‘Patent Man of India’ Prof Shamshad Ali so far bagged seven patents for his multifarious innovations. The professor of engineering at Aligarh Muslim University’s polytechnic is differently abled and keeps underscoring the need for innovation to achieve progress.
Professor of engineering Shamshad Ali at AMU
Aligarh:
Shamshad Ali, a professor of engineering at the polytechnic college of Aligarh Muslim University (AMU) has become popularly known as Patent Man of India for his multifarious innovations. Prof Shamshad Ali, who after taking classes keeps busy with his inventions, has over seven patents to his credit till now, granted by the Patent Office, Government of India, Delhi.
This differently-abled professor never loses heart and always strives for excellence. Be it teaching students or discovering something new, this physically challenged person’s hard work has become a source of inspiration for other teachers and innovators. Prof Shamshad Ali was granted three patents in 2022 alone.
The professor underscores the need for innovation to achieve progress. In his appeal to students and teaching faculty in the AMU, he said, “Innovation plays an important role in upping the university’s ranking. Discovering new things helps teachers and students. So they should keep on doing new research. I have bagged seven patents so far and two more patents will be granted soon.”
“When someone discovers new things. Then the innovator is supposed to apply and submit application online to Delhi patent office. Thereafter an exam is conducted. If you pass the test, they will grant you patent. If not, then you will have to work on it again. It all depends upon the examiner,” said Prof Shamshad.
source: http://www.etvbharat.in / ETV Bharat / Home> ETV Bharat> Bharat / January 07th, 2023
Wajid Khan Artist with the portrait of Mahatma Gandhi he made with nails.
Few artists are as passionately obsessed with Mahatma Gandhi as Wajid Khan, whose love and reverence for Gandhi manifest in extraordinary ways through his art. Wajid’s devotion to the Father of the Nation is evident not only in the subjects of his artwork but also in the innovative techniques he uses to create them. Whether by assembling nails, arranging goggles, or using other unconventional materials, Wajid Khan’s portrayal of Gandhi is a testament to his deep admiration.
Wajid Khan a multifaceted artist—a portraitist, sculptor, inventor, and patent holder—known for pushing the boundaries of traditional art. He specializes in creating intricate works of art using unconventional materials such as iron nails, bullets, metal, stones, automobile parts, medical equipment, iron rods, and more. His passion for creativity is boundless, and his art often reflects his deep emotions and thoughts about the world and the figures who have shaped it.
Among his many talents, Wajid’s ability to carve canvases using iron nails has garnered international acclaim. His work has earned him places in prestigious records such as the Guinness Book of World Records, Limca Book of Records, and Asia Book of Records. His artistic prowess is admired from Mumbai to Dubai, captivating both art connoisseurs and the general public with his exceptional nail art.
Although Wajid has made portraits of numerous iconic personalities, including Indira Gandhi, Jawaharlal Nehru, Sardar Patel, Dhirubhai Ambani, and Nelson Mandela, his fascination with Mahatma Gandhi stands out. His first portrait, fittingly, was of Gandhi—a powerful expression of his love and passion for the man who led India to independence. Wajid meticulously used thousands of iron nails to craft this portrait, each nail symbolizing the unwavering dedication and perseverance Gandhi embodied throughout his life.
Wajid’s connection to Gandhi goes beyond artistic inspiration. His admiration for Gandhi stems from the values of patience and truth that Gandhi represented. “There are many qualities in Gandhiji that impressed me deeply,” Wajid shared in an interview. “His power of patience and his commitment to truth are what stand out the most. For me, those who hold onto patience and never lie are truly great individuals.”
One of the moments that left an indelible mark on Wajid was when he visited a museum and saw letters written by Gandhi in which the leader openly admitted his mistakes. “It takes a big heart to admit one’s mistakes in public,” Wajid reflected. “I greatly admire Gandhi’s patience and steadfastness.”
Wajid’s connection to Gandhi also has personal roots. He fondly recalls stories from his grandfather, who would attend Gandhi’s meetings during the freedom movement in India. “My grandfather used to tell us about the time when he was very young and would participate in Gandhi’s meetings. Enthusiastic crowds would gather to listen to Gandhi, and when they returned, they were always calm and composed,” Wajid recounted. The calm demeanor Gandhi inspired in his followers left a profound impact on Wajid, influencing both his life and his art.
In one of his most ambitious projects, Wajid demonstrated the extent of his dedication to honoring Gandhi. He organized an event where 6,000 people were gathered in a stadium, carefully arranged in a formation that created a massive portrait of Gandhi. This live depiction showcased not only Wajid’s artistic genius but also his ability to bring people together to celebrate Gandhi’s legacy.
