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Syed Ameenul Hasan Rizvi: A Selfless and Forgotten Servant of Indian Muslims

INDIA :

PIX

CIVILIZATIONS thrive on foundations crafted by unassuming individuals devoted to their communities. Often overlooked, these selfless souls, akin to the bricks in a foundation, play a crucial role. Emulating their courage and sincerity is essential for sustaining a just and morally upright society.

Twenty-two years ago, on 5 February 2002, Indian Muslims lost a brave and selfless activist, fine writer, author and lawyer, but an enviably humble and reticent man who never wanted to hog the limelight and always shied away from publicity. Sadly, his paramount legacy has started fading from public memory. This writeup is a respectful tribute to Syed Ameenul Hasan Rizvi on his death anniversary.

Seven years ago, when I was sifting through archives and collecting material for my book Muslim Majlis-e-Mushawrat: Ak MukhtasarTareekh (published by Pharos Media & Publications, Delhi), I came across several articles and analytical pieces penned by Rizvi Saheb published in the Radiance Views Weekly and Urdu monthly Afkar-e-Milli.

These eye-opening and informative pieces gave me some idea of Rizvi Saheb’s love for Islam and his uncompromising stand on Islamic principles enshrined in Shariah. He wrote fearlessly, and judiciously. These writings left me with awe and after reading each piece I would ask myself: “Where have these gems disappeared who dedicated their lives to the service of this community, shattered and almost uprooted in post-independent India?”

Although I had heard a lot about Rizvi Sahab through Dr Zafar-ul-Islam Khan (editor Milli Gazette), Syed Nooruzzaman (former senior editor at The Tribune) and London-based journalist Mohammad Ghazali Khan, I came across even rarer treasure of information about him after talking to his sons Syed Athar Rizvi and Syed Amir Rizvi.  Most of this article is based on documented information provided by them and some of the old boys of Aligarh Muslim University (AMU) who knew Rizvi Saheb very well.

I fail to understand why rare information about such a humble-natured and great man has not been published yet. The documents I have seen include his correspondence, articles and translations. While sifting through these unpublished documents I came across many letters that reveal Rizvi Saheb’s good command not only of Urdu and English but his deep taste for Persian and Arabic languages too.

Rizvi Saheb was born in the small town of Raichur, Karnataka, on 12 February 1925. He was merely 23 years when India achieved independence and, therefore, had witnessed the country putting away foreign slavery as well as the tragedy of the partition. He saw the partly forced and partly self-inflicted uprooting of the community. Although a pragmatist by nature, perhaps this is why at times one feels the reflection of his pain and sharpness in his writings.

He was closely associated with a number of Muslim organisations like the All India Muslim Personal Law Board, Muslim Majlis-e-Mushawrat, All India Council for Muslim Economic Upliftment, Peoples Movement of India, Institute of Objective Studies and Milli Council. Despite not being a member of Jamat-e-Islami, he served the organisation more loyally and with more dedication than a formal member. On one hand, he worked on the writing front and at the same time helped the poor and needy people by providing free legal services and representing them in the high court and Supreme Court pro bono.

Second of the nine siblings, Rizvi Saheb got his early education in Raichur and joined AMU for graduation moving to Osmania University in Hyderabad to complete his LL.B. After obtaining the law degree he joined his elder brother, a lawyer himself, and started practicing in the courts of Raichur and adjoining districts.

In 1965 he came into contact with Syed Abul A’laMaududi and was imprisoned for his association with the famous Islamic thinker. He was again arrested and sent behind bars in 1975 during Indira Gandhi’s emergency, three times under the ignoble Defence of India Rules (DIR). Despite these hardships, he remained steadfast, never showing any trace of losing his courage and forbearance. After emergency was lifted in 1977 and the dark period of persecution ended, in view of his God-gifted talents Rizvi Sahab was entrusted with the responsibility of editing Radiance Views Weekly, published by Ishate-e-Islam Trust, a role which he performed with unmatchable dedication making the weekly a reputable publication. In 1985, due to ideological differences, he parted ways with Radiance and upon the request of late Hakeem Abdul Hameed, the founder of Hamdard, he accepted the position of publication officer at Jamia Hamdard’s Institute of Islamic Studies.

Rizvi Saheb penned thousands of essays and research papers and published several books including Supreme Court and the Muslim Personal LawDialogue Between Hindus and MuslimsBattles by the Prophet in the Light of Qur’anand Three Major Errors in 12 English Translations of the Qur’an. He also started translating into English Syed Abul A’laMaududi’s seminal translation and interpretation of Holy Qur’an—the famous Tafheemul Qur’an—into English and had completed a large part of Surah Baqarah but his ill health did not let him continue and complete this important project he had taken upon himself. Rizvi Saheb has talked about it in his book, “Maulana Maududi Ke Khutoot”. Based on his correspondence with the great Islamic thinker, this book is a masterpiece and proof of Rizvi Saheb’s deep love for Islam and respect for Maulana Maududi.

By profession, Rizvi Saheb was a lawyer and also took to journalism, but did not stop practicing law altogether. For many years he served Jamat-e-Islami Hind as legal advisor and also represented the All India Muslim Personal Law Board in the Shah Bano case explaining fearlessly Islamic point of view before the apex court. He actively participated in the movement for the restoration of the minority character of Aligarh Muslim University (AMU) and also played a prominent role in the commission constituted to probe the 1989 Bhagalpur anti-Muslim riots. He did not only fight his own lawsuit after the lifting of emergency imposed by Indira Gandhi in 1970 but represented many others detained and implicated in fabricated cases and got them released.

Very few people know that Muslim youths arrested for their association with the Students Islamic Movement of India (SIMI) had no means to hire lawyers and represent them. At this juncture, Rizvi Saheb offered his services pro bono and travelled to Madras at that old age. It was during this journey that he had a massive heart attack and he departed for his heavenly abode on 5 February 2002 and Indian Muslims were deprived of a selfless and dedicated individual.

After his death his children — Syed Amir Rizvi, Syeda Farhat Jahan Rizvi and Syeda Talat Jahan Rizvi — published their memories in a diary entitled: Woh ek dil jo damakrahathakhuloos-o-Iman ki  tabishon se (The radiant heart that glittered with the light of sincerity and Iman). In her tribute to Rizvi Saheb, his daughter Farhat Rizvi writes: “All of us had gathered for our evening meal and sat around the Dastarkhwan. Addressing our dad, our grandfather, whom we used to call Mianjan, said: ‘You look very happy today.’ To this, Dad answered: ‘Yes. By the grace of Allah and as a result of your prayers today I got a huge success as I have won three cases.’ Hearing this Mianjan and Dadi [paternal grandmother], both of whom were very pleased, exclaimed: ‘Masha Allah! Masha Allah! ‘Then Mianjan asked him: ‘But how much fee were you paid?’ Dad just smiled and lowered his gaze. Repeating his question Mianjan asked again: ‘You have not told us how much you were paid?’ Dad paused a bit and replied: ‘These were the cases of very poor people. They could not afford to pay any fee. That they have got their properties back is a big thing.’ Hearing his response Mianjan laughed and [jokingly] said: ‘Now you should hang a signboard outside your office with a message: We fight cases free of cost.’ Then Dadi interjected: ‘You talk strange! Good deeds should be encouraged. Now that you are advising him to hang a signboard, add a sentence in it saying: we only accept prayers.’ Hearing this Mianjan was very pleased and added: ‘You have done a very good thing. I am very pleased. Remember, this is how you pay the zakah [charity] on your knowledge and skills.’”

This diary is full of such incidents and one is tempted to copy all of these but space constraints won’t allow this. However, some of his experiences deserve to be quoted and recalled.

