Tag Archives: Begums of Bhopal

There’s a museum in the corridors of Jehan Numa Palace

Bhopal, MADHYA PRADESH :

The New Museum

Tall marble pillars frame photos, automobiles and more, as the Bhopal royals open up their past at the Jehan Numa Palace Hotel

Over the years, the Jehan Numa Palace in Bhopal — built on the slopes of the Shyamla Hills in 1890 by General Obaidullah Khan, commander-in-chief of the Bhopal State Force, and the second son of Nawab Sultan Jehan Begum — has worn many garbs.

The white marble edifice, which melds British Colonial, Italian Renaissance and Classical Greek architectural styles with facets of Art Deco, was constructed as the general’s office, and then used as his sons’ secretariat. After Independence, it became a government hostel, and later, the offices of the Geological Survey of India.

In 1983, after restoring the five-acre property, the general’s grandsons reopened it as a heritage hotel — its colonnaded corridors showcasing sepia-toned portraits, and the interiors housing rooms, four restaurants, two bars and a spa. Now, the pandemic has given it another facet: a museum, which came together almost like a “jigsaw puzzle”, says Faiz Rashid, director of the Jehan Numa Group of Hotels and a member of the Bhopal royal family.

Faiz Rashid

A colonnaded showcase

“[Over the last 20-odd months] we tried to come up with innovative ways to nurture hospitality. Because of the time on hand, we started looking at family archives and thought why not share the legacy with the world,” says Rashid. He tells me about putting together memorabilia: artefacts, attire, “lovely letters in Urdu” written to his great grandfather, documents, “invoices of the cars the royal family bought [like a Ford Phantom and a customised Bentley]” — all of which are now on show at the hotel.

“General Obaidullah Khan accompanied his mother, the last begum, on her foreign trips. He was inspired by different architectural styles, and the display is a pictorial history of the hotel’s evolution from the time it was built in the 19th century,” he says.

The corridors along the central courtyard, with its famed 100-year-old mango tree, were chosen as the ideal backdrop for the display. I take a virtual tour of the elegantly-framed archives, arranged in clusters on the walls of the chequered black-and-white marble and granite corridors, zooming into the photographs, and taking in glimpses of the life and times of a pre-Independence royalty that was progressive and involved, wealthy but not flamboyant, stylish but never garish.

From letters to thoroughbreds

The family took the help of Joe Alvarez, the well-known jazz singer who has written a coffee-table book on Bhopal, to curate the memorabilia.

“We divided them into nine subjects, starting with the four begums, the last nawab, dignitary visits, nawabi sports and the outdoors, and such,” says Alvarez, who has also generated a voice-over, and added a QR code to enable a Walk-In Museum audio guide.

The track at the Jehan Numa Palace Hotel

He expounds about the images of a thriving stud farm, something that continues till date (a trotting track set up when the hotel opened gives visitors a peek into the royal family’s passion for breeding thoroughbreds), of custom-built automobiles, branded guns and weapons, and official visits by dignitaries.

The begum’s photo from the archives

“The nawab begums of Bhopal were very dynamic and built the city differently from male rulers. They focussed on all areas, from education to women’s empowerment. We realised so much of their contribution — like building hospitals, enhancing the railways, opening schools — while putting this together,” shares Rashid, adding that, in 1889, Shah Jehan Begum funded the construction of Britain’s first purpose-built mosque at Woking. The collection is still evolving as more memorabilia makes its way to them slowly, from the extended family. A plan to restore and display the wedding dresses of the begums is also in the pipeline.

The museum is open to all. Rooms at the hotel are from ₹8,000 onwards. Details: jehannuma.com

Bori Safari Lodge

Spot the tiger at Bori Safari Lodge

Another post-pandemic hospitality initiative is Bori Safari Lodge, an eight-room wildlife camp started by Rashid’s brother, Aly, in the Satpura Forest. “When we started the Reni Pani Jungle Lodge [a two-and-a-half hour drive away] in 2009, it was about experiencing the diversity of the forest, with river safaris, walking trails and birding. With the Bori, the tiger comes centre stage,” says the trained naturalist, who has partnered with the state tourism department.

Aly is a trained naturalist

A tiger relocation programme successfully initiated four years ago has revitalised the habitat and the local population. “The tigers have not only flourished, but have actively begun mating.” Aly — who has great memories of spending his childhood in the forests — also leads expeditions to spot snow leopards in Ladakh and seek out the red panda in the Northeast. “This [project] is a means to conserve the landscape. The alternate income for the locals will recharge the community, support conservation, and will help wildlife be seen as an asset.”

From ₹25,000 onwards (all inclusive)

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Art> Weekend Travel Special 2022 / by Priyadershini S / April 15th, 2022

The last Begum of Bhopal: How Begum Sultan Jahan fought patriarchy and educated a generation of women

Bhopal, MADHYA PRADESH :

Born in 1858, Begum Sultan Jahan ascended the throne in 1901. While she was the fourth female ruler of Bhopal, she is credited with many firsts. She was known for ruling in the present with her eyes set on the future. Her progressive policies for women, at a time when they were shackled by the forces of patriarchy, have made her a feminist icon even today.

