Category Archives: Arts, Culture & Entertainment

Builders of Bengal: Begum Rokeya

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Pairaband Village (Rangpur), BENGAL (British India):

A PAST WE MUST PRESERVE | She was a pioneer of women’s education and feminist writing who started the first school for education of Muslim girls in Calcutta

Begum Rokeya, 1880-1932 / File picture

Rokeya Sakhawat Hossain, popularly known as Begum Rokeya, was a pioneer of women’s education and feminist writing who started the first school for education of Muslim girls in Calcutta. She considered education to be crucial to women’s emancipation.

She was born in 1880 at Pairaband village in Rangpur, now in Bangladesh. Her elder sister Karimunnesa, who was a poet who wrote in Bengali, was a great influence on her life. Rokeya at 18 was married to Khan Bahadur Sakhawat Hussain, who was 38 and the deputy magistrate of Bhagalpur.

A liberal man who spoke Urdu, he encouraged his young wife to continue her studies in Bengali and English and to write.

Rokeya chose to principally write in Bengali and her works uphold the equality of men and women. Matichur (1904, 1922) is a two-volume collection of her essays on her thoughts about women and society, Padmarag (1924) is about the oppression of Bengali wives and Abarodhbasini (1931) is a robust critique of the severe forms of purdah for women.

Ten years before the American novelist Charlotte P. Gilman published Herland, Begum Rokeya wrote her feminist utopia Sultana’s Dream in 1905. Written in English, it is a novella set in Ladyland, ruled by women.

A few months after her husband’s death in 1909, Begum Rokeya started Sakhawat Memorial Girls’ High School in Bhagalpur, with five students. She moved the school to Calcutta in 1911, where it is still located, but is run by the government.

In 1916, Begum Rokeya founded Anjuman-e-Khawateen-e-Islam (Islamic Women’s Association) to hold discussions on women, education and progress. She advocated change in Muslim women’s lives and spoke up against rigidity and conservatism.

She went from door to door to ask Muslim families to send their daughters to school. She was engaged till the very end of her life in ideas and activities that would lead to the empowerment of women. She passed away on December 9, 1932, shortly after presiding over a session of the Indian Women’s Conference.

Bangladesh observes Rokeya Day on her death anniversary every year.

source: http://www.telegraphindia.com / The Telegraph Online / Home> Culture> People / by Chandrima S. Bhattacharya / March 28th, 2021

100-oxygenated-bed facility at Haj Bhavan inaugurated

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Bengaluru, KARNATAKA :

A 100-oxygenated-bed facility was inaugurated at Haj Bhavan COVID-19 Care Centre in Bengaluru on Saturday.   | Photo Credit: Murali Kumar K

8 doctors, 12 nurses, 12 housekeeping staff, data operator posted at the CCC

As many as 100 of the 400 beds at the COVID-19 Care Centre (CCC) in Haj Bhavan in Bengaluru have been converted to oxygenated beds. The facility was inaugurated by Minister for Revenue R. Ashok on Saturday. The Minister told reporters that in the second phase, 50 beds each would be converted to ICU and HDU beds.

According to a press release, 8 doctors, 12 nurses, 12 housekeeping staff and a data operator have been posted at the CCC, which is also a triaging centre. For emergency purposes, 2 ambulances are on standby.

Mr. Ashok said that to mitigate the oxygen shortage supply in the city, all CCCs have been equipped with oxygenated beds. Over 800 oxygen concentrators have been delivered to the CCCs apart from ‘Oxybuses’ to support patients. “Every day, we are striving to increase 100 oxygen beds. This will cut down the oxygen problem in the city,” he said.

CCC with 46 oxygenated beds

A COVID-19 Care Centre with 46 oxygenated beds has been established at the Kempegowda Community Hall, near Nandini Layout, in Mahalakshmi Layout Assembly constituency. The facility, which is also a triage centre, was inaugurated by Union Minister D.V. Sadananda Gowda and Minister for Excise K. Gopalaiah on Saturday.

Mr. Gowda said the CCC will be operational from Sunday. Three oxygen mobile vans have been making the rounds of the constituency to provide oxygen to patients in critical need, he said and added that a systematic plan is in place to contain COVID-19 in the city.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Special Correspondent / May 16th, 2021

A Nawab, an Englishman and a maestro

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Bhopal, MADHYA PRADESH :

The Nawab of Pataudi. It was one of India’s greatest triumphs…with a most remarkable man leading the way… (Published in The Sportstar on October 19, 1985) PHOTO: THE HINDU ARCHIVES  

Cricket and music? Yes, they are perfectly in tune with each other

It was January 1973. India was playing England in a Test series. Ajit Wadekar was leading India, while Tony Lewis was the English captain. The Nawab of Pataudi had been inducted into the team after a fine show in a tour match. The two teams had wound their way to Chennai (then Madras) for the third Test. The series was tied one-all. And the match at Chepauk was crucial.