When Rizvi Saheb was arrested under DIR his mother wrote him a letter. Here is an excerpt from that letter which is a testimony to the greatness of a great mother. “Listen! And convey this to your mates too on my behalf.” She wrote, “We do not wish your freedom at the cost of shackling your pen and silencing your tongue. Although I am sure none of you will do so [and compromise on your principles], I am fearful lest Satan puts cowardly thoughts in your minds, using your love for those whom you have left behind. Although you are not here, Allah T’ala has arranged sustenance for your households. There may be times when we are helpless, but His power is not helpless. Have faith in Allah and do not seek mercy from anyone.”

What a great mother indeed! Those who have read the life history of Maulana Mohammad Ali Jauhar must have been reminded of his great mother who told the English police officer that if any of her two sons showed signs of cowardice she would strangulate him with her own hands. Surely great mothers like these give birth to great sons. May Allah SWT reward them hugely.

To quote another incident from this book: “One night Mom saw Dad sitting very concerned and dejected. ‘Is everything fine?’ She asked. Dad replied: ‘I am upset with myself. One week ago I gave a friend, who works for a bank, Rs 1000 to get me new notes of Rs 10. About three or four days ago he came and handed me a bundle of 20 rupee notes. I took it from him without paying attention that these were 20 rupee notes. As I was about to retire for the day, I remembered that these were 20 rupee notes. I wonder what he must be thinking about me. And out of respect, he did not say anything. Until I return him one thousand rupees, I will keep feeling embarrassed.’ With these thoughts, he could not go to sleep. In the morning when my elder brother went to the mosque for Fajr prayer, he sent the money for his friend with a written apology. Anyway, only after sending the money back was he able to have some rest.”

Several of the articles written after his death by his well-wishers are testimonies of his self-respect and selflessness. Writing about his father in Saudi Gazette, his son Athar Rizvi says that once he wrote a critical article on Fakhruddin Ali Ahmad, President of India, for RSS’ weekly organ Organiser. The article was widely read and appreciated. However, he refused to accept any remuneration saying that he could not accept anything from an organisation opposed to his ideology and thinking.

According to his younger son Amir Rizvi in the last decade of the 1990s, Janata Dal Prime Minister Devi Goda, through his minister C.M. Ibrahim, and several AMU alumni, offered Rizvi Saheb Rajya Sabha membership. But Rizvi Saheb refused saying that having to tow the party line on the floor of parliament and not being able to express his views freely was not acceptable to him.

I must also cite an incident relating to Rizvi Saheb’s courage and boldness, as narrated to me by M Ghazali Khan. Says he: “During the vice chancellorship of late Sayyid Hamid Saheb, the students’ union launched an agitation against Prof. Irfan Habib for his controversial and defamatory comments on AMU and its students in a local Hindi newspaper. This movement dragged on. During the agitation some untoward and undesirable incidents also took place. On the other hand, despite his love, dedication and zeal to serve the community and work for its welfare, Hamid Saheb behaved and acted like a district magistrate trying to control a riot-torn city. He acted in a fashion typical of Indian bureaucracy and did not hesitate in repeatedly calling the police on the campus, so much so that despite the fresh tragedy of the Moradabad anti-Muslim riots, in which the notoriously Islamophobic Provincial Armed Constabulary (PAC) had massacred hundreds of Muslims returning after Eid prayers in 1980, he called it on the campus and gave it a free hand. True to its notoriety, as a brute anti-Muslim force, one of its officers opened fire and killed a student, Aftab, from Meerut, the only son of his elderly parents and only brother of four sisters, who had nothing to do with the agitation and just happened at the wrong place at a wrong time. As someone who held the welfare of his community and his alma mater close to his heart, Rizvi Saheb was one of those Aligs who always instantly reached Aligarh whenever any untoward incident took place. Hearing about the shooting and the death of Aftab, he rushed to Aligarh and went straight to the Vice Chancellor’s lodge where Hamid Saheb was holding a meeting with some senior members of the community of his liking. Outside the lodge, there was a heavy police presence. Rizvi Saheb showed them his journalist pass and barged into the meeting room. Perhaps Hamid Saheb and Rizvi Saheb were contemporaries and had known each other since their student days. Seeing Rizvi Saheb, Hamid Saheb stood up and came forward to shake hands with him. But, despite his known soft and courteous nature and cool temperament, Rizvi Saheb pulled his hands back and said: ‘You have the blood of an innocent boy on your hands. I cannot shake hands with you. I have come just to request you to have some mercy on this institution and the millat and resign immediately.”

Another AMU alumnus and Kashmiri academic Dr Sheikh Showkat Hussain

testifies the incident saying: “This happened the same day when Aftab was martyred. A notice was also circulated that Hamid Saheb was resigning. But it was followed by another note saying that upon Indira Gandhi’s and Maulana Ali Mian’s insistence his resignation had been withdrawn.”

That was one of the most testing times faced by AMU and it is better not to go into its details here.

Usually, those in public life get addicted to publicity and self-projection but Rizvi Saheb had treated himself with some special vaccine against this disease. He hated publicity and hardly talked about himself and his work. So much so that it is difficult to find a photograph of the man who was actively involved in public service.

I have refrained from including several incidents of his life. It is really hard to include all the details in a few pages of a man who served the community selflessly and impressed thousands of his readers.

I also avail this opportunity to request Rizvi Saheb’s survivors, especially his sons, who are well educated and well-resourced to make public all of Rizvi Saheb’s work and publish a book on his life and contributions. I am saddened to learn that much of his written work has got damaged. Whatever has survived it is better to publish and save it for future generations.   

The author is a research scholar in Dr. K.R. Narayanan Center for Dalit and Minority Studies at Jamia Millia Islamia in New Delhi.

source: http://www.clarionindia.net / Clarion India / Home> Culture> Editors Pick> India / by Mohammad Alamullah, Clarion India / February 04th, 2024

The Sufis of Kochi, South India

Kochi, KERALA :

The cultural fabric of Kochi has been elegantly woven by the beauty of Islam. Known as the ‘Princess of the Arabian Sea’, the city is a well known tourist hotspot and one of the most visited in all of Kerala, India, but the influence of Islam here, is still relatively understated, if not unknown.

Though Islam on the Malabar coast of Kerala has been widely studied and discussed, Kochi’s case is quite different. It is generally seen as a modernised city on the seashore, attracting tourists from all over the world, rather than known for its (much neglected) Islamic culture. As Mehardad Shokoohy observes, in India, there are few historic towns which have been remodelled and reconstructed as Kochi,1 which was rapidly modernised.

Still, the aesthetics of Islam though hidden under a veil, are definitely notable and worthy of discussion. Islam in Kochi is marked by its uniquely local character, and influenced by the Sufis who lived and enriched this once lively trading port, something which has sadly been left unattended. This article seeks to analyse the Islamic culture of Kochi through the traces left by the Sufis, and scholars of the city. Walking through the old wooden mosques of Kochi evokes a nostalgia for the tradition and splendor of Islam, and a time when sufis and saints wandered along these narrow streets and soft shores. 

Chembitta Masjid -the Copper Mosque

The streets of Kochi have been an abode for Jews, Christians and Muslims. Today, its population is thought to be made up of 42 diverse communities, a quarter of them Muslim. While the city is well known for its Jewish settlement, its rich Muslim heritage has so far remained in the shadows.2 Some have suggested that this could be due to the fact that unlike Calicut, another city of Islamic influence, Kochi was never a highly influential commercial area, and therefore its heritage remained somewhat hidden.3

Written accounts of Kochi have been recorded by many historians and voyagers. The renowned globe trotter Ibn Battuta mentions his journey to the city in his Rihla:

The journey from Calicut to Quilon (Kūlum) will take almost ten days to reach, whether on land or water. I preferred to travel on water and hired a Muslim to carry my belongings. It is common among those who travel on the water to come ashore in the dusks to the coastal villages and proceed with their trip the next morning, we did the same.  My servant was the only Muslim on the boat, but he drank toddy in every stop together with the infidels, muttering at me, making me even more depressed.  On the fifth day, we reached Kunji Karī which is situated above a hill and its population are the Jews who have their community leader, and who pay their tribute to the king of Quilon.