Begum Sultan Jahan was a pioneer in the field of education and even authored a book, Dars-e-Hayat, about the education and parenting of young girls.

Nearly a century ago, when the term feminism was not yet part of common parlance, the princely estate of Bhopal was run by a line of powerful women. In the absence of male successors, they initiated a matrilineal reign from 1819, which continued till 1926. These rulers are often referred to as the Begums of Bhopal.

During this era, they ruled with authority, dignity and bold reforms — disrupting the patriarchal system that had been laid down centuries before them.

The last Begum of Bhopal was Begum Sultan Jahan. She ruled from 1909 to 1926 after which she stepped down and was succeeded by her son.

Begum Sultan Jahan died on May 12, 1930 at the age of 71. She was known for ruling in the present with her eyes set on the future. Her progressive policies for women, at a time when they were shackled by the forces of patriarchy, have made her a feminist icon even today.

Apart from being a philanthropist and prolific writer, she was a symbol of women empowerment, known for taking up the cause of female education. She was the first female Chancellor of Aligarh Muslim University, which she had nurtured during its nascent stage, when it was still known as the Mohammadan Anglo Oriental College.

In a time when it was rare for women to venture out due to a strict purdah system, she famously constructed a Meeting Hall for Ladies in Lahore.

But above all, Begum Sultan Jahan was an astute ruler who restored the glory of her estate.

It is hard to find a female ruler who authored over 40 books, designed school curriculum, founded women’s clubs, travelled to Europe, met British officials with authority, funded almost all major institutions — both in the country as well as one in Saudi Arabia — and even headed a University as its first female Chancellor.

Interestingly, film actress Sharmila Tagore is the granddaughter-in-law of Nawab Hamid Ullah Khan, the youngest son of Begum Sultan Jahan.

Begum Sultan Jahan, the ruler of Bhopal

Born in 1858, Begum Sultan Jahan ascended the throne in 1901. While she was the fourth female ruler of Bhopal, she is credited with many firsts.

She was not one to stand on the sidelines. An incident from the early days of her regime is often cited to highlight her penchant for ruling from the front. When she took over as Queen, there was only Rs 40,000 in the treasury which was not enough to even pay the salary of her employees. Begum Sultan Jahan decided to tour her kingdom and interact with the village folk. After learning their concerns, she set up the municipality system and even introduced municipal elections.

She also constructed a walled city and a palace for herself. She took steps for improving public health, sanitation, and water supply in the walled city and implemented widespread vaccination drives for its residents.

Apart from being a philanthropist and prolific writer, she was a symbol of women empowerment, known for taking up the cause of female education.

Recognising that women needed a space exclusively for them to assemble and discuss ideas, she laid the foundation stone for a meeting hall in Lahore in 1913.

To encourage women and promote handicrafts, she organised an exhibition called ‘Numaish Masunuaat e Hind’ in Bhopal, where she displayed her own creations. Queens from other kingdoms, such as Gwalior, Jhanjhar, Sultanpur, Narsinghgarh and Gulburgah also participated and displayed their handiwork.

Begum Sultan Jahan as an educationist

She was a pioneer in the field of education and even authored a book, Dars-e-Hayat, about the education and parenting of young girls. There was a time when almost every city of the country had one or more educational institutes for girls which were funded by Begum Sultan Jahan.

To encourage parents to educate their daughters, she set up several schools. However, most initially resisted the idea, as at the time it was considered socially acceptable to teach their daughters at home.

Undeterred, she started the Sultania School and also improved the condition of two existing schools — Madarsa Bilqisia and Madarsa Victoria. She even revamped the syllabus and added subjects such as English, Urdu, Arithmetic, Home Science and crafts. These schools were meant for underprivileged children and hence their expenses were borne by the Bhopal estate. Even in those times, she got the Madarsa Sultania affiliated to the Allahabad Board. This Madarsa was well equipped and even had an ambulance and sections for medicine and nursing. Later she also started a nursing school called Lady Minto Nursing School.

Begum Sultan Jahan did not solely focus on uplifting Muslim girls. She famously founded the Barjeesiya Kanya Paathshala’ and even instituted a scholarship for the underprivileged students of Jain Shwetambar Paathshala.

Despite being a small princely estate, Bhopal had an education budget of one lakh rupees. The educational institutions she supported were not confined to Aligarh alone. She was also funding a Madarsa in Deoband, Nadwatul Uloom in Lucknow and even Madarsa Sultania in Mecca, Saudi Arabia. Institutions such as Lady Hardinge Medical College, Delhi and some renowned colleges in Bombay (now Mumbai), and Calcutta (now Kolkata) received generous grants from her.

Begum Sultan Jahan established the Ladies Club in Bhopal with the aim of involving more women in her mission. She addressed the functions of the Ladies Club. Later, she even organised an event under the aegis of All India Women Association in Sadar Bhopal and established the Sultan Jahan Endowment Trust with a corpus of Rs three lakhs for helping needy students.

