Tag Archives: Javed Akhtar

National seminar on Prof. Abdul Qavi Desnavi on Apr. 1-2 in Bhopal

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Desna Village (Block Asthawan – Nalanda District), BIHAR / Mumbai, MAHARASHTRA / Bhopal, MADHYA PRADESH :

Prof. Abdul Qavi Desnavi (November 1, 1930 – July 7, 2011)

Bhopal:

A two-day National seminar is being organised on “Prof. Abdul Qavi Desnavi Hyat Aur Adabi Khidmat” here on April 1 and 2 at Mulla Ramuzi Sanskriti Bhavan, the headquarters of Madhya Pradesh Urdu Academy, (MPUA).

The seminar is being organised by Ilma Education Society, Bhopal under the joint aegis of National Council for the Promotion of Urdu Language, (NCPUL) and MPUA.

Mr. Kailash Sarang, former Rajya Sabha member, will inaugurate the seminar on April 1 at 10 am which will be presided over by Urdu litterateur Prof. Afaq Ahmad.

AThe guests of honour on the occasion include: Mr. Aziz Qureshi, ex-member of Lok Sabha, Mr. Iqbal Majeed, Prof. Shakoor Khan, Prof. Muzaffar Hanafi and Prof. Ateequllah.

Prof. Afaq Husain Siddiqui will deliver the keynote address in the inaugural function while Kausar Siddiqui, director of the organising committee shall welcome the guests. Mr. Ali Mutaqqui Desnavi, the eldest son of late Prof. Abdul Qavi Desnavi will propose vote of thanks.

After the inaugural function there would be two sessions on April 1 and three on the next day. Two-and-a-half dozen scholars and writers from all over India will present their papers in different sessions of the seminar.

They include: Prof. Muzaffar Hanafi (Delhi), Mr. Ayub Waqif (Mumbai), Master Akhtar, Mr. Arif Aziz & Dr. Arjumand Bano Afshan (all three from Bhopal), Prof. Ateequllah (Delhi), Prof. Khalid Mahmood (Delhi), Maulana Syed Sharafat Ali Nadwi (Bhopal), Dr. Yaqoob Yawar (Banaras), Mr. Iqbal Masood, Mr. Rasheed Anjum & Dr. (Mrs.) Razia Hamid (all three from Bhopal), Dr. Saifi Sironji (Sironj), Prof. Manzar Husain (Ranchi), Prof. Afaq Ahmad (Bhopal), Dr. Maula Baqsh (Delhi), Mr. Naseem Ansari (Bhopal), Mr. Zia Farooqui, Mr. Ashfaq Mashhadi, Mr. Khalid Abidi, Dr. Mahtab Alam & Mr. Javed Yazdani (all six from Bhopal), Dr. Mohammad Nauman & Dr. Khalid Mubashshir (both from Delhi), Dr. Abdul Waheed Khan (Jabalpur), Mr. Naeem Kausar, Mr. Khursheed Akhtar (both from Bhopal), Dr. Shan Fakhri (Sironj), Mr. Habib Ahmad & Mr. Inamullah Lodhi (both from Bhopal).

Meanwhile, it may be stated here that Prof. Abdul Qavi Desnavi (November 1, 1930 – July 7, 2011) was an Indian eminent Writer, Critic, Bibliographist, Linguist and Scholar of Urdu language. He has authored more than 50 books on Urdu literature. His books were also translated in other languages. His important work was about Maulana Abul Kalam Azad, Mirza Ghalib, Allama Muhammad Iqbal and litterateurs of Bhopal.

He was recipient of several awards. He received Senior Fellowship from the Union Ministry of Culture, Govt. of India. His great treatise was a voluminous book on one of India’s frontline freedom fighter and first Union Education Minister Maulana Abul Kalam Azad over 900 pages titled “Hayat-e-Abul Kalam Azad” which he penned in the year 2000. It was acclaimed nationally and internationally.

