Tag Archives: Mohammed Rafi

In 1962 Mohammed Rafi cheered troops on China border

Mumbai, MAHARASHTRA /ALL INDIA :

Mohammad Rafi and Dilip Kumar
Mohammad Rafi and Dilip Kumar

Contrary to the popular notion that wars are fought by the armies alone, the whole nation including Bollywood personalities and leading artists get involved in the national efforts to fight the enemy.

The Chinese invasion in October 1962 was a shocking moment for India. Traditionally, India had supported China at every international forum for at least half a century. The invasion was the least expected from China and India was not at all prepared for it. Prime Minister Jawaharlal Nehru urged the nation to stand united in that hour of emergency and in response Indians donated generously to the National Defence Fund.

The film industry did not lag. Film Industry’s war efforts were led by legendary filmmaker Mehboob, singer Mohammed Rafi and music composer Mohammed Zahur Khayyam Hashmi (Khayyam).

In less than a week they collaborated to produce two music videos, which were to be played in film theaters, on the radio, and on the roadsides to raise funds for the war.

One of those two songs, “Awaz do hum ek hain…”, by Jaan Nisar Akhtar is now a popular political slogan in India. On Nehru’s call to the nation, Jaan Nissar Akhtar wrote the song to which music was given by Khayyam and the voice by Mohammad Rafi. The song is an invocation to Indians to unite in the face of an invader became a national passion and remains so till today.

The song starts with:

ek hai apni zameen, ek hai apna gagan

ek hai apna jahaan, ek hai apna watan

apne sabhi sukh ek hai, apne sabhi gham ek hai

Aawaz do ham ek hai

(We have a common earth, we have a common sky

We have a common world, we have a common motherland

All our joys are common, all our sorrows are common

Say it aloud that we are one!)

The powerful lyrics were turned into a national rage by the soulful singing of Rafi. Jago watan khatre me hai, sara chaman khatre me hai (wake up our motherland is under threat, whole garden is under siege) and dushman se nafrat farz hau, ghar ki hifazat farz hai (hating your enemy is a duty, to guard your home is a duty), aroused patriotic emotions among millions of Indians. The song asks the youth to join the army and fight the aggressor.

The song was picturized on Rajendra Kumar, Sunil Dutt, Raj Kumar, and Kamal Jeet.

Another song produced along with this was written by Sahir Ludhianvi, “watan ki abroo khatre main hai…” (dignity of the nation is under threat). It was also produced by Mehboob and sung by Mohammed Rafi. The song specifically points to the Panchsheel pact and other friendly gestures made by India towards China. It says,

Wo jinko saadgi mein hamne

Aankhon par bithhaaya thha

Wo jinko bhai kehkar

Hamne seene se lagaaya thha

Wo jinki gardanon mein haar

Baahon ka pehnaaya thha

Ab unki gardanon ke waaste

Talwaar ho jaao

(The people we honoured because of our innocence

The people we embraced and called brothers

The people we received with love

Now, do become swords for their throats)

The song also points toward the internal threats at the time of war.

Khabar rakhna koi gaddaar

Saazish kar nahin paaye ae

Nazar rakhna koi zaalim

Tijori bhar nahin paaye ae

(Be vigilant that no traitor conspires against the nation

Be vigilant that nobody makes money out of our war efforts)

The song was picturized on Dilip Kumar, Rajendra Kumar, Raj Kumar, and Kamal Jeet in a video produced by Mehboob.

Lorries with speakers would roam around playing these songs and prompting people to donate generously. It is said that when one such procession reached the house of Shammi Kapoor his wife actor Geeta Bali started crying. She rushed inside her house and told Shammi that she needed to do something for the nation. Geeta took all her jewelry, even the pieces she wore, and gave it away for war.

Rafi felt that singing in the safety of Mumbai was a disgrace in the line of his national duty. He discussed with Dilip Kumar and urged PM Nehru to send them to the border. What would they do there? Rafi felt that his songs could boost the morale of Indian soldiers and the presence of Dilip Kumar would assure the troops that the whole nation is standing behind them.

It was a dangerous mission. It was unprecedented for the artists to perform at the war front. In the cold, Rafi and Dilip reached the war frontier. He sang songs, interacted with soldiers, and boosted their morale. Dilip Kumar later recalled, “needless to say he was the star attraction with the jawans and the young newly commissioned officers”.

After the war ended with a ceasefire the collected funds were used to recover the economy and modernizing the Army.

