The research group has won an award worth Rs 20 lakh from Switzerland based world reputed company Typhoon HIL.
Jamia faculty receives award from Swiss company for smart solar inverter model
New Delhi:
In-charge of the Advance Power Electronics Research Laboratory, Department of Electrical Engineering, Jamia Millia Islamia (JMI), Dr. Ahteshamul Haque and his research group has won an award worth Rs. 20 Lakhs from Switzerland based world reputed company Typhoon HIL.
The research group comprising of students from B.Tech, M.Tech and PhD headed by Dr. Ahteshamul Haque has developed a model for Smart Solar Inverters with its control and submitted it for evaluation in a competition organised by Typhoon HIL.
Teams from various continents participated in this world level competition named ’10 for 10 Programme’.
Prof. Z. A. Jaffery, Head of Department, Department of Electrical Engineering, JMI encouraged the research group to take part in this world level competition, said a statement from Jamia.
In award, Dr. Haque and his research group got a powerful machine for research worth Rs.20 lakh.
Name of the machine is HIL-402 real time simulator, which is used in power electronics, microgrid and renewable energy applications.
Jamia Vice-Chancellor, Prof. Najma Akhtar, expressed her happiness on this achievement and congratulated Prof. Z. A. Jaffery, Dr. Haque and his team for taking university to new heights in the field of research and recognition by world reputed organizations.
Recently, Dr. Haque has also received R&D project grant under Ministry of Human Resource Development’s SPARC scheme.
source: http://www.ndtv.com / NDTV / Home> Education> Delhi / by NDTV Education Team / April 22nd, 2019
Rockets, Nagara Fort, India(Courtesy Karnataka Department of Archaeology, Museums, and Heritage (DAMH))
More than 1,000 unexploded rockets have been recovered from an abandoned well in the state of Karnataka in southern India.
The excavators believe the corroded shells date to the eighteenth century when the Muslim warrior King Tipu Sultan ruled the region.
The cache was uncovered when the well, located at Nagara Fort in the Shivamogga District, was being repaired. “The rockets, which are of several sizes, are metallic cylinders filled with some powder, possibly saltpeter or some form of explosive propellant,” says R. Shejeshwara Nayaka, assistant director of the Karnataka Department of Archaeology, Museums, and Heritage (DAMH), who led the excavation in 2018. “They have circular end caps on oneside, while on the other side there is an opening which lights like a fuse. We have also found some equipment that might have been used for assembling or making them.”
G. Venkatesh, commissioner of DAMH, adds, “Records say that Tipu Sultan’s father, Hyder Ali, was the first to use metal-cased rockets. He also had an armory and factory at Nagara Fort, a strategically very important city. There is a strong possibility that this site was used as a storage point or a factory for the rockets.”
Chathiramanai village (Perambalur district) /Tiruchi, TAMIL NADU :
A. Basheer Khan, right, and his son Mohamed Imran, of Tiruchi demonstrate the oil spill filtration device that they have designed and obtained a patent. / | Photo Credit: SPECIAL ARRANGEMENT
A. Basheer Khan, 62, and his son B. Mohamed Imran, 28, of Tiruchi recently received a patent for a device that they designed to remove oil spill from seawater through filtration along coastal areas.
The recognition was given on September 24 by the Patent Office and is valid for 20 years from the date of filing.
“At present, the technology to deal with oil spill on land is limited. Our device uses a low-energy method to draw out the oil contaminated water from a targeted area, and after filtering, pumps cleaned water back into the sea. The filtered sediment has to be processed further for eco-friendly usage,” Mr. Khan told The Hindu.
Mr. Khan, who retired as a machinist at the Ordnance Factory Tiruchi (OFT) in 2023, was interested in engineering from a young age while growing up at Chathiramanai village, Perambalur district. “ I studied at an Industrial Training Institute in the 1980s and apprenticed at Bharat Heavy Electricals Limited (BHEL). I used to be inspired by mechanical objects and science concepts to invent my own machines. In 2017, when an outbound empty tanker collided with an inbound loaded oil tanker in Ennore, Chennai, the crude oil was spread all over the coastal areas. I decided to design something to deal with such situations, and started working on the concept from 2018,” he said.
A prototype of the device is available at his home. It consists of a metal tank with two sections for polluted and clean water. The inlet pipe is lined with fine nylon mesh and sieved sand to allow free movement of water contaminated with oil.