Wajid Khan’s artistic journey is a remarkable blend of creativity, innovation, and an unyielding devotion to Gandhi’s principles. Through his portraits, sculptures, and inventive techniques, he continues to keep the spirit of Gandhi alive, inspiring others with the same values of patience, truth, and perseverance that Gandhi embodied.
source: http://www.muslimmirror.com / Muslim Mirror / Home> Indian Muslim> Positive Story / by Syed Zubair Ahmad / October 02nd, 2024
Father Muller Medical College is celebrating a landmark achievement as Dr Ashique K T, an esteemed alumnus of the Department of Dermatology, Venereology, and Leprosy, has been awarded a patent for his innovative medical device, the Dr Ashique’s Skin Clamp.
The patent, issued by the Controller General of Patents, Designs, and Trade Marks of the Government of India (Patent No. 548121, dated November 26, 2020), acknowledges the groundbreaking work of Dr Ashique, who is currently the medical director and senior consultant dermatologist in Perinthalmanna, Kerala. His invention holds far-reaching implications across multiple medical disciplines, including dermatology, dermatosurgery, dental and maxillofacial surgery, hair transplantation, ENT, emergency medicine, general surgery, and gynecology.
The Dr Ashique’s Skin Clamp is a sterilizable, metallic surgical tool designed for use in a wide range of medical procedures. Its versatility and effectiveness have already caught the attention of professionals across various medical fields. The device offers a practical solution to complex surgical challenges and is set to make a significant impact on clinical practices once commercial production begins.
Dr Ashique’s journey toward this patent was marked by close collaboration with his former professors and mentors from the Father Muller Medical College Dermatology Department. Throughout the development and research phases, he regularly sought their advice, leveraging their expertise to refine his innovative design. This spirit of partnership and academic support has been instrumental in transforming his idea into a patented reality.
In a statement, Fr Richard Aloysius Coelho, director of Father Muller Charitable Institutions (FMCI), expressed pride in Dr Ashique’s achievement. “It is a moment of great pride for our institution to witness one of our own making such a meaningful contribution to the medical field. His innovation is a testament to the excellence fostered within the walls of Father Muller Medical College,” said Fr Coelho. The administrative heads of both the medical college and hospital also joined in congratulating Dr Ashique on this remarkable accomplishment.
The Department of Dermatology, Venereology, and Leprosy at Father Muller Medical College continues to shine as a center of excellence, cultivating bright minds who contribute groundbreaking solutions to the medical world. Dr Ashique K T’s patent is just the latest example of how the institution empowers its students to innovate, achieve, and redefine the future of healthcare.
With plans to publish detailed research on the skin clamp’s many uses and the upcoming commercial production, Dr Ashique’s contribution to modern medicine is just beginning to unfold. The medical world is watching eagerly as this revolutionary device prepares to hit the global market.
source: http://www.daijiworld.com / Daijiworld / Home> Top Stories / by Media Release / September 26th, 2024
The Salamat Ras departed Surat in India on the 20th September 1676, carrying hundreds of pilgrims from Gujarat. On board was Safi ibn Vali; unlike the other pilgrims, his journey was sponsored by Zib al-Nisa, daughter of the Mughal emperor Aurangzeb (1658-1707). Along with completing his Hajj, Safi ibn Vali was given the task of creating a Hajj guidebook for future pilgrims. Presumably aimed at Indian pilgrims like himself, the ‘Anis al-Hujjaj’ (The Pilgrim’s Companion) contains advice regarding all aspects of the pilgrimage, including the journey to Jidda by sea.
His book is but one of many surviving pilgrimage guidebooks, from various parts of the Islamic world, forming a long-established tradition. They are typically accompanied by diagrammatic views of the holy sites, and Anis al-Hujjaj is no different in this respect. What sets it apart, however, is its use of colourful illustrations depicting various scenes of the pilgrimage, as well as the remarkable accuracy of its maps.
Safi ibn Vali’s Anis al-Hujjaj (‘Pilgrims’ Companion’), possibly Gujarat, India, circa 1677–80. Ink, gold and opaque watercolour on paper; modern leather binding. 3 separate folios show here side by side. Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
The illustration below is a map of Jidda. Jidda was a major port for pilgrims arriving for Hajj, and is thought to have been founded by Caliph Uthman in 647 AD. Safi ibn Vali, arriving at the port himself, maps major parts of the city. Archaeologist Dr Geoffrey King examined the map and found that the vast majority of places and landmarks depicted lie in the same position today.
Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
The upper section of the map depicts Hawa cemetery, thought to be the burial place of Eve, the mother of humanity. While the pink markers represent other graves, the black square indicates the head side of the resting place of Eve (peace be upon her), the white square her naval, and the gravelly area her feet. In Safi ibn Vali’s time, her grave, which is more than 100 feet in length, would have been marked by some sort of edifice. It is possible that the structure that can be seen in the image below, an illustration from 1894, or one similar to it, was what he saw two centuries earlier. The structure is no longer standing; it was destroyed in 1975 and covered with concrete by Saudi religious authorities.
Illustration of the Tomb of Eve in 1894, Jidda.
The middle section of Safi ibn Vali’s map shows the old city of Jidda. When examining the area, Dr King found that everything was accurately placed; a parade of shops and houses in the old city, as well as the surrounding roads, are all found in the same position today. There is however, one surprising discrepancy; an obvious landmark was mapped by Ibn Vali on the wrong side of the road. The green-domed Shafi’i mosque is shown in the Anis al-Hujjaj on the east side of the main street, whilst today it can be found on the west side; “This confuses me- was this main street in Jidda on a different alignment when the Anis al-Hujjaj was composed, or is it a simple error?” Given the remarkable accuracy of the map in every other way, King says this discrepancy is especially puzzling. The Shafi’i mosque is the oldest mosque site in Jidda; its floor is well below street-level, a fact that, according to Dr King, indicates that it predates the Shafi’i period. The oldest standing part of the mosque today is its Ayyubid minaret, dating back to the 13th century.
Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
Since there is no question over the identity of the mosque depicted by Safi ibn Vali, further research needs to be conducted to reach a clear conclusion over the discrepancy. In the foreground of the Jidda map, the governor of the city is shown welcoming pilgrims. There are numerous such illustrations in Safi ibn Vali’s book, depicting various scenes of the Hajj. On the folio below, pilgrims are shown on the day of Eid al-Adha. In the top right hand corner, pilgrims in ihram throw stones at the three pillars representing shaytan, while others have their heads shaved after completing the rites of the Hajj. In the foreground, animals are being slaughtered for the Eid sacrifice.
Safi ibn Vali also made mention of various holy places to visit that are not part of the Hajj itself. The illustration below is a typical diagrammatic view found in the tradition of Hajj guidebooks. According to the captions, the building in the upper section marks the birthplace of the Prophet Muhammad (peace and blessings be upon him). In Ibn Vali’s time, the blessed area was marked by a small mosque with a courtyard and dome. Today a simple library building built in the 1950’s stands over the area. Depicted beneath the upper section are the birthplaces of Lady Fatima and Abu Bakr al-Siddiq (may God be pleased with them both) as well as the Madrassa of Sultan Sulayman and a Sufi lodge of the Bektashi order. The clothes worn by the visitors indicate their various nationalities.
Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
While Safi ibn Vali’s Anis al-Hujjaj is not unique in its function, the accuracy of its map of Jidda, and possibly others, such as Surat in India and Mocha in Yemen, which are also represented, is remarkable, setting it apart from other guidebooks of the same genre. Its colourful illustrations give the viewer a sense of the energy of the pilgrimage, as well as the diversity of the pilgrims represented. Given that many of the sites Ibn Vali illustrates no longer exist in the same form, his work takes on added historical importance, preserving a past all but lost to modernity.
Bibliography
L. York Leach, Paintings from India, The Nasser D. Khalili Collection of Islamic Art, volume VIII, London 1998, cat.34, pp.124–9.
J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.332–41, pp.284–7.
source: http://www.sacredfootsteps.com / SacredFootsteps.com / Home>Asia> Arabia> History / by Zara Choudhary
Dehradun, UTTARAKHAND / NEW DELHI / Bengaluru, KARNATAKA :
Dr Syed Farooq with King Charles in London
Dr Syed Farooq, the soft-spoken director of the famous Ayurvedic medicine company Himal Drug, gives all credit of his success to his maternal grandmother whom he called ‘Nani Aapa’. He is so influenced by her that even today his childhood memories revolve around her.
In a special; conversation with Awaz-The Voice, he narrated many stories of his childhood and all were linked to his grandmother.
Dr Syed Farooq was born in 1955 in Dehradun in the family of Syed Rashid Ahmed, a renowned Ayurveda researcher.
He completed his M.Sc, Ph.D, D.Sc degrees from Hemvati Nandan Bahuguna Garhwal University. Apart from this, he completed his Post Graduate Diploma in Business Management from AIMA Delhi.
The Delhi-based Dr Syed Farooq is the editor-in-chief of Universities Journal of Phytochemistry and Ayurvedic Medicine. He is also the chairman of Tasmiya All India Education and Social Welfare Society. He was nominated for the Padam Shri Award in the year 2004.
