Babur was a sensitive memoirist with the rare ability to distance himself from his writing
Babur’s memoir did not have a name but is referred to as Baburnama or Tuzuk-e-Baburi. It is the first autobiography from the subcontinent and one of the first in the world. Babur came from two different cultures, of which one was literate and aspired to high culture. This was his father’s ancestral family, which was Timurid. His mother came from the nomadic Mongols, who weren’t literate. Babur describes his maternal uncles in his memoir.
The Timurids had a tradition of poetry, hawking, music, and, of course, war. Babur was from a family of minor nobles who had inherited the governorship of Ferghana. His autobiography begins with a description of the geography and tells us that his father, Umar Shaikh Mirza, died in an accident when he was 39 and Babur 12. The young Babur struggled to hold on to his inheritance, losing several battles, including one in Ferghana, which he had to give up to the victor.
Babur describes these decades of his life in an unemotional and direct way: he hardly valorises his own achievements. Like the great Caesar, whose books on his wars in Gaul and against Pompey may as well have been written by a non-partisan observer, Babur has the ability to distance himself from his life.
Keen naturalist
Babur’s life turns when he is found to be the only living heir to the throne of Kabul. He takes it and turns his eyes to India. For 20 years, he campaigns against India, being held back at the borders each time.
Then, as we know, he defeated the Lodi dynasty (introducing firearms to the subcontinent for the first time) and captured north India in 1526 after a decisive battle at Panipat. Babur died four years later, spending much of this time travelling across India and writing his memoir in the afternoons.
These paragraphs show how much of a keen naturalist he was. “The elephant, which the Hindustanis call hathi, is one of the wild animals peculiar to Hindustan. It inhabits the western borders of the Kalpi country… the elephant is an immense animal and very sagacious. If people speak to it, it understands. If they command anything from it, it does it. Its value is according to its size — the larger it is, the higher the price. On some islands an elephant is rumoured to be as tall as 20 or 30 feet, but here it is not more than 10 feet. It eats and drinks entirely with its trunk. If it loses the trunk, it cannot live. It has two great teeth (tusks) in its upper jaw, one on each side of the trunk. By setting these against trees and walls, it is able to bring them down; with these it fights and does whatever hard tasks fall to it. These teeth are called ivory and are highly valued by Hindustanis.’
‘Like a goat, the elephant has no skin hair. It is relied on to accompany every troop of their armies. It crosses rivers with great ease, carrying a mass of baggage, and three or four can drag without trouble a special piece of artillery that takes four or five hundred men to haul. But its stomach is large. One elephant eats as much as a dozen camels.
Elegant and clean
Babur’s book was not freely available till a British amateur linguist named Annette Susannah Beveridge translated it. She taught herself the particular version of Turkish that Babur wrote in (later Mughals wrote in Farsi) and published it in four volumes from 1912 to 1922.
At the time of the first British census a century and a quarter ago, India was 4% literate. Most Indians even today don’t have four generations of literacy: in fact, the proportion of those of us who can claim to have had great-grandparents who could write is tiny. Babur came from a tradition that already had centuries of literacy.
His is elegant and clean writing of the sort that one would expect from a very literate and sensitive person. Babur’s daughter, Gulbadan Begum, sister of Humayun and aunt of Akbar, also wrote a lovely memoir in which she describes her father’s attention to detail which he passed on to his family.
These two works, along with Jahangir’s autobiography, are some of the best material available on the Mughals. It’s a shame that these books are not taught in India’s schools today.
Aakar Patel is a columnist and translator of Urdu and Gujarati non-fiction works.
source: http://www.thehindu.com / The Hindu / Home> Books – Leather Bound / by Aakar Patel / January 16th, 2020
Delhi did have fire-crackers much more than 200 years ago and Haider Quli, the artillery chief, made good use of them at his haveli, now lying deserted.
Delhi did have fire-crackers much more than 200 years ago and Haider Quli, the artillery chief, made good use of them at his haveli, now lying deserted. In Chandni Chowk is Haveli Haider Quli, whose inhabitant till February 2016 was the nonagenarian Narain Prasad. The double-story apartment he lived in was only a part of the original mansion, where now houses and shops have mushroomed and the garden that was one of its attractions has disappeared in the ensuing rabbit of a warren locality.
