Tag Archives: Jameela Nishat

Website of Sayeed Bin Mohammed Naqsh’s paintings launched

Mahbubnagar District / Hyderabad, TELANGANA :

Sayeed Bin Mohammed Naqsh was a prominent figure in the Progressive Art Movement, born on September 7, 1921, in Mahbubnagar District, Telangana.

  A self portrait of Sayeed Bin Mohammed Naqsh

Hyderabad: 

A website dedicated to the late Sayeed Bin Mohammed Naqsh, a renowned artist from the 1960s and 1970s, was inaugurated by Prof. T. Gangadhar, the Principal of the College of Fine Arts in Masab Tank.

The launch event for the website, ‘www.sayeedbinmohammed.com’, was organized by his son Hamid Bin Sayeed Babader and daughter Jameela Nishat, and featured a display of some of the artist’s paintings.

Sayeed Bin Mohammed Naqsh was a prominent figure in the Progressive Art Movement, born on September 7, 1921, in Mahbubnagar District, Telangana.

He was known for his innovative approach to portrait painting, initially mastering oil techniques that diverged from Western traditions.

His unique style later evolved to include watercolour, where he infused life into his subjects, often using blue backgrounds to evoke calmness and spirituality.

A recent event celebrated his legacy with the launch of a dedicated website, attended by art enthusiasts, former professors, and colleagues.

During this event, Hamid Bin Sayeed highlighted the distinctiveness of Naqsh’s self-portraits, noting how his method of expression captivated viewers.

In recognition of his talent, Naqsh received the Chattari Gold Medal in 1945 for his remarkable contributions to art, particularly for his ability to intertwine themes of creation and life in his works.

Jameela Nishat, daughter of Sayeed Bin Mohammed Naqsh, noted that her father, like any other artist, was deeply observant of his surroundings and absorbed the essence of life into his art.

She highlighted how he was particularly influenced by the allure of the Deccani marbled miniature paintings housed in the Salar Jung Museum in Hyderabad.

source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / by News Desk / August 22nd, 2024

Be the change you want

Hyderabad, TELANGANA :

Break Free: Jameela believes it is every woman's right to create her own identity. Photo: Nagara Gopal
Break Free: Jameela believes it is every woman’s right to create her own identity. Photo: Nagara Gopal

The journey was anything but smooth for Jameela Nishat, now a ray of hope for victims of domestic abuse.

It’s not easy giving up a secure job to work for women’s rights in an area where domestic violence and discrimination is the accepted norm. But if you dream about change and a world of equality, like poet and activist Jameela Nishat did, the transition is not hard at all.

Originally a teacher at a school for special children with a regular pay package, Jameela decided to give it all up to live for her conviction. What followed was a tumultuous journey filled with hostility, social boycott and accusations. But one thing remained constant – Jameela’s patience and perseverance. Today, not only is she well respected, she is also the person most women in Old City turn to for help.

Over the years Jameela has managed to help several women who have been victims of domestic violence, sexual abuse, incest, polygamy and forced marriages to much older men through her organisation Shaheen.

The journey was never smooth though. When she first began her journey as a women’s rights activist, Jameela was met with stiff opposition by not just the men in the locality but even the women.

“Domestic violence was a way of life for these women. I was met with statements like Woh mard hi kya jo aurat ko na maare (what kind of a man doesn’t beat women). When I set up Shaheen in this locality of Sultan Shahi not too many people were open to change. It is only over time that women have begun to realise that they too have a choice,” says Jameela, who is also an executive member of Asmita Resource Centre for Women. On several occasions Jameela and her team have busted fake marriage attempts by Arab men with young city girls.

It took tremendous tact and patience on her part to get her point across. “When I first began coming to this place, I approached the girls saying I could help them with English. Being summer vacations more than 50 girls came forward to learn the language. Gradually a month later I broached the topic of sexuality. Instantly 50 girls stopped coming and I was left with just five who were willing to work with me to create awareness. That is how Shaheen began,” she explains.

Needless to say, there was a lot of resistance. “I remember one particular incident when I was surrounded by more than 25 men, who did not agree with my work. This happened after the 2003 riots in Old City. I decided to hold a workshop for the Muslim, Dalit and BC boys on communal harmony. When our staffers and other girls sat alongside them for the workshop, the boys were livid. They were worried the girls would elope with Dalit boys,” she says.

But the transformation did come about. Slowly women began approaching Jameela for help and numerous cases of domestic violence and incest came to light. “There have been cases of women seeking a divorce after tolerating violence for 25 years. They are slowly beginning to realise that abuse is not a way of life. Most heartrending are the cases of incest. We once had a seven-year-old girl tell us that her 12-year-old sister was covered in cigarette burns by their step-father. When we met the girl we learnt that the man had been sexually abusing her. In another case a mentally unstable girl had been violated for several years by a maulvi under the pretext of treating her. We intervene and try to rehabilitate these girls. But resistance still persists in some people,” says Jameela, recalling an incident where a young woman was tied to the cot and set ablaze by her husband. Yet nobody from the girl’s family wanted to press charges. The girl herself told the police that it was just an accident.

