor.
Rajmohan Gandhi, one of the grandsons of Mahatma Gandhi, notes, “Three of the Sabarmati ‘covenanters’, Umar Sobhani, Shankerlal Banker and Indulal Yagnik, were between them bringing out two journals, Young India, a weekly in English from Bombay, and Navajivan, a monthly in Gujarati from Ahmedabad, and were also associated with the nationalist daily, the Bombay Chronicle. At the end of April, in one of the Raj’s drastic measures, Horniman, the British editor of the Chronicle, was deported, and the paper’s publication had to be suspended.
“In response, Sobhani, Banker, and Yagnik requested Gandhi to take over the editorship of Young India and Navajivan and with their help bring out Young India twice a week and Navajivan every week. Gandhi agreed, and on 7 May 1919 the first number of Young India, New Series, came out. When, soon, the Chronicle resumed publication, Young India reverted to being a weekly but now published, for Gandhi’s convenience, in Ahmedabad, along with Navajivan, which first appeared as a weekly on 7 September.
“Gandhi now possessed what he had hoped for from the moment of his return to India: vehicles to communicate his message.”
Charkha (spinning wheel) is a synonym for Mahatma Gandhi and his movement and Sobhani played an instrumental role in making it a success. Rajmohan writes, “Indian spinning mills wanted to turn all their yarn into mill-made cloth, not sell it to hand-weavers. Gandhi therefore asked associates to search for spinning wheels that could make yarn. At the Godhra conference in November. 1917, a woman called Gangaben Majmudar, who had ‘already got rid of the curse of untouchability and fearlessly moved among and served the suppressed classes’ (A 442), promised him that she would locate a wheel.
“She found not one but hundreds in Vijapur in the princely state of Baroda, all lying in attics as ‘useless lumber’ (A 443). Women who in the past plied the charkhas told Gangaben that they would spin again if someone supplied slivers of cotton and bought their yarn.
Gandhi said he would meet the conditions, his friend Umar Sobhani supplied slivers from his Bombay mill, and the ashram received more hand-spun yarn than it could cope with.”
Sobhani was one of the original 20 signatories of the pledge to oppose the Rowlatt Act. The pledge was prepared by Gandhi at his Sabarmati Ashram in Ahmedabad. Along with Sardar Vallabhbhai Patel, Sobhani was one of the associates of Gandhi who backed him against the old guards in Congress on the question of the non-cooperation movement in 1918.
K. R. Malkani, a former R.S.S stalwart and BJP leader, writes, “Gandhiji’s right-hand man in Bombay in the 1921 movement was Umar Sobhani. The first bonfire of one and a half lakh pieces of choicest silk was ignited by Gandhi in Umar’s mill compound in Parel.
“When Gandhiji decided to collect Rs. 1 crore for Tilak Swaraj Fund, Umar offered to contribute the entire amount, but Gandhiji wanted it collected from a large number of people. But even so, Umar contributed Rs. 3 lacs.
“Umar was a big cotton merchant. When the British came to know of his role in the Freedom Movement, they ran special trainloads of cotton to Bombay by Viceregal order. As a result, cotton prices collapsed in Bombay and Umar suffered a loss of Rs. 3.64 crores. Daan-Vir Sobhani ended his life.
“Earlier the British tried to divide the family. At their instance, Umar’s father, Haji Yusuf Sobhani contested the office of Sheriff of Bombay. Umar worked. against his father and had him defeated. Later the British tried to tempt Yusuf Sobhani with a knighthood, but Umar told his father that he could accept the title only “over my dead body.” Today probably not even people living on Sobhani Road, Cuffe Parade, Bombay, know who the great Sobhani was!”
Sobhani used to lead the marches in Mumbai, arrange the meetings of Gandhi, and raise funds for the political agitations against the English. Gandhi, according to the police reports, used to call him one of the props of the satyagraha in Mumbai.
source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Saquib Salim / July 31st, 2024
In a significant development aimed at revitalizing the activities of a prominent Muslim organization, the All India Muslim Majlis-e-Mushawarat (Registered) convened a General Body Meeting on June 9, 2024, at New Horizon School in the Hazrat Nizamuddin area. The primary agenda was to elect a new president and establish a new administrative framework.