Haider Quli was the chief of the artillery during the reign of Mohammad Shah Rangila (1719-1748) in whose reign Nadir Shah invaded Delhi and took away the Peacock Throne and Kohinoor, along with other fabulous treasure.
Haider Quli got his exalted post because of his patron Hussein Ali, but later turned against his mentor and got him murdered while he was on his way home in Chandni Chowk. A boy related to him fired at one of the assailants, killing him on the spot but the others hacked the boy to pieces with their swords. It is said that Mohd Shah was also involved in the conspiracy, along with his mother as he had become wary of Hussein Ali.
It was Haider Quli who organized the first fireworks in 18th century Delhi some 260 years ago under his supervision as Mir Atish, whose descendants had fireworks shops behind the Jama Masjid.
The Mughal emperors preceding Mohd Shah celebrated Diwali with illuminations but there were no fireworks as such. Possibly the only cracker was a ball of gunpowder exploded by the Mir Atish and a crude kind of Phuljhari (sparkler) for the amusement of the ladies of the harem when the Seths of Chandni Chowk were worshipping Lakshmi in their shops.
It is pertinent to remember that Babur brought guns with him when he invaded India in 1526 and on whose firepower he won the First Battle of Panipat against Ibrahim Lodi-the Sultan’s elephants running amuck at the sound of the blazing cannon and the fireballs they ejected.
Gunpowder was invented or discovered in China in the ninth century and India was practically devoid of it till AD 1250. The Mughals’ ancestor, Changez Khan had made use of gunpowder during his Mongol raids because of which it made its way into parts of Russia. Evidence of this found in the story of Alibaba and the Forty Thieves, in which the chief of the robbers Abu Hassan used gunpowder (Shaitani Rait or Devil’s Sand) to overawe his victims. Then after depositing the loot in his treasure-house Simsim, he retired to the fort, where he resided as the seemingly pious Imam Sahib, to whom people went with their complaints against Abu Hassan. The hypocrite, with his lust for the slave girl Marjina, would then march out with troops in a mock campaign to nab the robber chief.
History shows that before the Mughals some sort of atishbazi was introduced into Delhi during the reign of Nasiruddin Mahmud, Chirag Delhi. But he and other Slave kings are not known to have celebrated Diwali, which was first patronised by Mohmmad bin Tughlak. The succeeding Sayyids and Lodhis may also have willy-nilly followed the custom. Babur and Humayun had their Nauroz celebrations, but Akbar did celebrate Diwali on a grand scale because of his Rajput wives. Jahangir and Shah Jahan had an even more elaborate Diwali, with the latter emperor being bathed in waters collected from seven rivers and pandits chanting mantras while the Maulvis looked askance. However, his daughter Jahanara was not burnt during Diwali celebrations but one evening at the daily lamp-lighting. Aurangzeb, despite his orthodoxy, did observe Diwali with the Rajput chiefs coming to him with sweets and gifts. Gossip would have us believe that his first Diwali was celebrated with his beloved Hira Bai Zainabadi in his arms and offering him a cup of wine to prove his love for her. But when Aurangzeb moved as if to sip it, Zainabadi (appreciating the gesture) took away the cup from his hand. No wonder when she died an early death. Aurangzeb was devastated Jahander Shah, his grandson, celebrated Diwali with concubine Lal Kanwar in Lahore (1712), when he bought all the oil available in the city for illuminations, though fireworks were absent till Mohd Shah took over after the death of Farrukhseyar and some puppet kings.
Historians, however, fix the date when Diwali crackers became popular as 200 years from now, though the British were enjoying fireworks on Guy Fawkes Night in observance of the Gunpowder Plot of 1605 (the year Akbar died). Mirza Ghalib was one of those who were present at the Diwali celebrations of Bahadur Shah Zafar, who released the bluejay or Neelkanth bird as a sign that Durga was on her way home after Dussehra. But Prof Ram Nath observes that it was actually Shah Jahan who first did so. For the later Mughals fireworks were also the main observance during Shabhe-Barat, heralding the approach of Ramzan.