On 27 January 1963, Mehboob organized an event in Delhi where he invited.all the prominent film stars to perform in the presence of President S Radhakrishnan and PM Jawaharlal Nehru. The event is often remembered for the rendition of “Aey mere watan ke logo…” by Lata Mangeshkar and Mohammad Rafi sang two songs. One was written by Shakeel Badayuni and its music was composed by Naushad, “Apni azadi ko hum hargiz mita sakte nahi.” The song was later adapted into the film Leader and the other was “Kar chale hum fida….” written by Kaifi Azmi and composed by Madan Mohan, which was later adopted in Haqeeqat, a movie based on the India-China war.

The fact that Rafi went to the war frontier and stayed there for a few days to play what turned out to be a big morale booster for the troops remains an unprecedented manifestation of one’s sense of responsibility towards his country.

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Culture / by Saquib Salim / December 24th, 2022

My Book Is About The Need For Education In The Indian Muslim Community: Sanjay Khan

Bengaluru, KARNATAKA / Mumbai, MAHARASHTRA :

Actor-turned-producer Sanjay Khan speaks about his second book ‘Assalamualaikum Watan’ and what he is doing during the lockdown

Actor-turned-producer Sanjay Khan’s second book Assalamualaikum Watan dwells on Islam’s history in India’s multicultural society, the role Muslims have played in nation-building and the issues they face. In the book, Khan emphatically declares that he “considers himself an Indian first and then a person of the faith”. In a conversation with Lachmi Deb Roy, he talks about the book and what he is doing during the lockdown.

What is Assalamualaikum Watan about?

Muslims in India number around 200 million. They contribute significantly to the cultural vitality and vibrancy of India. This number represents the second-largest mass of Muslims in any nation in the world. As Indian Muslims, we should feel tremendous pride, a sense of empowerment and responsibility because we contribute to the achievements of Muslims in the world. The age-old saying is ‘safety in numbers’, but there is also ‘inspiration in numbers’. Our social responsibilities should serve as the spark for the guiding light that Indian Muslims can provide. Through the power of education, I would like all Muslims to illuminate their path and contribute to the exchequer by joining the mainstream as involved citizens. This vast human resource can certainly propel the country’s economic growth.

How is your second book different from your first?

They are poles apart. Assalamualaikum Watan deals with the need for education in the Indian Muslim community, while my autobiography The Best Mistakes Of My Life is just my story.

You have had a successful career as an actor. How does it feel to be a writer?

God’s greatest gift to mankind is the art of writing. I feel fortunate to have authored two books.

What are your favourite films?

My favourite film is Raj Kapoor’s Awara, David Lean’s Lawrence of Arabia and Doctor Zhivago. Among recent films, I liked Aamir Khan’s Dangal.

What do you like about world cinema?

The professional finesse, technical excellence, remarkable performances and extraordinary scripts. James Cameron’s Avatar is one of my favourite films.

Which directors do you like?

David Lean, Steven Spielberg, Ridley Scott and James Cameron.

Any plans of returning to acting?

In the past couple of years, I have been offered quite a few roles, but I am waiting for roles that excite me. In the meantime, I have just finished writing the script of a major biopic that I will direct and produce.

What are you doing during the lockdown?

I am keeping myself busy by reading, exercising and talking to friends and relatives. I am trying to reach out to the people working with me and those who are in need. I love watching Hollywood classics. I am also studying new technologies in filmmaking. I listen to Mohammed Rafi, who sang a total of 48 numbers for my films, and Lata Mangeshkar.

source: http://www.outlookindia.com / Outlook / Home> Magazine> Arts & Entertainment> Interview / by Lakshmi Deb Roy interviews Sanjay Khan / May 08th, 2020

Not just Hindi: When Mohammed Rafi sang in English, Creole, Dutch and Persian

Kotla Village, PUNJAB  / Mumbai, MAHARASHTRA :

The legendary singer extended his vocal range to foreign languages whenever he got the opportunity.

Mohammed Rafi | Sujata Dev
Mohammed Rafi | Sujata Dev

Mohammed Rafi’s first break as a singer came in 1942, when he sang the duet Goriye ni Heeriye ni with Zeenat Begum for composer Shyam Sunder in the Punjabi film Gul Baloch (1944). Since then, he sang an estimated 4,500-5,000 songs in 14 Indian languages and four foreign languages until his death on July 31, 1980.

Not a bad feat at all for a singer who struggled with even English. In the biography Mohammed Rafi: Golden Voice of the Silver Screen, Sujata Dev writes about how the unlettered singer would politely turn down requests for autographs as his fame grew. “He began practising his signature diligently and when Ammi (mother) enquired why he was wasting reams of paper, he told her that he did not want to deprive his fans and so was learning to sign his name in English,” Rafi’s son, Shahid, told Dev. “Soon he began signing autographs in English and enjoyed doing so. It came as a great compliment for all his efforts when a journalist mentioned that he had the best signature in the industry.”

