Tag Archives: Muslim Authors of India

Author Nuzhat Khan’s latest novel on love and loss is set against the backdrop of Uttarakhand’s forest fire

UTTARAKHAND / NEW DELHI:

Author Nuzhat Khan weaves a story of love and loss against the backdrop of Uttarakhand’s forest fire catastrophe in her latest novel.

Author Nuzhat Khan | Photo Credit: Special Arrangement

Author Nuzhat Khan is among the growing tribe of writers confronting the world’s most pressing issue — climate emergency and the unfolding weather catastrophe — through a genre of fiction set in natural ecosystems. In her latest novel Whistling Woods (Petals Publishers), she highlights the impact of forest fire on people’s livelihood in Uttarakhand along with the story of two strangers — Akshay and Kaveri — who embark on a journey of self-discovery to the hills.

Nuzhat says the book is her way of doing her bit for Nature and the environment. “Growing up in Almora hill station amidst the snow-capped Himalayan ranges of Uttarakhand, I was blown away by the stunning landscape. This is the case with anyone who belongs to the hills. It pained me to watch forest fires ravage the serene hills.” She decided to act by writing a light-hearted story around the issue to reach out to more people. “I thought presenting plain facts and figures would be drab on topics like, what’s fuelling forest fires that continue to scorch hectares of green cover? I have tried to propose a solution, although it may not be the perfect one,” she says.

Her style of storytelling, both evocative and driven by research, helps readers get a grip of the issue while enjoying the budding romance between the lead characters. “I have attempted to capture a mix of human emotions, complexity of relationships, and the innocence of love. The setting helped me run parallels between urban and rural lives. For people in villages, even access to clean drinking water can be challenging ” explains Nuzhat adding that the book has been in the making for five years which also involved several trips to institutes like Avani Bio-Energy plant in Pithoragarh, the Naula Foundation, an NGO that creates awareness on the problems of dying aquifiers (naulas) in the hills of Uttarakhand.

“My interactions with the locals and forest department officials was an eye-opener. They are constantly working to mitigate the problem. Organisations like the Himalayan Institute For Environment, Ecology & Development have developed fire reporting apps that can alert people on forest fires across various locations.”

She points out that the ashram described in the book that works towards empowering girl children was inspired by the Lakshmi Ashram run by a couple in Uttarakhand. “Some of the characters are not entirely fictional,” she hints.

The book also touches upon excessive tourism in the hills. “Several unplanned constructions in the form of resorts have come up usurping the forest cover and triggering landslides. The region is also prone to earthquakes.” She wants people to sit up and take note of Uttarakhand. “Everyone wants to live in the hills. I want to tell them it is beautiful, but everyday life can be challenging.”

source: http://www.thehindu.com / The Hindu / Home> Books / by K Jeshi / December 26th, 2023

Sabahat Afreen curated a women’s world sans fear and restrictions in her stories

Siddharthnagar District / Lucknow, UTTAR PRADESH:

Author Sabahat Afreen
Author Sabahat Afreen

Sabahat Afreen’s life will make you believe in the adage: where there is a will there is a way. Being born into an educated and prosperous family, Sabahat realized early in her life that her family was not open to women coming out of the four walls of the house, bracing against all odds to create their identity. She was raised seeing all women in her family in purdah.

However, somewhere in her heart, Sabahat Afreen was like a Secret Superstar of the Hindi movie by that name. Afreen was raised in a small village in Siddharthnagar district of Uttar Pradesh by her advocate father and a homemaker mother.

Sabahat Afreen started living in purdah in 10th class and after passing her 12th standard, She was not supposed to move out of the house alone. This resulted in her not attending college and opting for home study and writing examinations as a private student for her graduation years.

She was completing her master’s degree when she got married. Her husband’s family was politically connected and prosperous. She could have easily lived in comfort; Sabahat did not like to dress up like a doll wearing jewelery and expensive sarees and lounging around all day.

She said, “My mother was fond of reading and writing. She had an impact on me too. I used to write poems and stories in my childhood. Mom and Dad always encouraged me. It is a different matter that my works were never sent for publication as they didn’t believe in getting a picture of their daughter printed in the newspaper.”