This display of crackers was extended to Diwali. As a matter of fact, during Mohd Shah Rangila’s reign it was a cracker thrown at the palanquin of the emperor’s jeweller, Sukh Karan that led to the March 8, 1729, shoesellers’ riot in which Rangila Piya’s favourite concubine Nur Bai, on her way back home in Chawri Bazar from the Red Fort, lost a tooth when she was hit by a stone thrown by the rioters. So Delhi did have crackers much more than 200 years ago and Haider Quli, the artillery chief, made good use of them at his haveli-now lying deserted as even the last occupant, Narain Prasad’s 94-year-old sister has left it after her brother’s death. But whenever you see the place you instinctively think of fireworks as happened during Guru Nanak’s birthday celebrations amid a crescendo of crackers despite the ban on them.
source: http://www.thestatesman.com / The Statesman / Home> Supplements> Section 2 / The Statesman News Service / New Delhi – February 09th, 2019
Many Indian dishes can be traced back, indirectly, to a 16th-century, food-obsessed ruler named Babur.
ZAHIR AL-DIN MUHAMMAD, THE 16TH century Central Asian prince better known as Babur, is renowned for his fierce pedigree and proclivities. Descended from both Timur and Genghis Khan, he used military genius to overcome strife and exile, conquer northern India, and found the Moghul dynasty, which endured for over 300 years. He was a warlord who built towers of his enemies’ skulls on at least four occasions. Yet he was also a cultured man who wrote tomes on law and Sufi philosophy, collections of poetry, and a shockingly honest memoir, the Baburnama, in which he appears to us as one of the most complex and human figures of the early modern era.
Through the Baburnama, we learn that Babur was versed in courtly Persian speech and custom, yet nonetheless a populist who built strong ties with nomads and championed the vernacular Chagatai Turkic tongue in the arts. He was a pious man, but was also given to libertine escapades, including massive, wine-fueled parties.
But the first—and arguably one of the most culturally consequential—personal details he reveals is that he was a food snob. Babur loved the foods of his homeland and hated those he found when he had to reestablish himself in India, which to him was mostly a way station on the bloody road back to the melon patches of his youth. He didn’t just whinge about missing foods from home, though. He imported and glorified them in his new kingdom, laying the groundwork for his descendants to warp Indian cuisine so profoundly that they redefined that culinary tradition, as many know it worldwide, to this day.
The Baburnama opens with a description of Ferghana, a region now split between Kyrgyzstan, Tajikistan, and Uzbekistan, where Babur grew up. Known then and now as the breadbasket of Central Asia, it follows that Babur would touch on agriculture. But in introducing his hometown of Andijan, Babur opens with a note on the quality of its grapes and melons before turning his attention to its layout and fortifications. He then ducks back to praise its game meats, especially its pheasants, which “are so fat, that the report goes that four persons may dine on the broth of one of them and not be able to finish it.” Only then does he tell us of the people who live there.
Almost anytime he describes a place back home, he starts with vittles. Margilan is known for its dried apricots, pitted and stuffed with almonds. Khojand’s pomegranates are proverbially good, but they pale next to Margilan’s. And Kandbadam is tiny and insignificant, but it grows the best almonds in the region, so it’s worth mentioning.
“Early sections of his Baburnama,” writes Fabrizio Foschini, in a report on Afghanistani melons authored in 2011, “really sound like a consumer guide to the fruit markets of Central Asia.”
Babur doesn’t forget food once he gets into the meaty war stories, either. He breaks one narrative to note that the area around a castle he just besieged grew a unique melon with puckered yellow skin, apple-like seeds, and pulp as thick as four fingers.
The Baburnama is not solely concerned with food. The bulk of it is a painstaking record of families and feuds, and Babur dwells on other seemingly random details that tickled him, such as a courtier’s talent at leapfrog. Since we don’t have a similarly honest accounting from his peers, it’s hard to say whether Babur’s epicureanism was atypical.