Desnavi was born in Nalanda
Prof. Desnavi was born on November 1, 1930 in village Desna of block Asthawan in Nalanda district Bihar. He belonged to the family of Great Muslim scholar Syed Sulaiman Nadvi, who was one of the eminent historian and biographers of the Islamic Prophet Muhammad (PBUH), during his times. He was the second son of late Prof. S. M. Saeed Raza, who was Professor of Urdu, Arabic and Persian languages in St. Xavier’s College, Mumbai. His elder brother was Prof. Syed Mohi Raza and younger brother was Syed Abdul Wali Desnavi.

Education
Prof. Desnavi had his primary education in Arrah town of Bihar state. After completing his graduation & post-graduation in First Division from St. Xavier’s College, Mumbai, he joined Department of Urdu in Saifia Post Graduate College, Bhopal in February 1961. He went on to become Professor and Head of the Urdu Department of Saifia Post Graduate College. He was well-known literary figure in India and in the Urdu world.

His shining disciples
Many scholars, poets and teachers of today such as lyricist Javed Akhtar, Poet Mushtaq Singh, Prof. Muzaffar Hanafi, Selani Silwatte, Prof. Khalid Mehmood, Prof. Mohammed Naumaan Khan, Prof. Afaq Husain Siddiqui, poet Iqbal Masood, Dr. Iqbal Masood Nadvi, Ahsanuddin Farooqui, Khurshid Akhtar, Mohammed Naseem, Dr. Qamar Ali Shah, Prof. Yaqoob Yawar, Maulana Syed Sharafat Ali Nadvi, Prof. Arjumand Bano Afshan etc. were under his tutelage during their student days in Bhopal and are now sparkling in the Urdu world. Under his guidance many students attained Ph.D. degrees.

He retired in 1990. He was also holding many Honorary positions such as: • Additional Principal of Saifia Post Graduate College, Bhopal.(1983–1985); • Secretary of Madhya Pradesh Urdu Academy, Bhopal (1991–92); • Elected Member Majlis-e-Aam Anjuman Taraqqui Urdu (Hind), New Delhi (1979–1984); • Member of All India Anjuman Taraqui Urdu Board, New Delhi, (1977–1978); • Member of Program Advisory Committee, All India Radio, Bhopal (1978–1979); • Member Executive Council, Barkatullah University Bhopal, (1980–1982); • Chairman of Board of Studies, Urdu, Persian & Arabic, Barkatullah University Bhopal, (1977–1980) and (1984–1985); • Dean Faculty of Arts, Barkatullah University Bhopal, (1980–1982) & • Member Working Committee, Taj-ul-Masajid, Bhopal (1997-2007)

Awards
Prof. Desnavi received many awards in his lifetime such as Shibli Award, Mumbai, 1957; Senior Fellowship, Ministry of Education & Culture, Government Of India for 4 Years, 1979-1983; Sanad “Imteyaz Meer” All India Meer Academy, Lucknow 1981; Nawab Siddique Hasan Khan Provincial Award, Bhopal 1986; Bihar Urdu Academy Award, for recognition of Urdu services (1988–89) & (1989–90); All India “Parvez Shahidi Award” West Bengal Urdu Academy, Calcutta 1998.