The meeting was chaired by the former president, Dr. Zafrul Islam Khan, and attended by 33 members from across India, alongside three additional invitees. Five members participated online via Zoom. The assembly unanimously elected Dr. Zafrul Islam Khan as the president for a two-year term.
In his inaugural address, Dr. Khan underscored the organization’s goal to rejuvenate the All India Muslim Majlis-e-Mushawarat (AIMMM) and reaffirm its role as a premier forum for Muslim organizations and institutions. He addressed the challenges that arose from previous leadership under Mr. Navaid Hamid, which led to internal discord and inactivity.
Dr. Khan recalled the resignation of the late Syed Shahabuddin from the executive committee due to the organization’s adverse direction under the new leadership. He criticized the expulsion of 70 key members and unconstitutional amendments to the organization’s constitution, which marginalized significant voices within the Majlis-e-Mushawarat.
He also mentioned that efforts to merge the Majlis-e-Mushawarat (registered) with the Navaid Hamid group would continue.
Resolutions Passed
Election Satisfaction: The assembly expressed satisfaction with recent general election results, noting a majority of secular votes and urging secular parties to unite for national progress.
Condemnation of Hate Politics: The organization condemned the rise in hate politics over the past decade and advocated for unity and resilience among Muslims against divisive tactics.
Condemnation of Gaza Attacks: The Majlis-e-Mushawarat condemned the ongoing Israeli attacks on Gaza since October 7, 2023, calling for global condemnation and support for Palestinian autonomy.
Addressing Muslim Marginalization: The body highlighted increased efforts to marginalize Muslims since 2014, urging the community to focus on education, trade, and legal recourse against injustices.
Notable attendees included Ms. Uzma Naheed from Mumbai, Muhammad Wazir Ansari (Rtd. IPS), Khawaja Muhammad Shahid (Rtd. IAS), and many other distinguished members and former officials from various parts of India. Some members participated online, including Munir Ahmad Khan from Indore and Dr. Obaid Iqbal Asim.
The meeting signifies a renewed effort to strengthen the organization’s influence and address key issues affecting the Muslim community in India.
source: http://www.radiancenews.com / Radiance News / Home> Latest News / by Radiance News Bureau / June 15th, 2024
Hijab-clad Alfiya Ansari allegedly faced discrimination at NG Acharya College, the first educational institution in the city that banned wearing headscarves and veils on the campus. Despite the decision reportedly forcing several Muslim women to drop out or discontinue attending classes, she remained dedicated to her education.
Her perseverance and determination led her to achieve the top rank in her class, serving as a powerful testament to her resilience and a strong rebuke to those who “discriminated” against her.
Alfiya’s achievements highlight her unwavering commitment to her goals, demonstrating that “bias” and “prejudice” cannot diminish true talent and hard work.
A Dream of Becoming a Doctor
Living with her parents and two siblings in Mumbai’s Govandi slum, Alfiya’s story is one of remarkable resilience and determination. Her father, a tailor earning Rs 20,000 per month, worked hard to support his family.
As the eldest sibling, Alfiya took her role seriously. She completed senior secondary school from a local English medium school, scoring an impressive 85% and chose to enroll in an aided college for further studies.
From a young age, she aspired to become a doctor. This ambition led her to choose the science stream in junior college, where she began preparing for the National Eligibility-cum-Entrance Test (Undergraduate) or NEET examination.
However, as she advanced to her second year, she decided to focus primarily on her board exams, dedicating much of her time to studying in the library to achieve her academic goals.
Despite facing health issues from eating outside food while spending long hours in the library, Alfiya’s family, particularly her mother, provided unwavering support. Her mother ensured she had home-cooked meals and timely medication, allowing her to maintain her focus.
Alfiya credits her success to her mother’s support, highlighting the crucial role her family played in her academic achievements.