Sabahat Afreen with her book

She also realized the environment in her in-laws’ house was less conservative. “My father-in-law knew that I write, so he used to gift me a diary and pen; my husband also supported me.” She told Awaz-the Voice.

After marriage, she opened a secret account on Facebook and did not use her pictures for the DP. “I started writing stories on Facebook, my posts went viral. Someone suggested that I should send my stories to Neelesh Misra, (Editor, Gaon Connection, lyricist, and storyteller). His storytelling was popular. I emailed my story to him and he liked it. From that point, I was in his circle.”

Like Insia Malik (Played by Zaira Wasim) of Aamir Khan’s 2017 film Secret Superstar, she revealed her talent to the world by hiding her identity. Soon Sabahat Afrin was writing audio series, stories, and books for magazines and many apps across the country. She moved her two little daughters out of the closed environs of the village to Lucknow.

As it happens in such cases, most of the people who had opposed her once now praise and respect her. Her family is proud of her.

Recently her first story collection Mujhe Jugnuon Ke Desh Jaana Hai (I Want to Go to the Land of Fireflies)(Rujhan Publications, Rajasthan) was released. In it, Sabahat imagines in this country of fireflies women are also enjoying the same freedom as men, the doors of their hearts cannot be guarded, they too have the freedom to remarry after divorce, and they have the right to decide if they want to return to their husband’s house after feeling unwanted there.

Sabahat Afreen with friends

Her stories are set in the backdrop of Muslim culture, but she manages to show that when it comes to the status and rights of women, it’s the same every year. Sabahat wants to free the fireflies from the clenched fists of Afreen women.Her first remuneration of Rs 30,000 as a writer was encouraging for Sabahat. She felt that being financially strong should be the priority of a woman. Now she shares her pictures on social media and with her stories.

Sabahat has written amazing stories that she must have picked up from around her and kept in the secret chamber of her heart to let them metamorphose into another form. Her stories look familiar to readers; after reading each one of her stories, the reader feels that he has seen these incidents.

Sabahat has adapted one such incident into a captivating story. The story Khoobsurat auratein (Beautiful Women) starts with this sentence – “even good looks are like a punishment, wherever she went people’s eyes were fixed on her.’ The heroine of the story, Alia, is very beautiful.”

Sabahat Afreen with her daughters

Women are at the center of all Sabahat’s stories. The joys and sorrows of a woman, her dreams, her desire to fulfill them and social restrictions are the key elements in her stories. Sabahat is seen breaking these restrictions and traditions. Women in her stories are silent protesters except for Alia from her story Beautiful Women. However, they encounter opposition and in some cases, it’s also effective.

Sabahat becomes emotional while narrating her stories. She wishes to create a world for women where they have the freedom to fulfill their wishes and make their dreams come true. Her stories reflect her progressive thoughts.

Sabahat says that she never went to the market alone and yet when people knew about her through her stories, she felt confident to move to a big city with her daughters. “I reached Lucknow and rented out an apartment and enrolled my daughters in a good school. Today my daughters are studying, and life has become a bit easier for all three of us.”

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Onika Maheshwari, New Delhi / January 03rd, 2024

HT reviewer Lamat R Hasan picks her favourite reads of 2021

NEW DELHI:

Saleem Kidwai’s translations of Qurratulain Hyder’s novels bring out the author’s command over the Urdu idiom.

Qurratulain Hyder’s last novel, Chandni Begum, almost predicted an increasingly intolerant India. (HT Team)
Qurratulain Hyder’s last novel, Chandni Begum, almost predicted an increasingly intolerant India. (HT Team)

Saleem Kidwai died earlier this year. Apart from being a translator par excellence he was a medieval historian, and queer rights activist, best known for co-authoring Same-Sex Love in India: Readings from Literature and History.

Urdu phrase in Chandni Begum – Allah maaf kare as “Allah, forgive my sins”. I thought the phrase had lost its zing and frankly told him that the dramatic, half-mocking Allah maaf kare should have been retained like Aye bahu, a lament that is difficult to express in English.

