Nadeem Ahmed recognised with NSW Government Community Service Award

Sydney (New South Wales), AUSTRALIA :

Nadeem Ahmed, the dynamic founder of ‘Indians in Sydney’, has been awarded the prestigious NSW Government Community Service Award in recognition of his exceptional contributions to the Indian diaspora and broader community in New South Wales.

The award acknowledges individuals whose work has significantly enhanced the quality of life for members of their community, and Nadeem’s tireless efforts have made a lasting impact on the lives of many.

A leader with compassionate  and vision

Since founding ‘Indians in Sydney’ in 2007, Nadeem has devoted himself to creating a supportive and inclusive community for Indian migrants and residents. What began as a modest initiative has grown into the largest Indian community platform in NSW, now boasting over 135,000 members.

Under his compassionate leadership, ‘Indians in Sydney’ has become a beacon of unity, where cultural heritage is celebrated, newcomers are supported, and vital connections are made across generations.

Upon receiving the award, Nadeem expressed his gratitude, saying, “This recognition is not just for me but for everyone who has been part of Indians in Sydney. We are a collective force of people who care about each other and who are passionate about giving back to the community. I am truly humbled by this award, and it motivates me to continue serving and building stronger connections within our society.”

With a passion for connecting people and promoting Indian culture, Nadeem started organising events and activities that celebrate heritage and address the unique needs of the diaspora community.

Nadeem says his vision was to create a space where people could support one another, share their stories, and find a sense of belonging in a new land. “Little did I know it would grow into something so much bigger than myself,” he reflected.

Nadeem also extended his heartfelt thanks to Nathan Hagarty MP for his endorsement, noting“I am deeply grateful to Nathan Hagarty MP for his continuous support. His faith in our mission has been an incredible source of encouragement. Together, we aim to create a more inclusive and compassionate community where everyone feels welcome.”

Transformative community initiatives

Nadeem’s vision for ‘Indians in Sydney’ is one that extends beyond social connection—it is about making a tangible difference in the lives of individuals and families.

Several of the group’s key initiatives reflect this mission, including Winter Drive, Meal for Everyone Drive, Samvaad, Journey, Indians in Sydney Gala Event.

Nadeem’s leadership was  instrumental in organising the recent Indians in Sydney Gala Event , which celebrated India’s 78th Independence Day that was a remarkable success, bringing together leaders, dignitaries, and community members to celebrate the achievements of the Indian community and reinforce the group’s ongoing mission to promote inclusivity and cultural exchange.

Looking ahead

With the NSW Government Community Service Award serving as a testament to his exceptional leadership, Nadeem is more determined than ever to continue his journey of service. The recognition highlights not only his personal achievements but also the tireless efforts of the ‘Indians in Sydney’ community to create positive change.

For those inspired by his work, Nadeem’s message is clear: “There is always more we can do, and together, we can make a lasting impact. Our journey is just beginning.”

Indians in Sydney is the largest community group for Indians in New South Wales, dedicated to fostering social connections, cultural pride, and charitable initiatives.

Through a wide range of programs, including meal drives, cultural events, and support services for migrants, the group serves as a vital resource for the not only to Indian diaspora in Australia but to Wider Australian Communities

source: http://www.amust.com.au / AMUST / Home> Community> Featured / by Imtiaz Khan / October 29th, 2024

Crescent AusIndia: A pillar for Queensland’s Indian Muslims

Brisbane (Queensland), AUSTRALIA :

Crescent AusIndia Inc held its Annual General Meeting (AGM) on Sunday 10 November 2024 in Brisbane, together with a family BBQ sausage sizzle bringing together an impressive turnout with members gathering to celebrate the association’s achievements and reaffirming their shared commitment to its mission. 

AGM 2024

The association dedicated to Muslims of Indian origin in Queensland was founded in 2023 by a group of passionate individuals from diverse backgrounds – university professors, doctors, engineers, and professionals from various fields united by a shared dedication to fostering the Indo-Australian spirit.