‘Harassment’ at College
Initially cooperative, the staff at Acharya College allegedly changed their attitude drastically once the hijab issue arose. Teachers purportedly began harassing Muslim girls, making them stand outside during lectures and using various other methods.
Alfiya was mentally disturbed for many days. Fifteen-twenty girls, she alleged, stopped attending college.
However, she could not easily give up on her dream of becoming a doctor. With her parents unable to afford another college, she continued at Acharya, removing her hijab outside but still wearing a dupatta.
“This is how I struggled,” she told TwoCircles.net.
Maintaining Focus Amidst Adversity
Alfiya remained focused on her goals despite the challenges. “Life brings many issues, sometimes in the form of the hijab and sometimes due to narrow-minded views about girls,” she said, adding, “When we are focused, problems do not seem as overwhelming.”
She stayed focused on her aim and plans to continue facing challenges head-on without stepping back from her goals.
A Message to Girls
Alfiya has a powerful message for girls: “If we want to change our current situation, education is the most important part. Achieve it, but always remember the importance of both academic and religious knowledge. Only then can you become a better role model in this society. Your identity should be defined by your character, which for a girl is always defined by her modesty. Be whatever you want to be, but stay within the bounds of modesty.”
Advice for Youth
To the youth, Alfiya advises, “You are your own saviours, and your own adversaries. Keep yourself engaged in productive activities, or else negative influences will keep you busy with useless and immoral activities. Use your mobile phones positively but within a specific time limit. Learn skills to keep pace with the present situation.”
Family’s Joy and Support
After the results, Alfiya’s family was overjoyed. “Before 12th grade, I did not receive much financial support from anyone; but after 12th grade, I received immense support from an elder sister, whom I consider an angel. She has been a great source of motivation for me,” she said, though she could not mention her name due to her sister’s request for anonymity.
source: http://www.twocircles.net / TwoCircles.net / Home> Careers / by K K Ahmed, TwoCircles.net / June 10th, 2024
Bengaluru, KARNATAKA / New York, U.S.A / Mumbai, MAHARASHTRA :
Rummana Hussain’s conceptual artistic imprint on the state of India is relevant now more than ever. Dealing in the currency of feminist expression, postcolonial thought and perennial ideas, Rummana’s India is both doubly colourful and doubly dark.
In an inaugural show in its new West Village location, New York’s Institute of Arab and Islamic Art presents The Tomb of Begum Hazrat Mahal an exhibition encapsulating Rummana Hussain’s artistic ruminations about the space our bodies occupy in present and past through one of India’s most prominent Muslim woman.
Bangalore-born Rummana Hussain (1952-1999) was a pioneer in conceptual and performance-based political art in India during the 1980s and 1990s.
She was part of the Sahmat collective, a platform for liberal, secular engagés multidisciplinary artists including Safdar Hashmi, Bharti Kher, and Manjeet Bawa among others.
In this recreation of The Tomb of Begum Hazrat Mahal (1997), the respectful visitor enters a one-room shrine.
“In seeing The Tomb of Begum Hazrat Mahal today, I remembered Hussain’s bold feminist reclamation of her Muslim body through the reincarnated aura of Begum Hazrat Mahal to question monolithic identity, national narratives, and systemic marginalisation”
Various objects signify a site of lamentation, pride, and remembrance.
On the floor, occupying a central location, 12 votive-like papaya halves sit atop a mattress of uncooked rice, evoking both an altar to womanhood and fertility, and a symbolic funerary pyre.
In front of them stands an installation of offerings comprising amulets, dried roses, shells, and incense sticks, tied in a rope.
Against the three other walls is a calligraphic sculpture from rusty metal that reminds of a sacred spell and the embodiment of time, and an image frieze of detailed black and white triumphant photographs showing a woman’s arms, wrists, and hands.
In one of these frames, a woman raises her fist up as if calling others to join in. In another, she holds an ominous knife. Images of flames are interjected between the simulacra of archives.