But this story is not about cricket and the unflappable Pataudi’s exploits with the bat or of Wadekar’s marshalling of his troops on a turning Chepauk pitch. In those days, Test cricket was played over six days with a rest day after three days. I was a student of the Indian Institute of Technology, Madras. The institute had a music club (still does), and a violin concert by Lalgudi Jayaraman had been organised for Sunday evening.

The ace violinist had just begun his concert and essayed the varnam, when suddenly there was a minor commotion at the entrance. In walked Pataudi with Tony Lewis (Monday was a rest day). They proceeded to the front row, where two seats had been hastily vacated for them, and sat in rapt attention while Lalgudi, after a courteous bow to acknowledge their presence, proceeded with his concert. We later learned that Tony Lewis was a part-time musician and violinist, and Pataudi wanted to expose him to how India had adapted this instrument for its classical music.

Even in those pre-WhatsApp days, word of the great man’s presence in the Central Lecture Theatre spread like wildfire on the campus and the hall which had till then only a sprinkling of listeners, fast filled up and was soon overflowing. Concert over, Pataudi and Tony Lewis exchanged a few pleasantries with the maestro and left.

I dare say that Pataudi had unwittingly acted as a catalyst to convert quite a few of the Pop, Rock, Blues and Jazz aficionados among the young IITians to serious listeners of Indian classical music.

srinivasan.bhashyam@gmail.com

source: http://www.thehindu.com / The Hindu / Home> Opinion> Open Page / by S. Bhashyam / May 09th, 2021

Sheik Chinna Moulana’s recitals immortalised in digital format

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Tiruchirapalli, TAMIL NADU :

An old record of Sheik Chinna Moulana’s nadaswaram recital from his son Subhan Kasim’s collection.  

The archive is being maintained at ‘Alapana’, the 1950s-era house in Srirangam that was formerly Sheik Chinna Moulana’s residence.

Nadaswaram exponent Subhan Kasim has put the long spells of isolation caused by the lockdown this past year to good use by cataloguing at least 250 hours of music recitals by his grandfather and guru Sheik Chinna Moulana in a digital audio format along with a collection of video performances.

The archive is being maintained at ‘Alapana’, the 1950s-era house in Srirangam that was formerly Sheik Chinna Moulana’s residence and is now Mr. Kasim’s home.

“From the age of 14, I was interested in collecting music discs as a hobby. This shifted to cassette tapes and CDs. I still remember the gramophone which we had to crank up manually to play three-minute recordings in those days,” Mr. Kasim told The Hindu.

The archive is a good example of the advancements in sound recording technology, added Mr. Kasim. “At first we had releases from Columbia Records, [established in 1889], where the discs played only for three minutes. When HMV took over, LP discs introduced in the late 1950s, which allowed for up to 18 minutes of recording per side, made it easier to accommodate lengthier recitals,” he said.

Though he had meticulously preserved much of his grandfather’s work in various formats from an early age, Mr. Kasim opted to digitise the invaluable collection only recently, when some of the tapes started deteriorating. “Though I had the records from HMV and Columbia, the machines to play them were out of production. So I used digital technology to convert everything from wax records to spool tapes, cassettes and CDs into digitised copies, which I have saved in .mp3 and .wav formats.”

In addition to several complimentary discs given by recording companies, Mr. Kasim completed his collection of his grandfather’s work with the help of V.V. Sundaram, a key organiser of the annual Thiyagaraja aradhana (homage concert) in Cleveland, Ohio, and V. K. Viswanathan, a NASA scientist and ardent fan of Sheik Chinna Moulana.

Among the most significant recordings in the archive is that of a live concert in Chennai in the 1950s, whose broadcast by All India Radio had to be extended beyond its allotted two-hour slot to over three hours on popular demand.

The collection also includes the album of Sheik Chinna Moulana’s recital at Haus der Kulturen der Welt (House of World Culture) in Berlin released by German authorities as part of ‘Festival of India’ in 1991.

Mr. Kasim says the digital archive will be useful for aspiring artistes. “I am quite willing to guide serious students of nadaswaram, and share copies of the recordings with them. As per our grandfather’s guidance, the research and education will be free of cost.”