He is the director of Himalaya Drugs and patron of many degree colleges and schools besides being associated with many state and national-level educational institutions.
For the uninitiated, Himalaya Drug Company is an Indian multinational pharmaceutical company based in Bengaluru. It was originally founded in 1930 in Dehradun by Mohammed Manal. It produces healthcare products containing Ayurvedic ingredients under the name Himalaya Herbal Healthcare.
Its operations are spread across India, the United States, the Middle East, Asia, Europe, and Oceania while its products are sold in 106 countries.
Speaking about his days growing up in Dehradun, Dr Syed Farooq says, “My house was in Dehradun and my grandmother’s house was in Muzaffarnagar. We used to go there during summer vacations. In my grandmother’s house, water came from a hand pump that was used by all the neighbours. A portion of the house was made of mud and I liked it very much. It had a pleasant fragrance and remained cool in the summer days.”
He goes on, “I remember that in summers we used to sleep under a Jamun tree and a mosquito net. In the morning, ripe Jamuns would be lying on the mosquito net. The taste of those fruits was so different from what we get today.”
Going down memory lane, Dr. Syed Farooq says, “When I was young, I was fond of hunting and horse riding. I would go far away from home and hunt, there was no restriction. In our orchard, a variety of mangoes grew, and on ripening, we used to enjoy the delicious fruit.”
“When I was studying in a school in Dehradun, I wore a tie as part of my school uniform. Strangers often stopped me and asked me to read a passage or text. Back then children were not afraid of being beaten or abused by elders; people loved children. The line in the poem is that
The elders including unknown people gave blessings to the children while walking on the road. Where are the people who give blessings these days? Now there are neither takers nor givers.
In a philosophical tone, he says people should realise that the colour of hair turns white for a purpose. “Allah changes it to white with age as white symbolises peace.”
Recalling his memories of his Nani Appa, Dr. Syed Farooq said, “My grandmother was a simple lady. Nani Apa was so incredulous that she fell for all the naughty things children did and presented the same differently to her. When the truth was out, she used to complain to our mother and say, “Noor Jahan, my eyes are opened and mind is surprised after seeing your children.”
Nani Apa never sat idle, she always kept doing some work. If there was no work to do, she would sit and talk with the children and listen to stories but she never told them any stories.
Nani Apa loved chaat. If Nani Apa ever felt upset the children offered her a treat of chaat after making her promise that she would not complain to their mothers. “As soon as we got her chaat, Nani Apa would be happy and say, “It’s okay, you are forgiven but never do it again.”
Dr Syed Farooq recalls says he was 10 years old when his grandfather Niaz Ahmed passed away. He was in the police during the British rule. He was a very cheerful and affable person who loved children.
He says his grandfather used interesting phases while narrating stories to the children.
He remembers every moment spent with him; his face while his body lay in the coffin. “I remember that Nana Abba used to sharpen pencils for us with his pocket knife. The pencil tip was sharper than what we get today with a sharpener.”
Dr. Syed Farooq says his great-grandfather Syed Hamid Madani was a businessman. Our great grandfather Syed Mohammad Baranjad Madani lived in Roorkee and was into the carpet business. His great-grandmother hailed from Kashmir.
source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Mohammad Akram, New Delhi / July 21st, 2024
Dr Anis Ahemad Ansari, Mechanical Engineering Section, Aligarh Muslim University Polytechnic has been granted a patent by the Patent Office, Government of India on his novel work, entitled, “A system for water and energy conservation in a Reverse Osmosis based water purifier”.
Dr Ansari said that a reverse osmosis (RO) based water purifier used in houses and offices generates a heavy amount of non-potable water which is continuously drained unutilized, although this water is clean and free from suspended matter. He said that the wastage of clean water on such a large scale increases the crisis of water manifold.
He stated that his invention provides a system for water and energy conservation in a reverse osmosis-based water purifier by making a provision for the collection of clean non-potable water generated from the reverse osmosis process. The hydraulic pressure is utilized in transferring this water into a tank and a flow control valve controls the discharge of accumulated clean water from the said tank, as and when required.
“Thus, the clean non-potable water generated from the RO process can be utilized for several purposes such as hand washing, utensil washing, floor washing, plantation, room cooler, toilet flushing, construction, vehicle washing, firefighting, etc. Moreover, it would save the electrical energy which is required otherwise to pump additional groundwater for these purposes,” he added.
source: http://www.amu.ac.in / Aligarh Muslim University / by Public Relations Office / June 04th, 2024
Asia’s largest carpet on display in Srinagar (Pics by Basit Zargar)
After Srinagar was designated among the most creative cities in the world, Kashmir Valley’s artisans are making sure to live up to the expectations of this title. In a village called Wayil in North Kashmir’s Kralpora area, a team of Kashmiri artisans have created a masterpiece touted as Asia’s largest handcrafted carpet.