The room is devoted to a woman, an invisible physical body which radiates from each of the static objects. Begum Hazrat Mahal (1820-1879), née Muhammadi Khanum, was born into a poor family.
She was sold and entered the royal harem of art-loving Wajid Ali Shah, the last king of Awadh, a kingdom that occupied the area of the present-day northern Indian state of Uttar Pradesh. Trained as a harem attendant, she would eventually rise to become the king’s concubine – one of his favourites. Beyond her charms, Begum Hazrat Mahal owes her entrance on the historical stage foremost to her political prowess and courage.
The British-owned East India Company operated in Awadh since the early 19th century. The Company increased its grip in 1856, when it directly seized control of Awadh, citing poor governance and the need to uphold the rule of law to justify their annexation (an excuse known as the “Doctrine of Lapse”).
A Chief Commissioner was rapidly appointed. This caused the king to leave Lucknow and seek refuge in Calcutta. The Queen Mother of Awadh petitioned Queen Victoria in person for her son’s rights, in vain. Wives, including Begum Hazrat Mahal were left behind in occupied Lucknow.
After this brutal annexation, discontent grew in several parts of India against the British and the interference of the Company, culminating in a mutiny and revolt in May 1857. Rebels looked to Awadh’s Crown Prince as a successor to his absent father when they captured Lucknow.
But Birjis Qadr, the son of Begum Hazrat Mahal and Wajid Ali Shah, was still a child then, too young to assume power. In his stead, Begum Hazrat Mahal took over Awadh’s revolutionary affairs, actively leading the armed revolt during her regency, towards the reinstatement of Indian rule over Awadh in July 1857.
She continued resisting British rule well after the retaking of Awadh by the occupying troops in 1858, as she refused various offers of collaboration. She died in exile in Kathmandu, Nepal, as an unwavering freedom fighter. Today, a humble stele near Kathmandu’s Jama Masjid marks her tomb.
Rummana Hussain, Living on the Margins, 1995, performance at the National Centre for Performing Arts, Mumbai
When Rummana Hussain first showed The Tomb of Begum Hazrat Mahal to the public in 1997, it was during a period marked by the tragic aftermath of inter-communal violence.
During the 1980s, radical Hindu nationalists campaigned to build a temple on the site believed to be the birthplace of Rama, where a mosque had been erected since the 16th century.
They took to the streets of Ayodhya, Uttar Pradesh, en masse in 1992. Security lost control of the crowd which eventually stormed into the site, demolishing the mosque.
This ignited weeks of violent clashes between Hindu and Muslim communities, causing the deaths of thousands. A later investigation on the destruction of Babri Masjid in Ayodhya pointed out the responsibility of leaders and supporters of the right-wing Bharatiya Janata Party (BJP), the political party of India’s incumbent Prime Minister, Narendra Modi.
Babri Masjid launched a turning point in Hussain’s artistic journey towards a more intimate, politically-conscious form of expression. In Dissected Projection (1993), she explored the multilayered meaning of ruins and dislocation through an allegorical work that exposes a fracture, a shattered piece of terracotta.
In her show Multiples and Fragments (1994), Hussain engaged with historical and domestic oppression in an installation of pigmented pieces of fabric on a clothesline, to denounce the colonial extraction of indigo in India and unpaid housework traditionally performed by women and girls. Labour is always physical and violence first hurts the most vulnerable.
In her 1995 performance Living on the Margins, Hussain screamed while holding papaya halves, shapes that represent a universal vessel and the female anatomy.
Her works have been exhibited in the India Pavilion of the Venice Biennale in 2019, and in multiple institutions across India, Canada, Australia, Mexico, the United Kingdom and the United States during her lifetime and posthumously.
In seeing The Tomb of Begum Hazrat Mahal today, I remembered Hussain’s bold feminist reclamation of her Muslim body through the reincarnated aura of Begum Hazrat Mahal to question monolithic identity, national narratives, and systemic marginalisation. She wanted to say, we can turn the hate in love, we can turn the oppressed, the victims, into heroes they will one day celebrate. We can tell our own stories. They matter.