Chembitta Mosque

Chembitta Mosque, locally known as Chembitta Palli or the ‘Copper mosque’ is one of the best examples of Islamic heritage in Kochi. Termed as a ’monsoon mosque’, an architectural style specific to the Malabar coast, it is arguably Kochi’s most prominent. It is sometimes referred to as Shafi’i Jami, or the Shafi’i Mosque.

Inner hall of Chembitta Masjid

The building has a wooden structure and a prayer hall with a colonnaded entrance porch on its eastern side. The outer walls are constructed of stone and the doors have been adorned with Hadith inscriptions in Arabic and old Tamil that refer to the etiquettes related to visiting a masjid. These inscriptions date back to 926AH/1519AD. 

Inscriptions inside Chembitta Masjid

As with every monsoon mosque, it is designed in a way to block out sunlight. A silent theology underlies this form of architecture: that in the darkness, free from distraction, a greater sense of khushu (humility and tranquility) and taqwa (God consciousness) emanates in the heart. This can be also read in accordance with the Islamic practice of khalwa (seclusion).

Mihrab and minbar inside Chembitta Masjid

The decorated mihrab is particularly stunning.

The Sufis and the Making of a Muslim Kochi

Around the masjid complex, you will encounter the shrines of a number of Sufi figures who are credited not only with establishing the masjid, but also a vibrant Muslim community. Syed Ismail Bukhari and his son Syed Fakhruddin Bukhari helped make Muslim Kochi prosperous, as exemplars in their faith and teachings. Their shrine is located near the masjid and is often visited locally. The building includes an anti-chamber leading to two interconnected burial chambers, each containing the resting places of these two individuals. The shrine itself is a small, simple but elegant structure designed in the local style with stone walls and a wooden roof covered with terracotta tiles. 

Shaykh Ismail Bukhari was the only son of Syed Ahmed Jalaluddin Bukhari, the first Bukhari Syed (descendant of the Prophet Muhammad ﷺ through the saint Jalaluddin “Surkh-Posh” Bukhari from Bukhara in modern day Uzbekistan), who came to Kerala, in 928AH/1521AD. After his studies, Syed Ismail travelled from his hometown Valapattanam, in north Kerala to Kochi, where few Musilms resided at the time. He was a learned scholar who propagated Islam in the city. His three sons, Syed Ahmed Bukhari, Syed Muhammed Bukhari, and Syed Ba Fakhruddin Bukhari were also great scholars and Sufis who contributed to the making of Muslim Kochi. The Saadat (pl. of Syed) genealogy in Kerala begins with Syed Fakhruddin.

View of a graveyard as seen from the upper floor of Chembitta Masjid

Shaykh Makhdum is another scholar considered among the architects of Muslim Kochi. Shaykh Zainuddīn al-Makhdūm Al Ma’bari (1465- 1522) was originally from Yemen and came first to Nagore in Tamil Nadu in the early fifteenth century.  Later, he moved to Kochi and established himself as a teacher and spiritual leader in the region, playing a significant role in the conversion of the local people to Islam. Zainuddīn Al Makhdūm is also said to be the founder of the original Jami’ (mosque) which once stood on the site of the present Chembittapalli, and was a historian, writing the first account of Portuguese colonialism on the Malabar coast.

Zainuddīn al-Makhdūm had two sons, Ibrāhīm and Alī. After his death, he was buried in Kochi, and while his son ‘Alī remained in Kochi as the Qadi (religious judge) of the town, Ibrāhīm moved to Pannauni to be the Qadi there.4 Syed Ba Fakhruddin was the spiritual guide (murshid/murabbi) of Shaykh Zainuddin Makhdum.

The mureed-murabbi (mentor and disciple / teacher and student) nexus is one of the keystones of Keralite Islam, and Kochi is where the seeds were sprouted. The Pannauni, for example, one of the earliest Muslim settlements in south India, known popularly as the Mecca of Malabar, was considered a centre of learning in the region where students would travel to study under scholars of the Makhdum family. The roots of this scholarly family can of course, be traced back to Shaykh Makhdum of Kochi.

Resting place of Bukhari Sadat of Kochi

Apart from the Bukhari Saadat of Kochi, there are other Syed families (Qabila) associated with the city, such as Aidarus, Jamalullail, Ba Faqih, and Jilani.  Syed Abdurahman al-Aidarus, locally known as Bamb Thangal is considered one of Kochi’s great Sufis.  His resting place is a beautiful small old mosque called Thakya.

All of this points towards the integral position Kochi occupies in the cultural and historical making of Keralite and south Indian history in particular. Since the Malabar coasts of this period were cosmopolitan,5 attracting both traders and scholars from Africa, Europe and the Middle East alike, it is imperative that Kochi should be noted as significant within global Islamic history also.

A local man told me, “These Sufis, who made Kochi a beautiful and remarkable land, must be remembered and regarded as the founders of the city.” They were the architects of this city. Just as Usman Dan Fodio in West Africa, Moinuddin Chishti in Hindustan and Yunus Emre in Anatolia transformed their lands into centres of scholarship and sufism, so too did the Sufis of Kochi. Their influence is still visible – you just have to lift the veil a little in this aesthetically mesmerising city.

Footnotes

1 Shokoohy, Mehrdad. “The Town of Cochin and Its Muslim Heritage on the Malabar Coast, South India.” Journal of the Royal Asiatic Society, vol. 8, no. 3, 1998, pp. 351–94. JSTOR, http://www.jstor.org/stable/25183570. Accessed 5 Sep. 2022.

Ibid.

3 Ibid.

Shokoohy, Mehrdad, 1998.

5 Pearson, MN and Mahmūd Kūria, Malabar in the Indian Ocean : Cosmopolitanism in a Maritime Historical Region (Oxford University Press, First edition., 2018)

Bibliography

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  • Aslam, Muhammed E.S. 2013. Caste, Conversion and Collective Resistance: Understanding Religious Conversion to Islam in South Malabar 1850–1930. Unpublished MPhil Dissertation. New Delhi: Jawaharlal Nehru University.
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  • Chakraborty, Debashree. “Fort Kochi: the crowned queen of Arabian Sea.” Best tourist places in Kerala. Accessed May 10, 2022. https://www.indianholiday.com/blog/tourist- places-kerala/
  • Fels, Patricia Tusa. 2011. Mosques of Cochin. Mumbai: Grantha Corporation.
  • Fels, Patricia Tusa. 2020. Monsoon Mosques: Arrival of Islam and the Development of a Mosque Vernacular. Ahmedabad: Mapin Publishing.
  • Friedmann, Y. 1975. “Qissat Shakarwati Farmad: A tradition concerning the introduction of Islam to Malabar.” Israel Oriental Studies V, edited by M. J. Kister. 233-258. New York & London: Routledge.
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  • KK, Abuthahir. 2021. The Impact of Sufi Ethics on Keralite Culture; an analysis of Mystical lives in Malabar. Unpublished research paper.
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  • Miller, Roland E, 2016. Mappila Muslim Culture: How a Historic Muslim Community in India Has Blended Tradition and Modernity. New York: SUNY Press.
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Muhammad A Twahir

Muhammed A. Twahir is from Kerala, South India and is a graduate of Jamia Markaz in Calicut. He authored a biography of Syed Fazl Pasha in Malayalam as a part of ‘Makers of Islam in Malabar’ book series published by Malaibar Press, India. He is currently pursuing his masters in Sociology at Ibn Haldun University, Istanbul. He can be reached at @el.malaybari on Instagram.