Begum Sultan Jahan also went as far as encouraging the rulers of other princely states to promote education. Even Lord Harding praised her efforts.

She authored 41 books, many of which were distributed for free. She also translated a number of English books into Urdu.

Begum Sultan Jahan and AMU

Around that time, more than 600 kilometres away from Bhopal, in the province of Uttar Pradesh, the Mohammedan Anglo Oriental College was taking shape in Aligarh.

In 1910, while returning from Mussoorie, she stayed in Aligarh for the first time. During her visit, she donated Rs 50,000 for the construction of the All India Muhammadan Educational Conference, which still exists today and is known as Sultan Jahan Manzil.

A monthly grant of Rs 100 was sanctioned by her for the girls school started in Aligarh by Sheikh Abdullah, which is now known as the Women’s College of AMU. She designed the syllabus herself and offered it to the school authorities. It was done at a time when there was a paucity of funds and women ’s education had taken a backseat. Later, when MAO College became AMU, she was named its first Chancellor.

During AMU’s centenary celebrations on December 22, 2020, Prime Minister Narendra Modi paid tribute to Begum Jahan and her contribution to the historic institution — “The AMU has the rare distinction that Begum Sultan Jahan took over the responsibility of its founder chancellor. How daunting it would have been one hundred years ago!”

In 1910, she stayed in Aligarh for the first time. During her visit, she donated Rs 50,000 for the construction of the All India Muhammadan Educational Conference, which still exists today and is known as Sultan Jahan Manzil.

As Chancellor of the AMU, she addressed its first-ever convocation ceremony in 1922 amidst renowned scholars from across the country. She also arranged cars and lodging for 175 persons during the jubilee ceremony of the University. Begum Sultan Jahan visited Aligarh seven times, with her last visit being in 1929.

Her speech during the foundation stone laying ceremony of Sultania Boarding House in Women’s College reflects her vision. She said, “Today is the beginning of a new era in the history of Muslims. And, whenever, in the coming time, the history of this era is recorded, today’s programme will be remembered as one of its brightest chapters.”

Her prophecy came true. The school patronised by Begum Sultan Jahan has grown into a college drawing over 3,095 female students from across the country and overseas enrolled in 34 courses taught by 107 faculty members.

The women’s college attracts international students from more than 20 countries including, Afghanistan, Malaysia, Turkey, Thailand, Indonesia, Iran, UAE, Iraq, Yemen, Bangladesh, Libya, Nepal, Syria among others.

The Nasrullah Hostel for Boys in AMU, too, was constructed with her support. It is often said that whenever AMU needed help, Begum Sultan Jahan of Bhopal Estate was among the first to step up.

Following in her footsteps, her son Hamidullah Khan, who studied in Aligarh, founded a Science College in the city, and donated Rs two lakh to it.

(Nasir is Assistant Professor, Department of Law, Aligarh Muslim University; Fareed is Media Advisor, AMU)

source: http://www.indianexpress.com / The Indian Express / Home> Lifestyle> Art & Culture / by Faisal Fareed & Mohammad Nasir (Aligarh, UP) / May 27th, 2021

How Shah Jahan connects Bhopal, Delhi, and England

DELHI / Bhopal, MADHYA PRADESH :

How two rulers with a common name left a rich history and culture for its people but one is more renowned than the other.

Taj-ul-Masajid, Bhopal (Photo: SNS/Aena Thakur)
Taj-ul-Masajid, Bhopal (Photo: SNS/Aena Thakur)

In the heart of Madhya Pradesh’s capital city, Bhopal, resides Taj-ul-Masajid which literally translates to the ‘crown of mosques’. The mosque was intended to be the largest mosque in the country and was based on the design of Delhi’s Jama Masjid. In a town called Woking in England stands a mosque called Shah Jahan.

The common denominator between these three mosques is the name Shah Jahan. The fifth Mughal emperor Shah Jahan built the Jama Masjid in Delhi and the third female ruler of Bhopal, Shah Jahan Begum built Taj-ul-Masajid of Bhopal. The Bhopal’s matriarch went a step ahead as she also funded the construction of England’s first Mosque in 1889.

Taj-ul-Masajid (Image: SNS/Aena Thakur)
Taj-ul-Masajid (Image: SNS/Aena Thakur)

In the 19th century when India was a British colony, the princely state of Bhopal had a string of female rulers for roughly 107 years. The city was founded in 1707 by Afghan ruler Dost Muhammad Khan. Surrounded by Rajputs in Rajasthan and Marathas in Maharashtra, Bhopal was a vulnerable state yet the female rulers with their loyal allegiance to the British rule survived the turbulent times.

The female dynasty of Bhopal started with the death of young Nawab Nazar Muhammad Khan. His 18-year-old wife Qudsia Begum decided that the legacy of her family shall continue and declared her 15-month-old daughter Sikandar as the rightful heir of the state. In 1819, Qudsia Begum became the first Muslim female who defied the veil and became the ruler of Bhopal. Her rule was legitimised by the British and the clergy.