His books
The books Prof. Desnavi authored to enrich the Urdu literary world included: Ek Aur Mashriqi Kutub Khana (1954); Hasrat Ki Siyasi Zindagi (1956); Aur Hindustan Jag Utha (1963); Allama Iqbal Bhopal Mein (1967); Mazameen Lisan-un-Sidque (1967); Bhopal Aur Ghalib (1969); Ghalibyaat (1969); Nuskha-e-Bhopal Aur Nuskha-e-Bhopal Sani (1970); Qadir Nama-e—Ghalib (1971); Anis Numa (1973); Ek Shahar Panch Mushahir (1973); Nazr—e-Sajjad (1974); Mota’ala—e—Khotoot—e—Ghalib 1975, (Edition 2nd 1979); Saat TahrireiN (1975); Hindustan MeiN Iqbaliat (1976); Talash-o—Taasur (1977); Mehdi Hassan Efadi (1977); Iqbal Uneesween Sadi MeiN(1977); Mirza Salaamat Ali Dabeer (1977); Bachon Ka Iqbal (1978); Iqbal Aur Dilli (1978); Abdul Haque Banam Mahvi (1980); Nazr-e-Takhallus (1981); Mota’ala-e-Ghobar-e—Khatir (1981); Dhanpat Rai Nawab Rai Premchand (1981); Iqbal Aur Darul Iqbal Bhopal (1983); Iqbaliat Ki Talash (1984); Yadgar—e—Sulaiman (1984); Iqbaliat Ki Talash Publisher, Globe Publishers, Urdu Bazar Lahore, Pakistan (1985); Armoghane-Saifia (Co—Editor) (1986); Abul Kalam Azad (1987); Maulana Abul Kalam Mohiuddin Ahmad Azad Dehlavi (1988); Mahanama Lisan-un-Sidque (1988); Yadgar—e—Azad (1989); Mataihiyat (1989); Talash—e—Azad; Talash-e-Azad, Shaqsiyat, Khidmat, Chand JhalkiaN (1990); Jawaharlal—o—Azad (Co—Editor) (1990); Ajnabi Shahar (1992); Fakhernama (Co—Editor) (1997); Urdu Shairi Ki Gayarah AwazaiN; Masreen wa Mutaliqat Azad; Hayat Abul Kalam Azad (2000); Bombai Se Bhopal Tak (2004); Dur Dais Se (2005); MaiN Urdu Hoon (2006).

His books translated in other languages are: Abul Kalam Azad in Hindi language Translated by Janki Prashad Sharma, Publisher Sahitya Akademi (1987); Abul Kalam Azad in Punjabi language Translated Inder Singh Raz Publisher Sahitya Akademi (1988); Abul Kalam Azad in English language translated by Syeda Syedain Hamid Publisher Sahitya Akademi(1991); Abul Kalam Azad in Maithili language translated by Fazlur Rehman Hashmi, Publisher Sahitya Akademi (1994)

The awards Prof. Desnavi received on his books are: Saat TahrireiN – Uttar Pradesh Urdu Academy Lucknow, 1975; Uneesween Sadi Mein Iqbal – Bihar Urdu Academy Patna, 1977; Mota’ala-e-Khotoot Ghalib – Bihar Urdu Academy Patna, 1979; Mota’ala-e-Ghobar-e-Khatir – Bihar Urdu Academy Patna, 1981; Iqbaliat Ki Talash – Bihar Urdu Academy Patna, 1984, Abul Kalam Azad Academy, Bihar Urdu Academy Patna, 1987; Yadgar—e—Sulaiman – Maghribi Bengal Urdu Academy Calcutta, 1984; Talash—e—Azad – Uttar Pradesh Urdu Academy Lucknow, 1991; Talash—e—Azad – Bihar Urdu Academy Patna, 1991; Talash—e—Azad – West Bengal Urdu Academy Calcutta, 1993; Urdu Shairi Ki Gayarah AwazaiN – Uttar Pradesh Urdu Academy, Lucknow, 1993; & Urdu Shairi Ki Gayarah AwazaiN – Bihar Urdu Academy, Patna, 1993.

Under his guidance the Ph.D. degrees were awarded by Barkatullah University to • Dr. Muzaffar Hanafi – “Shad Arfi Shaksiat Aur Fun” 1974 Published – 1977; • Dr. Hadiqa Begum – “Abdul Rehman Bijnori Hayat Aur Khidmat” 1981 Published – 1984; • Dr. Naseem Shanvi- “Urdu Tanquid Ka Marxi Dabistan” 1981; • Dr. Mohammed Ayub Khan – “Iqbal Aur Gazal Goi” 1982; • Dr. Safia Wadood – “Takhalus Bhopali Hayat Aur Khidmat” 1984 Published – 1993; • Dr. Arjumand Bano – “Riasat Bhopal Aur Mushahir Urdu” 1989; • Dr. Shan Ahmed Fakhri – “Sironj Ki Khidmat” 1990 Published – 1999; • Dr. Yaqoob Ali Khan – “Taraqqui Pasand Shairi Aik Jaiza” 1990 Published – 1997 and • Dr. Mohammed Naumaan Khan – “Bhopal MeiN Urdu Inzamam Ke Baid”1990.