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source: http://www.sacredfootsteps.com / SacredFootsteps.com / Home>History / by Muhammad H Twahir

Syed Fâzil Pasha: A Legacy Across Continents

KERALA / TURKEY :

If we take a 400 metre walk from the bustling Sultan Ahmed tram station – the gateway to the two great historical and widely-visited tourist attractions, Aya Sophia and the Blue Mosque – we encounter a small but serene mausoleum complex on the left– Sultan Mahmud Han Turbesi. Unless visitors pass this royal cemetery to get to the cafe on the other side, it is a calm and quiet neighbourhood corner. Nestled in this tranquil corner of the mausoleum lies a grave with a headstone inscribed with the name Fâzil Pasha (1318), a testament to transoceanic Sufi sagas and the magnificent history of the Ottomans. 

Fâzil Pasha’s headstone

Why is this ordinary-looking grave even noteworthy in an area already replete with so much history? The story that answers this question begins in Malabār, my homeland, a coastal region in south India’s Kerala state. 

In the year 1824 AD, Fâzil Pasha was born in the remote yet historically significant  village of Mamburam in Malabār. He was the only son of the great Sūfi scholar who made substantial contributions to the shaping and nurturing of south Indian Islam– Syed ‘Alawy al Mauladdawīla of Mamburam. As an integral part of the everyday lives of the people of Malabār, he was fondly referred to as Mambuaram Thangal.1 He was also respectfully titled Qutub al-Zamān – Pole Saint of the Time.2  Mamburam Thangal was also a shaykh (spiritual mentor) to many of the ‘Ulemā and Sūfis of the time. Following the footsteps of his Bā ‘alawy3 forefathers, he built masjids, invited people to Islam, fought colonisers, wrote many scholarly treatises and poems, and propagated the tariqa (Sufi order) on the coast. He lived a fruitful life, and his teachings still endure in the hearts of south Indian Muslims.

Fâzil Pasha

Educated by his Sūfi father in the foundational Islamic sciences and the ways of the Qadiriyya tariqa, Fâzil Pasha embarked on a quest for knowledge in Yemen and Mecca. It has been said that he set out to these lands at the age of 20 after his father’s death. He had also gained ilm (knowledge) and tarbiyah (spiritual nurturing) from several local and global ulama including Parappanangadi Avukkoya Musliyar (d.1292 AH),4 Shaykh Abdullah Bin Omer (d.1265 AH),5 and Shaykh Abdellah bin Husain Bin Tahir (d.1282 AH)6 of Yemen. Life in Mecca offered more than knowledge to Syed Fazl Pasha; he married one of Shaykh Shafi’i al Habashi’s daughters and started a family there.7 He also had the good fortune to be a disciple of Shaykh Ahmed Zaini Dahlān, one of the great Sunni scholars of the late modern period who wrote over a hundred books, including his magnum opus Al Fitnat al Wahhābiyya– the book that traced the historical and political routes of the Wahhābi movement. 

In 1848, Fâzil Pasha returned to Malabār to continue the legacy of his Sufi father. The people of Malabār accepted and revered him in the same way they did Mamburam Thangal. Fâzil Pasha soon attained the religious, spiritual, and political leadership of not only the Muslims, but a vast populace that included Hindus and others. He disputed the caste practices and advised working-class people (Kudiyāns) to pay no respect to the landlords (Janmis)8 and not to eat their leftovers.9 Fâzil Pasha showed no hesitation in inviting them into his own home for a meal. His work and teachings led to the conversion of many Hindus to Islam, and he soon earned the ire of British officials and Janmis. Concurrently, he spearheaded religious and spiritual endeavours such as constructing masjids, establishing Sufi hadras (religious gatherings), disseminating ideals of the Qādiriyya tarīqa, and writing books in various Islamic sciences.

The shrine of Mamburam Syed Alawy Thangal

Just as his father’s presence in Malabār had “stirred the problem”,10 so too did Fâzil Pasha‘s – as was observed by British officials. Anti-colonial resistance seemed often to begin with a visit or ziyarat to Mamburam Thanga‘s grave, and his son did not shy away from speaking out against the cruelties inflicted on the local populace by colonial officers.

Records found in British Indian archives document several attempts by the colonial British authorities to exile or arrest Fâzil Pasha, but his wide popularity prevented the government from doing so. Fâzil Pasha’s influence prompted greater fear and anxiety in British officials than even his father, due to his stronger connections with the Muslim world and its leaders outside India. Britain made several unsuccessful attempts to persuade Fâzil Pasha to leave Malabār and settle in Arabia to ease the civil unrest they were facing. By now, thousands of anti-colonial freedom fighters had been killed in the protests, and after thorough consideration, Fâzil Pasha decided to heed the calls of the authorities and leave for Arabia. This exile in 1852 was a turning point in Fâzil Pasha’s life, marking his transition from a regional leader to one with global impact.

The cover page of Correspondence of Moplah Outrages in Malabar

In Arabia, his influence continued to burgeon. After spending some months in Mecca, he travelled to Egypt where he was welcomed by Hidive Abbās Pasha, the Ottoman official in command of the region at the time. He stayed in Cairo for some time and published Uddat al umarāi wal hukkām (Equipping the Leaders and Rulers) before departing for Istanbul, despite Hidive’s insistence for him to stay in Egypt.  

In Istanbul, Fâzil Pasha met Sultan Abdul Mecid (d.1861), with whom he discussed the existing challenges and threats faced by the Muslim world.11 After returning to Mecca, several years later, Fâzil Pasha visited Istanbul again, during the reign of Sultan Abdul Aziz Han (d.1876), informing the new sultan of developments in the Hejaz. The renowned author and Ottoman governor of Lebanon, Emir Shakib Arslan, also mentioned his meeting with Fâzil Pasha in his magnum opus Hadiru al ‘alam al Islami

Fâzil Pasha in Ottoman uniform

In 1876, in the era of Sultan Murad Effendi, the Ottoman government assigned Fâzil Pasha as the governor of the Dhofar region in Oman, where many Ba ‘alawi ancestors were buried. Fâzil Pasha was distressed by some of the un-Islamic practices he saw there, and raised his concerns to the Ottoman sultan. He focused on restoring Islamic tradition in the region, and the implementation of Zakat. He also prohibited sihr (black magic) and detained those who practiced it.

Fâzil Pasha also worked hard to improve Dhofar’s economy by importing and exporting goods throughout the Indian Ocean. He even attempted to negotiate trade with the British in colonial India;12 though unsuccessful in this, his endeavours managed to improve the economic situation in the region.

It is noteworthy that the revival of Dhofar, a land that had once flourished with the presence of the Bā ‘Alawis, was entrusted to another from among their lineage, though from a different land, centuries later.

Fâzil Pasha’s seal

After years of successful rule, Fâzil Pasha was finally forced to leave Dhofar due to political conflict. In 1880, he returned once again to Istanbul, where he was warmly welcomed by Sultan Abdul Hamid II. The sultan appointed him to his cabinet, and Syed Fâzil officially became a pasha, entrusted the duties of the finance department and becoming the first Indian assigned as a pasha in the Ottoman caliphate.13 Sultan Abdul Hamid made good use of Fâzil Pasha’s knowledge of southern Arabia, and the Pasha helped him accomplish a great deal, playing a vital role in the Sultan’s master project, the Hamidiye Hejaz Railway. Fâzil Pasha and his wife were among its first passengers14

Five of  Fâzil Pasha’s nineteen works were published during his time in Istanbul.15 Ottoman historian Tufan Buzpinar states that a copy of all of his works were preserved at the Yildiz Palace and later moved to Istanbul University.  