The association has rapidly expanded its influence and membership base becoming a prominent and respected entity within the Queensland community groups. The current Management Committee was re-elected for 2025 ensuring continuity and renewed vision for the association’s goals in the new year.

Under the advice and guidance of Dr Javaid Khan and Dr Abdul Sattar, the elected office bearers include Mr Yousuf AliKhan (President), Aunty Janeth Deen OAM (Vice President), Mr Aamer Mustafa (Secretary), Mr Mohammed Ameen Soofi (Treasurer), Mr Athiq Mohamed (Joint Treasurer), Mr Arif Mohamed (Joint Secretary), along with committee members Mrs Naghma Khan, Mr Siraj Basha, Mr Irfan Hashim and Mr Faraz Junaidi.

Mr Vaseem Khan holds the key role of Public Relations Officer (PRO) maintaining the association’s public presence.

The journey over the past year has been marked by key events and accomplishments that reflect their commitment to community engagement and support throughout the year participating in significant events such as joining ANZAC Day commemorations, hosted Eid Dinner welcomed over 150 attendees, and engaging with Queensland Police’s Muslim Reference Group, involvement in the India Day Fair.

The association has also been vocal against discrimination, supporting community forums like “Action Against Islamophobia”. These activities allowed the association to build meaningful relationships with local authorities, diplomatic representatives, and other cultural organisations.

Crescent AusIndia celebrated Gandhi Jayanti with GOPIO honouring Mahatma Gandhi’s legacy of peace and unity, representation at the FICQs Diwali event and most recently were represented at the inaugural events for Queensland’s new Indian Consulate, furthering its presence as a key organisation within Queensland’s multicultural landscape.

Crescent AusIndia is a proud member of larger bodies like the Federation of Indian Communities Queensland (FICQ) and Queensland Muslims Inc (QMI), contributing to broader community initiatives.

Moving forward, Crescent AusIndia aims to deepen their engagement, broaden their reach, and continue building a strong foundation for the Indian Muslim community in Queensland.

If you share our vision and want to join the like-minded people! Visit Crescent AusIndia website for more info and the membership form – crescentausindia.org.au

source: http://www.amust.com.au / AMUST / Home> Community> Featured / by Aamer Mustafa / November 18th, 2024

Unsung heroes of freedom movement from Belgaum Munshi Mazahar Ali

Belagavi (Belgaum) , KARNATAKA :

Munshi Mazahar Ali was a freedom fighter of Belgaum who lived near HESCOM counter at Kacheri Road, Shaniwar Khoot, Belgaum.

He was said to be a butler in the British army at the Belgaum regiment and being a staunch Muslim, was a follower of Wahabi moment. This movement was strictly against British rule in India and played an important role in First Independence war of 1857.

The Belgaum gazette (page 133) refers this great son of the land as “One Muslim Munshi in the army at Belgaum, who had been a Wahabi, was discovered instigating the others, transported for life in the connection “

Munshi Mazahar Ali was involved in the “Reshmi Rumal Movement “and was arrested by the British. He was assassinated at the Race Course grounds in presence of thousands of people.

The Corporation of the City of Belgaum has given the name of Kacheri Road as “Munshi Mazahar Ali Road”. But even now Kacheri Road is used by Govt and the public.

source: http://www.allaboutbelgaum.com / All About Belgaum / Home> History / by editor / August 14th, 2009

Important to convey ideas, themes with probity: Nadeem Khan on translating from Marathi to English

Amravati, MAHARASHTRA :

Khan, whose last worked on the translation of Patil’s Panipat, a voluminous Marathi language classic published in 1988, said translating into English from any of the Indian languages is like moving into a different culture as idioms, emotional framework and cultural resonances change with language.

In 2018, Khan had translated two novels of Dongare, a Sahitya Akademi Yuva Puruskar winner who is regarded as an avant garde writer in regional literature.(Source: Amazon.in | Designed by Gargi Singh)

Being true to the word and spirit of the original work while making it resonate with the English reader is always a challenge, says writer Nadeem Khan, who has been translating the works of celebrated Marathi authors such as Prabhakar Narayan and Vishwas Patil.

