Minoo Mumtaz aka Malikunnisa Ali, the veteran Hindi actor and comedian Mehmood’s sister, died in Toronto in Canada on Saturday.
She was recently diagnosed with cancer and her health deteriorated quickly, leading to her demise, ETimes reported.
Mumtaz’s nephew Naushad, confirming the news to the publication, said, “Since she was old, 80 plus, there wasn’t much to be done. She was one of the loveliest people I had ever met”.
Her younger brother Anwar Ali, who is also part of the film industry and is now a producer, wrote, “Regret to inform that my loving sister Minoo Mumtaz, passed away (in Canada) a few minutes ago… Deep gratitude to the film fraternity, press, media, fans, friends, for decades of love and adulation showered upon her.”
Born to a family of four brothers and four sisters, Mumtaz was the daughter of Mumtaz Ali, a dancer and character artiste in Hindi films in the 1940s. She was renamed Minoo by actor Meena Kumari, her sister-in-law and Mehmood Ali’s wife.
While she started her career as a stage dancer, Mumtaz appeared in several Hindi films in the 1950s and 1960s as a dancer and character actor. She made her debut with Sakhi Hateem, and moved on to play the lead opposite Balraj Sahni in Black Cat (1959) and appeared in several Guru Dutt films including Kaagaz Ke Phool (1959), Chaudhvin Ka Chand (1960) and Sahib Bibi Aur Ghulam (1962). Other Hindi films that she appeared in include Taj Mahal, Alibaba,Ghoonghat, Ghar Basake Dekho, Insan Jaag Utha, Sindbad, Jahanaara, Aladin, Gazal, Dharmaputra. She also appeared in the 2002 television serial Chalo Chale Pardes.
Expressing her condolences on the late actor’s demise, author Bhawana Somaaya wrote, “#MinooMumtaz lead dancer of Hindi movies in the 50s and the 60s dies in Canada. Condolences to #AnwarAli family.”
Actor Nasirr Khan also mourned Mumtaz’s death.
Mumtaz is survived by her husband Sayyed Ali Akbar, son and three daughters who lived with her in Toronto.
Namrata Ganguly is a Correspondent at Silverscreen India, and can be reached by email at namrata@silverscreen.in
source: http://www.silverscreenindia.com / SilverScreen India / Home> Hindi> News / by Namrata Ganguly / October 23rd, 2021
Dr Shaikh Yunus in the I.C.U of King George’s Medical University, Lucknow
Dr Shaikh Yonus, a Senior Resident in the Cardiology department of the prestigious King George’s Medical University, Lucknow, is the first Muslim doctor from the Jalna district of Central Maharashtra. He completed his MBBS degree in 2015.
This is no small accomplishment for this cheerful 34-year-old doctor who studied in a village school till Class X. His father even borrowed money to fund his medical education.
Shaikh grew up sowing cotton with his father Khudbuddin and elder brother Aslam in their four-acre land in Dadhegaon in Jalna district.
As a schoolboy, he remembers his relatives insisting that he be sent to a Madrasa along with their children. But Shaikh wanted to attend a regular school and his father respected his wish. He was always drawn to the science stream and chose his career path when he was in Class X.
Shaikh says that in his backward village of 800 people there was hardly anyone holding a high post. “Thankfully, my seniors in school had become career-minded and some become teachers. They inspired me to focus on my ambition.’’
Shaikh struggled against all odds and cracked the Medical college entrance test.
Dr. Yunus says, “It was a huge struggle. My father who passed away in August 2022, at the age of 62, was a cotton farmer. Because of the challenges that cotton farmers face in Maharashtra, he was on the brink of starvation. We are four siblings – two brothers, and two sisters. In 2008, my father’s annual income was Rs 30,000. It was difficult for him to pay Rs 3000 for my monthly room rent and living expenses for a year and annual fee of Rs 12,000 for professional coaching in Aurangabad for entrance examination of the medical college.”
Shaikh’s coaching cost Rs 50,000 per year. His father even took a loan of Rs 30,000 to fund his coaching.
This promising cardiologist says students in the village aspiring to study after Class X had to move out. So did Yunus. He then began studying in Ambad Taluk, 20 kilometres away from home, for Class XI and XII.
Although Shaikh managed to get an annual minority scholarship of Rs 25,000 for his six-year MBBS course in Government Medical College, Nagpur, he still had to depend on his father for Rs 3000 every month to meet his living expenses.
Looking back at his struggle, he says, “My father had limited means. Saving money to marry my sisters and having to set aside Rs 2000 for my fee was a huge challenge but he never let it bother me. The annual fee for MBBS was Rs 18,000. The annual hostel fee was Rs 4000. The remaining amount was spent on buying books. I still had to depend on Rs 2000 every month from my father. I could hardly afford to travel to my village. I was homesick but meeting my family members was a luxury. So, once in six months, I would take a 16-hour long journey by train to meet my family.’’