Fâzil Pasha continued in his role as pasha until his death in 1900. His death was marked as a huge loss by Turkish newspapers16 and his funeral was attended by many high-ranking Ottoman officials and ministers with Sultan Abdul Hamid Han. The names of these dignitaries have been listed in many works, including Misbāh-ul Fuād by Kānjirāla Kunjirāyin Kutty, one of Malabār’s most famous poets and scholars. 

Fâzil Pasha’s journey unfolds like a tapestry woven across continents. He was an anti-colonial freedom fighter and social reformer, as well as a seeker and provider of sacred knowledge for 19th-century scholars and students of Mecca. Earning many different titles throughout his life, he was also recognised as an emir who restored Dhofar to its historical legacy. Additionally, he held the esteemed position as a minister for Sultan Abdul Hamid II, earning a title by which he is remembered to this very day.

Fâzil Pasha was laid to rest at the Sultan Mahmud mausoleum compound, after an incredible life journey that took him from the shores of Malabār all the way to Istanbul’s imperial chambers. His tombstone serves as a source of reflection and contemplation for people around the world, but especially for Malabāris such as myself.

Edited by Leila Khansa

Footnotes

  1. Thangal is a term of respect used for the Syeds, individuals with prophetic lineage, in Malayalam language. ↩︎
  2. There is a belief among traditional Muslims that Allah will choose one of His Awliyā (saints) as a leader for the saints of the era. This revered figure is known as the Qutb↩︎
  3. Ba Alawiyyah is a Sufi Tariqa founded by Shaykh Faqih al Muqaddam(d.1255) in early 13th century in Tarim, Yemen. Shaykh al Muqaddam was a student of Shaykh Abu Madyan Ghawth al Tunisi(d.1198) who was a direct disciple of the famous Sufi Shaykh Abdel Qader al Jilani(d.1166) Hence, the Ba Alawiyyah tariqa is also regarded as a sub-branch of Qadiriyya tariqa. ↩︎
  4.  Avukkoya Musliyar aka Abu Bakr Koya Musliyar is a Malabari scholar who travelled across Muslim lands and made connections with many of the ulema of the time including, Ibrahim al Bajuri, Abdul Hamid al Sharwani, Rahmatullah Qiranwi, and others. It was his habit to write poems on scholars he met and some of them are preserved in Malabar. He also authored a number of books in Arabic. ↩︎
  5.  Shaykh Abdullah was a famous Yemeni scholar who also served as the mufti of Yemen. He visited Kerala in the era of Mamburam Thangal. While there, he taught Imam Ibn al Hajr al Haytami’s (d.1566) Tuhfat al Muhtaj bi Sharh al Minhaj to Keralite scholars including Fâzil Pasha. ↩︎
  6. Shaykh bin Husain bin Tahir was a Yemeni scholar who wrote extensively on both fiqh and tasawuf↩︎
  7. Shaykh al Habashi was a scholar who lived in Mecca where he taught classical Islamic texts. ↩︎
  8.  Janmi is the term referred to the landlords who belonged to elite castes such as Brahimns and Nairs. They owned the land as a birth right where people from backward castes had to work for little or no wage. Workers from lower castes were called ‘Kudiyan.’ ↩︎
  9. In the caste system, the Kudiyans could only eat the left overs of the upper castes. ↩︎
  10. A term used in British archives in reference to Fâzil  Pasha and his father Mamburam Thangal. ↩︎
  11. Maluavi, Ahmed & Abdulkareem CK, Mahathaya Mappila Sahitya Parambaryam. Calicut: Azad Bookstall, 1978. ↩︎
  12. Alawy, Seema, Muslim Cosmopolitanism in the Age of Empire. Harvard: Harvard University Press, 2015. ↩︎
  13. Jackob, Wilson Chacko, ”Of Angels and Men: Syed Fazl and Two Moments of Sovereignty”, The Arab Studies Journal 20/1, 2012. ↩︎
  14. Musafir, “Hejaz railwaykku pachakkodi kaattiya Mamburam Thangal”. ↩︎
  15. Buzpinar, Tufan, “Abdul Hamid II and Syed Fadl Pasha of Hadarmaut: An Arab Dignitary’s Ambitions 1876-1900”. The Journal of Ottoman Studies, 1993. ↩︎
  16. Maluavi, Ahmed & Abdulkareem CK, 1978. ↩︎

______________________________________________________________

Muhammad A Twahir

Muhammed A. Twahir is from Kerala, South India and is a graduate of Jamia Markaz in Calicut. He authored a biography of Syed Fazl Pasha in Malayalam as a part of ‘Makers of Islam in Malabar’ book series published by Malaibar Press, India. He is currently pursuing his masters in Sociology at Ibn Haldun University, Istanbul. He can be reached at @el.malaybari on Instagram.

___________________________________________________________

source: http://www.sacredfootsteps.com / SacredFootsteps.com / Home>History / by Muhammad H Twahir / edited by Leila Khansa

Ayodhya Ram Mandir: Muslim artisans of Pilibhit made the world’s longest flute for Ram Lalla, know its speciality

Philbit, UTTAR PRADESH :

On the day of Pran Pratishtha in Ayodhya, the flute of Pilibhit will also spread its charm in Ramnagari. Muslim artisans of Pilibhit, famous for flutes, have prepared the world’s largest flute

The Pran Pratishtha ceremony is to be held in Ayodhya on January 22. The atmosphere of the whole country is filled with Ram regarding this. Preparations are going on in full swing. In such a situation, how could Pilibhit district of UP, famous as the city of flutes, remain untouched. Muslim artisans of Pilibhit, famous for flutes, have prepared the world’s largest flute. On the day of Pran Pratishtha, the flute of Pilibhit will also spread its charm in Ayodhya. On Friday, after worshipping this flute, it was sent to Ayodhya. Hina Parveen, who made it, said that it is a matter of pride for us that our flute is going to the temple which is being discussed all over the world. In the city, the members of Vishwa Hindu Parishad worshipped the 21 feet 6 inches flute in the presence of the DM. Along with this, everyone expressed happiness by chanting Jai Shri Ram.

Ram Ji and Kanha Ji are the same incarnation – Hina Parveen

Hina Parveen, a resident of the city, has made this flute with the help of her son and brother-in-law. She has claimed it to be the longest flute in the world. Along with this, the people of the district are also seen agreeing to this. She told that ever since we came to know that Ram temple is being established, we wanted to make this flute. This flute is 21 feet 6 inches. Earlier in Pilibhit, the record of a flute of 16 feet was there. Now it is the world’s largest flute. Now we have sent it to VHP to send it to Ayodhya. Today the flute is being worshipped. After this, this flute will be toured in Pilibhit, then this flute will go to Shri Ram temple. Hina Parveen further told that Lord Shri Krishna has a special relationship with the flute. Everyone knows. Our flutes have been going to Mathura. We have a very old relationship with Kanha ji. This musical instrument starts with Kanha ji, our business is with him. That is why we have a very old relationship with him. Ram Ji and Kanha Ji are the same incarnation. All things are going to Ram Ji’s court, so our flute should also be there. This is the reason why we have made this flute for Shri Ram Mandir.