This hand-knotted carpet measuring 72 by 40 feet covers an area of 2,880 square feet. It took over 25 artisans around eight long years to complete this masterpiece.
The huge carpet on display in Srinagar
The whole carpet industry of Kashmir Valley is priding itself on this masterpiece. The intricate weaving of this exceptional carpet was overseen by two seasoned artisans – Fayaz Ahmed Shah and Abdul Gaffar Sheikh. It is due to their dedication that this monumental piece has found shape.
”This was an order by someone from our country only. This carpet is 72 feet long and 40 feet broad, and we have never made such a big carpet in the Kashmir Valley ever. We had to put our minds to a lot of things as it required a huge loom to be woven on.
“It was a big challenge and thank god it’s been finally completed. I am sure it will be sold abroad, and I am sure that in future we will make something bigger than this, ” said Fayaz Ahmed Shah, a craft dealer.
Asia’s largest carpet
The last eight years of weaving this masterpiece have not been smooth. There have been multiple obstacles that the artisans faced particularly the COVID-19 Pandemic. The lockdowns led to a lot of supply chain-related disruptions.
This mammoth carpet has written a new chapter for Kashmir’s rich legacy of art and craft.
According to the craft dealers, hundreds of artisans are returning to looms to pick up carpet weaving again.
An artisan tying the loose threads of Asia’s biggest carpet
”We have artisans coming back to us after this carpet was made. Around 226 artisans have come back to us and said that they want to work again. We just hope the way any employees get paid; it has to be the same and equal wages for them as well. Our artisans need to have a life of dignity and they should be able to afford their families… I am telling you they will never leave the work if they are paid well. This is a teamwork. From the designs to artisans, everyone has worked very hard for the making of this masterpiece, ” Shah added.
As this masterpiece becomes a symbol of Kashmir’s craftsmanship and artistic prowess, it has also become a ray of hope for the revitalization and recognition of local artisans and their invaluable contributions to preserving the cultural heritage of the region.
source: http://www.awazthevoice.in / Awaz, The Voice / Home / by Basit Zargar, Srinagar / May 18th, 2024
Zungalpura Village (Kulgam District, Kashmir), JAMMU & KASHMIR :
Kulgam, South Kashmir :
Muneeb Amin Bhatt, a talented techie from Zungalpora village in Kulgam district, has achieved a remarkable milestone by being inducted into the National Aeronautics and Space Administration (NASA)’s prestigious ‘Hall of Fame.’ This honor recognizes his outstanding contributions to identifying and addressing data breach vulnerabilities, a critical aspect of cybersecurity. Previously recognized by Apple’s ‘Hall of Fame’ in 2023, he reported his findings through NASA’s Vulnerability Disclosure Program.
Muneeb’s achievement not only brings pride to his hometown but also emphasizes the global significance of cybersecurity. In an era where safeguarding sensitive information is paramount, his work highlights the crucial role individuals play in protecting digital landscapes from potential threats.
Currently, Muneeb is pursuing a Bachelor’s in Computer Applications (BCA) through Indira Gandhi National Open University (IGNOU). His dedication to his studies, coupled with his exceptional skills in cybersecurity, has propelled him onto an international platform, showcasing his potential and determination.
Bhatt’s recognition by NASA serves as a powerful inspiration, demonstrating that with passion and commitment, individuals from any background can make significant contributions to global security. His journey from a small village in South Kashmir to receiving acclaim from one of the world’s leading space agencies is a testament to the potential that lies within every individual, regardless of their origins.
This accolade not only celebrates Muneeb’s technical prowess but also puts a spotlight on the importance of nurturing talent and providing growth opportunities, especially in fields as critical as cybersecurity. As the digital world continues to expand, the need for skilled professionals like Muneeb becomes ever more evident, ensuring a safer and more secure future for all.
source: http://www.radiancenews.com / Radiance News / Home> Focus / by Radiance News Bureau / May 27th, 2024
Abdul Khadar Nadakattin from Dharwad in Karnataka has 24 innovations under his belt.
The niche but problem-solving machines and innovations help farmers with everyday solutions and have also increased their yield up to 25 per cent.
Splashing water on a deep sleeper to wake them up is a clichéd scenario used in many comedy films and on social media. But Abdul Khadar Nadakattin earnestly practised this comedy routine on himself during his school days to wake up early.