Shaikh’s first earning came after the final year of MBBS at Government Medical College in Nagpur. “During the year-long internship, the government was paying us Rs 6000 a month. After this, I appeared in the NEET examination for MD in Medicine. I got 104th rank in the country. There were only 26 seats for MD in Medicine in Maharashtra. “I got a chance to pursue MD for three years in Government Medical College in Miraj near Pune. I completed MD in 2020,’’ he recalls.
The competition for DM (Doctorate in Medicine) is even more difficult. Out of the 3,000 students who apply for DM in Cardiology every year, only one-tenth get through. KGMU admits only eight students every year after a nationwide selection. Dr Shaikh is among the eight doctors who was selected for DM in Cardiology in KGMU.
Dr Yunus is the only doctor in his extended family. “My father studied till class X but he stood behind me like a rock. He was determined to do whatever he could to help me fulfil my dreams. My sisters who are now married, studied only till Class IV or V. My mother, Shaheen is a homemaker. She too hardly studied. My elder brother did his postgraduation in Hindi from Dr Baba Saheb Ambedkar University in Aurangabad but was not able to find a job. So, he took to cotton cultivation.’’
Although Dr Yunus is satisfied that his hard work helped him crack the examination, he deeply regrets that he was not able to save his father’s life last year. “I was on I.C.U. duty when I got a call from my family that my father was unwell. When I made a video call to the doctor who was attending to him in a private hospital, 50 km from my village home, I realized that he was critical. He had pneumonia. I specialize in treating these diseases but I could not save his life. This is a lifelong regret.’’
Dr Shaikh Yunus (in the lab coat) going through the records of a patient in KGMU, Lucknow
Like most of his colleagues, Dr Yunus who is in the second year of DM, has unbelievable duties in the Cardiology department of KGMU. “The disease burden is huge and the number of patient consultations and admissions is huge. There have been times when my colleagues and I have come for duty on Sunday and left on Friday. On an average, we see 400 patients in OPD (Monday to Saturday) and 200 in emergency who are coming from all over the country and even Bhutan, Nepal and Saudi Arabia.’’
He also wishes that more young students from Jalna district would join the medical stream and become doctors. “ It has been eight years from the time I finished my MBBS but so far, I have come across only two students from my district who were enrolled for MBBS courses in private universities in China or Russia. Only those students who are unable to crack the competitive examination in India, go there. I know how I have studied. I would sleep only five hours. ‘’
In February 2022, Dr. Yunus married Mahjabin, his junior who is now a surgical gynecologist in Bans-Bareilly in Uttar Pradesh. Dr. Yunus’ family who attended the wedding in Bareilly is extremely proud that their son and daughter-in-law are doctors. “ I first accompanied them on the train from Jalna to Delhi. That was the first time they saw the national capital. In so many years, that was the first time that they travelled outside the State. They enjoyed visiting Uttar Pradesh also. It was a 26-hour long journey.’’
Mahjabin who is working at Ram Manohar Lohia Institute of Medical Sciences in Lucknow is deeply appreciative of Dr Yunus’ struggle. “ When I visited my in-laws after my marriage and after my father-in-law’s demise, I felt that they were very proud of the fact that both of us are doctors.’’
Dr. Yunus’s elder brother Aslam Shaikh is very proud of him. Aslam told this correspondent over the phone from his village “Other than my brother, no student from Jalna district has been able to get selected in competitive examination to enroll in MBBS.”
Aslam earns Rs 60,000 a year from cotton cultivation and supports a family of five. “I send my son, Arhaan Aslam Shaikh, 12 km away to study in an English medium school. My daughter, Jiya is only two and a half years old. I want them to become doctors like my brother and his wife. ”
After becoming a specialist, Dr Yunus has not forgotten his roots. He tends to his father’s farmland whenever he visits home. Ths doctor’s heart beats for the farmers of India.
source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Tripti Nath, Lucknow / March 24th, 2023
Discussions and debates, critiques and readings, held at haunts of Urdu books and writing around the country have been interrupted rudely.
(From left) Shadab Rashid, Urdu drama writer Aslam Parvez, and Shakeel Rasheed at Kitabdaar | Mahtab Alam
In Malegaon
On the first Saturday of every month, the textile city of Malegaon in northern Maharashtra used to become home for lovers of Urdu literature, who meet to discuss, debate and critique new writings in the language, mostly by local writers. Organised under the aegis of Anjuman Muhibban e Adab (Association of Literature Lovers), the gathering began at around 9 pm, and went on till midnight.
Between 30 and 50 people – both writers and readers – would come together, a number that would at times go up to as many as 100 or even 150. Asif Iqbal Mirza, the secretary of the Anjuman, said the practice began 25 years ago on the suggestion of local journalist and editor Samiullah Ansari, who published new Urdu fiction in his weekly, Hashmi Awaz.
Over the years, the publication had emerged as a popular local magazine for young and budding writers to publish their works. The weekly, now in its 35th year of publication, had a considerable fan following and readership at the time. Ansari then suggested that admirers of the magazine form a group comprising readers as well as writers.