This flute is made from 20 years old bamboo from Assam – Hina Parveen

Hina Parveen says that this is our ancestral work. 20 years ago my husband brought a special kind of bamboo from Assam. After this I made this flute for my Ram ji from the same bamboo. I called my brother-in-law Shamshad, the most skilled artisan of the flute city. He has put a tune in this flute. Vishwa Hindu Parishad helped us completely. There was enthusiasm in our hearts, now this enthusiasm has doubled. I am blessed. My husband is not in this world right now. Hina Parveen’s brother-in-law Shamshad works to put tune in the flute. He has put the tune in the flute. On this Shamshad said that the tune of this flute is absolutely fine. Be it the rhythm of harmonium or any musical instrument, this flute can match the tune of all. Hina Parveen told that we needed a big and thick bamboo. It is a coincidence that the bamboo that our husband Nawab Ahmed had brought was found. It was surprising when this bamboo, which was so many years old, was neither infested by termites nor damaged anywhere. Perhaps it was the grace of Lord Ram. This bamboo is still not available in Assam. I can say with confidence that it is not possible to find the bamboo for this flute now. It is all a matter of coincidence, I don’t know why my late husband brought this bamboo and it was never used, perhaps it came for Lord Ram only. DM Praveen Kumar said that Guinness World of Records has been contacted for this flute. It was worshipped on Friday. Now it is being sent to Ayodhya. Now soon there will be an effort to register it as the world’s largest flute.

source: youtube.com / www.prabhatkhabar.com

source: http://www.prabhatkhabar.com / Prabhat Khabar / Home> Big News / by Sandeep Kumar / January 20th, 2024

Winners of Celebration Mysore Marathon

Mysuru, KARNATAKA :

pic

Mysuru:

More than 800 sports enthusiasts took part in the 14th edition of Celebration Mysore Marathon, organised by Life is Calling in city this morning.

The marathon was flagged-off by Mountaineer Dr. Usha Hegde  in front of Kote Anjaneyaswamy Temple near the Balarama Gate of Mysore Palace at 6 am.

Speaking on the occasion, Dr. Usha Hegde said that taking part in sports event is important for people to stay fit and healthy. “Events like marathon should be organised more frequently to enhance the health conditions of those taking part,” she added.

The event comprised 30K Run, 21K Half Marathon, 10K Run and 5K Fun Run/ Walk. Organisers had made all necessary arrangements for the runners including drinking water at various points, medical team and ambulance on stand-by, and direction boards for the benefit of the participants.

Results

Open Male 10K Run

1. S.Y. Prajwal (36:35.7), 2. A. Abishek (36:35.9), 3. K. Kiran (37:00.00).

Senior Male 10K Run

1. Chandrasekaran Subramanian (45:14), 2. K.R. Ramakrishna (48:18), 3. N.T. Ranjit (48:37).

Veteran Male 10K Run

1. Ravindra Gundurao (54:18), 2. Hosur Udaykumar Shetty (56:26), 3. L. Ananth (59:42).

Open Female 10K Run

1. Deepika Prakash (46:45), 2. Seema Dasila (50:51), 3. Sandhya Satyan (51:53).

Senior Female 10K Run

1. Mamta Bharaktiya (01:04.44), 2. Shobha (01:07.12), 3. Dr. B.H. Vatsala (01:11.23).

Veteran Female 10K

1. Shamala Padmanabhan (01:33.38), 2. Geetha Vijaya (01:53.23).

Open Male Half Marathon (21K Run)

1. Madhusudhan (01:20.26), 2. Syed Atif Umar (01:29.51), 3. Dhanasekar Rajendran (01:31.36).

Senior Male Half Marathon

1. B.K. Madhukar (01:34.49), 2. Bhagya Mohan Konwar (01:45.02), 3. R. Sujanya (01:45.09).

Veteran Male Half Marathon

1. Girish Gubbi Dasappa (02:23.52), 2. Sanjeeva Balkur (02:25.20), 3. Kurupath Sureshkumar (02:35.20) .

Open Female Half Marathon

1. Meera (02:05.34), 2. Bharathi Chandrashekar (02:16.44), 3. K. Madhavi (02:16.45).

Senior Female Half Marathon

1. Divya Madaiah (02:22.04), 2. Sarvanidhi Thakur (02:24.24), 3. Rashmi Urs (02:44.03).

Veteran Female Half Marathon

1. S.G. Vijaya  (02:18.58).

Open Male 30K Run


1. Mohmmad Sahil Annigeri (01:54.12), 2. Sreejin Thankamani (02:13.08), 3. Chan Pasha (02:19.22).

Senior Male 30K Run

1. Reji Kumar Aravindakshan (02:25.58), 2. Ravikumar Yalagach (02:26.00), 3. Siddhartha Menon (02:27.04).

Veteran Male 30K Run

1. G. Mohan Rao (04:14.20), 2. Ramakrishna (04:44.54).

Open Female 30K Run

1. Pragati Gupta (02:36.17), 2. Mamta Yadav (02:53.19), 3. Bindu J. Prakash (03:25.23).

Senior Female 30K Run

1. Suman Srinivasa (02:56.02), 2. Rajalakshmy Mani (03:37.26), 3. Chintana M. Patkar (03:56.56).

source: http://www.starofmysore.com / Star of Mysore / Home> News / September 01st, 2024

A stylish cover up

Chennai, TAMIL NADU / Ontario, CANADA :

Building a modest fashion empire is no cake walk. But 24-year-old designer, Shanaz Rukshana, the force behind The Hijab Company (THC) has been creating waves across the globe.

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Chennai :

Building a modest fashion empire is no cake walk. But 24-year-old designer, Shanaz Rukshana, the force behind The Hijab Company (THC) has been creating waves across the globe. On the sidelines of the brand’s website launch, the young designer talks about expanding her clientele and her unique line of Hijabs.“The thought of breaking barriers and making the traditional Hijab both fashionable and affordable, was in the pipeline for a long time,” says Shanaz, who started THC in 2017.

With not many clothing stores catering to fashionistas like Shanaz, she decided to take up the task of adding style and sophistication to the traditional Hijabs, herself. “I was flooded with requests from women of all age groups asking for Hijabs that matched their outfit for an occasion/event. So, from fabric, colour, and embellishment to embroidery, I began exploring, experimenting and customising it. Everything is handpicked,” she explains.

Shanaz started catering to women in India, Singapore, Malaysia and Dubai. “After an exciting year of catering to all our clients, we have launched a website. This way the reach will be more. Anyone who wants to try their hands on some affordable modest fashion clothing can satisfy their needs,” she shares.


While many countries are rapidly moving away from outdated tropes and catching up with the trend of modest fashion, India’s response has been lukewarm.

But, Shanaz says she sees a bright future. “Fashion influencers are taking to social media to spread the word, and women want to explore more. Gone are the days when black was the go-to colour and burqas were what women wore to events. People have become open to the idea of experimenting and adding a pop of colour to the rich tradition and culture,” she says.

Shanaz believes in being open-minded in fashion, and otherwise. “We respect the views and suggestions of our customers, and work on projects keeping them in mind. Trends keep changing, so our line of Hijabs change accordingly. We have a mixed bag of exclusive Hijabs that are a reflection of our in-house fashion and also in line with the current trend,” she shares.

From georgette, soft chiffon with pearls, textured cotton to Jersey Hijabs, they make it all. Hijabs with pearls customised on different fabrics are in-house specialty. “The fabric is picked according to the weather of a city. We make sure it suits different climatic conditions.  But, if a customer is inclined towards a specific material, we customise it,” she says. 