Khan, whose last worked on the translation of Patil’s Panipat, a voluminous Marathi language classic published in 1988, said translating into English from any of the Indian languages is like moving into a different culture as idioms, emotional framework and cultural resonances change with language.

“My job is only to convey those ideas and themes in another language with the greatest probity and as attractively as possible,” Khan told PTI in an email interview. According to Khan, authors use different dialects of the language to describe their characters but it is tricky to transform something that has word-play involved, like in the case of another celebrated Marathi writer Avadhoot Dongare.

“Hence, being true to the word and spirit of the original work and yet making it resonate with the English reader is always a challenge. But my good fortune has been that I have grown up reading great works of translation of Tagore, Ismat Chughtai, Manto, Rajinder Singh Bedi, Vijay Tendulkar and that helped me find the right strategy for my work,” Khan said.

In 2018, Khan had translated two novels of Dongare, a Sahitya Akademi Yuva Puruskar winner who is regarded as an avant garde writer in regional literature. They were published in a single book titled, The Story of Being Useless + Three Contexts of a Writer. While translating Patil’s Panipat, the 69-year-old retired English professor had “serious difference of opinion” with the author, who is also his friend.

“I could so clearly see why it was such a big hit with the Marathi readers, but I also knew that a verbatim translation would take it nowhere among the English readers. The novel was a thrilling historical narrative, well-researched, but it appealed to the self-regard of the Marathi readers. So, my challenge was to retain all its epic qualities, its thrill and yet ensure that it targeted the universal admiration for integrity and courage,” Khan said.

Khan said he wanted the book to stand apart as an original historical-thriller in English while also carrying the aroma of the soil in which it was located. Comparing the styles of Marathi writeres such as late Prabhakar Narayan alias Bhau Padhye, Patil and Dongare, Khan, who lives in Amravati, Maharashtra, said each translation comes with a unique set of challenges.

“The texture of their language is very different, their readership is different, their well-springs and motivations are different. With Padhye, obviously, I didn’t have the facility of consulting him, but I found myself very comfortable with his philosophical and literary orientation and derived a different pleasure in offering him to the English readers.” Dongare, he said, has already made a name for himself in the world of regional literature.

“When I read his novels, I was absolutely sure that he had to be made available to a wider discerning readership. He was experimenting with the language and with the narrative style. “Translating him required me to catch and project the culture in which his characters were operating, very often the culture of the Pune streets, and to find the adequate register in English. It was quite challenging, and therefore very rewarding too.”

Khan said he tweaks the original writing to make it more English-reader-friendly but only after consulting with the original author as they have the last word. “I never allow myself to forget that the original work is theirs, the ideas are theirs, the themes are theirs, the messages are theirs, in fact, the reputation at stake is theirs, it’s their neck on the block…Their complete agreement with my effort is of paramount importance.”

source: http://www.indianexpress.com / The Indian Express / Home> News> Books & Literature / by PTI / January 06th, 2021

A peek into the trade history of Bunder at KCCI office

Mangaluru, KARNATAKA :

Maps showing trade history of Bunder area in Mangaluru displayed at the trade history gallery of KCCI in Mangaluru which was opened on November 11, 2024. | Photo Credit: SPECIAL ARRANGEMENT

A gallery showcasing the trade history of Bunder in Mangaluru was opened at the office of Kanara Chamber of Commerce and Industry (KCCI) here on Monday.

‘Spaces of Memory’ displayed at the gallery giving information on the trade history of Bunder said that Mangaluru is witnessing exponential development in the 21st century, led by the Special Economic Zones, IT parks and start-up hubs, attracting thousands of aspirants as well as global investors. While the city explores newer frontiers, Mangaluru’s built heritage in trade plays a silent yet crucial role in amplifying this growth. At this very juncture, the gallery remains a timely retelling of Mangaluru’s past, providing a learning opportunity for its reflection over the present, and a tribute to all those makers of its past, present and future.