The group was initially named Anjuman Muhibban e Hashmi Awaz (Association of Admirers of Hashmi Awaz), but within a few years, its following grew to encompass more than just the readers of the magazine, and in 1998 it was rechristened Anjuman Muhibban e Adab, Malegaon. “Ansari sahib formed the Anjuman so that writers could get their new works critiqued by readers before getting them published in the weekly,” Mirza ssid.
Back then, Mirza himself wrote for a local children’s newspaper called Khair Andesh. But his association with the Anjuman helped him grow into a prolific Afsana Nigar, a short story writer. He was 17 when the group was formed; in the past 25 years, he has written and published more than 200 short stories in different publications.
Apart from Anjuman Muhibban e Adab, there are two more literary groups in Malegaon that held regular meetings until the lockdown was declared in March. No such meetings have been held since then. “Unlike earlier, we now have enough time to read and write. But the irony is we don’t have the opportunity to discuss and publish them,” said Mirza, who also runs a printing business. Several local publications had to halt their issues, including Hashmi Awaz, owing to the lockdown.
According to Mirza, although social media outlets such as WhatsApp and Facebook have, to some extent, helped to keep in touch with fellow writers and readers, the literary life of Malegaon has come to a standstill, since a large number of local writers and readers came from the working class and worked in local looms. “The year 2020 is the silver jubilee of my literary career. I had plans to publish a collection of my short stories, but thanks to the pandemic, that will not happen this year,” Mirza said with a great sense of despair.
In Mumbai
Both readers and writers have felt a deep loss during the pandemic. His love of books took Shakeel Rasheed, editor of the Urdu daily Mumbai Urdu News, to various bookshops in and around the Mohammad Ali Road area of Bombay. “Visiting bookshops was a part and parcel of my life. I feel a deep loss when I don’t visit them,” he said. For him, bookstores are not just spaces to buy books, but they also served as addas for readers and writers. As soon as some relaxations were in place, he rushed to the stores. “Par ab pahle wali baat nahi rahi,” said Rasheed. “Things are not as they were before.” The pandemic has made it more difficult to meet new people.
Shadab Rashid’s Kitabdaar publications and bookstore in Temkar Street of Nagpada was one such adda for Urdu writers in Mumbai, as was Maktaba Jamia on Sandhurst Road West. Today, Kitabdaar and a few other bookshops have opened their stores for a few hours every few days, while Maktaba Jamia remains closed. “Due to lack of public transport and fear of the pandemic, people cannot come to Kitabdaar,” Shadab said. He also edits the quarterly literary magazine Naya Waraq, founded by his late father and noted journalist and writer Sajid Rasheed.
Shadab Rashid said the lockdown brought significant hardships and losses to Urdu publishers and distributors. “It is not that people don’t want to read Urdu books anymore – the problem is they cannot buy them,” he said. “I have received lots of online orders, but I cannot fulfill them because I rely on postal services as they are the cheapest means of delivery, but the services are not fully functional yet.” His online Urdu bookshop kitabdaar.com is one of the few digital distribution platforms for Urdu books exclusively in India. Another such platform, urdubazaar.in, was recently launched from Delhi.
Owing to the discontinuation of physical interactions between readers and writers, people have lost touch with each other, since not all Urdu writers are active on social media, Shakeel Rasheed told me. “We have lost many good writers during this period and found out about their demise several days later,” he added. “Moreover, we could not participate in their last journeys.”
In Hyderabad
Another writer recounted similar thoughts after the death of noted Urdu satirist Mujtaba Hussain in Hyderabad on May 27. Hussain was awarded the Padma Shri in 2007 for his contributions to Urdu literature, but in December 2019, he announced he was returning the award to protest the enactment of the contentious Citizenship Amendment Act. “[T]he democracy for which I fought is under attack now and the government is doing that,” he had said, “that’s why I don’t want to associate the government with me.”
In Hyderabad, another centre of Urdu writing, literary activities have come to a similar halt due to the pandemic. Publications like Shagoofa, a monthly magazine of satirical writing, have been temporarily discontinued since the lockdown.
In Delhi
In Delhi, too, the pandemic has left an adverse impact on Urdu writing. Khan Rizwan, a poet and a known “addebaaz” from Delhi, loved participating in and organizing adabi addas (literary gatherings). He misses visiting the Nai Kitab book store, located in one of the many bylanes of Jamia Nagar, which is one of the famous addas for Urdu lovers in the city. Run by veteran writer and publisher Shahid Ali Khan, Nai Kitab is a haven for young and old writers alike, Rizwan said, as Shahid sahib treated them alike. “It is not just a bookshop but an institution where one got to meet noted writers and lovers of Urdu literature,” he said.
Rizwan would visit the shop at least twice a week, and meet a new literature enthusiast or writer, or find out about a new book or risala /parcha (journal/magazine). “I miss the black tea and chips that Shahid sahib served us with love and affection,” he recalled. “He is a storehouse of information, and several veteran writers were his friends, so he would tell us stories all the time.”