Given the chaos he grew up in, though, it’s incredible that Babur could spare any thought for food. Thrust to power at age 11 (by the Gregorian calendar), in 1494, he had to navigate bloody infighting amongst his relatives. Known as the Timurid princes after their conqueror-ancestor Timur, they jockeyed against each other for regional control. Babur became an active participant in this Central Asian game of thrones—he seemed particularly obsessed with taking the regional cultural capital of Samarkand. While he seized it in 1497, he lost the city almost immediately, as well as Ferghana, and (a very long story short) spent the rest of his teenage years reclaiming or losing bits of territory, fleeing into exile with remote nomadic tribes, and trying to court new followers and surge back. Although he never stopped trying to reclaim Samarkand and his homeland, by 1504, at age 21, he’d effectively been forced out of the region for the rest of his life.
That year, he pulled off a fantastic feat of warlord jiujitsu, flipping a rival’s forces into his service and marching on Kabul, which was vulnerable after undergoing its own contentious power shift. Babur took the city, and, naturally, set to cultivating its produce scene. In and around the city, he built at least 10 grand gardens that included a fair number of fruiting plants.
While Babur’s writings suggest a personal obsession with food, it’s hard to disentangle this obsession from homesickness. There were also political reasons for him to pay so much attention to cuisine: Food snobbery was a standard way for a Timurid prince such as Babur to make his mark and prove his elite bona fides in a new land. “The Timurids, while ethnically Turkic, based their legitimacy to a large extent on their being champions of Persianate ‘high’ culture,” says Central Asian historian Richard Foltz, “which included taste in food.”
Kabul proved ill endowed to support a successful campaign back to Ferghana, though. So Babur turned his attention to neighboring India. He got a lucky break when a new king—an inept man who clearly had dissenters and rebels in his ranks—came to power in the northern Sultanate of Delhi. Babur struck at this weakness, invading the region through the early 1520s. Despite being outmanned by a ratio of perhaps five-to-one in his final standoff with the sultan, he usurped the throne in 1526.
According to Foltz, Central Asians mostly looked down on Indians, who were neither Muslims nor Persianate. Babur, his recent biographer Stephen Dale notes, was also still deeply homesick. These factors, and possibly personal tastes, led him to dismiss his new territory, and especially its food: “Hindustan is a country that has few pleasures to recommend it. … [There is] no good flesh, no grapes or muskmelons, no good fruits, no ice or cold water, no good bread or food in their bazaars.”
Babur shouldn’t have had time for food in India either. He spent the last four years of his life fighting local insurgencies and consolidating his power. In 1530, he died at the age of 48, in Agra, the north Indian city where his great-great grandson Shah Jahan (lived 1592–1666) would later build the Taj Mahal. But he wrote letters in those years expressing his desire to return home, or at least taste its grapes and melons. He describes receiving a melon from Kabul and weeping as he ate it. He planted Central Asian grapes and melons in India, which brought him some joy. He even asked local chefs to make Persianate food for him, although one of them tried to poison him.
By establishing supply chains that brought his native agriculture and cuisine to the region, Babur left a lasting legacy. “He probably played a role in bringing Central Asian influences into the elite, courtly Indian life,” says Elizabeth Collingham, a food historian who explored Babur’s life and influence in her history of curries .
Granted, Babur was not the first Central Asian lord in what is now India. From 1206 to Babur’s day, five prior Central Asian dynasties ruled from Delhi. They too imported foods from home, cooked dishes they knew, and even did some fusion cooking. Trade and migration also meant there’d always been interplay between the regions, including culinary influence. Glimpses of this cultural mingling include the first mentions of samosas in the region’s written record—in accounts of those earlier medieval sultans’ feasts.
But according to Rukhsana Iftikhar, a historian of social life amongst the Mughals, the Persian word for “Mongols” by which Babur’s descendants came to be known, many of these dishes differed in style and flavor profile from the Persian-influenced Central Asian cuisine Babur preferred. They likely had not caught on with the general Indian population by the time Babur arrived, and few of them would sound familiar to fans of global Indian fare today.
Historians like Dale and Foltz chalk this up to the fact that previous dynasties—while they had some cultural influence—seemed to see India mostly as a piggy bank. They didn’t like to mix with local elites, and their culture was not grand or stable enough to invite mimicry and adaptation.