Mr. Kasim collaborates professionally with his younger brother Subhan Babu. Dr. Chinnamoulana Memorial Trust run by them has been encouraging the growth of traditional nadhaswaram music and supporting aging artistes since 1999. Both brothers are special nadaswaram artistes of Tirumala Tirupati Devasthanams.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Tiruchirapalli / by Nahla Nainar / Tiruchi – May 11th, 2021

Uttar Pradesh: Sahitya Akademi awardee falls to Covid-19

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Bahraich / Lucknow, UTTAR PRADESH :

pix: timesofindia.indiatimes.com

Lucknow :

Sahitya Akademi awardee and former PCS officer, Mohd Idrees Amber Bahraichi (71), died of Covid-19 complicat ..

He was the husband of All India Muslim Women Personal Law Board (AIMWPLB) president Shaista Amber.

Both Mohd Idrees Amber and Shaista Amber had tested negative for Covid-19 in their RT-PCR report which came out on April .

“Both my parents gave their samples on April 25 and tested negative. They were both at home. When my mother’s oxygen saturation level started dipping, I got a CT scan done for my parents which confirmed both of them had coronavirus infection,” said their daughter Aaisha Sumbul.

“My mother is currently on oxygen support at home and is not very stable and needs prayers,” she said

“My father was fine and all his other vitals were getting better too. Suddenly, he had a heart attack and a stroke and left us on Friday,” Aaisha said.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> News> City News / by TNN / May 09th, 2021

Yasmin Zaidi paints the pandemic

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UTTAR PRADESH / Mumbai, MAHARASHTRA :

Yasmin Zaidi’s new artworks reflect on the COVID pandemic, isolation and grief

Yasmin Zaidi has begun to paint grief. It comes through in her two new works: one shows a young woman holding chrysanthemums in her arms, with graves behind; another has masked, socially distant people along a stairway (to heaven?).

She asked her family what to name them, and got a number of replies: Viral Apartheid 2021, Loveliness and Loneliness. “I realised that everyone is feeling personally involved during this pandemic… They will give their own names to the paintings,” says the 70-year-old artist who paints flowers and people.

Zaidi has lived across India — Firozpur Jhirka (in Haryana), JK Puram and JK Gram (in Rajasthan), Delhi and many more — where she worked as an educationalist through her life, mostly in administrative positions, though she trained as an English and Social Studies teacher. “I taught art sometimes because I was just able to,” says the hobbyist, whose home, when growing up, was filled with letters and pictures. Her father, Syed Ali Jawad Zaidi, was an Urdu poet and scholar, and her grandfather dabbled in art.

Yasmin Zaidi   | Photo Credit: Special arrangement

She draws from the various elements of Nature she has encountered through life: The stairway in her current oil on canvas leads towards birch trees she retrieved from mental images of Kashmir. The red bottle brush and yellow tecoma in the ‘girl with chrysanthemums’ are from her ground floor flat in Mumbai, where she has a little garden. “My mother was very fond of gardening,” she remembers.

This time though, flowers have been used as a metaphor for the departed. Urdu poet Afzal Ahmed Syed’s Hamein Bahut Sare Phool Chahiye, which seems to allude to war and talks about how we need a lot of flowers to cover our dead, played in her head as she painted.

“When I paint, personal things come in — a book by Annie (her daughter, a writer), but the whole world was becoming personal,” she says of the shock waves that seemed to have affected everyone.

She hasn’t thought of selling: “I hardly think of the paintings as belonging to me.” She adds she wouldn’t know how to, and even if she did, it would go to COVID relief.

Right now, she’s recovering from a gall bladder surgery and is with her son in Pune. “I want to paint more, but I have run out of canvas, and it’s difficult to get it right now,” she says.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Art / by Sunalini Mathew / May 04th, 2021

Ismail Shariff the ‘Snow Leopard Man of India’ shares his journey

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TELANGANA :

What started as documenting his own life in Europe while pursuing his Masters gradually gained direction and came to focus on wildlife photography.

Hyderabad:

 His photographs of a snow leopard from Spiti, Himachal Pradesh broke the internet, literally. Yet the man is still calm, unassuming.

Ismail Shariff, Hyderabad-based nature and wildlife photographer, is known to wildlife and photography enthusiasts as the ‘Snow Leopard Man of India’. His long and passionate association with photography began in his student days. What started as documenting his own life in Europe while pursuing his Masters gradually gained direction and came to focus on wildlife photography.