I couldn’t agree more with Rizwan. I have been visiting Nai Kitab once every few months for more than a decade now, and on each of my visits, after asking khabar-khairyat, Shahid sahib would say, “Achcha aap bahut dino baad aayen hain, ye nayi kitaabein aayi hai dekh lein (Since you’ve come after a long time, here are some new books).” Last year, when I visited the bookshop around this time, he directed me towards dozens of books written by noted Urdu satirist Fikr Taunsvi and Shaukat Thanvi. I immediately bought all of them, as they were usually out of print and seldom available.
As the person in charge of the Maktaba Jamia, the publication division of Jamia Millia Islamia in Bombay, Shahid Sahib befriended writers and poets like Jan Nisar Akhtar, Meena Kumari, Sahir Ludhianvi and Jagan Nath Azad. Some of them were regular visitors to the Maktaba Jamia. Though he moved to Delhi after serving the Maktaba for several decades, he did not stop hosting literature lovers. He then founded Nai Kitab publishers and a quarterly journal by the same name.
It was in 2007 at his bookshop that I first chanced upon Shamsur Rahman Faruqi’s celebrated novel Kai Chand The Sare Aasman, later translated into English as The Mirror of Beauty by the author himself. The novel went on to become a major critical and commercial success.
Faruqi was also associated with the Nai Kitab journal as chairperson of its advisory council and would visit the shop once in a while. The journal eventually stopped publication owing to Shahid sahib’s failing health, but he continued with the bookstore as it was like “oxygen for him”, he had once told me.
Waiting for freedom
Some writers have managed to turn the lockdown into a creatively productive period. “Personally, the pandemic has proved as a blessing in disguise as I read books I wanted to for years and finish other important work, such as recording videos of Urdu literature lectures,” says Khalid Mubashir, a poet and assistant professor of Urdu literature at Jamia. He quickly added, however, this was not common, as most writers and poets were stuck at home, either because of their age or in fear of the pandemic. “Moreover, not all writers have access to technology and books like I do. I am fortunate enough to have friends who helped me with technology to do something substantial during this period.”
Mubashir’s videos, as many as 60 of them, are each about 30 minutes long, and cover the history, evolution and development of Urdu and its literature in the subcontinent. Though the lectures are prepared keeping in mind the need and syllabus of Urdu literature students, ordinary Urdu lovers can also benefit from them. All lectures are available on the YouTube channel Safeer e Adab.
Similarly, although younger poets like Mohammed Anas Faizi from old Delhi have been trying to keep Urdu literature gatherings going by using social media, online addas do not have the feel and impact of offline and in-person gatherings. “Technology and social media can only help to a certain extent. Online gatherings, mushairas and addas cannot substitute for the real ones, no matter how well they are done,” he said.
With apologies to Faiz Ahmad Faiz, what the Urdu writers, poets and addebaaz seem to be telling the pandemic is:
Gulon Mein Rang Bhare Baad e Nau Bahar Chale Chale Bhi Jao Ki Gulshan Ka Karobar Chale
Mahtab Alam is a multilingual journalist and until recently was the executive editor of The Wire Urdu. His Twitter handle is @MahtabNama.
This series of articles on the impact of the coronavirus pandemic on publishing is curated by Kanishka Gupta.
source: http://www.scroll.in / Scroll.in / Home> Publishing and the Pandemic / by Mahtab Alam / July 14th, 2020
The Pune rapper and producer hails the national spotlight from the reality show as a win for the Indian hip-hop community.
MC Stan with actor and host Salman Khan after winning ‘Bigg Boss’ Season 16. Photo: Courtesy of Endemol Shine India
After four months in the Bigg Boss house, Pune rapper and producer MC Stan aka Altaf Tadavi Shaikh emerged as the winner of Season 16 of the reality show, taking home the trophy and a reported cash prize of ₹31.80 lakhs following public voting. With this, Stan is the first Indian rapper and musician to win the long-running reality show, which has generally been dominated by actors and film industry celebrities.
“The journey has been very powerful. I got a lot of experience,” Stan said in a post-win press conference in Mumbai. After actor and host Salman Khan held up Stan’s hand to judge him the winner, the first photos from his win came with the rapper holding the Bigg Boss horse trophy with Khan.
In an Instagram post celebrating the win, Stan wrote, “We created history, stayed real throughout, repped hip-hop on national T.V. Ammi ka Sapna poora hogaya [My mother’s dream came true]. Trophy P-town aagayi [The trophy has come to Pune].”
Seated amongst press in a black leather jacket, with all his chains and rings in place, Stan was reflecting where Indian hip-hop can reach in terms of public consciousness. “If you go to see, this is a win for a lot of people; the rap community — whoever’s here from the gullies and [those] areas — I don’t know honestly what people saw and liked in me, but I’m grateful for their love,” he said at one point.
Winning and surviving 133 days in the Bigg Boss house through public voting, Stan acknowledged the role that the public played in keeping him in the competition. He adds, “I saw a lot of housemates talk about how they want to win, but I didn’t think I could make that claim, because it’s not in my hands. Woh Hindustan ka haath mein tha [It was in India’s hands].”