Poems
The poems composed on Prof. Desnavi include: • Pasban-e-Urdu by Rahbar Jaunpuri; • Nazre Abdul Qavi Desnavi by Arshad Siddiqui; • Anjuman Ilm-O-Kamal by Zafar Sahbai; • Herf-e-Khuloos by Kausar Siddiqui; • Shan-e-Imtiaz by Zafar Naseemi; • Qandil-e-Hikmat, Abdul Qavi Desnavi by Wafa Siddiqui;

• Kharaj-e-Tehsin by Arman Akberabadi; • Pahchaan Hai Saifia by Kamil Baihzadi; • Prof. Abdul Qavi Desnavi by Mateen Qurashi Shaheed and • Aik Nazem by Iqbal Masood.

Last breath
Prof. Desnavi died at about 5 am on 7 July 2011 in a private hospital where he was admitted following complaints of old age related diseases. He is survived by his wife, three sons and four daughters and a large number of relatives and literary friends to mourn his loss.

(pervezbari@eth.net)

source: http://www.twocircles.net / TwoCircles.net / Home> Indian Muslim> Literature / by Pervez Bari, TwoCircles.net / March 30th, 2012

Hyderabad’s Dr. Abid Moiz Bags Delhi Urdu Academy Award for Excellence in Science Literature

Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Education, Uncategorized, , , , , , , , , , , , , , , , , , , ,

Hyderabad, TELANGANA :

Hyderabad:

Renowned Hyderabad-based writer and doctor, Dr. Abid Moiz, has been conferred the prestigious Delhi Urdu Academy Award for his outstanding contributions to science literature in Urdu. He is the only recipient from South India to receive this recognition for 2023-24, which includes a cash prize of ₹2 lakh.

As per Siyasat daily, Dr. Moiz’s ground-breaking work has made scientific concepts more accessible to Urdu-speaking audiences, fostering a deeper appreciation for science within the community. Known for his unique ability to merge science with literature, he has authored 23 science books and 17 humour and satire books, carving a distinct niche in the Urdu literature.

Dr. Moiz’s journey into science writing began with Diabetes Ke Saath Saath (Living with Diabetes), aimed at promoting health awareness. His repertoire includes books like Chiknai Aur Hamari Sehat (Fats and Our Health), Cholesterol Kam Kijiye (Reduce Cholesterol), Namak Kam Karen (Reduce Salt), and Ramzan Aur Hamari Sehat (Ramzan and Our Health). These books focus on health management and dietary choices, blending scientific knowledge with simple language and engaging graphics.

Dr. Moiz’s works, such as Motapa (Obesity) and Tarkari aur Phal Khayen (Eat Vegetables and Fruits), emphasise balanced nutrition and healthy living, solidifying his legacy as a visionary in the underrepresented genre of Urdu science literature.

In addition to his literary contributions, Dr. Moiz serves on the advisory board of Science Urdu, a popular science monthly magazine edited by Dr. Aslam Parvez, former Vice-Chancellor of Maulana Azad National Urdu University. His involvement underscores his commitment to promoting scientific awareness among Urdu readers.

The Delhi Urdu Academy also honoured several other luminaries this year, including Javed Akhtar for promoting Urdu, Taha Naseem for children’s literature, Anee Aazmi for drama, Prof. Ahmed Mahfooz for research and criticism, and Rakshanda Roohi for prose.