Rafi was born on December 24, 1924, in Kotla, a village near Amritsar. Singing in English became one of his greatest triumphs, especially since the language was a stumbling block throughout his life. When music composers Shankar-Jaikishen approached him to sing English numbers for a non-film music album in 1968, the singer was hesitant. Maverick actor-writer Harindranath Chattopadhyay , an ardent fan of the singer, wrote the lyrics. He convinced Rafi to take up the assignment, helping the singer perfect his diction for the recording. The two songs were Although we hail from different lands, based on the same composition as Baharon phool barsao (Suraj, 1966), and The she I love, based on the composition Hum kaale hain toh kya hua (Gumnaam, 1965).

Rafi’s English songs pale in comparison to the command he had over Hindi songs but never one to back down, he made a valiant effort to overcome his fears and grasp his limitations as a singer. It also gave him the courage to test his vocals in other foreign languages such as Dutch, Creole and Persian.

In this clip, Rafi sings in Creole, the local language of Mauritius, when he toured the country in the 1960s. He sings Mo le coeur toujours soif zot l’amour camarade (My heart will always be thirsty for your love, my friends), based on the tune of Ehsaan mere dil pe tumhara hai doston(Gaban, 1966).

‘Mo le coeur toujours soif zot l’amour camarade’.

This video clip shows Rafi performing at a concert in Dutch. He sings Ik zal jou nooit vergeten al zal ik in India zijn (I will never forget you, although I will be in India). The music is by Shankar-Jaikishen from the composition Baharon phool barsao, which remains immensely popular among Rafi fans.

https://www.youtube.com/watch?v=vz2piQTmraY

‘Ik zal jou nooit vergeten al zal ik in India zijn’.

For the Persian track Aye Taaza Gul (O fresh flower), Rafi collaborated with Afghani singer Zheela.

‘Aye Taaza Gul’.

In Mohammed Rafi: Golden Voice of the Silver Screen, Sujata Dev writes, “Kersi Lord, the multi-faceted musician had a long association with Rafi. He also happened to be the singer’s next door neighbour. ‘I remember once an Iranian couple had come to India and they wanted Rafi Sahab to sing an Iranian song. He called me home to play the synthesizer as he sang the song, with a fluency that made it seem as if it was his own mother tongue. The couple was left spellbound.”

Boxer Muhammad Ali felicitates Rafi in Chicago during one of his tours. Courtesy Sujata Dev’s ‘Mohammed Rafi’.
Boxer Muhammad Ali felicitates Rafi in Chicago during one of his tours. Courtesy Sujata Dev’s ‘Mohammed Rafi’.

source: http://www.scroll.in / The Scroll / Home> The Reel> Tribute / by Manish Gaekwad / July 31st, 2016

Google celebrates Mohammed Rafi’s 93rd birthday

Mumbai, MAHARASHTRA :

MdRafiMPOs25dec2017

It is legendary singer Mohammed Rafi’s 93rd birthday, and what could be a better tribute from Google than a doodle? Sunday’s doodle created by Mumbai-based illustrator Sajid Shaikh shows the Badshah of playback singing crooning a number in a studio, while actors give life to it on the silver screen.

Born on this day in 1924, Mohammed Rafi developed a taste for singing inspired by a fakir in his village in today’s Punjab. “In the early 1930’s, a little boy named Pheeko (Rafi’s nickname) would wait for a travelling fakir to stop by his home village of Kotla Sultan Singh and follow him on his rounds, imitating his chants as they went along,” reads Google’s blog post.

Rafi and his family moved to undivided India’s Lahore. He began his formal training in classical music here from Ustad Abdul Wahid Khan, Pandit Jiwan Lal Mattoo and Firoze Nizami. Rafi’s first public performance was at the age of 13. He was just 17 when he first tried his luck in playback singing. It was a duet with Zeenat Begum for a Punjabi movie Gul Baloch.

At the age of 20, Rafi moved to Bombay, the mecca of Hindi cinema. Shyam Sundar, the music director of Gul Baloch, gave Rafi his first chance to croon in a Hindi movie — Gaon Ki Gori.

From then on Rafi went on to sing over 5,000 songs, including about 310 songs in other Indian languages such as Bengali, Urdu, Marathi, Gujarati, Kannada, Odia, Punjabi, and Telugu, in a span of over three decades. He also sang non-film songs such as qawwalis, ghazals, and bhajans.