By January, it was clear that MC Stan was a top contender to win Bigg Boss Season 16, owing to how he often kept his head down and just went with the flow, although he was occasionally involved in a few fights with other housemates. In addition to his in-house concert with hip-hop acts like Seedhe Maut and Ikka, MC Stan was at first adamant to get done and go home, but eventually stuck it out to win.
source:http://www.rollingstoneindia.com / Rolling Stone India / Home> HomeFlashbox> News & Updates / by Anurag Tagat / February 13th, 2023
Success comes to those who believe in hard work and dedication and this sentence fits the case of Dr Mariam Afifa Ansari, the youngest female neurosurgeon in the Muslim community in India, as per the state president of MSO Maharashtra.
Mariam Afifa Ansari always dreamed of becoming a doctor, and this dream of hers became a reality when she secured 137th rank in the All India NEET exam in 2020.
Mariam said, “Now I have become Dr Afifa from Miss Afifa and my dream of wearing a white coat and examining patients with a stethoscope has come true”.
Since her school days, she has always been a top performer. Mariam completed her primary education in an Urdu medium school in Malagao.
Having been educated in Urdu medium schools till the 10th class, Mariam has left many amazed with her consistent successes. Mariam took her primary education from an Urdu medium school in Malegaon. After that, she came to Hyderabad.
In Hyderabad, she studied till 10th at Rajkumari Durushevar Girls High School, where she won a gold medal in class 10th. Mariam did MBBS from Osmania Medical College and then obtained a master’s degree in general surgery from the same college, said the state president of MSO Maharashtra.
Mariam five gold medals during his MBBS course. After completing her course in 2017, she managed to get free admission for a master’s course in general surgery at the same college.
In 2019, she completed her postgraduate degree, MRCS from the Royal College of Surgeons, England. In 2020, she did the Diploma of National Board course.
It is a special postgraduate degree awarded to specialist doctors in India. After scoring high in the 2020 NEET SS exam, she was granted free admission to MCh at Osmania Medical College.
Mariam’s continuous hard work has helped her cross every hurdle on the path to success. Dr Mariam Afifa Ansari is an inspiration for the young generation in India.
She added also, “My success is a gift from Allah and now a responsibility,”.
Mariam said that she would try to serve the community through her profession. Giving a message to Muslim girls, she said, “Don’t give up, never let anyone tell you that you can’t do it, prove them wrong, by getting it.”
Mariam’s mother is a single mother and a teacher. She is proud of her daughter. Apart from studies, Mariam also excels in painting, calligraphy and Islamic teaching.
source: http://www.muslimmirror.com / Muslim Mirror / Home> Indian Muslim> Women / by Muslim Mirror Desk / November 21st, 2022
City’s Alfiya Khan Pathan became the first-ever Maharashtra woman boxer to win a medal at the ASBC Asian Elite Boxing Championships. On Friday, Alfiya won the gold medal in 81+kg category and is among the four Indian gold medal winners in the women’s section in Amman, Jordan.
Apart from Alifya, Saweety (81kg), Lovlina (75kg) and Parveen (63kg) won the yellow medals for India, 1 silver and 2 bronze. This is Indian women’s third-best performance at the prestigious tournament in terms of winning gold medals, after seven gold medals in 2005 and five in 2003.
The 19-year-old Nagpur girl was declared winner against Islam Husaili when the Jordan boxer was disqualfied by the referee for biting Alfiya on shoulder. Alfiya, the Youth World Champion, went all out from the word go and planted aggressive left-hand punches. The gold medal bout did not last even the full 3 minutes of the first round.
Southpaw Alfiya was so fierce that the Jordan boxer looked clueless in the first 1.5 minutes itself. After a series of punches, Husaili came close to ensure Alfiya could not charge, and in the process bit Alfiya’s shoulder. She was immediately disqualified.
“I am super excited with the result. This is the result of efforts taken by Bhaskar Bhatt sir and his team in the national camp. We had prepared well and it turned out well,” said Afliya while talking to TOI from Jordan.
This result in the final was expected after Alfiya cruised past 2016 world champion Lazzat Kungeibayeva of Kazakhstan in a 5-0 win in the semis. This was the second time this year that Alfiya has defeated Lazzat, having stunned the Kazakh on her own turf in the Elorda Cup in July this year, in what was her senior international debut competition.
“It is an amazing performance by Indian women boxers. Winning four gold medals is a big achievement. It is a result of the hard work put in by Indian boxers, support staff and team in the camp,” chief coach Bhaskar Bhatt told TOI from Jordan. He added, “We got very good support at every juncture from BFI and SAI. We will continue similar practice pattern as we keep our eyes on the 2023 World Championship”.
Alfiya’s feat is a result of her rigorous training at the national camp under Bhatt. After winning the maiden senior category medal in July, Alfiya was called for the senior national camp considering her consistent show in junior, youth and senior international events.