Previously, Dr. Moiz received Lifetime Achievement Award from the Telangana State Urdu Academy in 2019 for his sustained contributions to Urdu literature and science writing.

Dr. Moiz’s achievements exemplify how science and literature can harmoniously coexist, even in languages traditionally associated with arts and culture. By simplifying complex scientific ideas, he continues to empower readers and enrich the legacy of Urdu literature.

source: http://www.radiancenews.com / Radiance News / Home>Pride of the Nation> Awards> Latest News / by Radiance News Bureau / January 09th, 2025

Remembering Majaz Lakhnavi, the Keats of Urdu poetry

Amazing Feats, Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Community Involvement / Social Issues, Education, Leaders, , , , , , , , ,

Rudauli (British India / Lucknow, UTTAR PRADESH :

Majaz, uncle of lyricist Javed Akhtar, was one of those rare gems whose poetry reflected two most important aspects: romance and revolution.

Born in Rudauli (then in Barabanki, UP) during Diwali celebrations, he was named Asrarul Haque and later took up the name ‘Majaz Lakhnavi’. (Photo: Wikimedia Commons)

Two days ago, a nazm reverberated across Aligarh Muslim University as the institution celebrated its founder’s day on October 17. Alumni across the globe, who proudly address themselves as ‘Alig’, sang: Ye Mera Chaman, Ye Mera Chaman.

The author of this famous nazm, Asrarul Haque, popularly known as ‘Majaz Lakhnavi’, whose poetry still rules the heart of millions, was born on October 19, 1911.

Regarded as the Keats of Urdu poetry, Majaz was one of those rare gems whose poetry reflected two most important aspects: romance and revolution. In an era when legendary Urdu poets as Faiz, Jazbi, Sardar Jafri, Sahir Ludhiyanvi were in their prime, Majaz rose to fame and carved a niche for himself.

Born in Rudauli (then in Barabanki, UP) during Diwali celebrations, he was named Asrarul Haque and later took up the name ‘Majaz Lakhnavi’. He belonged to a zamindar family. At a young age, Majaz had an inclination towards Urdu poetry. His fame came when he reached AMU as a student where he got the company of literary legends as Ali Sardar Jafri, Ismat Chugtai, and others. During one of the mushairas, Majaz, dressed in sherwani, delivered his famous poem:

Khoob Pehchan lo Asrar Hoon Main,
Jinse-Ulfat ka talabghar hoon, Main,
Ishq hi Ishq hai Duniya Meri,
Fitna-e-Aql se Bezar hoon Main,
Ek Lapakta ho Shola ho, Ek Chalti Hui Talwar Hoon Main.

The audience was mesmerised; the silence established that Majaz had arrived on the scene. There was no looking back. Majaz gave his alma mater a famous nazm, which is now the university tarana (anthem).

Majaz’s popularity rose by leaps and bounds and there were more females than males among his admirers. At AMU, girls used to keep his book ‘Aahang’ beneath their pillows. They would commit to keeping ‘Majaz’ as the name of their children.

Himanshu Bajpai, Daastango, who has rendered several daastans on Majaz, recalls one incident: “Once, Ismat Chugtai told Majaz that girls love him and Majaz quickly replied, ‘And they marry a rich person’.”

Truly, Majaz had a failed love life, and the dejection got him admitted to a mental asylum at Ranchi. His addiction to liquor took its toll. Chugtai asked him, “Liquor or wine, who destroyed your life, Majaz?” Witty and humorous as always, he replied, “I have given this right to both of them.”

His poem Awara was also an instant hit.

Shahar ki raat aur main naashaad o nakara phirun
Jagmagati jagti sadko pe awara phirun
Ghair ki basti hai kab tak dar-badar maara phurin
Ai Gham-e-Dil kya karun, Ai Vahshat-e-Dil kya karun.

Majaz had recited this nazm on the request of people at White Baradari in Lucknow, which eventually turned out to be his last public gathering before his demise.

His poetry, as said earlier, had both romance and revolution. Some of his lines for women empowerment are still relevant.