The industry is seeing a world of change, especially with older women encouraging youngsters to explore different styles. “Since more people are travelling and are taking inspiration from places, people, and social media, there are no limitations. Progressive times are here and it is exciting to experiment,” she says. Shanaz dreams of expanding and opening physical stores across the globe. “It’s certainly a dream and a goal that I am working towards,” she adds.

source: http://www.newindianexpress.com / The New Indian Express / Home> Chennai / by Roshne Balasubramanian / August 30th, 2018

Time travel with the tawaifs of Tamizh land

Chennai, TAMIL NADU :

Walking through the by-lanes of Royapettah and neighbouring areas, historian Kombai Anwar reminds us of the rich history of Kanchens of Madras.

photos: wikipedia

Chennai : 

A few months ago, through a decade-old documentary film, Other Song by writer and filmmaker Saba Dewan, I was introduced to a haunting thumri, Laagat karejwa mein chot, phool gendwa na maar (My heart is wounded, don’t throw flowers at me) by Sangeet Natak Akademi award recipient Rasoolan Bai. The film did little more than just trace the life and times of the thumri exponent. Through her lens, Saba attempted to rediscover strains of the original version of the said thumri, but with the lyrics, Laagat jobanwa mein chot, phool gendwa na maar (My ‘breasts’ are wounded, don’t throw flowers at me), documenting how the words of several such thumris have been changed over time to fit into the rather ‘sanitised’ cultural prism of the society. 

In a fading canvas about beguiling melodies, a lost thumri and forgotten life, Saba brushed myriad hues of Rasoolan’s long-lost identity of being a tawaif (a courtesan who performed music and dance) and that of the forgotten existence of her ilk in the country. As I travelled along with Saba, through the bylanes of Lucknow, Muzzafarpur and Varanasi, collecting memories of a handful of former tawaifs and those from the lineage now living in anonymity and poverty, a parallel pursuit made me cognisant of the once-thriving (now non-existent) Kanchenwada — a locality which housed the kanchens (the elite among the tawaifs) — in the heart of Chennai. City-based academic and historian Kombai Anwar, who, over a decade ago, began his research on the tawaifs of Madras, walks us through their rich history and how they became an integral part of the cultural fabric of the city for almost three centuries.   

A royal wedding
“Years ago, when I was drafted into historian late S Muthiah’s Madras Gazetteer Project to write about the city’s Muslim history, I came across how Nawab Ghulam Ghouse Khan, the last Nawab of Carnatic, took Jahangir Baksh, a tawaif or Kanchen, as his second wife in 1848. This was unlike any royal wedding and it fascinated me. While I was aware that the history of the Arcot Nawabs was often interspersed with the richness of Hindustani arts, the depth of it remained unchartered,” he shares. The century-odd-old royal wedding of the titular Nawab drew an inquisitive Anwar, who then lived in Royapettah, to learn more about the tawaifs. “I used to take several walks in the neighbourhood, talk to old-timers and make inquiries about the tawaifs who once resided in the area. But, it was only after two years of waiting, did a door finally open. I was introduced to Makbhool Hussain, an elderly man who used to play the tabla for the kanchens who lived in the Jani Jahan Khan Road and it was conversations with him and a few other former residents and old-timers, that helped me put pieces of the city’s history and that of its tawaifs together,” shares Anwar.

In the 18th Century, Nawab Muhammad Ali Khan Wallajah moved his durbar from Arcot to Madras. The  court’s Hindustani musicians and dancers too followed him to the city, marking the beginning of the tawaif culture in the city, says Anwar. Over time, the locality next to Amir Mahal became the cradle to several kanchens. “A predominant number of dancers and musicians originated from Hubli-Dharwad and that is perhaps where the name Kanchen wada, which, in Marathi, means a locality or traditional complex, came about,” he details. But, it was not until about two decades after 1855, when the British East India Company annexed the Carnatic kingdom (and auctioned off the then official residence of the Nawabs — the Chepauk Palace), did the Nawabs of Arcot move into the Amir Mahal. “While curating an Arcot Nawab trail, I found a street named ‘Gana (music) Bhag Street’ adjacent to Star Theatre. So when the Nawabs lived in Chepauk Palace and the rest of the nobility along the Triplicane High Road, that could have been the neighbourhood where the courtesans were housed before they moved closer to Amir Mahal,” he suggests.

Stigma and survival
The kanchens, known for their excellence in dance, music, poetry and their adab (etiquette), were held in high esteem that sometimes, those belonging to rich families, used to send their children to the Kanchenwada, to learn etiquette. “Kamala Bai, Haseena, Radha Bai, Nayab Jan Bai, Nazeeraa Banu, and Baby Bai, are some of the tawaifs, whom the old-timers remember fondly. And like their patrons, the tawaifs too belonged to different faiths and religions,” says Anwar, recalling his meeting with a former tawaif in Bengaluru. “She described in detail about how the entire street — from Zam Bazaar to the other end of the road, used to be dotted with vehicles to attend the mehfils or music gatherings,” he shares, elaborating about the lanes that once echoed with the ghazals of Faiz Ahmed Faiz, Sahir Ludhianvi and Mirza Ghalib. Eventually, with films beginning to influence society, the kanchens too sang popular Hindi songs from Mughal-e-Azam (1960) to Kohinoor (1960) to keep up with the changing needs of their clientele.

But with cinema growing as a new avenue for entertainment, it had, by then, began catalysing the decline of patronage for the kanchens due to which, many stepped into the celluloid. From Nasreen Banu, a kanchen who migrated from Delhi to Madras post-partition, dancing in Paigham (1959); Baby Bai making a guest appearance in Gharana (1961) to Hindustani musicians like Ustad Ahmad Hussain Khan playing the sitar for Tamil film music composers, the performers of Kanchenwada, over time, began finding different platforms to flourish. However, with the showbiz booming and social values changing, the Kanchenwada was threatened of its survival. “Several moral drives began stigmatising them and in many ways, they were at the receiving end of harassment. The anti-nautch movement in the late 19th and 20th century, like its effect on the Devadasi system, had an impact on the tawaifs too. When cases were filed to deprive them of their practice, Kamala Bai, a kanchen from Madras, engaged MA Ghatala, a High Court lawyer, to represent them in the case. In 1958, the court ruled in their favour and this victory was celebrated with a party for Ghatala at a house near the Music Academy,” tells Anwar.

Despite the legal win, the tawaif culture in Madras, which thrived even over a century after Ghulam Ghouse Khan’s passing, came to an end when one of the leading performers, Baby Bai moved out of the Kanchenwada to get married and start a family. “Many others followed suit and by the 1970s, the 250-odd-year-old tradition in Madras came to an end,” says Anwar. Now, the Mir Bakshi Ali Street, Mohammed Hussain Street and Jani Jahan Khan Road, which once used to turn iridescent by its opulent patrons and come alive with the rhythm of the tabla and dholak, echoes of the harmonium, sarangi, sitar, and the jangles of the ghungroos, is dotted with bachelor mansions and shops, drowning its past in the cacophony of horns and traffic, leaving no trace of Kanchenwada. 

Need for documentation 
With the wealth of academic scholarship on the subject in Madras close to zero, Anwar shares that the original research, which not only offers depth but is also sensitive to the complex cultural legacy of the tawaifs, is the way to preserve the stories of the community. “Here, we are talking about a community in Madras with a rich cultural history but nothing much has been done to document it. This is a reflection of our own poor history of documentation. For instance, Madras had a vital role in the Indian Rebellion of 1857, but how many of us know about it? We need more serious researchers and academics who dig deep into such under reviewed aspects,” he shares.  

As for the tawaifs of Madras, whose lives are now almost erased, the efforts of people like Anwar and Saba are, perhaps, the beginning of a long journey in searching for and documenting not just a forgotten tune but of a tradition lost in time. 

Learning etiquette
The kanchens, known for their excellence in dance, music, poetry and their adab (etiquette), were held in high esteem that sometimes, those belonging to rich families, used to send their children to the Kanchenwada, to learn etiquette. 

source: http://www.newindianexpress.com / The New Indian Express / Home> Chennai / by Roshne Balasubramanian / January 19th, 2021

From Making Sandals to Bamboo Scooters, Assam Youth Embracing Entrepreneurship

ASSAM:

The state’s youth engage in work culture and self-reliance over the traditional pursuit of government jobs.