A native of the Annigeri village of Dharwad district in Karnataka, Abdul struggled to push himself out of bed in the mornings. “A splash of water on my face was the only solution to wake me up. But I could not expect my parents to do this to me every day,” he tells The Better India.
A then 14-year-old Abdul devised an innovative Wa(h!)ter Alarm. Its functioning was simple — one end of a string was tied to the key of his alarm clock in a manner that when it rang, the thread would unwind itself and the other end was tied to a water bottle. Once the alarm key unwound, the bottle would tilt, and the water would fall on Abdul’s face.
“It helped me wake up and complete my school,” he recalls, laughing. Though he managed to pursue education until Class 10, he did not pursue higher studies.
Abdul at his tamarind plantation
But his water alarm talks led to him speaking of the more serious water issues his village faced. “My father owned 60-acre ancestral land and the water scarcity deterred us from earning good profits from farming. My father admitted that our family’s financial condition was poor and asked me to contribute to the farm. So, I gave up my dream to pursue graduation in agriculture,” the 70-year-old says.
Being deprived of an education did not deter him from thinking out of the box. Little did he know then that the water alarm was the first of many of his innovations .
This farmer has come up with unique ideas to solve everyday farmer problems. To date, Abdul has had 24 innovations under his belt, which benefit thousands of farmers in India. It was for this reason that he won the Padma Shri award in 2022.
Helping Farmers, One Innovation At A Time
“Thomas Alva Edison is the source of my inspiration,” says the scientist who went barefoot to receive the President’s Lifetime Achievement Award in 2015 at the hands of the then President of India, Pranab Mukherjee. “I always thought of unique ways to solve a problem. That is how I conceived the water alarm. In 1974, I received the ancestral land from my father to continue farming. But interacting with fellow farmers and practising the occupation myself, I learned about the issues of finding labour and other difficulties faced in agriculture.”
Soon after taking over the reins, he built a tiller machine capable of deep ploughing which needed operating by a bullock. “In 1975, I established Vishwashanthi Agricultural Research and Industrial Research Centre to sell the product. But financial constraints did not allow me to market it well, and it failed to take off,” he says.
Later, he also built a plough blade that did not require sharpening and lasted for a long duration compared to others in the market. “The blade did not lose its sharpness, which ensured its long life. It could be attached to a tractor as well,” Abdul adds.
Following this, he built a seed-cum-fertiliser drill that enabled sowing seeds of different sizes with equal spacing. “The equipment is used in sowing a wide variety of seeds from jowar to groundnut. The device also facilitated the dispersal of fertilisers, soil and other organic matter,” he says.
To meet the demands of farmers in Maharashtra, Abdul constructed an automated sugarcane sowing machine. Slowly, his innovations became popular and saw an increase in demand.
Abdul’s 5-in-1 tiller machine
Apart from his innovative pursuit of helping farmers, Abdul also worked to improve the agricultural yield on his farm.
As his father and grandfather suffered losses with erratic rains and limited groundwater reserves, Abdul decided to find an alternative. “In the early 1980s, I planted mango saplings, placed between ber and sapota (chikoo) trees. I planted chillies as an intercrop. But the lack of water killed the plantations. So I switched to growing tamarind as I learned that it required less water and maintenance,” he says.
He sourced 600 saplings and planted them across 6 acres of land by keeping a gap of 20 feet each.
In 1985, the region faced severe droughts, but Abdul managed to source water from a distance of 3 km. “I dug 11 bore wells, but only two yielded water. So I sourced water from a long distance and stored it by creating six farm ponds. They also helped to harvest rainwater during the monsoons. I used the water for flood irrigation of my plantation of 600 saplings,” he says.
“The plants grew well, and feeling confident with its success, I planted more than 1,100 trees in a 10-acre area, making a total of 1,800 saplings,” he says.
But there was another unexpected chapped Abdul faced. “I did not know how to make use of so much tamarind produce. My wife and daughter made pickles and jams to sell in the markets across the state including, neighbouring Hyderabad,” he says.
So, Abdul decided to harvest tamarind and make pickles out of them. “But the process of separating seeds from the tamarind was tedious, and labour shortage made it more difficult. The seeds had to be separated manually and were a time-consuming process,” he explains, building up the crescendo before revealing his next innovation.
After spending nearly Rs 3 lakh and over six months, Abdul conceived a machine that did the job. “The instrument involved a system where the tamarind slid on the tapered peg. This pushed the seeds out from the tamarind pod,” he says, adding that to make tamarind pickles convenient he built yet another device.
“The pickle making required tamarind to be sliced into smaller chunks which again was labour intensive. So, I designed another machine to make the slicing effective and efficient,” Abdul adds.