For Jameela these are not mere cases. “I live these cases myself. Victims don’t need our sympathy, they need empathy. And that is what I do,” she says. Quiz her on how her family reacts to her work and she says, “I come from a very cosmopolitan family. My father was a painter and I’m a poet. My husband is an atheist and does not believe in these practices. We are like friends living under one roof. My sons also understand and appreciate what I do. As such I do not discuss my work with my family. My siblings know about what I do through newspaper articles.”

Her true dream though was to become an artist. “However, my father was sceptical about me going to art school since we would have to paint nude models. However, writing was encouraged in Muslim households, so I took to poetry,” she says, adding that she spent her childhood watching M.F. Husain paint on their living room floor. “He was my father’s close friend. He would roll out a canvas on our living room floor, sit on it and create a masterpiece in no time. Sometimes he would just use his hands to spread the colour. I would watch him and paint some pieces myself and pass it off as my brother’s work,” she laughs.

Through all of this, Jameela’s poetry is her constant solace. “I begin my mornings by writing a couplet. I write about the incidents I come across. It helps to channel my feelings through words,” she says, sharing a couplet she recently penned, which she says aptly describes her life.

Iss zindagi ki raah mein

Aese nikal padi

Meri talab sab ko hai,

Mera hisab kucch nahi

source: http://www.thehindu.com / The Hindu / Home> Society / by Ranjani Rajendra / Hyderabad – September 26th, 2013

Beacon of change

Hyderabad, TELANGANA :

Members smile during a rehearsal break The group is performing qawwali at Goethe Zentrum for World Music Day Celebrations. Photo: G. Ramakrishna
Members smile during a rehearsal break The group is performing qawwali at Goethe Zentrum for World Music Day Celebrations. Photo: G. Ramakrishna

A group of women qawwals share their experiences and the issues they highlight in their qawwalis

Hyderabad :

Away from the hustle and bustle of the bazaars in Charminar, a quiet lane in Sultanshahi resonates with qawwal claps and inside Shaheen Resource Centre, the chatter and laughter of young girls fills the air.

Amidst the harmonium preludes, the group wearing cheery yellow duppattas and feather caps sing a qawwali — Kab tak mera maula, dil mera pukara hai, shaadi meri marzi se kabhi hoti nahin hai, mujh ko kya pasand hai koi poochta nahin hai... Clearly this is not a regular qawwali where singers confine their performances to a spiritual context. The lyrics here carry a message that’s contemporary and temporal though it’s packaged in familiar qawwali tunes.

Jameela Nishat of Shaheen Resource Centre Photo: G. Ramakrishna
Jameela Nishat of Shaheen Resource Centre Photo: G. Ramakrishna

Jameela Nishat, the founder of Shaheen talks about using qawwali as a beacon of change. “Women are not given space in public; they are allowed to write poetry but not allowed to perform in public. This is our effort to bring a change in that mindset,” she shares.

A feminist Urdu poet who writes the songs which depicts reality, Jameela encourages women to take a step towards this change. As a result, the group from Shaheen has performed qawwalis at schools, colleges and other events for three years now.

Sania Fatima, a staff teacher and volunteer, shares the impact of qawwalis. “When we perform for special days like a Mother’s Day or Women’s Day, we intersperse the songs with messages like ‘beti bachao beti padao’ and highlight the abuse women face daily in their lives. The response is amazing as qawwalis are enjoyed by all,” she points out. Some popular tunes of classics like Tere mehfil mein kismet, aajmaake hum bhi dekhenge from Mughal-E-Azam have been used with lyrics changed to highlight contemporary social issues.

Tackling themes like dowry, education, taking care of one’s health, being independent and making life’s choices; lyrics in the songs asks tough questions. Sultana, who is a graduate, believes qawwalis can be used as instruments of change.

Zehra Jabeen recalls the experience of performing qawwali recently during the ‘Salaam Telangana’ event at Ravindra Bharati. “The crowd was restive and making lots of noise; it did not stop even when we started the qawwali. But within a few seconds, there was pin drop silence and they heard us with full attention.” .

It is a mixed group, comprising members of various ages and stages in life. A first year student Swati Kulkarni is also part of the group. “I have knowledge of music but singing a qawwali was new. Everything, from the costume, changing one’s voice, to singing in rhythm to the claps was different,” she smiles. The cheerful group looks forward to the qawwali performances.

“It is a big challenge to come out and stand courageously on a platform to sing. We hope our songs inspire many others too,” chips in Sania, the lead singer, and adds, “We brush aside minor issues of high notes and low notes. We make our voices heard as a group.”

The rehearsals for a forthcoming performance over, the girls break into a smile. “When we wear the costume and sing in rhythm, we feel so excited that we forget the world.”

(The group is performing as part of World Music Day celebrations at Goethe Zentrum on June 26; Entry: Free)

source: http://www.thehindu.com / The Hindu / Home> Features> Metroplus / by Neerja Murthy / Hyderabad – June 24th, 2016