Both Qudsia (1819-37) and Sikandar (1847-68) were known to be tough rulers who strengthened Bhopal’s military and trained themselves to fight. However, it was the third matriarch of Bhopal, Shah Jahan Begum who brought in the period of flourishing art and culture just like her male Mughal namesake.

Unlike Qudsia and Sikandar, Shah Jahan was not known for her tough training for battles. Shah Jahan followed the system of veil and was more interested in literature, poetry, and arts.

Shah Jahan Begam of Bhopal (Image: Wikimedia Commons)
Shah Jahan Begam of Bhopal (Image: Wikimedia Commons)

Interested in Urdu and Persian poetry, Shah Jahan Begum also offered state pensions to poets like Amir Minai, a contemporary of Mirza Ghalib.

Shah Jahan Begum ordered that a dictionary of select terms in Hindustani, Persian, Arabic, Sanskrit, English, and Turkish was compiled to facilitate translation of literature between these languages. A poet herself, Shah Jahan Begum also patronized a group of female poets. According to Siobhan Lambert-Hurley’s book Muslim women, Reform and Princely Patronage, these gifted women included “Hasanara Begam ‘Namkeen,’ author of a diwan and two prose publications, Munawwar Jahan Begam and Musharraf Jahan Begam, the daughters of Nawab Mustafa Khan ‘Shefta,’ and several others.”

In her book, Siobhan Lambert-Hurley also mentions, “Shah Jahan’s interest in this area was so great that she charged a male poet at her court, Abul Qasim ‘Muhtasham’, to devote himself to collecting an anthology of female poets writing in Persian. Entitled Akhtar-i-taban, it publicized the work of 81 poetesses when it was printed in Bhopal in 1881 in dedication to the ruling Begam.”

Her ambitions for grand architecture is evident from the fact that her daughter Sultan Begum in her biography mentioned that she has lost count of the number of palaces and buildings, her mother made. Some of the prominent buildings that still remain are Taj-ul-Masajid, Taj Mahal, Ali Manzil, and Benazir.

Taj Mahal, Bhopal (Image: Wikimedia Commons)
Taj Mahal, Bhopal (Image: Wikimedia Commons)

Unlike Mughal emperor, Shah Jahan’s Taj Mahal which is a tomb, Bhopal’s Taj Mahal was a palace for the Begum. Shah Jahan Begum also helped orientalist and scholar Dr Gottlieb Wilhelm Leitner in constructing England’s first mosque which is also called the Shah Jahan mosque.

The similarities do not stop here. Just like the Mughal emperor built a planned city named Shahjahanabad, the Begum too built a neighbourhood with the same name. Hurley mentions in her book, “Shah Jahan was also responsible for building an entirely new neighbourhood of homes and offices within her capital that was predictably named Shahjahanabad. Unlike the version at Delhi, however, it was laid out on a uniform plan in-keeping with the latest ideas of town planning in Britain.”

Taj-ul-Masajid, Bhopal (Image: SNS/Aena Thakur)
Taj-ul-Masajid, Bhopal (Image: SNS/Aena Thakur)

Shah Jahan Begum of Bhopal encouraged female participation in education, religion, and culture. She was responsible for setting up institutions for female education, she reserved areas in mosques for veiled women to pray on special occasions, she also constructed a Pakka bazaar exclusively for women.

Shah Jahan Begum’s daughter Sultan Jahan Begum was the last Begum of Bhopal whose reign ended in 1926. The reign of female rulers in Bhopal broke stereotypes and brought in various reforms in the princely state. Even though women still continue to fight for their rights it should not be forgotten that the Begums did assert their authority in the 19th century and it can be done again.

source: http://www.thestatesman.com / The Statesman / Home> Features / by Aena Thakur, New Delhi / August 20th, 2019

The remarkable Begums who defied patriarchal norms to rule Bhopal for more than a century

Bhopal, MADHYA PRADESH :

These women embodied feminism long before it became a part of the zeitgeist.

ShahJahanBegumOrigMPOs06jun2019

The heiress apparent to the throne of Bhopal, Abida Sultan, wore her hair short, played the saxophone, had her own band, sped around in a Daimler, and when her husband announced that he’ll assume custody of their son, threatened to kill him with the pistol she kept in her pocket. All the while, she remained pious and committed to Islam.

Abida Sultan’s autobiography, Memoirs of a Rebel Princess, was unabashed and far from removed from the stereotypical picture of an oppressed Muslim woman. In the book, she wrote frankly about her conjugal life and her inability to be the good, dutiful wife. But could one expect any less from the child of a feminist royal lineage?

This matrilineal reign, which began in 1819, lasted more than a hundred years, with the lone interruption in 1926, when Sultan Jahan Begum abdicated in favour of Nawab Hamidullah Khan. Hamidullah Khan’s daughter Abida Sultan was to succeed to the throne, but when she chose to leave for Pakistan after the Partition of India, her younger sister Sajida became the Begum of Bhopal.