We discussed the possible alternatives, Kidwai graciously half-defending the phrase, and then he revealed that he was translating Hyder’s Safina e Gham e Dil (Ship of Sorrows). Both books are my absolute favourites, and I re-read them after his untimely demise.

Lamat R Hasan (Courtesy the reviewer)
Lamat R Hasan (Courtesy the reviewer)

Chandni Begum, 1989

The novel centres around the lives of two aristocratic families living on a controversial estate with a mosque and a temple in its compound. The story moves at a fierce pace, shuffling between the past and the present, from the Partition of India to the Mandir-Masjid dispute in Ayodhya, amplifying the complexities of life, trying to find coherence in the class-caste chaos.

She wrote this tale of love and loss a few years before Babri Masjid was razed to the ground, almost predicting the future course of events, of an India that would become increasingly intolerant. This was Hyder’s last novel.

Ship of Sorrows, 1952

Only when I was holding “Ship of Sorrows”, Hyder’s part memoir, part fictional work in hand, did I learn that Kidwai had decided to abandon the project midway.

Unlike other Partition stories written from the perspective of average men and women who witnessed its horrors, this novel is a coming-of-age story, without a conventional storyline, of a privileged set of six friends from Awadh. The author herself debuts as Anne Hyder and fictionalises her experience during the communal riots in Dehradun.

Kidwai praises Hyder’s command over the Urdu idiom, with its Persian and Arabic inflections, and her equal ease with English and western idioms. Her fiction is not easy to read and she was impatient with critics who tried to evaluate the impact of modernism and of particularly Virginia Woolf, on her work. Kidwai was indeed overwhelmed by her genius, but after two years of hard work he successfully anchored his ship.

In Kidwai’s memory next up on my reading list is his biography of the legendary singer Malika Pukhraj. Song Sung True (Kali for Women, 2005) was first published in translation in India. The original Bezubaani Zubaan Na Ho Jaey was recently published in Pakistan.

Lamat R Hasan is an independent journalist. She lives in New Delhi.

source: http://www.hindustantimes.com / Hindustan Times / Home> Books / by Lamat R Hasan / December 17th, 2021

A powerful and thought-provoking play relevant to our times

NEW DELHI:

The Muslim Vanishes: A Play in Three Acts Saeed Naqvi Penguin, 2022

The Muslim Vanishes: A Play in Three Acts

Saeed Naqvi / Penguin, 2022

Reviewed by Arshad Shaikh

The Muslim Vanishes by Saeed Naqvi is a thought-provoking play and a timely fable about the dangers of communalism and the importance of empathy.

The play is set in a dystopian future where 200 million Muslims have suddenly disappeared from India, along with their cultural heritage. The remaining population is left to grapple with the consequences of this mass vanishing and to try to understand what happened and why.

The play is told from the perspective of a diverse cast of characters, including a TV news anchor, a Hindu nationalist leader, a Muslim woman, and a Dalit activist. Each character has their unique perspective on the events that have taken place, and their struggles to come to terms with them.

Naqvi’s writing is sharp and insightful, and he uses the play to explore a range of complex issues, including the nature of national identity, the role of religion in society, and the dangers of prejudice and discrimination.

The play is also a powerful plea for empathy, tolerance, and understanding. It challenges us to confront the realities of communalism and intolerance in our world.

The Muslim Vanishes is a must-read for anyone who is interested in contemporary Indian politics and society, or who is concerned about the rise of communalism and intolerance around the world. The play will stay with you long after you finish reading it.

The play is a creative way of exploring the key themes that India is currently grappling with and trying to come to terms with. The play is a powerful critique of communalism, which is a form of ideology that divides people along religious lines.

Naqvi shows how communalism can lead to violence, hatred, and even genocide. The play also makes a case for empathy, tolerance, and understanding. Naqvi challenges us to see the world from the perspective of others, even those who are different from us. He shows how empathy and tolerance can help us to build bridges and to create a more just and inclusive society.