Generally, a player is selected in the national camp on the basis of performance in the senior national championship. On very few occasions, boxers are included in the camp on other criteria, like it happened with Alfiya due to her Kazakhstan success.
Alfiya, who is a daughter of Akram Pathan, ASI at Nagpur Police Headquarters, is yet to play senior nationals but has two international gold medals including the Asian gold won on Friday.
source: http://www.timesofindia.indiatimes.com / Times of India / Home> News> Sports News> Boxing News (headline edited) / by Pratik Siddharth / TNN / November 12th, 2022
Shahnawaz Khan Pathan with her parents and brother
Come August and Shahnawaz Khan Pathan of Pune would join the training course for the First Class Judge. Her’s is an incredible journey from living with her family in a ten-by-ten space in Ghorpadi Pait Lohia Nagar slum settlement where she grew up and studied.
Shahnawaz Khan’s story proves that success is not achieved in a day and only one who has the determination to make it will succeed. Shahnawaz Khan Pathan is the third sibling among her four sisters and one brother. Their father Aman Khan Pathan manages the family with his earnings from a small grocery shop.
Shahnawaz Khan Pathan being felicitated by the Pune Bar after her selection as Judge
Despite Aman Khan’s low income, he tried his best to provide proper education to his children as a result all his children are educated.
Shahnawaz Khan Pathan’s success has her father happy and proud. Aman Khan Pathan says that due to the poor financial condition of his family, he was not able to study. Sumaiya not only made his dream come true and also made him a proud father who can tell the world that he is the father of Shahnawaz Khan Pathan.
Speaking with Awaz-the Voice, Aman Khan Pathan became emotional and said: “I am proud of Shahnawaz.”
Her mother Sugrabi Pathan wipes her tears of joy and says that her daughter was always very good in her studies from the very beginning. “We had high hopes from her and see she did it. I always pray for her success and success.”
Shahnawaz Khan with her Uncle Jia Khan Pathan
The family has lived all through in a small hut in the narrow streets of Lohia Nagar. There is hardly an environment conducive to studies.
However, Shahnawaz Khan Pathan worked hard and made history by becoming the first Muslim first-class judge of Pune.
Shahnawaz says that mere imagination does not lead to success. One needs to work hard to fulfill one’s dreams and achieve success.
On her family’s support, Shahnawaz says that her father was always there to guide her. “Even with his meager income, he made every effort to provide for me whenever I needed something.”
However, Shahnawaz has another hero in her life: her uncle Jia Khan Pathan, and his wife – whom she credits with encouraging her and filling her with hope and enthusiasm to keep moving.
Shahnawaz being felicitated by a civil society organisation in Pune
“From the first day till the JFMC interview, Uncleji was with me like my shadow. Whenever I had to go outside the city for writing an examination, my uncle and aunty would accompany me. He never left me alone. My mother and my entire family, friends, and neighbors all kept encouraging me.”
However, her failure to clear the Public service Commission conducted Maharashtra Judicial Services Examination in her first attempt in 2019 caused her disappointment. “At that time my father encouraged me and told me to try it again. I tried with renewed vigor and confidence and this time my name figured in the list of results declared in 2020,” she says.
Shahnawaz has studied at Maharishi Annasaheb Shinde, Zilla Parishad School. Today, when she is all set to become the first Muslim judge of Pune, Shahnawaz says she believes that “education is not preparation for life but education is life.”
She says she was always determined to not let the circumstances of her life become a hindrance in her path. It was only some time back that her family shifted to their new house in the Kondhwa area.
Shahnawaz Khan Pathan speaking at a function
Shahnawaz was a practicing lawyer before becoming a civil judge-cum-judicial magistrate first class (JFMC). She married software developer Sunny Sayyed before on May 25 before the JFMC results were out. She lives with her husband in the Urudi Kanchan area of Pune.
As a legal professional Shahnawaz says that awareness campaigns should be launched to make common people aware of the legal options and legal aspects of life. Legal camps and street plays can be very helpful in this direction. She says that lack of proper information aggravates many problems.
Shahnawaz believes that a common citizen can become a force multiplier in the progress of the country by staying within the purview of the law for redressal of his grievances.
source: http://www.awazthevoice.in / Awaz, The Voice / Home> India / by Shahtaj Khan, Pune / July 14th, 2022
A few mats and a blackboard make a school on a city lane for 50 kids. This footpath of V Power Gym Street in the Kanakia area of Mira Road in Mumbai attracts the attention of the passers-by but the children remain engrossed in studying and oblivious of the world passing by.
The noise of passing traffic and pedestrians does not affect the privacy of students – mostly children of construction labourers and other daily wage earners – for their minds are focused on what their Yasmeen Madam says.
Yasmin Parvez Khan, a homemaker whose husband is a manager in a global software company, has been trying to provide basic education to children in this makeshift roadside school. She has been setting it up from 3 to 5 pm every day for the past ten years.
She is a volunteer who wants to change the lives of children who can’t afford a regular school for various reasons; she neither runs an NGO nor is affiliated with any government agency.