Sajida Sultan. — Unknown/Wikimedia Commons
Sajida Sultan. — Unknown/Wikimedia Commons

Unlike the Queen-Regent of Travancore, whose brief radical rule ran only till her son came of age, these women ruled for unexpectedly long periods, facilitated by the absence or death of male contenders to the throne, and through sheer grit. A photograph taken in 1872 of Nawab Shah Jahan Begum, Abida Begum’s great-grandmother, shows a booted woman staring straight at the camera, much in the manner of a Vogue cover shoot. The Begums of Bhopal practised feminism much before it gained prominence. They were interesting, headstrong and opinionated, but their wars weren’t fought on the battlefield.

Archival records are filled with the Begums exhibiting their commitment to Islam: donating money to build a mosque in Basra, Iraq, funding the Muslim University at Aligarh, and opening a school for girls in Delhi in the early 1920s. At the time, it was unusual to have a ruler devote time and money to women’s education — even a progressive thinker like Syed Ahmad Khan was focused on Muslim men getting Western education — but to do so outside their state was truly remarkable. So much so that when Lord Edwin Montagu, the British Secretary of State for India, met Begum Sultan Jahan in 1917, he noted in his diary that she was “frightfully keen on education, and jabbered about nothing else”.

Sultan Jahan Begum. — Wikimedia Commons
Sultan Jahan Begum. — Wikimedia Commons

Fringes of history

Women and their assumption of political power have always been sidelined in Islamic history, though there is reason to believe that Aisha, the Prophet’s wife, had a role to play in the establishment of the first Islamic state. Razia Sultana’s brief reign as the Sultanah of Delhi in the 1200s and her killing demonstrated the near impossibility and legitimacy of a Muslim women ruler.

Nothing changed over the centuries. Though it was a young woman, Queen Victoria, who reigned over the hundreds of Indian monarchs at the start of the Paramountcy, assuring them gently of their territorial sovereignty, this mattered little in India. Indian monarchies have been patrilineal and patriarchal, guarding the male and natural right to ascend the throne.

Against this background, to have four Muslim women successively rule a state is unprecedented in world history. But what makes it all the more remarkable is that these women administered a state dominated by feudal warlords accustomed to male privilege over the throne.

The modern city of Bhopal was founded in the early 18th century by Dost Mohammad Khan, an Orakzai Pathan from Afghanistan, and it soon became the second-most important Muslim princely state after Hyderabad. Its geographical location — in Central India — was vital for the suppression of the 1858 War of Independence.

Dost Mohammad Khan. — Wikimedia Commons
Dost Mohammad Khan. — Wikimedia Commons

In North India, there were several Muslim princely states — such as Bahawalpur, Mahmudabad, Tonk, Pataudi and Rampur — which were supported by the British under the Paramountcy. Under this policy, while nearly 500 princely states were autonomous and maintained internal sovereignty, their foreign policy and right to wage wars was controlled by the British.

The reign of the Begums began in Bhopal in 1819, when the ruling Nawab, Mohammad Khan, died without an heir and the British decided to crown his young wife Qudsia till her daughter Sikandar came of age. Sikandar Begum’s husband too died in 1844, and she proved to be a competent ruler and a worthy ally to the British, playing a vital role in the First War of Independence in 1857-1858. This compelled the British to make a provision that the Begum was a sovereign in her own right. Three years later, in 1861, she was invested with the Exalted Order of the Star of India, making her, at the time, the only female knight in the British Empire besides Queen Victoria. She was succeeded by her daughter Shah Jahan Begum and then by Sultan Jahan Begum.

Sultan Jahan Begum went on to have a 25-year-long reign, marked by a commitment to progress, education and women’s health reforms. She was the last Begum of Bhopal as the heiress apparent, Abida Sultan, abdicated the throne in 1948.

Sikandar Begum. — Louis Rousselet/Wikimedia Commons
Sikandar Begum. — Louis Rousselet/Wikimedia Commons

‘Magical island’

The first and foremost among them, Qudsia Begum, set the template of the ideal ruler. Spartan, and shunning jewellery, she refused to take loans and made sure that any money spent would be solely for education and philanthropy. As the British agent Lancelot Wilkinson in Bhopal noted: “She rides and walks about in public, and betrays her determination to maintain herself in power by learning the use of the spear and other manly accomplishments. At times she became quite frantic; and as one of the soldiers observed, more terrible to approach than a tigress.”

This “magical island”, as at least one commentator called it, was as rare as it was difficult to create. Like all figures of power, the Begums too attracted people who wanted to manipulate them — and in their case, this meant both the British and the ruling clan.

Qudsia Begum and her daughter, early inheritors of an uneasy throne, responded to the tugs and pulls by quickly learning traditional masculine skills like fencing and hunting. Shah Jahan Begum embraced the Purdah, asserting notions of orthodox Islamic femininity. She withdrew from public life into strict seclusion and refused to meet the British Viceroy in 1875. Her daughter would later recount in her autobiography that “even as a young girl, she preferred to meet with other girls of her age to discuss ‘a thousand little points of household duties and of domestic management than to perform outdoor activities’.” None of this though got in the way of being a good ruler, and she proved that a veiled woman could rule as competently as anybody else.