Home for all

It said Mangaluru of the Kannadigas, Kudla of the Tuluvas, Kodial of the Konkanis, Mangalapuram of the Malayalis or Mykala of the Bearys — every community’s affinity to the ancient port town is reflected in them calling it their home. The Konkanis, migrating from Goa about 400 years ago, settled in Mangaluru and prospered on the banks of the confluence of Netravathi and Gurupura.

The Kutchi Memons and the Dawoodi Bohras of Gujarat, who settled in Mangaluru dealing in areca nut and salt, today give the locals a run for their money in spoken Tulu and Kannada.

The Jewish trader of the 12th century, Abraham Bin Yiju, called Mangaluru his home for 17 years, trading with various communities in the port-town.

The natives comforted, welcomed and provided ample space for each of the communities. While they settled in carefully characterised localities around their brethren, the communities came together in the Bunder — the band (enclosed) and da (gate, door) derived from Persian for a forted port — While the kings, sultans and emperors clashed over the control of the port and thrived on its trade, the communities, overcoming their socio-cultural differences, stood together and celebrated each other’s achievements.

These strong bonds of coexistence cemented Mangaluru as a prominent maritime junction, where the merchants from across the world stopped for pepper and coffee, brought down the ghats along the “great and very fair” inland river.

Cosmopolitan port

Giving an overview of the gallery during the inauguration, Niren Jain, architect of the gallery project, said there is historical evidence to show that Bunder was a cosmopolitan port for many centuries.

Mr. Jain said that the excavation for the New Mangalore Port half a century ago revealed a hoard of 270 coins of Vijayanagar kingdom, including gold ‘Varaha’ and copper coins.

He said inscriptions also report two mints – one at Arthapura (present day Attavara in Mangaluru) and another at Barkur in Udupi district during the period of Alupas. By the mid-8th Century CE, coins bearing the symbols of Alupa rulers have been found in Mangaluru, denoting an in-house currency for trade.

The renovated meeting hall of the KCCI was also inaugurated on the occasion.

source: http://www..thehindu.com / The Hindu / Home> News> Cities> Mangaluru / by The HIndu Bureau / November 12th, 2024

700 films, 50 blockbusters, 40 double roles! India’s first superstar who’s stardom was bigger than AB, SRK

KERALA :

Prem Nazir brought the golden era to the Malayalam film industry. He made a place in the hearts of people with his acting and generosity. In his 39 years of career, he made such records related to cinema which are almost impossible for the actors of today’s era to make or break.

Image Source : X / India’s first superstar was Prem Nazir

Whenever we talk about the most successful actors of India, then the names of Amitabh Bachchan, Shah Rukh Khan, Dilip Kumar or Kamal Haasan come to our minds. But do you know there was a bigger superstar than these actors who made such records that are impossible to touch even today? Today we are going to tell you about that Indian superstar, who has given not one or two but 700 hit films.

Who was India’s first superstar?

We are talking about Prem Nazir, the superstar of Malayalam films of the 50s. Yes, the veteran star of Malayalam cinema is also called the actor who brought the golden era of Malayalam cinema. Prem’s acting was so powerful that every director of that era wanted to cast him in his film. Talking about Prem Nazir’s record, he made many big records like doing the most films, most double roles, most triple roles and about 130 films with the same heroine. Due to this, not two or three but 39 of his films were released in the year 1979.

How is Nazir different from other superstars?

To understand how great Prem Nazir’s record is, we tell you through a comparison. The biggest name in Indian cinema, Amitabh Bachchan, has less than 60 hit films as a lead actor, out of which 10 are blockbusters. Now comes the talk of South superstar Rajinikanth, who has a record of more than 80 hits and more than a dozen blockbusters. Let us now talk about the three Khans as well. Salman Khan has given 39 hit films out of which 15 are blockbusters, followed by Shah Rukh Khan who has given 34 hit films including 10 blockbusters. Aamir Khan is far behind with 20 hit films including 6 blockbusters.

You will be surprised to know that even after adding the hit films of all these actors, they do not even come close to the number of hits of Prem Nazir along with 50 of these being blockbusters. He played the lead role in more than 700 films due to which his name is recorded in the Limca World Record. 