Picking up his first camera in 2005, Ismail was treated to the magnificent sight of a huge male tiger in 2008 while on a trip to the Kanha National Park in Madhya Pradesh. That was the defining moment of his life. “It became one of the reasons for me to move back to India to pursue of wildlife photography and tourism here,” he said.

Ismail, an alumnus of the Hyderabad Public School, Begumpet, has been part of nine snow leopard expeditions in the last seven years with the recent one being in 2020, apart from several other wildlife expeditions. The first thing that strikes his mind about snow leopards is the long fluffy tail, blue eyes, thick fur and a true-blue cat attitude. Snow leopards are one of the world’s most elusive animals and the most common way to spot one is high up on the mountain ridges. After an hour or more of patient stalking in Spiti in 2017, he finally spotted a snow leopard passing by. The shots he posted on various wildlife photo websites are trending even today.

“I was obsessed with snow leopards ever since a photograph taken in 2012 by Dhritiman Mukherjee, India’s leading wildlife photographer,” said Ismail, adding that seeing the mysterious ghost of the mountains for the first time in Hemis National Park, Ladakh, was an unforgettable experience in itself.

Ismail said the snow leopard is a notoriously elusive creature. It is also listed as “Vulnerable” on the IUCN Red List since the global population is estimated to be between 4,000 to 6,000. India is believed to have less than 1,000. That adds stars to his journey from just another photographer to being called the Snow Leopard Man of India.

“There were struggles. My parents were expecting me to get a corporate job. But I chose photography as my career. It was tough initially, since you’ve to invest a lot of time and money with very uncertain returns to make a name. But at the end of the day, if you want to be successful, you have to be willing to work hard, even if it means making more than a few sacrifices along the way,” said Ismail, a Computer Science engineer from Central European
University, Budapest, Hungary.

He moved to Paris to work there for two and half years before wildlife photography took over him.

Ismail, who has had solo photography exhibitions on Snow Leopards even in Los Angeles and New York, also indulges in fine art printing. He also works with the Snow Leopard Trust in helping raise funds for their conservation efforts.

source: http://www.telanganatoday.com / Telangana Today / Home> Hyderabad / by Sowmya Sangam / May 01st, 2021

Bushra Alvi Razzack: (Not) lost in translation

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NEW DELHI :

Writer, translator and poet Bushra Alvi Razzack about her journey with words

At the book launch of Dilliwali, IIC

Meet Bushra Alvi Razzack – Founder of the poetry group, Delhi by Verse. She has compiled and edited Dilliwali: Celebrating the Woman of Delhi through Poetry (2018), an anthology by 94 poets. Her poems have featured in anthologies and online magazines, and her articles were published in Khaleej Times, Dawn, Rising Kashmir, among others. 

She just completed translating writer Manzoor Ahtesham’s Hindi novel, Basharat Manzil, into English, is translating Urdu writer Jeelani Bano’s short stories into English, and is working on her novel. Photography and old buildings are other fascinations.

our writing schedule?

I don’t follow a rigid schedule, but I plan to rectify that soon. A lot of ideas take root while commuting, and so I always keep a pencil and paper handy to jot down stray thoughts.

Does writing energise or exhaust you?

I would say both. It energises and is cathartic too. Creating something beautiful from a mere thought can be very satisfying. Translating is fun, but can drain you pretty soon. Sometimes, it’s really difficult trying to find the right word to convey in the target language. So, I leave that portion and come back to it later. It always works. I also switch between projects on whim. So, if a Eureka moment for the novel I am working on pops up during a dull phase in the translation, I jump and pursue it till i t ’s there in my headspace.

Writing advice for your younger self ?

If there’s a novel in your head, just write it quick because the idea won’t remain floating in your mind till you’re ready to tick off other ‘have-to-do-it-first’ things.

Your favourite books?

Top on the list is The Golden Treasury – poet Francis Turner Palgrave’s compilation of the best songs and lyrical poems, by the greats including William Shakespeare, John Milton, Alexander Pope, William Wordsworth and John Keats. This book was part of my school syllabus in Grade 8 and 9, and has been with me ever since. Then Pride and Prejudice by Jane Austen… one of the most adored love stories that finds an echo in Indian families too. I have taught this book as part of my teaching assignments. Z` Then Delhi by Heart, where Raza Rumi offers unusual perspectives into the political and cultural capital of India.

Literary success vs number of copies sold?

Literary success is that praise and acknowledgement I receive from readers on how they loved my writing and how it has touched them deeply. However, receiving awards for my writing would be great, once I have a larger body of work.

Favourite spot/s in Delhi to write at?