During a demonstration on Saturday, Mr. Khan mixed machine oil into water in one section of the device and created ‘waves’ in it with the help of a small steel snack plate fitted to a pulley and sewing machine motor. To guide the water into the filtering inlet pipe, a manually operated shutter fixed with multiple springs is placed at the mouth of the targeted area. In a matter of minutes, the oil and grease were separated from water.
Mr. Imran, who helped his father in research and trials, said the prototype had potential for commercial development. “In the event of an oil spill, our machine can help not only save the environment, but also keep salvage workers safe from direct exposure to harmful chemicals,” he said.
source: http://www.tartv.in / TARTV / Home / by admin / October 19th, 2024
‘Patent Man of India’ Prof Shamshad Ali so far bagged seven patents for his multifarious innovations. The professor of engineering at Aligarh Muslim University’s polytechnic is differently abled and keeps underscoring the need for innovation to achieve progress.
Professor of engineering Shamshad Ali at AMU
Aligarh:
Shamshad Ali, a professor of engineering at the polytechnic college of Aligarh Muslim University (AMU) has become popularly known as Patent Man of India for his multifarious innovations. Prof Shamshad Ali, who after taking classes keeps busy with his inventions, has over seven patents to his credit till now, granted by the Patent Office, Government of India, Delhi.
This differently-abled professor never loses heart and always strives for excellence. Be it teaching students or discovering something new, this physically challenged person’s hard work has become a source of inspiration for other teachers and innovators. Prof Shamshad Ali was granted three patents in 2022 alone.
The professor underscores the need for innovation to achieve progress. In his appeal to students and teaching faculty in the AMU, he said, “Innovation plays an important role in upping the university’s ranking. Discovering new things helps teachers and students. So they should keep on doing new research. I have bagged seven patents so far and two more patents will be granted soon.”
“When someone discovers new things. Then the innovator is supposed to apply and submit application online to Delhi patent office. Thereafter an exam is conducted. If you pass the test, they will grant you patent. If not, then you will have to work on it again. It all depends upon the examiner,” said Prof Shamshad.
source: http://www.etvbharat.in / ETV Bharat / Home> ETV Bharat> Bharat / January 07th, 2023
Wajid Khan Artist with the portrait of Mahatma Gandhi he made with nails.
Few artists are as passionately obsessed with Mahatma Gandhi as Wajid Khan, whose love and reverence for Gandhi manifest in extraordinary ways through his art. Wajid’s devotion to the Father of the Nation is evident not only in the subjects of his artwork but also in the innovative techniques he uses to create them. Whether by assembling nails, arranging goggles, or using other unconventional materials, Wajid Khan’s portrayal of Gandhi is a testament to his deep admiration.
Wajid Khan a multifaceted artist—a portraitist, sculptor, inventor, and patent holder—known for pushing the boundaries of traditional art. He specializes in creating intricate works of art using unconventional materials such as iron nails, bullets, metal, stones, automobile parts, medical equipment, iron rods, and more. His passion for creativity is boundless, and his art often reflects his deep emotions and thoughts about the world and the figures who have shaped it.
Among his many talents, Wajid’s ability to carve canvases using iron nails has garnered international acclaim. His work has earned him places in prestigious records such as the Guinness Book of World Records, Limca Book of Records, and Asia Book of Records. His artistic prowess is admired from Mumbai to Dubai, captivating both art connoisseurs and the general public with his exceptional nail art.
Although Wajid has made portraits of numerous iconic personalities, including Indira Gandhi, Jawaharlal Nehru, Sardar Patel, Dhirubhai Ambani, and Nelson Mandela, his fascination with Mahatma Gandhi stands out. His first portrait, fittingly, was of Gandhi—a powerful expression of his love and passion for the man who led India to independence. Wajid meticulously used thousands of iron nails to craft this portrait, each nail symbolizing the unwavering dedication and perseverance Gandhi embodied throughout his life.
Wajid’s connection to Gandhi goes beyond artistic inspiration. His admiration for Gandhi stems from the values of patience and truth that Gandhi represented. “There are many qualities in Gandhiji that impressed me deeply,” Wajid shared in an interview. “His power of patience and his commitment to truth are what stand out the most. For me, those who hold onto patience and never lie are truly great individuals.”