Naqvi explores the complex nature of national identity. He asks us to question what it means to be Indian, and who owns India. He shows how national identity can be manipulated to exclude and marginalize certain groups of people.

The Muslim Vanishes is a powerful and thought-provoking play that is relevant to our times. It is highly recommended to add it to your bookshelf.

source: http://www.radianceweekly.com / Radiance Viewsweekly / Home> Book Review / by Arshad Shaikh / September 26th, 2023

JMI Professor gets prestigious ‘Parvez Shahidi Award’ of West Bengal Urdu Academy

NEW DELHI:

Professor Shehzad Anjum, Department of Urdu, Jamia Millia Islamia (JMI) is a renowned critic, researcher and the senior most Professor of the department.

Parvez Shahidi Award:

Professor Shehzad Anjum, Department of Urdu, Jamia Millia Islamia (JMI) has been conferred the prestigious ‘Parvez Shahidi Award’ of the West Bengal Urdu Academy for his great work in Urdu language. He is a renowned critic, researcher and the senior most Professor of the department.

JMI Vice Chancellor Professor Najma Akhtar, faculty members and students congratulated Professor Anjum for their great achievement.

Professor Anjum is one of the few prominent writers of the present era whose writings are thought-provoking.

Some of his published books are Urdu Ke Ghair Muslim Shaura-o-Udaba, Ahad Saz Shaksiyat: Sir Syed Ahmed Khan, Deedawar Naqqad: Gopi Chand Narang, Azadi Ke Baad Urdu Shairi, Azhar Inayati: Ek Sukhanwar Shayar, Ehtisham Hussain Ki Takhliqi Nigarishat, Tanqeedi Jehaat, Urdu Aur Hindustan Ki Mushtarka Tahzeebi Virasat, Rabindranath Tagore: Fikr-o-Fan, have been published.

He successfully completed the “Tagore Research and Translation Scheme” started by the Ministry of Culture, Government of India as the Coordinator, Department of Urdu, JMI. It is a historic, exemplary and proud achievement in the field of Urdu literature.

Professor Anjum also authored several monographs including Muhammad Ali Johar, Syed Ehtisham Hussain and Syed Muhammad Hasnain for Sahitya Academy, Delhi, Altaf Hussain Hali for Urdu Academy, Delhi, West Bengal Urdu Academy, Mirza Ghalib for Kolkata and Urdu Directorate. The Kalam Hydari monograph for Patna is particularly noteworthy. Several books translated by him have also been published. He also wrote a literary column on non-Muslim Urdu poets and writers for the daily ‘Inqlab’, Delhi, for about two and a half years.

source: http://www.shiksha.com / Shiksha / Home> News> College / by Anum Ansari, Asst Mgr Content, New Delhi / September 09th, 2022

Omar Khalidi’s Personal Library Finds A Home At MANUU, Hyderabad

Hyderabad, TELANGANA / Boston (Massachusetts), U.S.A.:

Photo: twitter.com/swachhhyd/

Omar Khalidi Hall, named after the late renowned Hyderabadi scholar, was inaugurated at Maulana Azad National Urdu University (MANUU) on Thursday. The hall, which now houses Khalidi’s personal library comprising scores of rare books, marks a significant milestone for the university.

The collaborative efforts of Khalidi’s daughter Aliya Khalidi, his wife Nigar Sultana Khalidi, historian Prof Salma Farooqui leading MANUU’s H.K. Sherwani Centre for Deccan Studies, the United States Consulate General in Hyderabad, and admirers of the Hyderabad scholar based in the USA made it possible to bring his personal library back to his hometown of Hyderabad.

Khalidi’s library is an impressive collection with over 1,000 Urdu, English, Persian, French, German, and French titles. It covers a wide range of subjects including the history, culture, and administration of the Deccan, Hyderabad State, Golconda, religion, Sufis and Sufism, heritage, and numerous journals. Notably, the collection includes rare books such as L’Inde Anglaise, published in 1845, The Hindu reported.