Other records in the name of Prem Nazir

Prem Nazir has many other records to his name. He worked with 85 heroines. Till the year 1975, Prem worked with actress Sheela in a total of 130 films. This is because he considered Sheela as his lucky charm. He played double roles in more than 40 films. Apart from this, he also appeared in triple roles in three films.

Nazir is also remembered for his compassion

Prem Nazir’s presence is a big reason why the Malayalam film industry was called the Golden Age. Prem was such an actor that if any of his films flopped, he would immediately ask the producer to start another film. The actor would take out dates from his busy schedule and do the producer’s films so that his losses could be compensated.

source: http://www.indiatvnews.com / India TV / Home> News> Entertainment> Celebrities / by Satish Verma, New Delhi / November 12th, 2024

The Great Mughals review – dazzling decorous delights waft you to paradise

INDIA :

Shah Jahan, the fifth Mughal emperor, who built the Taj Mahal to commemorate his favourite wife. Photograph: The Trustees of the Chester Beatty Library, Dublin

V&A, London
Romance, bloodshed and religious curiosity is distilled in these lovely artefacts from the mighty military reign with a love of beauty and culture

This exhibition wafts you to the paradise that Shah Jahan, fifth of the Muslim emperors of much of modern India and Pakistan, wanted to create on Earth. A floor-covering decorated with red poppies sets the scene for this idyll of calmness. A rippled stone panel with myriad water spouts had me dreaming of fruit trees and pavilions while I was cooled by a stone jali screen that once filtered air through one of his buildings. These lovely objects help to fill in for his masterpiece, which for obvious reasons can’t be here: the Taj Mahal.

It is shown on a big screen above the portable delights, twinkling white in the hazy Agra sky. Shah Jahan famously built it as a mausoleum for his favourite wife, Mumtaz Mahal, who died in childbirth in 1631; his tomb is there beside hers. It may be familiar but this piece of architectural heaven captivatingly distils the extraordinary civilisation that a warlike dynasty from Central Asia bequeathed to the world.

The original founder of Mughal power led his armies from Kabul into northern India. When this first empire collapsed it was resurrected by Akbar, first of the exhibition’s “great” Mughal rulers, who combined military might with a love of culture and beauty that his successors would share.

The giant Zumurrud Shah flees with his army, from the Hamzanama, circa 1562-1577. Photograph: MAK/Georg Mayer

Akbar was illiterate but that didn’t stop him employing Hindu and Muslim artists to create a library of illuminated manuscripts. He had readers to tell him what the words said; anyway you can follow the epics he favoured from the ravishing illustrations. In a scene from one of his favourite story cycles, the Hamzanama, a giant with a long beard and bright red coat is chased away through the clouds by Hamza’s army.

The court painting style started by Akbar combines closely observed reality with transporting fantasy. A princess of Kabul lowers her hair for a lover to climb up against a brilliantly realistic garden where ducks swim in a rectangular pool, while above rises a dreamlike mountain landscape and a palace floating in the sky.

In the reign of Akbar’s successor, Jahangir, who came to the throne a couple of years after James I was crowned in England, a natural historical and scientific curiosity sharpens the paintings. In about 1612, a North American turkey cock reached the court and the renowned artist Mansur painted it. The bird – with its orange head, long drooping beak and fan tail – seems to pose as patiently for its portrait as Jahangir himself does in a painting of him studying a globe.

The Great Mughals were interested not just in globes but the globe. They embraced religious complexity and did not expect the Hindu population to convert to Islam. In fact, these curious rulers were attracted to Hindu mythology and mystics. In a painting entitled A Muslim Pilgrim Learns a Lesson in Piety from a Brahman, the pilgrim walks through a rolling north Indian landscape where he encounters a Hindu mystic lying in the road in true spiritual humility. The Mughals were also attracted to the mystic Islamic Sufi movement. That is represented here by a Sufi dervish’s drinking horn and Sufi-inscribed tiles from a now-vanished mosque in Lahore.