During his entire career, he worked with many great music directors like O.P. Nayyar, Laxmikant Pyarelal and R.D. Burman, Rafi and delivered some of evergreen hits including Yeh duniya yeh mehfilChura liya hai tumneTum jo mil gaye ho and many more.

His song Kya Hua Tera Wada in Hum Kisise Kum Naheen (1977) won him a National Award for playback singing.

Rafi died in Mumbai on July 31, 1980 following a massive heart attack. It is said that Rafi recorded a song for music director duo Laxmikant-Pyarelal hours before his death.

source: http://www.thehindu.com / The Hindu / Home> Sci-Tech> Internet / The Hindu Net Desk / December 24th, 2017

Matchless magic lingers

Kotla Sultan Singh (Amritsar District) , PUNJAB / Mumbai, MAHARASHTRA :

MohdRafiMPOs22mar2017

Mohammed Rafi imprinted his name on the musical firmament with his mesmeric voice. Although he is no more, he is still fondly remembered for his captivating songs in Hindi films. A tribute to the singer whose death anniversary falls today.

STRANGE, BUT one of the earliest memories of Mohammed Rafi are of his funeral procession. It was July 31, 1980. One of the greatest singers of independent India had passed away and sub-editors of various newspapers across the country were struggling to find appropriate words for the following day’s headline. It had to be precise, yet do justice to the man who sang nearly 26,000 songs. The headline had to say something about the man who was too shy to propose to his would-be wife, about the man who wanted to be an actor yet asked his directors not to show him on the screen and merely use his voice! The few words in bold print had to be all about the man who was, what one would in modern parlance call, a method singer, the man who would brook no banter when in the studios – something quite opposite to what his contemporary Kishore Kumar used to do. The headlines had to say something about the dedication of the man who recorded his last song, Tu kahin aas paas hai dost… for music directors Lakshmikant-Pyarelal a couple of days before he breathed his last. The film was Dharmendra-Hema Malini-starrer, Aas Paas. It bombed at the box office but the cine-goers could not help humming Tu kahin aas paas hai dost in memory of the singer whose voice had an innate sense of life.

Years have rolled by; singers have come and gone. But the matchless Rafi magic lingers. Just the other day one happened to be in Bhopal. Talking of some interesting sidelights about the city, a Bhopal veteran took yours truly to the house of Kaif Bhopali, a well-known poet in the Urdu mushaira circles who did not quite get his due in Bollywood. Fine but why are we talking of Kaif at this time? Well, simply because Kaif’s main claim to fame in the Hindi film world was provided by Mohammed Rafi. The song was the timeless Chalo dildar chalo, chand ke paar chalo, the film Pakeezah with Naushad and Ghulam Mohammed as music directors. The song had a haunting quality which brought to mind the picture of two lovers quietly moving into the sunset, hand in hand, far from the maddening crowd. Rafi’s voice had enough zing to match the lilt of the music and vivacity of his co-singer Lata Mangeshkar. Between them they gave Kaif his passport to an acquaintance with posterity.

Yes, that is what Rafi did to countless other artistes – Shammi Kapoor and Rajendra Kumar would have vouched for it. Remember Rafi’s Yahoo! Chahe koi mujhe jungli kahe which gave Shammi Kapoor his identity. And Baharon phool barsao or Mere mehboob tujhe meri mohabbat ki qasam which sent Rajendra Kumar’s career on the highway to success and many a young, dainty heart aflutter. Yet he did it all and more. Interestingly he managed the almost impossible. When he sang for a star, the image which the music-lovers nurtured in their mind was of the star, not the singer. Yet while doing so he managed to carve out his own niche, his own identity; some thing the common man could identify with. He came to be associated with songs that had life written over them, that could get the romantically-inclined humming and the youngsters swaying. Though he probably did not have the melancholy of Talat Mahmood’s voice or the sadness of Mukesh, he still managed to pull off many a tragic number with the least fuss. Remember Teri zulfon se judai to nahin maangi thi… .? Or even Aye duniya ke rakhwale…where he teamed up with Shakeel Badayuni and Naushad to come up with a lasting testimony of India’s pluralist culture?

Born on December 24, 1924 in a small village near Amritsar, Rafi trained under Ghulam Ali Khan and recorded his first song in 1944 for a Punjabi film Gul Baloch with Shyam Sunder. He even acted in a couple of films – Laila Majnu in 1945 and Jugnu in 1947. It was Feroze Nizami who gave him his first major hit with Yahan badla wafa ka bewafai in Amar Raj. From there to Kya hua tera vada in Hum Kisise Kum Nahin, Rafi was always on song. And when Rafi sang, he was worth going miles to listen to. Pity he is no more.