Babur, by contrast, was more statesman than raider. His pedigree and strong connections to Iran also gave him and his descendants more cultural cachet, and those descendants mixed more readily with the local populace. And for over a century after his death, Mughal rulers continued to praise the same foods Babur praised and keep the caravans of his beloved Central Asian fruits and nuts flowing. Babur’s successor Humayun brought Persian cooks to Delhi, and Humayun’s son, Akbar, was notably cosmopolitan and curious in the kitchen. Later descendents were not as invested in Persianate culture and the foods of Ferghana as Babur. But either as a means of displaying their wealth or of brandishing the superiority of their heritage, they carried on the culinary trajectory Babur set up.
Babur’s descendants also spent lavishly on their kitchens, elevating food as a status symbol. But unlike Babur, they made it a point to round up chefs from around their Indian domains, a practice that invited fusion. The grandeur and duration of their courts, argues Collingham, led local elites to copy their Persianate and Central Asian motifs and augment their own kitchens, leading to parallel fusion work in places like Hyderabad, Kashmir, and Lucknow. Over the centuries, these innovations coalesced into Mughlai food, a stable cuisine common across, although not ubiquitous in, northern India by the early 20th century.
This cuisine was defined by, among other things, aromatic, creamy curries, often incorporating the nuts and dried fruits Babur adored. It includes many dishes familiar to Western diners today: Korma, a blend of Central Asian nuts and dairy with Persian and Indian spices. Rogan Josh, a slow-cooked, Persian-style meat spiced up in the kitchens of Kashmir. And tandoori grilling, facilitated by Mughal tweaks to said grills and to marinades and spicing styles.
These dishes became ubiquitous in the West, Collingham says, because haute Indian chefs have long viewed Mughlai cooking the same way Western cooks used to see Le Cordon Bleu. Indians who set up restaurants abroad made Mughlai food the template of Indian food in the U.S. and U.K.—to the chagrin of Indians who grew up eating many other cuisines that remain hard to find outside their homelands.
None of this was a conscious project for Babur. But by setting up shop in Agra and Delhi, he created a wave that shook the foundations of India, culinary and otherwise. His tastes indirectly fueled 300-plus years of kitchen innovation. It’s no Central Asian dynasty of skulls and melons. It’s something more widespread and enduring, if unexpected or unwanted.
Gastro Obscura covers the world’s most wondrous food and drink.
source: http://www.atlasobscura.com / Atlas Obscura / Home> Stories / by Mark Hay / November 15th, 2017
A Babur-focussed Uzbeki cultural project is using a common heritage to create a dialogue.
In July 1501, the great-great-greatgrandson of Timur (Tamerlane), Zahiruddin Muhammad Babur — the founder of Mughal empire — left his home in Fergana Valley in present day Uzbekistan. Five hundred years on, the Uzebki government is tracing his journey to India and his Indian connections as part of Cultural Legacy of Uzbekistan in Art Collections of the World project which began last year.
An effort to piece together the country’s history, researchers are connecting with international museums documenting the antiquity and artifacts connected to them. Till date, the Uzebki government has released 10 volumes and several short films on the cultural legacy of Uzbekistan with the help of information from leading museums in Russia, North America and Australia. “What they are doing is a first. They are not raising a dispute or demanding return of any antiquity. Instead, they are taking a holistic approach — using the common heritage to create a dialogue instead of stoking controversy,” says independent commentator Shashtri Ramachandaran, who participated in a two-day congress on the study organised by the Uzbek government.
An average Indian will be more familiar with United Kingdom, having followed their parliamentary and administrative methods or would be familiar with the cultural milieu of the United States, having developed an appetite for American TV shows. But barring academics, few are aware of the shared heritage between India and Uzbekistan that spans across centuries. A team of researchers from Uzebkistan visited the National Museum this April to piece together this lost history. “Their aim is to document material related to the Mughal era primarily. Once they present a formal proposal which is vetted by the Ministry of External Affairs and Ministry of Culture, they can start documenting work,” said Dr BR Mani, Director General, National Museum, who met with the Uzbekistan’s Ambassador last week to discuss the project.