Their art absorbed influences from Persia to Renaissance Europe. Portuguese merchants are depicted visiting the Mughal court and, more mysteriously, speaking with angels as the court artists try to make sense of their strange Christian religion.

The exchange went both ways. A Mughal round shield, covered in lustrous mother of pearl patterns and pictures, has been lent by the Bargello Museum in Florence. This dazzling luxury object entered the collection of the Medici family in the 1590s.

This shield never saw battle, plainly, but the Mughals didn’t create their gorgeous world without bloodshed. Many weapons here are opulent and lethal: curved daggers with jewel-encrusted hilts and scabbards, “punch daggers” with floral decoration.

Art itself could be a fantasy of killing. There’s a portrait of Jahangir standing on a globe, shooting an arrow at close range at the severed head of his enemy Malik Ambar. This never happened, but the painting may have eased the emperor’s desire for revenge against this formerly enslaved Ethiopian who rose to be regent of a sultanate and a thorn in Jahangir’s flesh.

When the battles are won and the day’s hunting is over, you drink wine from a jade cup poured from a slender-necked ewer and walk in the gardens to be soothed by the pitter patter of fountains. Where is paradise? A Mughal court poet offered an answer you might agree with by the end of this show: “It is here, it is here, it is here.”

 The Great Mughals: Art, Architecture and Opulence is at V&A South Kensington, London, from 9 November to 5 May

source: http://www.theguardian.com / The Guardian / Home> Art> Review / by Jonathan Jones / November 06th, 2024

Saleem Ahmad: Pioneering Sustainable Development

NEW DELHI :

Sustainable development is at the crux of modern real estate and infrastructure projects, shaping how we build and live. In this landscape, leaders who can seamlessly integrate sustainability into their operations are invaluable. Saleem Ahmad, with his strategic vision for sustainable development, exemplifies this leadership. As the newly appointed Director (Projects) at NBCC (India) Limited, Saleem’s expertise is instrumental in advancing sustainable practices within the industry.

The Journey – Then and Now

Saleem’s journey in civil engineering began with his graduation from Jamia Millia Islamia University in 1990. His extensive career spans over 33 years, during which he has held significant roles at the Delhi Metro Rail Corporation (DMRC) and the Mumbai Port Trust.

At DMRC, where he served as Executive Director (Civil), Saleem played a pivotal role in implementing last-mile connectivity solutions, greatly enhancing urban mobility in Delhi. This experience laid a solid foundation for his current role at NBCC, where he continues to drive innovative and sustainable projects.

Today, in his role as Director (Projects) at NBCC, Saleem oversees some of the most ambitious and complex projects across the nation. His leadership is marked by a commitment to quality and sustainability, ensuring that projects are not only completed on time but also adhere to the highest standards. He has successfully led diverse projects, from hospitals and educational institutions to critical infrastructure like Indo-Pak border fencing and the Gosikhurd irrigation project. Saleem’s strategic vision and meticulous attention to detail have made him an invaluable asset to NBCC.

Handling project challenges is an integral part of Saleem Ahmad’s role at NBCC. He approaches these challenges with a blend of strategic planning, effective communication, and adaptive problem-solving. His methodology includes risk assessment and mitigation, stakeholder communication, adaptive problem-solving, resource allocation, and quality assurance. Saleem’s ability to navigate unforeseen challenges and deliver successful outcomes underscores his expertise and resilience in the construction industry.

Saleem Ahmad’s approach to project management extends beyond technical execution to include community engagement and sustainable practices. During projects like the redevelopment of 7 GPRA colonies, he ensured active participation from residents and local authorities, maintaining transparent communication and minimising disruptions. His focus on enhancing social infrastructure, such as parks, schools, and healthcare centres, reflects his commitment to improving the quality of life for communities. His advocacy for sustainable practices is also evident in his promotion of energy-efficient designs. Saleem emphasises the use of eco-friendly materials, passive design techniques, energy modelling, and the integration of renewable energy sources. His efforts contribute to the creation of sustainable and energy-efficient buildings, aligning with global standards of responsible urban development.