Tere Mathe pe ye anchal bahut hi khub hai lekin,
Tu is aanchal se ek parcham bana leti toh achcha tha.

Bajpai narrates an incident: “Once, famous film actress Nargis came to meet Majaz. She requested for his autograph and Majaz obliged by writing the above lines on her white dupatta. He identified himself with every deprived person — perhaps this brought him closer to the progressive movement.” In his poetry, Majaz had raised the issues of women liberation and feminism, which are still discussed today.

Majaz’s revolutionary couplets, too, ruled the masses. While other poets raised the pitch in their revolutionary couplets, Majaz rendered his lines that could be sung with revolution. ‘Bol, Ari O Dharti Bol, Raj Sinhasan Daanwa Dol‘ is one such poem. It is simply unbelievable to see anyone write on the worldly intricacies so beautifully — ‘Bahut Mushkil hai Duniya ka Sanwarna, Teri Zulfo ka Pencho Kham nahi Hai‘.

Alas, Majaz remained a loner. Josh Malihabadi even advised him to keep a ghadi (watch) with him while drinking, but Majaz laughed it off, saying, “You drink keeping a ghadi, I drink keeping a ghada (pitcher).”

In December 1955, his end came abruptly, after he collapsed in Lucknow, and passed away before reaching Balrampur Hospital. The present generation may recall him as the uncle of Bollywood lyricist Javed Akhtar.

The poet, whose kingdom was in the hearts of millions, is buried in a six-feet grave at Nishatganj graveyard with his own lines from a nazm on the epitaph.

Ab iske baad subah hai aur subah-e-Nau Majaz
Ham par hai khatm Sham-e-Gareebaan-e-Lucknow

source: http://www.indianexpress.com / The Indian Express / Home> Books & Literature / by Faisal Fareed, New Delhi / October 19th, 2021

A credible role model for Indian Muslims

Amazing Feats, Arts, Culture & Entertainment, Leaders, Sports, World Opinion, , , , , , , , , ,

INDIA :

When Sania Mirza burst upon the global scene, the London-based New Statesman saw this “slender 18-year-old Muslim tennis player from India” as one of the 10 people who could change the world.

Jason Cowley, who wrote the article, believed that she had the “potential to change the world” for the following reasons: 1. She was the first Indian female tennis player to be ranked among the world’s Top 40. 2. She had made a breakthrough in sport despite coming from a country that usually discouraged women in sport. 3. She had discipline, tenacity, flamboyance. And all of this amounted to 4. She was going to “inspire a whole new generation of Indian girls”. Cowley’s article was written in October 2005, soon after a fatwa stipulated that Mirza should be prevented from playing tennis in skirts and T-shirts. Mirza instantly became a symbol of defiance, a “slender 18-year-old” girl who could stand up to Muslim hardliners. At around the same time, Time magazine hailed her as one of Asia’s heroes. AndThe New York Times said the weight of the country’s expectations rested on her.

I am at a loss to explain how or why the Sania phenomenon fizzled out in mainstream media. To be sure, she remains a remarkable player who will continue to inspire a whole generation of young women. But Mirza is no longer feted and hailed for her potentially transformative powers. I thought of Muslim role models once again when I saw the modest, self-effacing Allah Rakha Rahman accept his twin Oscars in Los Angeles.

There he was, up on stage in his very Indian designer sherwani singing Jai Ho, the song from Slumdog Millionaire. Or there he was on the red carpet with his wife, her head covered as she shyly posed for photographs. On stage, he was thanking God (“all glory and fame to God”) and his mother, talking of the path of love rather than hate that he had opted to follow. There was quiet dignity about him rather than the usual over-the-top Oscar exuberance. I suspected he would have had the same quiet smile had he lost.