Khalidi’s strong connection with his hometown led him to compile an exhaustive list of books on Hyderabad’s history, culture, and archaeology. Many of these books were either unknown or had faded from public memory due to the passage of time.

Apart from his personal library, Khalidi was also renowned for his authored works. His book Khaki and Ethnic Violence in India explored the complexities of religious composition within the armed forces and police, as well as the Muslim community. L.K. Advani had verbally attacked Khalidi for the book and reportedly acknowledged that the book provided “inspiration to the Sachar Committee to seek a communal census in the Armed forces.”

Among his other important works were Muslims in Indian Economy and Hyderabad: After the Fall, a collection of essays edited by Khalidi.

Khalidi, who worked at the Massachusetts Institute of Technology as part of the Aga Khan Programme for Islamic Architecture, passed away on November 29, 2010, leaving behind a significant intellectual legacy.

The inauguration of Omar Khalidi Hall at MANUU on Thursday not only celebrates the life and work of this distinguished scholar but also provides a valuable resource for students and researchers. The inclusion of Khalidi’s personal library in the hall will serve as a source of inspiration, enabling a deeper understanding of Hyderabad’s history, culture, and heritage.

source: http://www.thecognate.com / The Cognate / Home> Culture / by The Cognate News Desk / June 16th, 2023

JNU Sociologist Imtiaz Ahmad Passes Away

Lucknow, UTTAR PRADESH / NEW DELHI:

Ahmad’s book, Caste and Social Stratification Among Muslims in India, is celebrated as pioneering work in the field. 

Imtiaz Ahmad (1940-2023). Photo: Twitter/@syedurahman

New Delhi: 

Imtiaz Ahmad, renowned scholar who taught political sociology at the Jawaharlal Nehru University in India, has died. He was 83.

Ahmad’s book, Caste and Social Stratification Among Muslims in India, is celebrated as pioneering work in the field.

Ahmad got his BA and MA degrees from the Lucknow University in 1958 and 1960 respectively. He started as a senior research analyst at the Institute of Economic Growth at the Delhi University in 1964 and two years later, became a lecturer in sociology in the same university.


After three years as visiting professor of anthropology at the University of Missouri in the US, Ahmad joined JNU as associate professor in political sociology in 1972. He became a professor in the department in 1983 and taught there for three decades.

Among his numerous publications are those which throw light on Muslim empowerment, minority rights, the role of education among Muslims, how Islamic ideologies mesh with social realities, how Muslim women are studied in India and communalism.

Ahmad also wrote critically on the Gujarat riots of 2002 in particular and communal politics in general. His work has been lauded as having shed light on the composite culture of India.

source: http://www.thewire.in / The Wire / Home> Education> Society / by The Wire Staff / June 19th, 2023

Indian Muslim writer Andaleeb Wajid’s new book is part of a time-travel trilogy

Bengaluru, KARNATAKA:

Andaleeb Wajid is a Bangalore-based writer who attempts to authentically portray India’s Muslim diaspora through novels that focus on life, food, family and relationships.

The young Indian Muslim writer Andaleeb Wajid has published five books in almost as many years. Courtesy Andaleeb Wajid
The young Indian Muslim writer Andaleeb Wajid has published five books in almost as many years. Courtesy Andaleeb Wajid

Modestly dressed in a pretty headscarf and shalwar kameez, the Bangalore-based writer Andaleeb Wajid smiles as she talks about her short but successful writing career – she has published five books in six years, most of them featuring a Muslim setting and credibly representing the community in India.

Wajid, 36, says she has been writing since she was 10. Her first book, Kite Strings, was released in August 2009 followed by Blinkers Off (August 2011), My Brother’s Wedding (May 2013) and More Than Just Biryani (January 2014). No Time For Goodbyes, released in April this year, is her latest book and the first in the Tamanna Trilogy series, books on time travel targeted at young adults. The other two will be released in September and December this year.

How did you begin writing?

I have been writing stories since I was 10. When I was in Grade 12, I was left very confused about what I would do with my life. There weren’t many options for girls from orthodox Muslim families. Then it occurred to me to take up writing as a career. I was certain that no one would stop me.