New Delhi :

A new wave of entrepreneurship is sweeping through Assam, as the state’s youth increasingly embrace work culture and self-reliance over the traditional pursuit of government jobs. Among these inspiring stories is that of Pappu Ali, a young entrepreneur from Pakwa village in the Nalbari district, who has become a beacon of hope for the unemployed through his small-scale sandal manufacturing business.

Pappu Ali, who struggled for years with job interviews and even went abroad in search of employment, decided to take a different path. “For many years I have struggled with various job interviews and even went abroad for a job. Later I felt that I would grow old and not be able to do anything in life. So, I decided to do something on a small scale at home, which I could survive on,” media reports quoted Ali as saying.

He founded a slipper factory named ‘Puna,’ which produces 600 to 700 sandals a day. By sourcing materials like rubber and shoe straps from nearby Amin village and ordering a slipper-making machine from Ahmedabad, Ali has managed to not only sustain himself but also provide employment to four or five other youths in his village.

Addressing the unemployed in Assam, Ali urged them to take the initiative rather than wait for opportunities to come their way. “Sitting and waiting for a job is not enough. Those who are looking for a job can do something on their own while continuing their job search. It’s time to become self-reliant,” Ali said. “I’ve seen a lot of people get lazy. So, if you start working on your own, you can benefit a lot.”

Ali’s business has grown to the point where he now supplies various sandal designs to districts like Guwahati, Barpeta, Buxa, and Nalbari at wholesale prices. His dedication and hard work have made him a role model for many in his community. Looking ahead, Ali hopes to expand his entrepreneurial ventures by developing industries focused on disposable food products and other essential commodities.

Ali’s success is part of a larger trend in Assam, where many young people are turning to entrepreneurship to carve out their paths. Another notable example is Mehboob Ali from Nalbari district, who has become self-sufficient in the bamboo industry, creating bamboo scooters and luxury items. Similarly, Habib-ur-Rehman from Durang district leads an organisation called Suj Mukhi Agro Producers Pvt. Ltd., which helps farmers export their products abroad.

source: http://www.clarionindia.net / Clarion India / Home> Editor’s Pick> Indian Muslims / by Team Clarion / August 12th, 2024

Prof Abdul Bari: Champion of Workers’ Rights and Pioneer of Hindu-Muslim Unity

Shahbad District / Patna, BIHAR :

The unsung saga of Bihar’s great freedom fighter who fought for justice, education, and national integration

New Delhi :

As the nation reflects on the sacrifices made by its freedom fighters, the story of Professor Abdul Bari stands out as a testament to courage, unity, and unwavering dedication to the oppressed.

Born in the small village of Shahabad in Bihar’s Jehanabad district, Prof Abdul Bari emerged as a towering figure in India’s struggle for independence, particularly known for his efforts to unite the working class and bridge communal divides.

Prof Abdul Bari, who completed his post-graduation from Patna University in 1920, was deeply concerned about the injustices faced by the oppressed, the poor, and the labourers. His commitment to their cause was unwavering, as he believed that their pain was his own. “He dreamt of liberating the country from slavery since his childhood,” said a historian familiar with his life. “He wanted to make the labourers a part of the national mainstream, constantly striving for social equality and justice.”

Prof Abdul Bari’s commitment to Hindu-Muslim unity was a cornerstone of his philosophy. He strongly opposed the divisive agendas of the Hindu Mahasabha and the Muslim League, believing that India’s independence and future development could only be achieved through unity. “Hindus, Muslims, Sikhs, Christians, Parsis, Jains, Buddhists — he saw them all as followers of one nation,” remarked a contemporary who knew him. “He stuck to this belief till the end, despite facing opposition.”

His first meeting with Mahatma Gandhi in 1917 was a turning point in his life. Impressed by his passion and work, Gandhi’s teachings and ideals became a guiding force for Prof Abdul Bari. He played a pivotal role in several movements, including the non-cooperation movement, where he worked alongside prominent leaders like Dr Rajendra Prasad and Dr Sri Krishna Singh. His influence among the workers of Bihar, Bengal, and Orissa was profound, and under his leadership, they became a formidable force in the freedom struggle.

Despite his towering achievements, Prof Abdul Bari lived a life of poverty, a fact that deeply moved Mahatma Gandhi when he visited his home after the latter’s assassination in 1947. “When Gandhi entered Prof Abdul Bari’s house, he was shocked by its simplicity,” recalled a family member. The stark contrast between his immense contributions to the nation and the humble conditions in which he lived highlighted his integrity and dedication.

In 1936, Prof Abdul Bari was elected to the Bihar assembly from Champaran and later became the Deputy Speaker of the Assembly in Bihar’s first democratic government. He also served as the Vice President of the Labour Inquiry Committee and led the Jamshedpur Labour Association at the request of Subhas Chandra Bose, securing significant improvements in workers’ conditions.

Tragically, on March 28, 1947, just months before India’s independence, Prof Abdul Bari was shot dead near the Fatuha railway crossing while returning from Ranchi to Patna. His assassination deprived Bihar of a true and honest leader, a voice for the workers, and a champion of Hindu-Muslim unity. He was laid to rest at Pir Mohani Graveyard in Patna.

Prof Abdul Bari’s legacy is a reminder of the importance of unity, justice, and dedication to the oppressed. As the nation honours its freedom fighters, his life and work serve as an inspiration to continue the struggle for a more just and equal society.

source: http://www.clarionindia.net / Clarion India / Home> Editor’s Pick> Indian Muslims / by Mohammad Alamullah, Clarion India / August 12th, 2024

Tricolours Made by Ishrat Khatun to Flutter on UP Govt Buildings on I-Day

Laulai Village (Chinhat Block), Lucknow District, UTTAR PRADESH :

Khatun and her team’s dedication underscores the enduring spirit of patriotism and communal harmony

Lucknow:

National flags crafted by Ishrat Khatun and her team from Laulai village’s Panchayat Ghar will flutter on prominent government buildings including the Uttar Pradesh Assembly and Raj Bhavan on the country’s Independence Day on Thursday. Laulai village is in Chinhat block of Lucknow District.

Ishrat Khatun, who has undertaken the task of producing 55,000 pieces of the tricolour flags, expressed her pride and joy. “I am very happy that the tricolour flags made by us will be hoisted on significant government buildings like the state assembly, Raj Bhavan, Bapu Bhavan, and Lok Bhavan,” an ETV Urdu report quoted her as saying. “We are not only making these flags for our income but also out of love and respect for our country,” she said.

Khatun’s struggle is exemplary. “After my husband passed away in 2018, I have been solely responsible for supporting my three children as there is no other source of income in our home,” she said. “Despite my weakened eyesight, making these flags is a crucial part of running our household. During the pandemic, we also made masks, which helped us immensely.”

Vibha, another member of Khatun’s team, shared insights on their production progress. “We have received an order to make 55,000 tricolour flags, and we have already completed 25,000. We aim to reach our target in time,” she said. Vibha noted that their team, comprised of women from diverse backgrounds including Muslim, OBC, SC, and ST communities, is driven by a strong sense of patriotism.

Historically, the Indian flag holds deep significance, symbolising the nation’s unity and independence. The tricolour’s design was finalised in 1931 with contributions from various leaders, including Mahatma Gandhi and prominent figures like Badruddin Tyabji. The Ashok Chakra, central to the flag’s design, was included to reflect the nation’s readiness to serve 24 hours a day.

Khatun and her team’s dedication underscores the enduring spirit of patriotism and communal harmony, reflecting the rich historical and cultural fabric of India.

source: http://www.clarionindia.net / Clarion India / Home> Editor’s Pick> Indian Muslims / by Clarion India / August 14th, 2024