Rahman is not known to be a man of many words. So, it was the subtext of what he said (or didn’t), that struck me as significant. Here was a Muslim who was confident in his identity as an Indian Muslim (in fact, with Maa Tujhe Salaam, he has done more to popularize Vande Mataram than the entire Sangh parivaar put together). Like the majority of Muslims everywhere, he believes in his God, in family values, in love and brotherhood. He was not out of place on the world stage performing with artistes drawn from all over the globe.

Rahman does not conform to any of the Muslim stereotypes. But he is undeniably an adherent of Islam, converting to the faith at the age of 21 along with his family. His views on politics are not widely known. But as a believing Muslim, he is reported to earmark one-third of his earnings to charity. Significantly, one of his first acts on returning home to India was to visit the Ameen Peer dargah at Kadappa in Andhra Pradesh to offer special prayers.

India’s Muslims have been singled out for their many unique qualities.

Thomas Friedman recently hailed the community’s decision to refuse burial in Mumbai to the Pakistani terrorists killed in the 26/11 attack. By denying terrorists the status of martyrs, the world’s second largest Muslim community was doing a “great service to Islam”, he said. Yet, one of the laments among Muslims is the lack of credible role models.

Bollywood within its secular framework has been able to throw up some figures—Javed Akhtar and Shabana Azmi most notably speak up for a pluralistic, democratic framework, but they’re not necessarily seen as strong adherents of Islam. Aamir Khan is the sensitive voice for the marginalized, not really a strong Muslim figure. Azim Premji is probably the richest Muslim in India but, once again, his success is defined in business, not religious terms.

In cricket, you could certainly look at the Pathan brothers who straddle both worlds—cricket and Islam. The sons of a poor muezzin who couldn’t afford even a pair of shoes, they now symbolize a can-do spirit. In a TV ad, they refer to their father as “abba”. It’s as if they’re saying, like Omar Abdullah, “We are Indians and Muslims and see no contradiction between the two.”

With his stunning Oscar win, Rahman reaffirms the same message to emerge as a new role model for young Indian Muslims. In equal parts a proud Muslim, proud Indian and proud professional, he stands as a counter to both the fanatic and the stereotype of the fanatic that many believe represent the average Muslim.

For this reason alone, I’m singing the new anthem: Jai Ho.

Namita Bhandare writes every other Tuesday on social trends. Respond to this column at lookingglass@livemint.com

source: http://www.livemint.com / Live Mint / Home> Explore> Looking Glass / by Namita Bhandare / March 02nd, 2009

Shabana congratulates Javed Akhtar for receiving award

Arts, Culture & Entertainment, , , , , , ,

UTTAR PRADESH / Mumbai, MAHARASHTRA :

JavedMPOs07apr2018

Actress-socialist Shabana Azmi has congratulated veteran writer-lyricist Javed Akhtar
for being feted with the Shanti Dhoot citation and award.

Shabana shared a photograph of Akhtar receiving the award and captioned it: “Congratulations Javed Akhtar for receiving the prestigious Shanti Dhoot citation and Award from (On the left in black jacket) the Kashi Mahant Shri Vishwamber Nath Mishra.”

Shabana married Akhtar in 1984. Akhtar was previously married to Honey Irani, with whom he had two children, Farhan Akhtar and Zoya Akhtar.

source: http://www.ianslive.in / IANSLive.in /  Home> Entertainment> Bollywood Country Report / April 07th, 2018

Javed Akhtar pens CRPF’s new theme song

Arts, Culture & Entertainment, Community Involvement / Social Issues,

The Central Reserve Police Force has now come up with a theme song penned by renowned lyricist Javed Akhtar, composed by Raju Singh and and sung by Javed Ali.

The song was released by President Pranab Mukherjee on Friday to mark the diamond jubilee celebrations of India’s largest paramilitary force. Complimenting Javed Akhtar and the team for their creative effort in capturing through lyrics and composition the sentiments of the CRPF, Mr. Mukherjee said it would inspire each jawan of the force, the President added.

source: http://www.thehindu.com / The Hindu / Home> National> New Delhi / by Special Correspondent / New Delhi – March 04th, 2014