Shah Jahan Begum. — Louis Rousselet/Wikimedia Commons
Shah Jahan Begum. — Louis Rousselet/Wikimedia Commons

Balance of power

The Begums carefully navigated the multiple demands of power by ingeniously playing around with tradition and modernity. They would sometimes opt to let go of the burkha and at times wear it to demonstrate a different modernity. In their writings, the Begums constantly acknowledged their mothers and grandmothers, paying obeisance to the strong women who shaped their lives and characters.

Their commitment to austerity and Islam set them apart from the wasted royal lives that were given to overindulgence and dissipation. They constantly drew upon the Quran and respected Islamic scholars, reinforcing the idea that Islam speaks of equity between the sexes. Their spartan lives struck Mahatma Gandhi too, when he visited the state in the late 1920s, on invitation. He was suspicious that the Begum’s cotton clothes and thin mattress had been “put on as a show”, till his travelling companion Sarojini Naidu assured him otherwise.

The Begums of Bhopal, who styled themselves as “Nawab Begums”, were radical and unconventional (the term ‘Nawab Begum’ itself was ingenious as there is no word for queen in the Islamic political imagination). Nonetheless, with consummate ease and success, they proved they were no less. Keeping in line with the Islamic tradition of maintaining a diary, like the founder of their state used to, the Begums invested much energy in maintaining records — of the state and of themselves.

Sultan Jahan Begum. — The Graphic/Wikimedia Commons
Sultan Jahan Begum. — The Graphic/Wikimedia Commons

Shah Jahan Begum, the third in the line, established a History Office, along with a system for retrieving and maintaining records of important characters in her family. Abida Sultan’s son, Shahryar Khan, a former career diplomat in Pakistan, has carried on this family tradition by writing an authoritative account of the dynasty, The Begums of Bhopal.

Like a host of other wealthy Muslim ashraf women, the Begums travelled to Europe and to West Asia as part of the obligatory hajj. And despite the seriousness of the occasion, they never failed to display flashes of their chutzpah. There are anecdotes of Sikandar Begum not disembarking from the ship to Europe without her bottles of pickle. And upon reaching London, she mistakenly wore a dressing gown to meet King George V and Queen Mary, a realisation made only owing to the headlines in the newspapers the next morning.

Many princesses have ascended to power in democratic India by contesting and winning parliamentary elections. The Begums of Bhopal, however, are remarkable for sustaining a determined succession of women monarchs, despite hostility to their gender ruling — the very first Begum, Qudsia, had declared that her infant daughter would succeed after her. Despite the religious and political odds against them, their reign was marked by benevolence and modernity, a radical openness to change, like women’s education and medicine, while maintaining a steadfast commitment to the tenets of Islam. The Begums are icons for women, Muslim or otherwise.


This piece was originally published on Scroll and has been reproduced with permission.

source: http://www.dawn.com / Dawn / Home> Prism / by Priya Mirza / June 04th, 2019

‘Bourbons and Begums of Bhopal’ Flounders Between Academic Research and Family Lore

Bhopal, MADHYA PRADESH :

Indira Iyengar’s book flounders on history, making some foundational conclusions untenable.

Shazi Zaman who has recently written a well-researched book on Akbar and has a detailed account of Akbar’s contact with the Europeans who visited his court, makes no mention of a Bourbon. Credit: Wikipedia
Shazi Zaman who has recently written a well-researched book on Akbar and has a detailed account of Akbar’s contact with the Europeans who visited his court, makes no mention of a Bourbon. Credit: Wikipedia

Some books need to be read because they are likely to tell you things you have always wanted to know. Some stories need to be told because they make for riveting narratives or expand your frontiers of knowledge in exciting and dramatic ways.

It is with such noble (and hopeful) intentions that one embarks upon The Bourbons and Begums of Bhopal: The Forgotten History despite its awkward size and substantial weight. In its size and appearance, it is is an unfortunate mix of a book with pictures and copious amounts of running text: too large to carry while travelling and not sufficiently picturesque to qualify as a coffee-table book. Its contents prove to be an awkward mix too, floundering between academic research and family lore.

The Bourbons and Begums of Bhopal: The Forgotten History Indira Iyengar, Niyogi Books Private Limited, 2018.
The Bourbons and Begums of Bhopal: The Forgotten History
Indira Iyengar,
Niyogi Books Private Limited, 2018.