Over the years, Abdul produced more machines and sold them. His popularity with these niche but problem-solving innovations earned him the name ‘hunase huccha’, meaning ‘tamarind crazy’.
“It was the most difficult innovation of my life as the seeds often got stuck in the tamarind making the separation difficult. I researched and experimented for years to achieve the desired result,” he says.
An Innovation Revolution
Abdul receiving lifetime achievement award at the hands of then President Pranab Mukherji
Abdul has sold thousands of his various innovations to date, he claims with pride.
Shrikanth Jain, one of the farmers who purchased Nadakattin seed-cum-fertilizer drill a few years ago, says, “I used it to sow wheat pulses and other woodgrains. The machine does the job of sowing, dispersing fertiliser, covering the soil, spraying pesticides and saving fuel. It also helps to prevent excess sowing of seeds. Using the device has helped me increase my yield by 20 per cent.”
However, these innovations and his passion for helping the farming fraternity came at a heavy financial loss to Abdul who says, “I struggled with debts all my life and mortgaged part of my agricultural land to invest in research for innovations. I never sell equipment for profits and offer them at make-to-cost, which is about 25 per cent cheaper than the ones in the market. It is a seva (service) for the farmers, and I do not wish to burden them financially.”
Today, Abdul has received funding for his research from the National Innovation Foundation, University of Agricultural Sciences, Dharwad and Karnataka government. He adds, “I received Rs 16 lakh to develop the ploughing machine from the Karnataka government and have also invested other prize money received.”
Elaborating on his innovative process, he says that some innovations happen in months while others take a year or more. “Investing time and money can become very demanding.” But Abdul is relentless and wants to continue his dream of helping farmers. “I believe that the economy of this country runs on farmers. But our community is facing hardships at various levels. I aim to benefit them and ease their difficulty. Innovations can only bring the next revolution in agriculture,” he says.
source: http://www.thebetterindia.com / The Better India / Home> Stories> Innovation> Karnataka / by Himanshu Nitnaware (headline edited) / Edited by Yoshita Rao / February 05th, 2022
Like it or not, modern Indian culture is still heavily indebted to the legacy of the Mughals and the nawabs.
Stamps of both tangible and intangible heritage of India’s prosperous Muslim reign are still vivid, despite more than two centuries of indifference, ingratitude and insolence that followed.
From language and art to cuisine and architecture, every aspect of Indian cultural landscape has strong traces of Muslim sounds, flavours and colours that continue to trickle down from an era that drew the world to India.
Like it or not, modern Indian culture is still heavily indebted to the legacy of the Mughals and the nawabs. The Persianate culture that was dominant well into the decline of the Muslim dynasties, continues to influence our customs and traditions.
Intangible heritage Whether we call it Hindi or Hindustani, the language that is spoken by most Indians, especially in North India, took shape in the hallowed halls of the Mughal Delhi and Nawabi Lucknow.
Though, it’s been nearly two centuries since the sun set upon the fortunes of the Mughals, their cuisine is still in the ascendancy and gaining in popularity everyday. Can a party be complete without the biryani and kebabs?
Urdu may not be a particularly favoured language of our times, but no Urdu basher could be averse from the influence of its sweet melody. Despite some serious attempts at its erasure from the public consciousness, Bollywood or Hindi Cinema still has some strong strands of Urdu in its rapidly morphing personality.
The indelible Urdu legacy lies at the very heart of ‘Hindi’ cinema’s golden era, with some of the best dialogues and songs that most of us swoon over being still its biggest treasure trove.
As much as its intangible legacy, the tangible legacy of the Muslim architects still remains the biggest tourist attractions in India. Not just the Taj Mahal and the Jama Masjid of Delhi, Muslim architects have left towering symbols of aesthetic excellence in architectural marvels such as the Qutub Minar and the Charminar.
Besides Delhi, Agra and Lucknow, cities such as Ahmedabad, Hyderabad, Aurangabad and Bijapur wouldn’t have existed without their Muslim patrons. Their Muslim character is hard to miss despite consistent attempts at altering their nature.
The magnificent monuments, among the greatest landmarks of the tangible human heritage, are so deeply etched on the landscape and the psyche of India, that they have become synonymous to the grandeur of the Muslim ascendancy in India.
Artisanal legacy But, more than the glowing architecture, it is the enterprising artisanal traditions that continue to have the greatest traces of Muslim influence. Importantly, Muslims continue to preserve this legacy against all odds.
From the Pashmina Shawls and Banarasi Sarees to the Rogan Art and Bidriware, some of India’s best known handmade traditions are painstakingly preserved by Muslim artisans, maintaining a living heritage that can be traced to the patronage of the Great Mughals, the Bahamanis, the Adil Shahis, the Nizams and others.