Outside, scores of brunch-goers live, love, laugh. If it’s dissonance we are meant to acknowledge, I acknowledge it. I closed my eyes in the silent white cube of the Institute of Arab and Islamic Art and saw images of the relentless violence and bullying Muslim women continue to face in Narendra Modi’s India.
In this reconstituted tomb, it’s hard to feel alone. Around me swarmed many other ghosts, of ordinary Muslim women – from Afghanistan to Iran and beyond – crushed and slain in their contemporary defence of freedom and justice against oppressors. Many have been killed in their fight.
A shrine calls for a quiet prayer, I realised.
Farah Abdessamad is a New York City-based essayist/critic, from France and Tunisia.
In the midst of electioneering cacophony, I received an invitation from the moving spirit and ever agile Founder-Chairperson of Mysuru Book Clubs-2015 Shubha Sanjay Urs for an evening of conversation and informal interaction with Saeed Akhtar Mirza yesterday morning. I did not know who this celebrity worthy of Shubha’s attention was but Shubha was quick to throw in a ‘guarantee’ at me of a dinner that would follow the event. The invite was like welcome summer’s rain for me to give a second thought before accepting. I said yes. It was at the Club House of Mysore Race Course.
Out of curiosity, I asked Shubha about the person whose ‘darshan’ I was going to have and also hear the oracle. She simply said, “Uncle, you remember the popular television serial Nukkad? He is the Director of that TV serial.”
Yes indeed, I could instantly connect to this very interesting filmwallah from Mumbai and his achievements with a National Film Award under his belt. What I did not know, however, was that he is also an author of books, rather queer ones — as I heard of the synopsis of them from his talk. He is branded (and touted) as a pioneer of the ‘New Wave’ progressive cinema in India. (One may conclude ‘left liberal of the Lutyen’s Club kind). Other appendices found in his genius are as a writer, traveller and a teacher.
Traveller indeed he is one. After all, the nature of his work would require him to travel. But what left me wondering was that at past 80 years of age he chose to travel by an SUV from Mumbai to Mysuru with one overnight halt at Belagavi. He broke his journey in our city for an overnight stay and the flycatcher of our Mysuru Book Clubs-2015 Shubha succeeded in catching him while on his way to Wayanad in Kerala. I asked him, “Are you on an election survey mission to Rahul Gandhi’s Constituency?” “No” was his response and mumbled about attending a meeting connected with films etc.
One of Mirza’s well remembered film was ‘Albert Pinto Ko Gussa Kyon Aata Hai’? of 1980. I felt nostalgic to learn that he was a student of the Film and Television Institute of India (FTII), Pune, where I used to frequent while in Pune to see the future stars and, of course, the art films by foreign directors like Ingmar Bergman of Sweden who directed ‘Seventh Seal’ or Vittorio De Sica of Italy who produced the all-time classic ‘The Bicycle Thief’.
Be that as it may, Mirza Saab ensconced himself on a chair, walking stick by his side and mike in hand. Introduction, mercifully brief and platitudes over, Saeed (I guess he is always addressed as Saeed) began his monologue that revealed succinctly his films and books across the gamut. He is a soft spoken person. He may be an intellectual and a creative person but he indeed has the demeanour with a persona of a philosopher-poet (see picture).
He mourned the 1984 massacre following Indira Gandhi’s assassination. Simultaneously, he alluded to Babri Masjid and its aftermath. The past is the grandfather, the future the grandchild and we witness the passing of an era, he mused kissing into the table-tennis ball of the hand-held microphone. The films are produced like a family tale where facts and fictions are mixed while his books, three of them, are revivalist, he revealed. Then, after a pause, he averred that in the world every civilisation has contributed to the growth of mankind. No one civilisation can claim to be the sole contributor and gave the example of Abbasid civilisation (considered Islamic golden age).