One of the moments that left an indelible mark on Wajid was when he visited a museum and saw letters written by Gandhi in which the leader openly admitted his mistakes. “It takes a big heart to admit one’s mistakes in public,” Wajid reflected. “I greatly admire Gandhi’s patience and steadfastness.”
Wajid’s connection to Gandhi also has personal roots. He fondly recalls stories from his grandfather, who would attend Gandhi’s meetings during the freedom movement in India. “My grandfather used to tell us about the time when he was very young and would participate in Gandhi’s meetings. Enthusiastic crowds would gather to listen to Gandhi, and when they returned, they were always calm and composed,” Wajid recounted. The calm demeanor Gandhi inspired in his followers left a profound impact on Wajid, influencing both his life and his art.
In one of his most ambitious projects, Wajid demonstrated the extent of his dedication to honoring Gandhi. He organized an event where 6,000 people were gathered in a stadium, carefully arranged in a formation that created a massive portrait of Gandhi. This live depiction showcased not only Wajid’s artistic genius but also his ability to bring people together to celebrate Gandhi’s legacy.
Wajid Khan’s artistic journey is a remarkable blend of creativity, innovation, and an unyielding devotion to Gandhi’s principles. Through his portraits, sculptures, and inventive techniques, he continues to keep the spirit of Gandhi alive, inspiring others with the same values of patience, truth, and perseverance that Gandhi embodied.
source: http://www.muslimmirror.com / Muslim Mirror / Home> Indian Muslim> Positive Story / by Syed Zubair Ahmad / October 02nd, 2024
Father Muller Medical College is celebrating a landmark achievement as Dr Ashique K T, an esteemed alumnus of the Department of Dermatology, Venereology, and Leprosy, has been awarded a patent for his innovative medical device, the Dr Ashique’s Skin Clamp.
The patent, issued by the Controller General of Patents, Designs, and Trade Marks of the Government of India (Patent No. 548121, dated November 26, 2020), acknowledges the groundbreaking work of Dr Ashique, who is currently the medical director and senior consultant dermatologist in Perinthalmanna, Kerala. His invention holds far-reaching implications across multiple medical disciplines, including dermatology, dermatosurgery, dental and maxillofacial surgery, hair transplantation, ENT, emergency medicine, general surgery, and gynecology.
The Dr Ashique’s Skin Clamp is a sterilizable, metallic surgical tool designed for use in a wide range of medical procedures. Its versatility and effectiveness have already caught the attention of professionals across various medical fields. The device offers a practical solution to complex surgical challenges and is set to make a significant impact on clinical practices once commercial production begins.
Dr Ashique’s journey toward this patent was marked by close collaboration with his former professors and mentors from the Father Muller Medical College Dermatology Department. Throughout the development and research phases, he regularly sought their advice, leveraging their expertise to refine his innovative design. This spirit of partnership and academic support has been instrumental in transforming his idea into a patented reality.
In a statement, Fr Richard Aloysius Coelho, director of Father Muller Charitable Institutions (FMCI), expressed pride in Dr Ashique’s achievement. “It is a moment of great pride for our institution to witness one of our own making such a meaningful contribution to the medical field. His innovation is a testament to the excellence fostered within the walls of Father Muller Medical College,” said Fr Coelho. The administrative heads of both the medical college and hospital also joined in congratulating Dr Ashique on this remarkable accomplishment.
The Department of Dermatology, Venereology, and Leprosy at Father Muller Medical College continues to shine as a center of excellence, cultivating bright minds who contribute groundbreaking solutions to the medical world. Dr Ashique K T’s patent is just the latest example of how the institution empowers its students to innovate, achieve, and redefine the future of healthcare.
With plans to publish detailed research on the skin clamp’s many uses and the upcoming commercial production, Dr Ashique’s contribution to modern medicine is just beginning to unfold. The medical world is watching eagerly as this revolutionary device prepares to hit the global market.
source: http://www.daijiworld.com / Daijiworld / Home> Top Stories / by Media Release / September 26th, 2024
The Salamat Ras departed Surat in India on the 20th September 1676, carrying hundreds of pilgrims from Gujarat. On board was Safi ibn Vali; unlike the other pilgrims, his journey was sponsored by Zib al-Nisa, daughter of the Mughal emperor Aurangzeb (1658-1707). Along with completing his Hajj, Safi ibn Vali was given the task of creating a Hajj guidebook for future pilgrims. Presumably aimed at Indian pilgrims like himself, the ‘Anis al-Hujjaj’ (The Pilgrim’s Companion) contains advice regarding all aspects of the pilgrimage, including the journey to Jidda by sea.