Is there a reason why many of your books have been set in a Muslim milieu?

I’m quite amused with the way Muslims are depicted in Bollywood films and on television in India. My stories attempt to show a slice of Muslim life, which is no different from anyone else’s. I wrote More Than Just Biryani only because I strongly felt that the world has labelled us as just biryani-eaters and I wanted them to be aware of the diversity in Muslim cuisine. Kite Strings discusses the issues a young girl from an orthodox Lababin Muslim [a community from Tamil Nadu] family faces. But a large number of non-Muslim fans also reached out to me, saying how much they identified with the character, which proves that some things transcend religious boundaries.

More Than Just Biryani was ­conceived as a recipe book. What prompted you to turn it into fiction?

My brother and I had thought of writing a culinary memoir but the idea never took off because I realised early that I could never do justice to non-fiction. Instead I wrote about three women and the role food plays in their lives. Nearly every chapter of the book has a recipe, which is ­woven into the story.

Have you drawn upon your personal experiences to craft stories?

Yes. Like most writers, I started off writing about what I knew best. In Kite Strings, the protagonist Mehnaz is a rebel without a cause and ­behaves a lot like I did as a teenager. The story is set in Vellore, Tamil Nadu, where as a child I spent several holidays with my grandparents. In More Than Just Biryani, one of the protagonists loses her father. It was the most painful chapter I have ever written.

What else is in the pipeline?

I have one more young-adult novel in my kitty, about a girl whose mother has left the family. Then there’s ­another about a crochet teacher and the four women who learn this ­beautiful craft from her and end up baring their lives to her.

• Andaleeb Wajid’s books are ­available on Amazon

artslife@thenational.ae

source: http://www.thenationalnews.com / The National / Home / by Priti Salian / July 05th, 2014

‘Born a Muslim: Some Truths about Islam in India’ review: A sense of disillusionment

Agra, UTTAR PRADESH :

Ghazala Wahab explains what it is to be a Muslim, a member of the largest religious minority in India today, and why the community lives in fear as prejudices persist.

Soma Basu reviews Born a Muslim: Some Truths about Islam in India, by  Ghazala Wahab - The Hindu

The book opens with an unputdownable 42-page introduction that delves into the root of fear and despair among Muslims who have embraced the country as theirs but are polarised because of the identity they bear.

The shock and shame of communal riots, orchestrated mass violence and lynchings that served political agendas and led to societal divisions during the past decades hits you, as journalist Ghazala Wahab lays bare instances from her life.

Balanced narrative

She meticulously balances her narrative because she wishes to build a bridge of conversation. While she addresses fellow Muslims asking them to embrace modernity and be an integral part of positive change, she also alerts non-Muslim Indians about their perception of Muslims based on prejudice and hearsay, not facts.

Self-examining her own community members, she admits it never struck her how an average Muslim struggles to stay alive because she looked at things from her position of privilege. As she researched, she found equal opportunity and justice are only concepts and that law- making and law-enforcing agencies act in contradiction to vilify and stigmatise Muslims.

It is a vicious cycle, writes Ghazala, because the post-partition Muslims have remained an irrelevant votebank and sought security in their ghettos perpetuated by illiteracy, poverty and unemployment. The mullahs and clergy have easily taken them under their religious fold to exploit them. The general backwardness of the community has fed into a sense of loss of identity and unmet aspirations for Muslim youth, men and women.

Personal experience

In the mid-80s, Ghazala’s father shifted from their ancestral home in a middle class mohalla to an upscale Hindu-majority neighbourhood in Agra. His successful business and hobnobbing with the powerful, gave him the comfort of keeping his family under a security net. But that was till Agra was engulfed in violence post-kar seva after BJP leader L.K. Advani rolled out his rath yatra from Somnath to Ayodha in October, 1990, and was subsequently arrested. As sporadic violence spread across north India, Ghazala’s family wondered where they would be more secure — in their new neighbourhood or in a Muslim majority insulated mohalla.