It is no secret that the Mughals were the great patrons of art, craft and industry, with creativity, innovation and industry flourishing during their rule, making India the most prosperous country in the world.
Their generous patronage and facilitation meant artisans from different parts of the world made a beeline to India, adding new forms of craft to a landscape that was already full of life.
From muslin and brocade to diamonds and jewellery, the artisans of India produced some exquisite handmade goods that drew traders from all over the world to India.
Mughal India – World’s biggest economy
During the peak of the Mughal rule in India, when Aurangzeb Alamgir was at the helm, India accounted for 27 per cent of the world’s economy, greater than the GDP of the entire Europe combined.
Until the mid-18th century, when British started gaining greater control over some parts of the country, India was the biggest exporter of manufactured goods across the world.
Despite the unparalleled rapacity and depravity of the colonial administration that had led to the near extinction of the Indian craft traditions a century ago, Indian handicrafts survived largely through the resilience and industry of the artisans.
Though, the policy of erasure continued even after the British left India and continues till this day, Indian artisanal communities have shown remarkable resilience against the onslaught of monopoly, ruthlessly cruel economic policies and unfavourable terms and conditions.
Many craft clusters have also faced communal apathy, discrimination and prejudice.
Under such extreme conditions, it is nothing short of a miracle that ancient handmade craft traditions survive in India.
Story of Bidriware The tale of the Bidriware, primarily practised by Muslims, is one such story of skill, struggle and survival.
Bidriware is poetry crafted in metal
Cast in an alloy of copper and zinc, with silver and gold wires or sheets inlaid or overlaid, a Bidriware artefact is so graceful in its appearance that an indulgent heart longs to feel and touch it, if not wear it!
For more than five centuries, Bidriware objects have been must have pieces of adornment among the royalties and nobilities such as Mughal emperors, Rajput kings and Nawabs of Bengal to Bahmani, Adil Shahi and Vijayanagara Sultans (yes, the Vijayanagara kings loved to call themselves sultans!).
In the pre-modern era, the Nizams of Hyderabad have been the biggest patrons of this magical craft, not only collecting the artefacts such as hookahs (sheesha), vases, vanity boxes, ewers and pitchers, but also relocating several artisans to Hyderabad.
However, despite the early 20th century migration of artisans and losing patronage, Karnataka’s northern town of Bidar continues to remain a hub of Bidriware.
With all of the kingdoms and fiefdoms gone, ancient Bidriware items along with other surviving royal antique pieces are a collector’s treasure now, gracing the leading museums across the world.
The Origin Though, the Bidri metal craft has its origins in medieval Persia, Bidriware in its distinct Indian form blossomed in the capital of the early 15th century Bahmani Empire.
The tale of Bidriware, primarily practised by Muslims, is a story of skill, struggle and survival
The Bahmanis were renowned for their exquisite sensibilities for art and architecture, hence it is no surprise that a complex and intricate enterprise such as the Bidri metal craft originated in their royal atelier.
This, perhaps, is among the last few influences that the medieval Bahamanis continue to have on modern India.
Reinvention Despite the spell Bidriware has on art aficionados and connoisseurs of craft, the enterprise has seen a steady decline over the last few decades, with only a few masters working their magic.
Currently, the city of Bidar has around 150 registered artisans, but only a handful of artisans in the town have the depth of knowledge and the deftness of skills required to be called a master.
MA Rauf Siddiqui is a national-award winning master craftsman who is reinventing Bidriware, catering to the modern aesthetic sensibilities
Among the few masters is the national award-winning artisan MA Rauf Siddiqui.
Even as the overall scene of the Bidriware tradition is not particularly encouraging, the Shilpi Guru-winner is quietly reinventing the traditions, ably-assisted by his young and enterprising children.
Modernising the techniques, motifs and methods, the family has several generations involved in the craft, adopting latest softwares to come up with new patterns and using social media to reach new frontiers.
However, the traditional expression of the art-form continues to find patrons, even as the newer expressions in wearable forms give the craft a new lease of life.
Empowering the community Many Muslim communities in India sit on a huge treasure trove of craft traditions that have been part of the country’s cultural, economic and political legacy for centuries.
Many of these traditions are withering away due to multiple factors, including lack of upgrade or inability to adapt to the changing landscape, little government support and poor marketing.
With necessary attention and support we can not just preserve this precious legacy of India and Indian Muslims, but can also make hundreds of these craft clusters economically independent and sustainable.
source: http://www.radiancenews.com / Radiance News / Home> Arts & Culture> Forces / by Shafaat Shahbadari / Radiance News Bureau / September 26th, 2023