The Uzbeki interest in the founder of the Mughal dynasty comes at a curious time, given that Babur’s successor Aurangzeb’s name was removed unceremoniously off Delhi’s roads for being an “invader”. Union Minister V K Singh even suggested that his grandfather Akbar should meet with a similar fate. In February this year, the BJP-led government in Rajasthan backed a proposal to rewrite history taught at the university level to attest that Rajput warrior-king Maharana Pratap won the Battle of Haldighati against Akbar’s Mughal army led by general Man Singh, despite historical evidence suggesting otherwise. In the same vein, RSS ideologue Indresh Kumar recently suggested that Babur and his army general Mir Baqi should be tried in court for destroying Ram Mandir in Ayodhya.
History suggests that Babur lived in India for only four years and died at the age of 47 in 1530 after successfully ousting Ibrahim Lodhi (in the Battle of Panipat in 1526). But his legacy lived on. The Babri Masjid demolition in December 1992 triggered the campaign to decry the Mughals as invaders. “Labeling the Mughals as “invaders” is bogus, historically. But Hindu nationalists do not use this label as a historical claim,” says Professor Audrey Truscke, who received severe backlash over her recent book Aurangzeb: the Man and the Myth. She adds that maligning Mughals is only a means to fuel “anti-Muslim sentiment in the present”. “It is a shameful business, especially at a time when vigilante violence against Muslims is on the rise,” she adds.
Babur was not Indian, even less an Uzbeki. He tried at least thrice to win Samarkhand but failed. “Babur took Samarkand one last time with help from the Safavids of Persia in 1513. However, as he had to publicly acknowledge his support for Qizilbash Shiism, his subjects turned against him,” explains Professor Ali Anooshahr from the History Department of the University of California.
During his time in India, Babur influenced architecture, culture, warfare and even introduced Indians to the sweet melons of Fergana. When Babur reached India, he was disappointed that the only fruit available was mango. It is said that he personally monitored planting of watermelons and musk melons. “In Babarnama, Babur writes about the apricots and pomegranates of Marghilan, fruit trees of Isfara, the melons of Bukhara, and the apples of Samarkand. He also recalled with pleasure, the various flowing rivers and brooks in that region,” adds Prof Anooshahr.
At the museum, the Uzbeki experts are particularly interested in manuscripts of the Holy Quran, scribed in Uzbekistan, which were presented to the Mughal emperors, as is evident from the royal seals on the cover page. Also of interest are 15 illustrated folios of the Baburnama. He wrote his autobiography in Chagatai language, the spoken language of the Andija-Timurids. It was during the reign of Akbar that the work was completely translated in Persian. According to Prof Anooshahr, the most comprehensive copy of the original is the Hyderabad manuscript. “Although I do not know where exactly that copy is located right now,” he adds.
The Uzbeki researchers are now looking at sources beyond the National Museum. “It is gratifying to realize that the culture of such a great country is connected with ours. We are planning to publish a couple of albums in India, depending on the results of our work,” said Professor Andrey Zybkin, the Uzbeki project coordinator.
Few sites of the Babur era have stood the test of time. Some of them include, West Delhi’s Babur era mosque, the Babri Masjid and Ram Bagh in Agra. But it is not just the Mughal era that is of interest. India and Uzbekistan go as far back as the Kushan Dynasty. The Kushan Empire, spanning an area of 37 lakh kilometres, extended from Bihar to southern Uzbekistan. It was an era when the Indian sub-continent saw extraordinary exchange of art and ideas. “At present we do not have first-hand information on the Kushan period artifacts found in Uzbekistan. It will be interesting to see how the pottery, social behaviour and culture changed from Fergana valley to Mathura,” Dr Mani added.
Apart from the Mughals and Kushans, there are other points of convergence between the two nations. Gujaratis had close trade ties with Uzbekis, so did Parsis and Armenian Christians. Professor A K Pasha from JNU explains that somewhere this search for their history is part of a “resurgence of old identity”. “For years, the Uzbeki culture was subjugated and overpowered by Russians. The Islamic feeling is growing which is why they want to resurrect their old identity,” explains Pasha.
source: http://www.mumbaimirror.indiatimes.com / Mumbai Mirror / Home> Others> Sunday Read / by Sobhana K Nair, Mumbai Mirror / June 18th, 2017