Ghazala’s father called his brothers to safety and her mohalla uncles requested them to move back to the old Muslim locality. Ultimately everybody stayed where they were as fury was unleashed on their community everywhere. A young collegian then, Ghazala, her parents and three siblings were at home when an angry mob led by a neighbour shouted slogans, smashed windows, pelted stones and damaged their car. Desperate phone calls for help went unanswered.

When Ghazala’s father went to the police station to enquire about the adult males who were forcibly picked up from the mohalla during search operations, senior officials known to him avoided him. Those he thought had accepted him treated him as nothing more than a Muslim when it came to communal division. For Ghazala’s father it was not about being a victim but it was more about the humiliation, a betrayal of belief.

Turning point

Her family survived the riots but it left a scar. Her parents chose to go silent and it irked Ghazala that a victim should feel ashamed. She saw the same resignation and defeatist attitude when the Babri Masjid was razed. It unnerved her because she sensed it was a turning point not just for her family but for most Indian Muslims.

“Civility was the first casualty, replaced by communal prejudice and demonstrative religion,” she writes.

Many members in her extended family began to draw comfort from religious conservatism. She talks about a cousin who started wearing a headscarf and told her she was more comfortable with her Muslim friends as they didn’t have to pretend with one another, whereas to her Hindu friends she was a validation of their liberal outlook.

The conversation disturbed Ghazala as she never perceived two distinct identities in herself — a Muslim and an Indian. The issue was complex and so were several disparate questions.

Ghazala leans on poignant narration about the average Muslim being confused and scared through examples of those who have hidden their identity and reverted to Hinduism under perceived coercion. “They could never participate as equal partners in the country’s development. Only 2.6 per cent of Muslims are in senior-level jobs and a small number have achieved a reasonable upward mobility,” she writes.

On a positive note, Ghazala says Muslim society is changing. The protests against CAA/NRC in December 2019, she feels, has given rise to an assertive community even though her 1990 experience returned to haunt her in February 2020 when her paternal aunt’s family panicked as a mob reached their northeast Delhi colony. Anger and helplessness resurfaced when her aunt called her for help and her uncle refused to escape or abandon his life’s savings. The sense of fear doesn’t leave, she says.

Born a Muslim: Some Truths about Islam in India ; Ghazala Wahab, Aleph Book Company, ₹999.

soma.basu@thehindu.co.in

source: http://www.thehindu.com / The Hindu / Home> Books. Reviews / by Soma Basu / May 15th, 2021

Tears of the Begums: Stories of Survivors of the Uprising of 1857 (Originally in Urdu as Begumat ke Aansoo)

INDIA :

New Book , First ever English translation of Nizami’s invaluable Urdu book Begumat ke Aansoo 

pix: amazon.in

Apart from the fifteen years that Sher Shah Suri snatched upon defeating Humayun, the flag of the grand Mughal Empire flew over Delhi undefeated for over 300 years.

But then, 1857 arrived and the mighty sword fell helpless in the face of a mightier British force.

After the fall of Delhi and Emperor Bahadur Shah Zafar’s tragic departure from the Red Fort in 1857, members of the royal Mughal court had to flee to safer places. Driven out from their palaces and palanquins onto the streets in search of food and shelter, the dethroned royals scrambled to survive. Some bore their fate with a bitter pride, others succumbed to the adversity.

Through twenty-nine accounts of the survivors of the Uprising of 1857, Khwaja Hasan Nizami documents the devastating tale of the erstwhile glorious royalty’s struggle with the hardships thrust upon them by a ruthless new enemy.

In vivid and tragic stories drawn from the recollection of true events, Nizami paints a picture of a crumbling historical era and another charging forward to take its place.

With the reminiscence of past glory contrasted against the drudgery of everyday survival, Tears of the Begums – the first ever English translation of Nizami’s invaluable Urdu book Begumat ke Aansoo – chronicles the turning of the wheel of fortune in the aftermath of India’s first war of independence.

source: http://www.amazon.in / Amazon / Home> Books> History> World / as on August 06th, 2022