Category Archives: Calligraphers of India (wef. Jan 05th, 2025)

Jamia Millia Islamia hosts exhibition on rare Quran calligraphy from the 15th to the 20th Century

NEW DELHI :

New Delhi

Jamia Millia Islamia has launched a special week-long exhibition showcasing rare and ancient Quran manuscripts at its Dr. Zakir Husain Library during the holy month of Ramadan. The exhibition, titled “Muqaddas Quran,” was inaugurated by Professor Mazhar Asif Sheikh-ul-Jamia and features a diverse collection of calligraphy spanning from the 15th to the early 20th century.

Through meticulously crafted posters, the exhibition traces the development of Islamic calligraphy from the 7th to the 14th century, offering a comprehensive visual exploration of how Quranic calligraphy evolved over time.

Alongside the manuscripts, the exhibition presents an impressive collection of printed Qurans in various national and regional languages, including Malayalam, Kannada, Hindi, Urdu, Tamil, and Bengali. The display also includes translations in foreign languages such as Chinese, Japanese, German, Turkish, Russian, English, Spanish, Albanian, Myanmar (Burmese), and Persian. A special Quran in Braille was also featured, emphasizing the importance of inclusivity and ensuring that visually impaired individuals can access the sacred text.

Professor Mazhar Asif, Sheikh-ul-Jamia(Vice Chancellor )of Jamia Millia Islamia, expressed his satisfaction with the exhibition, saying, “It is a privilege for the university to open its rare collection during the holy month of Ramadan, allowing people to benefit from the teachings, knowledge, and moral values of the Quran. The Quran promotes helping the poor, equality, and justice, and by presenting this exhibition to the public, we aim to encourage accountability, bringing people from darkness to light.”

The exhibition also showcases rare Arabic manuscripts, including Tafseer Baizawi and Tafseer of Ibn Abbas, both from the 16th century. Additionally, books in eleven foreign languages and six regional translations illustrate the rich diversity of Jamia’s collection.

Professor Asif highlighted the rarity of the Japanese translation of the Quran, which was produced by the Islamic Society of Koshikawa in Tokyo, calling it an extremely rare edition globally.

Professor Mohammad Mahtab Alam Razvi, Registrar of Jamia Millia Islamia, emphasized the significance of the exhibition. “This collection reflects our rich heritage of Quranic manuscripts and printed copies from the 15th century to the early 20th century, including small Quranic manuscripts. With thirty-five rare handwritten manuscripts and twenty-seven printed translations, the exhibition offers valuable insights into the evolution of Quranic script.”

Dr. Lucas S. Nigrale, who also participated in the event, spoke about the importance of such exhibitions during Ramadan, a time for reflection, devotion, and learning. “This exhibition shines a light on the Quran’s timeless wisdom and universal message,” Dr. Nigrale said, expressing hopes for future exhibitions that further promote awareness and cultural dialogue at the university. The Dr. Zakir Husain Library holds a total of 2,243 Quranic manuscripts.

The exhibition serves as an important platform for enhancing public understanding of the Quran’s linguistic, intellectual, and literary traditions. It highlights the eternal teachings of the Quran in a contemporary context, fostering greater cultural and educational dialogue.

source: http://www.indiatomorrow.net / India Tomorrow / Home> Education / by Mohammad Akram / March 30th, 2025

Two-century-old Indian Quran manuscript on display in Jeddah

INDIA :

Indian calligrapher Ghulam Mohiuddin transcribed this manuscript.

pix: SPA

Jeddah:

A two-century-old Quran manuscript, transcribed in India, is now on display at the Islamic Arts Biennale at the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah, Saudi Arabia.

Indian calligrapher Ghulam Mohiuddin transcribed this monumental Quran manuscript on the 6th of Muharram, 1240 AH (August 31, 1824 AD) in northern India. It was designated as a waqf (endowment) for the Prophet’s Mosque in Madinah, reflecting India’s deep historical ties to Islamic art and heritage.

Measuring an extraordinary 139.7 × 77.5 cm, the manuscript is embellished with gold, deep-colored pigments, and a cover originally encrusted with rubies, emeralds, turquoise, and peridot, making it one of the rarest Quran copies on display, the Saudi Press Agency (SPA) reported.

The text is written in black Naskh script, with a Persian translation in red Nastaliq, showcasing the Indo-Persian calligraphic style of the era.

Historical records indicate that the manuscript arrived in Madinah in the mid-13th century AH and was initially placed near Bab As-Salam before being moved to the mosque’s treasury during restoration in 1273 AH (1857 AD).

In 1302 AH (1884 AD), it was rebound by Hajj Yusuf bin Hajj Masoom Nemankani, a scholar and manuscript expert from Uzbekistan who later settled in Madinah.

Now preserved at the King Abdulaziz Complex for Endowment Libraries in Madinah, this rare Indian-transcribed Quran is a key attraction at the Biennale, celebrating India’s historical ties with the Islamic world and its legacy of artistic excellence.

source: http://www.siasat.com / The Siasat Daily / Home> News> Middle East / by Sakina Fatima, X / March 12th, 2025

Tonk’s Ustad Zafar Raza Khan and Student Shahjahan Shine in National Calligraphy Competition

Tonk, RAJASTHAN :

Tonk:

Tonk has been renowned for its calligraphy, a centuries-old art form that has earned the nawabi city an esteemed reputation on the international stage. This rich cultural heritage continues to thrive through the dedication of talented artists.

Recently, a national-level calligraphy competition was held in Aurangabad, attracting participants from across India, including Telangana, Maharashtra, Kashmir, and Rajasthan. Ustad Zafar Raza Khan and his student Shahjahan, both from Tonk’s Markaz-Talimul-Khutut institute, represented their city at the Second All-India Quranic Calligraphy Competition. The event was organised in collaboration with Maulana Azad College of Arts, Science, and Commerce (Aurangabad) and the Iran Culture House, Mumbai and New Delhi.

Participants were initially shortlisted based on online submissions of their work. Those selected were invited to the competition held on December 27. Among the contenders, Tonk’s calligraphers distinguished themselves, securing the top two honours and bringing glory to their city.

Ustad Zafar Raza Khan received high praise for his exceptional skill in the Nasta’liq script. While judges unanimously considered his work the finest, he was awarded the second prize due to international competition rules. These rules stipulate that if only one individual meeting the standard for first place remains in the competition, the top prize is withheld, and the second prize is awarded instead.

Shahjahan, another participant from Tonk, triumphed in the Naskh Arabic (Osmani Naskh) script category, winning first prize. Their achievements underscore the exceptional training provided at Markaz-Talimul-Khutut, a new institute established in Tonk on January 1, 2024.

The institute has rapidly gained prominence, thanks to its internationally acclaimed instructors, Ustad Zafar Raza Khan and Ustad Khurshid Alam. Both are celebrated as among the finest calligraphy masters globally. Their dedication has elevated the institute and inspired a new generation of artists to master this ancient art form.

The institute’s officials attribute their success to the hard work of their students and faculty, pledging continued efforts to preserve and promote the art of calligraphy. This achievement is a source of pride not only for Tonk but for Rajasthan and the entire nation.

source: http://www.radiancenews.com / Radiance News / Home> Latest News / by Raheem Khan, Radiance News Bureau / January 01st, 2025