Gallery of images from Yasmeem’s school
Yasmeen says: “One day I thought of doing something for these poor children. After much deliberation, I realized that no amount of monetary or material help will be of much use to them while education has the potential to change their lives and also impact the future of their families. With this idea, I started teaching two kids and today I have 50 of them.”
Yasmeen’s school is for slum children where they receive basic education and then for formal education, Yasmin Madam takes the children for admission to regular schools. This way Yasmeen plays an important role in initiating these underprivileged children into regular education by invoking their interests in studies and knowledge. “It takes time to get children from very poor families interested in education and getting their parents to understand the importance of education is no less than a harder task.”
Yasmeen says she doesn’t charge a fee but children need many things like notebooks, pencils, books, colours, bags, etc. She has an innovative idea for getting these needs of children fulfilled. Pointing to her blackboard, she says, “Whenever I need something for children, write it on the board and you will be surprised that within a short time, someone delivers it.”
To date, children have never had to wait more than half an hour to get their basic things for studies. She smiles and says that she feels happy to cook for children each Thursday and feed them. After seeing this, many passersby and neighbours have started bringing food and gifts for the children. This makes children very happy and adds to their enthusiasm.
Children enjoying meals cooked by Yasmeen Khan on a Thursday
Yasmeen Madam’s teaching sidewalk has neither walls nor roof, but education is complete. The first child who got his primary education from this footpath and reached school today has reached the 11th standard.
People are often inquisitive about Yasmin Parvez Khan, who wears a Burqa. People stop for a moment when they see a veiled woman teaching children on the sidewalk.
Yasmeen says that initially, even her family was not happy with her decision. “When I explained my point that she has to go to them and teach, they understood.”
She says: “Today, my family including my mother-in-law, father-in-law, husband, and my children support me.” Yasmeen Parvez Khan’s husband is a project manager at Wipro Company.
These days Yasmeen’s school is on Monsoon break. She is looking forward to the end of the monsoon and the resumption of her school.
source: http://www.awazthevoice.in / Awaz, The Voice / Home> India / by Shantaj Khan, Pune / July 26th, 2022
Steering clear of the actor’s controversial life, a new biography focuses on India’s notion of stardom and celebrity instead
A recent bout of illness and feeling all round wretched had me turning to my favourite comfort food — Hindi movies (I refuse to call them Bollywood movies) from the 1990s. That I was simultaneously reading Devapriya Sanyal’s Salman Khan The Man The Actor The Legend, a deconstruction of bhai’s celebrity, proved an adequate road map to my film choices…
Rather than start with Salman Khan’s big, fat blockbuster, Maine Pyaar Kiya (1989), I chose Hum Aapke Hain Koun..! (1994), also directed by Sooraj Barjatya (who had made his directorial debut with Maine Pyaar Kiya). The film, which cemented Khan as a bonafide star, actually gave his co-star, Madhuri Dixit, higher billing, a fact which Sanyal’s book mentions.
Hum Aapke Hain Koun..! unlike that other game-changer of the ‘90s, Dilwale Dulhania Le Jayenge (1995), has not aged well, Dixit’s phulkari-inspired jacket notwithstanding. The film plays out like a loosely strung together series of incidents, songs and comic interludes. How is a dog playing an umpire at a cricket match supposed to be funny is one of those unsolved mysteries. And while we are on the topic, hope Tuffy, the dog, was treated right on set.
Defence of toxicity
Sanyal’s book mostly steers clear of all the scandals and controversies that followed Khan like faithful shadows. While there is mention of the 2002 hit-and-run case, his tumultuous relationship with Aishwarya Rai and its fallout, and the blackbuck hunting and Arms Act violations cases, the book focuses on decoding Khan and India’s notion of stardom and celebrity through his career.
What little we glimpse of Khan is through his good friend Kailash Surendranath’s reminiscences. Surendranath, who knew Khan from his days as an eager 15-year-old getting his first break in modelling for Campa Cola (remember?) to his decade-spanning superstardom, remembers Khan dropping by for late night paratha-bhurji (scrambled eggs) and his motto for working on his body — “When you have no work, work on yourself.”
An introduction sets out what Sanyal intends to do through the book in great detail. The shortest chapter is the one called ‘With Human Failings’, which lists Khan’s headline-grabbing misbehaviour. His public brawls and brushes with the law are explained away as the cost of celebrity, which does not cut much ice as one cannot sweep bad and outright criminal behaviour under the carpet of “boys will be boys”. The book is at its weakest when trying to defend Khan’s toxicity.
An engaging journey
On the other hand, Sanyal’s book is its most engaging when deconstructing Khan through his roles especially in the chapter, ‘The Journey from Prem to Chulbul Pandey’. The chapter introduces the concept of the Emploi, “a theoretical framework as developed by Erving Goffman in his book, Frame Analysis.” The emploi, Sanyal posits “is a category that accounts for the close interaction between performance and reception.”