Indira Iyengar’s tale is part family history, part archival research and part anecdotal memoir. It opens with a disarming admission: ‘I am no historian, but I have a story to tell.’ Iyengar’s mother, Magdaline Bourbon traced her lineage to Jean Philippe de Bourbon who left his native France to arrive in Mughal India, sought and received employment in Emperor Akbar’s court, was actively involved in Akbar’s meeting with the Jesuit priests from Goa. For his services, Akbar is said to have gifted him a small principality, Shergarh near Narwar in present-day Madhya Pradesh and the sister of his Christian wife, an Armenian woman (Portuguese by some accounts) by the name of Juliana who apparently also served as a doctor in Akbar’s harem. Thus began the Bourbon line in India which spread its roots from the Mughal court to the princely state of Bhopal where the descendants of this first Bourbon eventually settled down. Being neither Muslim nor Hindu the Frenchmen were viewed as unbiased and loyal to their masters. The stories of their swashbuckling past and alleged purported ‘royal bloodline’ no doubt added to their mystique.

While Iyengar is at pains to establish her ancestor’s descent from the Bourbons of Navarre, historians are divided as to whether Jean Philipe was indeed from the royal house of Bourbon or simply a fugitive Frenchman, a mercenary who found name and fame in distant India, established a lineage and bestowed a legacy. Iyengar seems to be working on the principle that her mother’s version of the family history should suffice and she, as the custodian of that family history, is obligated to tell the story. ‘My mother’s narration of the family was also very interesting,’ Iyengar writes, ‘and I feel it needs to find a place in recorded history’. It is this assertion that proves to be problematic. For, had it been told as a colourful yarn with anecdotes and family portraits or even bits and pieces of trivia and family lore it could have been a charming story – as history it is on decidedly shaky grounds.

Also, while Iyengar’s research in the archives of the Agra Archdiocese may well establish the role of her French forefathers in various administrative capacities, it does not satisfactorily establish Jean Philippe’s link with Duke Charles III de Bourbon (1490-1527), also known as Connetable de Bourbon. The earliest account of Jean Philippe she is able to offer is by Madame Dulhan Bourbon, wife of Balthazar Bourbon; this comes in the form of a testimony made to a British general. Coming from a family member, that too as late as the late-19th century, it carries dubious weight at best. All other accounts, by missionaries, are in the nature of hearsay, urban legends that acquired veneers of half-truths with each telling. Jean Philippe himself is said to have presented a document to Jahangir in 1605 or 1606, according to Iyengar, stating that he was the son of Charles Connetable de Bourbon and that he had to flee France after arranging a mock funeral for himself. Since such a document does not exist, we can only rely on the author’s mother, Magdaline Bourbon’s memory of a ‘certain priest from Bombay’ who possessed the Bourbon family records that were subsequently ‘lost with time’. Shazi Zaman who has recently written a well-researched book on Akbar and has a detailed account of Akbar’s contact with the Europeans who visited his court, makes no mention of a Bourbon.

While Jean Philippe’s relationship with the House of Bourbon may be in dispute, Iyengar’s research in the archives of the Agra Archdiocese shows that there existed a certain Jean Philipe de Bourbon, who was married to a certain Bibi Juliana (referred to in later Jesuit accounts as Dona Juliana Dias da Costa) who helped build the first Catholic church in Agra in 1588 on land gifted by Akbar. Jean Philipe is said to have died in Agra in 1592 leaving behind two sons one of whom, according to Iyengar, was in charge of the seraglio. At the time of Nadir Shah’s invasion, the Bourbons left poor, ravaged Delhi and the clan, by now comprising 300 men and women, sought refuge in the family estate in Shergarh and thence began the southern sojourn of Jean Philippe’s descendents. Mamola Bai, the first woman ruler of Bhopal, offered Salvador Bourbon the position of general in the Bhopal state army. Salvador married a certain Miss Thome and the family then embarked on a long innings serving as confidantes, generals, even Prime Ministers to the Bgeums of Bhopal.

Already carrying two names, a European and a Muslim one, the Bourbons began to wear Bhopali dress and live like the local nobility. However, the fleur de lis in their coat of arms never failed to remind them and their local patrons of their royal past in distant France.

Rakshanda Jalil is a writer, translator and literary historian.

source: http://www.thewire.in / The Wire / Home> Books / by Rakshanda Jalil / October 05th, 2018

How a short film on Bhopal pays a poignant tribute to an age when women ruled the state

Bhopal , MADHYA PRADESH :

Begamon ka Bhopal is a lyrical ode to a forgotten time.

An 18-year-old widow who declared her infant daughter queen; a wife who survived an assassination attempt and held her husband captive; a princess who abdicated the throne in favour of her mother; a ruler who served as the only woman chancellor of Aligarh Muslim University.

The erstwhile royalty of Bhopal has borne some of the bravest, most dynamic rulers in the 19th and 20th century India. These nawabs were popular, fair, reformist, and fierce; they were also women.

While several women have enjoyed power as regent mothers and influential wives throughout history, Bhopal and its royalty are unique. Between 1819 and 1926, the kingdom saw four women rule it – women who were Nawab Begums, not just Begums, who ruled through inheritance, not proxy.

A still from Begamon ka Bhopal.
A still from Begamon ka Bhopal.

The movie

Much has been written about these women and their reign, including by the Nawab Begums themselves, documenting both the personal and the political events of their times.