His book is but one of many surviving pilgrimage guidebooks, from various parts of the Islamic world, forming a long-established tradition. They are typically accompanied by diagrammatic views of the holy sites, and Anis al-Hujjaj is no different in this respect. What sets it apart, however, is its use of colourful illustrations depicting various scenes of the pilgrimage, as well as the remarkable accuracy of its maps.
Safi ibn Vali’s Anis al-Hujjaj (‘Pilgrims’ Companion’), possibly Gujarat, India, circa 1677–80. Ink, gold and opaque watercolour on paper; modern leather binding. 3 separate folios show here side by side. Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
The illustration below is a map of Jidda. Jidda was a major port for pilgrims arriving for Hajj, and is thought to have been founded by Caliph Uthman in 647 AD. Safi ibn Vali, arriving at the port himself, maps major parts of the city. Archaeologist Dr Geoffrey King examined the map and found that the vast majority of places and landmarks depicted lie in the same position today.
Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
The upper section of the map depicts Hawa cemetery, thought to be the burial place of Eve, the mother of humanity. While the pink markers represent other graves, the black square indicates the head side of the resting place of Eve (peace be upon her), the white square her naval, and the gravelly area her feet. In Safi ibn Vali’s time, her grave, which is more than 100 feet in length, would have been marked by some sort of edifice. It is possible that the structure that can be seen in the image below, an illustration from 1894, or one similar to it, was what he saw two centuries earlier. The structure is no longer standing; it was destroyed in 1975 and covered with concrete by Saudi religious authorities.
Illustration of the Tomb of Eve in 1894, Jidda.
The middle section of Safi ibn Vali’s map shows the old city of Jidda. When examining the area, Dr King found that everything was accurately placed; a parade of shops and houses in the old city, as well as the surrounding roads, are all found in the same position today. There is however, one surprising discrepancy; an obvious landmark was mapped by Ibn Vali on the wrong side of the road. The green-domed Shafi’i mosque is shown in the Anis al-Hujjaj on the east side of the main street, whilst today it can be found on the west side; “This confuses me- was this main street in Jidda on a different alignment when the Anis al-Hujjaj was composed, or is it a simple error?” Given the remarkable accuracy of the map in every other way, King says this discrepancy is especially puzzling. The Shafi’i mosque is the oldest mosque site in Jidda; its floor is well below street-level, a fact that, according to Dr King, indicates that it predates the Shafi’i period. The oldest standing part of the mosque today is its Ayyubid minaret, dating back to the 13th century.
Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
Since there is no question over the identity of the mosque depicted by Safi ibn Vali, further research needs to be conducted to reach a clear conclusion over the discrepancy. In the foreground of the Jidda map, the governor of the city is shown welcoming pilgrims. There are numerous such illustrations in Safi ibn Vali’s book, depicting various scenes of the Hajj. On the folio below, pilgrims are shown on the day of Eid al-Adha. In the top right hand corner, pilgrims in ihram throw stones at the three pillars representing shaytan, while others have their heads shaved after completing the rites of the Hajj. In the foreground, animals are being slaughtered for the Eid sacrifice.
Safi ibn Vali also made mention of various holy places to visit that are not part of the Hajj itself. The illustration below is a typical diagrammatic view found in the tradition of Hajj guidebooks. According to the captions, the building in the upper section marks the birthplace of the Prophet Muhammad (peace and blessings be upon him). In Ibn Vali’s time, the blessed area was marked by a small mosque with a courtyard and dome. Today a simple library building built in the 1950’s stands over the area. Depicted beneath the upper section are the birthplaces of Lady Fatima and Abu Bakr al-Siddiq (may God be pleased with them both) as well as the Madrassa of Sultan Sulayman and a Sufi lodge of the Bektashi order. The clothes worn by the visitors indicate their various nationalities.
Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
While Safi ibn Vali’s Anis al-Hujjaj is not unique in its function, the accuracy of its map of Jidda, and possibly others, such as Surat in India and Mocha in Yemen, which are also represented, is remarkable, setting it apart from other guidebooks of the same genre. Its colourful illustrations give the viewer a sense of the energy of the pilgrimage, as well as the diversity of the pilgrims represented. Given that many of the sites Ibn Vali illustrates no longer exist in the same form, his work takes on added historical importance, preserving a past all but lost to modernity.