Saeed droned about al-Biruni who wrote and spoke of medieval mathematics, astronomy and astrology of India mentioning the names of Brahmagupta and Aryabhatta of 11th century while reflecting on the past civilisation of mankind. He opined there was much myth-making and also study of science during those bygone days. He said he did not write books as literature, but rather as ideas — whatever it means! Dilating on the theme, he took a jibe at the often heard lament by religious fanatics that their religion is in danger, ‘khatre me hai’ and said it is not true.
At the close of his talk he spoke movingly of his intimate, genius of a friend Kundan Shah who is no more. They were together one evening talking about this mundane world and Saeed mentioned of the peace that prevailed around them. Kundan Shah suddenly got up and urged Saeed to move out with him to the balcony. ‘Dear Saeed, look at the sky. What do you see? A star-studded beautiful, peaceful sky. Right?’
Saeed said, ‘Yes. Indeed.’
‘No, my dear friend. It may be beautiful to look at from here and even appear peaceful. But in reality no. There is turbulence, there is motion and there is no peace.’
Well, I could not fathom what Kundan Shah meant when he said that. But I presume that it was about the inner turmoil of an individual that robs him of peace. Apparently the peace Saeed mentioned to Kundan Shah was unreal, Maya. Let it be.
This said, Saeed was ready to field questions from the audience that comprised charming, though not so young, ladies. I counted just four men that included yours truly, Saeed of course, Ravi Joshi and Ashvini Ranjan (see picture).
As for Shubha Sanjay Urs, she kept her words. There was indeed a sumptuous dinner washed down with spirit that elevated our mood.
e-mail : voice@starofmysore.com
source: http://www.starofmysore.com / Star of Mysore / Home> Columns> Abracadabra / by K B Ganapathy / April 22nd, 2024
She is the daughter of billionaire Rafique Malik, the company’s chairman. Her grandfather, Malik Tejani, founded it in 1955 in Mumbai. Farah has guided Metro Shoes into a new era of modern retail. The company’s brands include Mochi, Metro, and Walkway.
(Image source: LinkedIn)
Eid Ul Fitr was celebrated throughout the country. Amid celebrations, you may be left wondering if you are asked about the wealthiest Muslim woman in the country. The name of the country’s richest Muslim woman is Farah Malik Bhanji. She is the managing director of the Metro brand, which sells premium shoes. Her net worth is more than Rs. 26000 crore. Farah Malik plays an important role in giving the Metro brand a new identity.
She is the daughter of billionaire Rafique Malik, the company’s chairman. Her grandfather, Malik Tejani, founded it in 1955 in Mumbai. Farah has guided Metro Shoes into a new era of modern retail. The company’s brands include Mochi, Metro, and Walkway.
As of December 8, the company’s market capitalisation was Rs 35,117 crore. Farah is the second of five daughters. His father, Rafique, has a real-time net worth of Rs 21697 crore as of 12 April.
Farah has more than 20 years of experience in the footwear industry. She has played a key role in reimagining the company for the new era. She began her career in marketing before moving on to revamp Metro Brands Limited’s technology roadmap and supply chain. The company was listed in December 2021. The late billionaire investor Rakesh Jhunjhunwala’s wife, Rekha, owns a minority stake in Metro Brands.
She pays close attention to detail, is well-versed in business, and has a sense of style. The footwear company has experienced growth for both the company and its employees under her leadership. She has played a crucial role in forging connections with international companies like Skechers, Crocs, and Clarks in addition to forging close bonds with more than 250 reliable vendors. She contributed to the network’s growth from 100 stores in 2010 to 598 locations across 136 Indian cities.
At the close of trading on Wednesday, Metro Brands Ltd. saw a rise to Rs. 1058. Rs. 1,440.45 is the stock’s 52-week high level, and Rs. 784.45 is its 52-week low. Metro Brands’ shares opened at Rs 1044 at the start of the trading session on Wednesday. Subsequently, it increased by over 20 rupees, closing at 1058. The company cap is of Rs 28,773 crore.
source: http://www.dnaindia.com / DNA / Home> Business / by Varnika Srivastava / April 12th, 2024
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