ZIYA US SALAM.

source: http://www.thehindu.com / The Hindu / Home> MetroPlus Hyderabad / Wednesday – July 31st, 2002

Watch ‘Dastaan-e-Rafi’, a Special Feature exploring the life of Mohammed Rafi

Mumbai, MAHARASHTRA :

https://www.youtube.com/watch?v=GaOJMv_C8ko

On the occasion on his 92nd birth anniversary watch Dastaan-e-Rafi, a special feature paying tribute to the legendary Mohammed Rafi on 24th December at 10 AM .

The special feature  sheds light on every aspect of the legend’s life. With over 5 years’ worth of research and close to 60 interviews, this is  a detailed account of his personal life and professional relationships. Catch a glimpse of his  childhood brother, Siddique Rafi, who lives in Lahore, Pakistan. Take  a look at the insights  that would shape Mohammed Rafi into the Legend he became .

Watch his illustrious colleagues  Shammi Kapoor,Manoj Kumar amongst others  reminisce about him. Other greats like Jeetendra, Randhir Kapoor, Rishi Kapoor ,and the younger generation  of Sonu Nigam, Javed Ali express  their gratitude for him.

http://www.zeeclassic.com/promos/watch-dastaan-e-rafi-special-feature-exploring-the-life-mohammed-rafi

source: www.youtube.com

Reliving the life of Rafi

Mumbai, MAHARASHTRA / Bengaluru – KARNATAKA :

RajniAcharaiahMPOs15feb2017

Dastaan-E-Rafi looks at the phenomenal Hindi playback singer through the eyes of the film fraternity, but as a human being

‘Do you know about the Sanjay Gandhi- Kishore Kumar incident? And how Rafi came to Kishore’s recuse?’ These are the kind of leading questions and anecdotes that we Bollywood-crazy people thrive on.

And it is this sort of personal journey that Rajni Acharya promises with his film on one of Bollywood’s most charismatic and versatile singers, Mohammed Rafi, titled Dastaan-e-Rafi.

“Mohammed Rafi was a very different kind of a singer. He was well trained in classical music. But he was not padha-likha …his attitude inspired me,” says co-director and producer of what he calls a “lifeOgraphy” of Rafi.

India is a music-loving country, he observes. “We all begin our day listening to music,” he smiles, speaking at the 9th Bengaluru International Film Festival (Biffes). And, what more can interest people than the life story of a musician, he argues. “Rafi was also a great actor. He could be Dilip Kumar when he sang for him. He could be Shammi Kapoor, or he could be Johnny Walker… that quality is so rare in a singer,” he adds. We all have our personal favourite list of Rafi songs.

Rajni, an industry insider of over 25 years with his own media production house, who admits he had reasonable access to information and people, also recounts the other side of the making of this two-hour saga – he slogged on it for five years, starting with research, and spent 55 lakhs on it!

Many studios and production houses refused to part with footage of songs for a commercial venture like his. Acquiring music tracks alone was proving too expensive. “Some of the actors, singers and music directors we approached for interviews demanded money! We have stood outside their homes for hours to get some of these interviews. I shot for over 120 days to complete this film.”

He shot parts of the film in Pakistan, in Kotla Sultan Singh in the Punjab area, speaking to Rafi’s brother, son, friends. He interviewed Shamshad Begum, Ghulam Ali, Lata Mangeshkar, the entire Kapoor khandaan across generations, including a total of 60 people — co-singers, actors, music directors, his daughters who’ve given interviews before, interspersed with 60 of his songs.

The film also traces the famous singer’s career graph. “He is one of the very few in the industry who was able to rise once again, after a downward career spiral,” opines Rajni, who got close to Rafi’s family.

When the media was busy writing off Rafi’s career, it was Kishore Kumar who called a press conference and told them not to write about him negatively, says Rajni. When Sanjay Gandhi approached Kishore to do concerts to raise party funds, Kishore demanded his fee. “So Kishore was banned on radio. Producers stopped giving him work. People came and told Rafi this is a great opportunity for you. But Rafi instead approach Sanjay Gandhi and offered to sing for free, asking for the ban on Kishore to be lifted.” His film, says Rajni, looks at Rafi not just as a singer, but as a great human being. “Every single person we spoke to agreed he is a gentleman.”

The film has been telecast on Zee already, and will soon be out on DVD.

source: http://www.thehindu.com / The Hindu / Home> Entertainment / by Bhumika K  / Februar 08th, 2017