Bibliography
L. York Leach, Paintings from India, The Nasser D. Khalili Collection of Islamic Art, volume VIII, London 1998, cat.34, pp.124–9.
J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.332–41, pp.284–7.
source: http://www.sacredfootsteps.com / SacredFootsteps.com / Home>Asia> Arabia> History / by Zara Choudhary
Dehradun, UTTARAKHAND / NEW DELHI / Bengaluru, KARNATAKA :
Dr Syed Farooq with King Charles in London
Dr Syed Farooq, the soft-spoken director of the famous Ayurvedic medicine company Himal Drug, gives all credit of his success to his maternal grandmother whom he called ‘Nani Aapa’. He is so influenced by her that even today his childhood memories revolve around her.
In a special; conversation with Awaz-The Voice, he narrated many stories of his childhood and all were linked to his grandmother.
Dr Syed Farooq was born in 1955 in Dehradun in the family of Syed Rashid Ahmed, a renowned Ayurveda researcher.
He completed his M.Sc, Ph.D, D.Sc degrees from Hemvati Nandan Bahuguna Garhwal University. Apart from this, he completed his Post Graduate Diploma in Business Management from AIMA Delhi.
The Delhi-based Dr Syed Farooq is the editor-in-chief of Universities Journal of Phytochemistry and Ayurvedic Medicine. He is also the chairman of Tasmiya All India Education and Social Welfare Society. He was nominated for the Padam Shri Award in the year 2004.
He is the director of Himalaya Drugs and patron of many degree colleges and schools besides being associated with many state and national-level educational institutions.
For the uninitiated, Himalaya Drug Company is an Indian multinational pharmaceutical company based in Bengaluru. It was originally founded in 1930 in Dehradun by Mohammed Manal. It produces healthcare products containing Ayurvedic ingredients under the name Himalaya Herbal Healthcare.
Its operations are spread across India, the United States, the Middle East, Asia, Europe, and Oceania while its products are sold in 106 countries.
Speaking about his days growing up in Dehradun, Dr Syed Farooq says, “My house was in Dehradun and my grandmother’s house was in Muzaffarnagar. We used to go there during summer vacations. In my grandmother’s house, water came from a hand pump that was used by all the neighbours. A portion of the house was made of mud and I liked it very much. It had a pleasant fragrance and remained cool in the summer days.”
He goes on, “I remember that in summers we used to sleep under a Jamun tree and a mosquito net. In the morning, ripe Jamuns would be lying on the mosquito net. The taste of those fruits was so different from what we get today.”
Going down memory lane, Dr. Syed Farooq says, “When I was young, I was fond of hunting and horse riding. I would go far away from home and hunt, there was no restriction. In our orchard, a variety of mangoes grew, and on ripening, we used to enjoy the delicious fruit.”
“When I was studying in a school in Dehradun, I wore a tie as part of my school uniform. Strangers often stopped me and asked me to read a passage or text. Back then children were not afraid of being beaten or abused by elders; people loved children. The line in the poem is that
The elders including unknown people gave blessings to the children while walking on the road. Where are the people who give blessings these days? Now there are neither takers nor givers.
In a philosophical tone, he says people should realise that the colour of hair turns white for a purpose. “Allah changes it to white with age as white symbolises peace.”
Recalling his memories of his Nani Appa, Dr. Syed Farooq said, “My grandmother was a simple lady. Nani Apa was so incredulous that she fell for all the naughty things children did and presented the same differently to her. When the truth was out, she used to complain to our mother and say, “Noor Jahan, my eyes are opened and mind is surprised after seeing your children.”
Nani Apa never sat idle, she always kept doing some work. If there was no work to do, she would sit and talk with the children and listen to stories but she never told them any stories.
Nani Apa loved chaat. If Nani Apa ever felt upset the children offered her a treat of chaat after making her promise that she would not complain to their mothers. “As soon as we got her chaat, Nani Apa would be happy and say, “It’s okay, you are forgiven but never do it again.”
Dr Syed Farooq recalls says he was 10 years old when his grandfather Niaz Ahmed passed away. He was in the police during the British rule. He was a very cheerful and affable person who loved children.