The footprints they left behind have become part of Bhopal’s everyday life, informing and forming its consciousness and character. It is the exploration of this connect that has resulted in Begamon ka Bhopal, a short film, which is both an ode to the universal feeling of nostalgia, and a document of how an interaction with history can turn deeply existential and personal.

The movie has been directed by Rachita Gorowala, a 30-year-old alumna of Xavier Institute of Communications, Mumbai, and FTII, Pune, and will be available to viewers in January on filmsdivision.org.

Gorowala says she made the movie as her own experiment with truth: “A fascination with Pathan woman rulers who ruled Bhopal for over 100 years started me on Begamon ka Bhopal. A journey that may have begun on the lines of fascination with history became existential, introspective and deeper as an experiment with cinema.”

The movie speaks of a Bhopal long past, and seeks to conjure it up through a writer rooted in the city, a grandson who has preserved reels of films shot by his grandfather between 1929 and 1975, two royal descendants, a royal attendant.

The overarching emotion running through the movie is huzoona Persian word for powerful nostalgia, a longing for something lost but not gone. The characters speak of their own past lives, or their engagements and attempts to understand the past life of their city.

The emotion and the sense of old Bhopal is created through both audio and visual evocations – the magnificence and now the absence that marks palaces (Moti Mahal, Shaukat Mahal), the Taj-ul Masjid that is a solid link to the past and the present of the city. Music has been used powerfully – songs written and sung by Firoza Khan, one of the former royals who features in the movie – play like both a dirge and an ode.

“As a student of cinema, I learnt that a film is a medium of time and not of telling stories. Stories are meant to be heard and read. It is through juxtaposition of images and sounds that one creates an emotional journey,” says Gorowala.

Begamon Ka Bhopal is her first short film in the genre of poetic-realism, “a lyrical, musical, introspective journey”. “The movie is an ode to the times that once existed in Bhopal, through an everyday nostalgia that is lived by a writer, a film keeper and royal descendants. Each in their own way hold onto time and thus become it,” she says.

The movie has a lot of frames that show only parts, fragments – walking feet, hands busy with embroidery, dry rustling leaves – which seem to reflect the fragments in which we understand and engage with the past, the parts we hold on to, some passages, some stories that call out to us especially, and through which we try to understand the whole, through which we seek to anchor ourselves in the ocean of time.

The character Salahuddin, writer Manzoor Etheshaam, Nawabiyat descendants Firoza Khan and Meeno Ali, the royal attendant Zohra Phupo, all have important roles, the three women are symbols of the past and have survived into the present, the two men belong to the present and are trying to hold onto their connect with the past.

There is a powerful scene of Firoza fingering dolls as she talks of her own moulding into a member of a royal family post her marriage in 1961; she talks as she dresses up, her begum-ness coming alive with each addition of earrings, kangan, kaajal.

The Begums

For her movie, Gorowala had rich material to draw on. Bhopal’s famous Begums had a lot of variety among them in terms of personality and traits – the first, Qudsia, defied her court’s nobles and conventions to declare her infant daughter King in 1819.

Saif Ali Khan Pataudi has the blood of these begums in his veins. Photo: India Today
Saif Ali Khan Pataudi has the blood of these begums in his veins. Photo: India Today

Qudsia ruled as proxy for her daughter for 18 years, defending her kingdom against the battering armies of the mighty Marathas – Scindias, Holkars, Gaekwads – and her daughter’s inheritance against internal opposition.

However, some nobles managed to convince the British that a woman ruler was un-Islamic. Thus began a period of daughters inheriting the kingdom and their husbands ruling it. Qudsia’s daughter, Sikander, was married to her cousin Jahangeer. Jahangeer proved unpopular. He even tried to kill his pregnant wife, but she escaped, took refuge in another fort, and subsequently managed to imprison him inside the fort.

Jahangeer died at 26, and once again, his six-year-old daughter Shahjahan was declared king, with power to pass on to her husband when she would get married.

However, Qudsia argued and harangued the British till this clause was removed. Thus, Sikander, and then Shahjahan, both ruled Bhopal as kings who inherited the kingdom. After Shahjahan’s death in 1901, her daughter Sultan Jahan ascended the throne.

While Qudsia was brought up illiterate and in purdah, she rose to the occasion when the need befell her. Sikander was raised to be king. Shahjahan was the most feminine and the least austere of the four, and wrote several books. Sultan Jahan went back to observing purdah, and was the first chancellor of Aligarh Muslim University.

After Sultan Jahan, the throne went to a man, her son Mohammad Hamidullah Khan. However, after Hamidullah died in1960 and his eldest daughter Abida Sultan migrated to Pakistan, his younger daughter, Sajida Sultan, came to power. Sajida’s husband was Iftikhar Ali Khan Pataudi, the grandfather of Saif Ali Khan.

Incidentally, Abida Sultan’s son Shaharyar M Khan, Pakistan’s former foreign secretary, authored the book, The Begums of Bhopal, on his path-breaking ancestors.

source: http://www.dailyo.com / Daily O  / Home> Art & Culture / by Yashee   @ yasheesingh / December 24th, 2017