I find my creative juices flowing when in the midst of nature. At home, my writing table is set near the window so that I can see the trees and hear birds sing. When deciding which direction my story should take, a stroll through the shaded environs of my neighbourhood or the park, gets me on track. But poetry tumbles out in my observation of people – be it at home, on the road, a crowded space, etc.

source: http://www.newindianexpress.com / The New Indian Express / Home> Lifestyle> Books / by Bhumika Popli / Express News Service / March 08th, 2020

A tribute to Manzoor Ahtesham: A man buried in his books

Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), COVID 19 - Fatalities, , , , , ,

Bhopal, MADHYA PRADESH :

Manzoor Ahtesham was a Hindi writer from Bhopal, who raised important questions about the identity of the increasingly alienated Muslim minority

Decorated Hindi writer Manzoor Ahtesham signed off on a well-spent life in a hospital around midnight in Bhopal on Sunday last. When he breathed his last, he was in the company of a doctor and some paramedical staff as he was a COVID-19 patient and family members were not allowed.

He is survived by the families of two daughters and that of younger brother Aijaz Ghafoor, a well-known interior designer in Bhopal. Manzoor had recently lost his wife and elder brother to COVID-19.

Born in April 1948, Manzoor belonged to one of the middle class families of Afghan lineage in picturesque Bhopal. He was handsome, very polite, unassuming, and friendly. A gentleman to the core, Manzoor had a sensitive heart, a sharp mind, and frugal lifestyle. For more than seven years that I spent in Bhopal as Resident Editor of Hindustan Times from 2000, and even later during numerous visits to the city, I found people had only good things to say about him.

His parents wanted him to do engineering. He took admission, tried for a few years, but gave up, as his interest was in literature. When his brother Aijaz started a furniture showroom in late 70s, he requested Manzoor to help him out by being there. Aijaz fondly says, “Many visitors to the showroom would tell me that Manzoor Bhai was not to be seen, though he used to be around, sitting in one corner surrounded by books.”

Over my 35 years in journalism, I have interacted with numerous writers and public figures, but none can match Manzoor’s depth of understanding of world literature. There is hardly any classical or contemporary writer of repute in English, Hindi, and Urdu literature whom Manzoor had not read. “Our younger generation has stopped reading books,” he would often lament.

During one of the several evenings that I spent with him discussing poetry, novels, plays, and world affairs, he talked very fondly of Orhan Pamuk’s writings. It was in July or August of 2006 that he had told me he expected Pamuk to win the Nobel Prize in Literature that year. A couple of months later in October, Pamuk did get the Nobel.

Bhopal’s topography — an abundance of greenery, large water bodies, and generally pleasant weather through the year – also helped Manzoor’s literary sensibilities to flourish. I remember him telling me once that the name of his highly awarded novel Sukha Bargad (A Dying Banyan), came from Dela Wadi, a forest area near Bhopal having several banyan trees. The novel tells the story of a middle-class Muslim family’s struggle to come to terms with the transformation of Indian society after partition, particularly worsening Hindu-Muslim relations.

Some institutions, such as Bharat Bhawan, a premier multi-arts autonomous complex and museum, and theatre and literary personalities such as BV Karanth, Habib Tanvir, and Shani Gulsher Ahmed helped Manzoor hone his literary skills. His interest in theatre helped him get the role of a professor in Merchant Ivory Production’s film In Custody (Muhafiz in Urdu) in 1993.

In 2007, New York magazine cited Dastan-e Lapata, (The Tale of the Missing Man) as one of “the world’s best untranslated novels.” The book, which raises important questions about Muslim identity, was translated into English in 2018 by Jason Grunebaum and Ulrike Stark of the Department of South Asian Languages and Civilizations at the University of Chicago. It has received the Global Humanities Translation Prize.

Manzoor was a recipient of several awards such as Shikhar Samman, Bharatiya Bhasha Parishad Puruskar, Vir Singh Deo Award, and several others. The government of India honoured him with the Padma Shri, the fourth highest Indian civilian award, in 2003. However, writer and poet Rajesh Joshi was recently quoted in a Hindi newspaper saying that Manzoor had wanted to exchange his Padma Shri with his Sahitya Akademi award which Rajesh had got at about the same time.

Manzoor Ahtesham’s first published short story in 1973 was Ramzaan Mein Maut (Death in Ramzaan). Ironically, we lost him during this time of fasting and prayer.

source: http:///www.thehindu.com / The Hindu / Home> Society> Obituary / by Askari Zaidi / April 19th, 2021