He says his grandfather used interesting phases while narrating stories to the children.
He remembers every moment spent with him; his face while his body lay in the coffin. “I remember that Nana Abba used to sharpen pencils for us with his pocket knife. The pencil tip was sharper than what we get today with a sharpener.”
Dr. Syed Farooq says his great-grandfather Syed Hamid Madani was a businessman. Our great grandfather Syed Mohammad Baranjad Madani lived in Roorkee and was into the carpet business. His great-grandmother hailed from Kashmir.
source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Mohammad Akram, New Delhi / July 21st, 2024
Dr Anis Ahemad Ansari, Mechanical Engineering Section, Aligarh Muslim University Polytechnic has been granted a patent by the Patent Office, Government of India on his novel work, entitled, “A system for water and energy conservation in a Reverse Osmosis based water purifier”.
Dr Ansari said that a reverse osmosis (RO) based water purifier used in houses and offices generates a heavy amount of non-potable water which is continuously drained unutilized, although this water is clean and free from suspended matter. He said that the wastage of clean water on such a large scale increases the crisis of water manifold.
He stated that his invention provides a system for water and energy conservation in a reverse osmosis-based water purifier by making a provision for the collection of clean non-potable water generated from the reverse osmosis process. The hydraulic pressure is utilized in transferring this water into a tank and a flow control valve controls the discharge of accumulated clean water from the said tank, as and when required.
“Thus, the clean non-potable water generated from the RO process can be utilized for several purposes such as hand washing, utensil washing, floor washing, plantation, room cooler, toilet flushing, construction, vehicle washing, firefighting, etc. Moreover, it would save the electrical energy which is required otherwise to pump additional groundwater for these purposes,” he added.
source: http://www.amu.ac.in / Aligarh Muslim University / by Public Relations Office / June 04th, 2024
Asia’s largest carpet on display in Srinagar (Pics by Basit Zargar)
After Srinagar was designated among the most creative cities in the world, Kashmir Valley’s artisans are making sure to live up to the expectations of this title. In a village called Wayil in North Kashmir’s Kralpora area, a team of Kashmiri artisans have created a masterpiece touted as Asia’s largest handcrafted carpet.
This hand-knotted carpet measuring 72 by 40 feet covers an area of 2,880 square feet. It took over 25 artisans around eight long years to complete this masterpiece.
The huge carpet on display in Srinagar
The whole carpet industry of Kashmir Valley is priding itself on this masterpiece. The intricate weaving of this exceptional carpet was overseen by two seasoned artisans – Fayaz Ahmed Shah and Abdul Gaffar Sheikh. It is due to their dedication that this monumental piece has found shape.
”This was an order by someone from our country only. This carpet is 72 feet long and 40 feet broad, and we have never made such a big carpet in the Kashmir Valley ever. We had to put our minds to a lot of things as it required a huge loom to be woven on.
“It was a big challenge and thank god it’s been finally completed. I am sure it will be sold abroad, and I am sure that in future we will make something bigger than this, ” said Fayaz Ahmed Shah, a craft dealer.
Asia’s largest carpet
The last eight years of weaving this masterpiece have not been smooth. There have been multiple obstacles that the artisans faced particularly the COVID-19 Pandemic. The lockdowns led to a lot of supply chain-related disruptions.
This mammoth carpet has written a new chapter for Kashmir’s rich legacy of art and craft.
According to the craft dealers, hundreds of artisans are returning to looms to pick up carpet weaving again.
An artisan tying the loose threads of Asia’s biggest carpet
”We have artisans coming back to us after this carpet was made. Around 226 artisans have come back to us and said that they want to work again. We just hope the way any employees get paid; it has to be the same and equal wages for them as well. Our artisans need to have a life of dignity and they should be able to afford their families… I am telling you they will never leave the work if they are paid well. This is a teamwork. From the designs to artisans, everyone has worked very hard for the making of this masterpiece, ” Shah added.
As this masterpiece becomes a symbol of Kashmir’s craftsmanship and artistic prowess, it has also become a ray of hope for the revitalization and recognition of local artisans and their invaluable contributions to preserving the cultural heritage of the region.
source: http://www.awazthevoice.in / Awaz, The Voice / Home / by Basit Zargar, Srinagar / May 18th, 2024