Just as Amitabh Bachchan’s angry young man was invariably called Vijay (is his Jai in Sholay a diminutive for Vijay?) and Shah Rukh Khan’s many versions of Dilwale Dulhania Le Jayenge’s Raj went towards building an on-screen persona, so too does Salman’s Prem emploi create a film version of Salman Khan.
Sanyal traces Khan’s development through his 15 different portrayals of Prem. From the slender, doe-eyed Prem of Maine Pyar Kiya, the naughty ‘devar’ Prem in Hum Aapke Hain Koun..!, the Prem who sets things right in Hum Saath-Saath Hain (1999) and the slightly dim-witted Prem of Andaz Apna Apna (1994), who nevertheless gets the girl to the tongue-in-cheek narrator Prem of Ready (2011), the cheating-on-his wife Prem of No Entry (2005), the dating guru Prem of Partner (2007) and the travelling theatre artiste Prem of Prem Ratan Dhan Payo (2015), in his fourth collaboration with Barjatya.
Since the chapter details Khan’s journey from Prem to Chulbul Pandey, there is an analysis of the characters he played who are not named Prem, including Akash in that slightly cringy but melodious triangle Saajan (1991), Sameer in Sanjay Leela Bhansali’s exotically colourful Hum Dil De Chuke Sanam (1999), the obsessed lover, Radhe Mohan in Tere Naam (2003), the tapori Radhe in Wanted (2009), Devil in Kick (2014), Bajrangi in Bajrangi Bhaijaan (2015) and Tiger in Ek Tha Tiger (2012) and Tiger Zinda Hai (2017), Laxman in Tubelight (2017) Sultan in and as Sultan (2021), and of course the corrupt but loveable cop Chulbul Pandey in the Dabangg movies.
Sanyal, who teaches English literature at the University of Delhi, has written a thesis on the anatomy of fame with academic rigour— right down to how Khan’s perfect body also contributes to his iconography. Wish the book was better proofed as there are silly errors that grate coming on the back of such a well-researched book.
All looking for salacious details of Khan’s life will be disappointed while those seeking the magic in the bottle of stardom will not. And I am going back to watching Khan fight off the evil Crime Master Gogo in the delightful Andaz Apna Apna.
Salman Khan The Man The Actor The Legend; Devapriya Sanyal, Bloomsbury, ₹699.
mini.chhibber@thehindu.co.in
source: http://www.thehindu.com/ The Hindu / Home> Books> Review / by Mini Anthikad Chhibber / July 22nd, 2022
On World Book Day, the Maryam Mirza Mohilla (neighbourhood) library movement commemorated the occasion with zeal. Several book reading and distribution activities were held in city mosques and Urdu schools under the auspices of the Read & Lead Foundation.
The Foundation’s President, Mirza Abdul Qayyum Nadvi, announced the commencement of a “Book at Home, Book at Every Home” campaign at the event. He stated that the book-reading awareness campaign is only getting started because today’s young generation is losing interest in reading due to the introduction of new electronic gadgets, particularly smart phones
Urdu, Marathi, English books were distributed to the children members of Maulana Syed Abul Hassan Ali Nadvi Mohalla Library situated in Masjid Faiz Beri Bagh, Harsol area of Aurangabad.
It should be noted that for the past year in Aurangabad, 28 libraries have been working under the aegis of the Read & Lead Foundation in various sections of the city, slum mosques, Urdu schools, and neighbourhoods. More than 5,000 children are connected to these libraries.
It’s worth noting that eleven (11) of the 28 libraries are dedicated to children are located in mosques. Masjid Shadab Hina Nagar, Ahmadi Masjid, Shatabdi Nagar, Maulana Hasrat Mohani Mohalla Library, Misrarwadi, Qazi Iqbaluddin Mohalla Library, Bismillah Masjid, Madrasa Falah Darin Ghulam Mustafa, Sher Khan Pathan Mitra Mandal Library, Narey Village Mohalla Library and other places. In addition to this, Al-Huda Urdu High School Baijipura, Dr. APJ Abdul Kalam Mohalla Library Baijipura and other libraries celebrated World Book Day.
Maulana Sheikh Yusuf Nadvi, Imam of Masjid Faiz, where the Maulana Syed Abul Hassan Ali Nadvi Mohalla Library is located, stated that he would do everything in his power to ensure that the library benefits the children and women of the area as much as possible. After Friday prayers, he also declared the start of the door-to-door book drive.
Sheikh Nargis Fatima, Headmistress of Al-Huda Urdu High School, stated that her school’s students and instructors would be more active in the campaign and would offer all available assistance. Farhat Jahan, a school teacher, and other teachers took part in the presentation and offered their opinions..
Children’s monthly periodicals such as “Bachu ki Dunia,” “Umang,” “Taleemi inquilab,” “Majhi Marathi,” “Meri English Kitab,”,” “Gulzar Urdu,” and other books, magazines, and journals were distributed to members of the aforementioned libraries.
source: http://www.muslimmirror.com / Muslim Mirror / Home> Positive Story / by Special Correspondent / April 26th, 2022
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