His approach to project management emphasises sustainable growth and people-centric execution. By fostering collaboration and innovation, Saleem has significantly contributed to NBCC’s reputation for delivering high-quality and environmentally responsible projects.

Awards and Recognition

Saleem’s contributions to the construction and real estate sectors have earned him widespread recognition. He was honoured with the “Realty Person of the Year Award” at the EPC World Awards in New Delhi, a testament to his exceptional work and dedication.

Additionally, his transformative leadership at Hindustan Steelworks Construction Ltd. (HSCL) turned a loss-making PSU into a profitable Mini-Ratna entity, earning him the “CEO with HR Orientation Award” by the World HRD Congress and Times Ascent.

These accolades highlight Saleem’s ability to inspire and lead teams towards success. His recognition in the industry underscores his commitment to excellence and his strategic vision for sustainable development.

Advocacy and Work Ethics

Saleem is a staunch advocate for sustainable growth and people-centric project execution. His work ethic emphasises client satisfaction, excellence, and environmental responsibility. He has presented numerous papers on sustainable infrastructure and urban mobility at national and international forums, sharing his insights and advocating for environmentally responsible construction practices.

His commitment to sustainable development ensures that the projects he leads contribute positively to the environment and society. Saleem’s advocacy for sustainable infrastructure is evident in his efforts to promote energy-efficient designs and the use of eco-friendly materials.

Saleem’s extensive experience, leadership qualities, and people-centric approach make him a distinguished figure in the real estate and construction sectors. His journey from a passionate civil engineering graduate to the Director (Projects) at NBCC is marked by significant achievements, a commitment to sustainability, and a vision for the future of urban development. Saleem continues to inspire and lead with empathy, strategic foresight, and an unwavering dedication to excellence, significantly contributing to the success and growth of NBCC.

source: http://www.tradeflock.com / Trade Flock / Home> Industry Pioneers / 2024

Doha-based Indian expat releases Arabic book at Sharjah Book Fair

KERALA / Doha, QATAR :

‘Taeweedatu Nnajah’ (Success Mantras), a motivational book in Arabic by Doha-based Indian author Dr Amanulla Vadakkangara, has made debut at the 43rd Sharjah International Book Fair, drawing a diverse audience of multinational readers.

Dr Mariyam Shinasi, a prominent author and cultural figure from the UAE, officially released the book at the Writers Forum on Wednesday.

She praised Dr Amanulla’s efforts in crafting an inspirational work in Arabic, commending the unique accomplishment of a non-Arab author publishing a motivational text in the language and showcasing it at one of the world’s leading book fairs.

“Indians in general, and Keralites in particular, have shown a keen interest in Arabic language and literature. Publishing a motivational book by a non-Arab is indeed commendable,” Dr Shinasi remarked.

At the event, the first copy of the book was received by NVBS CEO Benazir Manoj, and Founder and Chief Coach Manoj Sahib Jan.

Several notable personalities attended the launch, including Saleem Ayyanath, Lipi Akbar, and the author himself.

The book has been published by Lipi Books from Calicut, India.

source: http://www.qatar-tribune.com / Qatar Tribune / Home> Nation / by Tribune News Network / November 17th, 2024

IPS officer Abdul Ahad appointed BMTC Security and Vigilance Director

Bengaluru, KARNATAKA :

IPS officer Abdul Ahad

Bengaluru:

Senior IPS officer Abdul Ahad, who was serving as the Deputy Commissioner of Police (DCP) of the Bengaluru City Crime Branch (CCB), has been transferred as the Director of Security and Vigilance for BMTC.

Earlier, the senior officer from Mangaluru’s Moodbidri served as the Superintendent of Police (SP) of the Coastal Security Police. In September last year, he was appointed as the DCP of the CCB.

Abdul Ahad has also held several key positions, including DCP of Bengaluru’s Whitefield division, SP of the Anti-Corruption Bureau (ACB) Bengaluru, SP of the Economic Offences Wing at CID, and Commandant at KSRP.

source: http://www.english.varthabharati.in / Vartha Bharati / Home> Karnataka / November 15th, 2024