Sabu Dastagir, or Selar Sabu, might be an overlooked name in Indian Cinema’s vibrant history but many wouldn’t be aware that he was perhaps the first actor to find bonafide success in Hollywood. These are the early 1930s that we refer to, much before the likes of Om Puri, Saeed Jaffrey, Irffan Khan or even Priyanka Chopra made their mark on the foreign shores.
Born in the Mysuru kingdom of the pre-independent India to the then king’s official mahout, Sabu was spotted at the age of 13 by director Robert Flaherty (or his wife, some sources claim) who would later cast him in the screen adaptation of Rudyard Kipling’s Toomai and the Elephants (from the Jungle Book). While portions of the film were shot in Mysuru, the rest of the film was shot in London which meant that Sabu was flown over, along with his brother, to England where he is said to have attended school for a brief period.
But this was only the beginning for Sabu Dastagir as he chanced upon more such golden opportunities with projects like ‘The Drum (1938), wherein he played prince Azim, or Zoltan Korda’s ‘The Thief of Baghdad’ in 1940 in which he played Abu, the outwitter who ultimately saves the princess. ‘The Thief of Baghdad’ won the Oscars for Cinematography, Art, and Special Effects while ‘The Drum’ ended up causing riots in Mumbai for its subservient attitude towards the British in the film.
Around the time of ‘The Thief of Baghdad’s release, the second World War was looming large over the entire world, and Sabu, during its peak, had just completed shooting for ‘Jungle Book’ in Hollywood.
He would go on to serve the American military and become an integral member of more than 40 air missions across the pacific as their tail or machine gunner. Along with the acting accolades he had received till then, Sabu also became a decorated military officer after being awarded the Flying Cross.
Sabu would then continue residing in the United States of American and become the face of the “Empire Movies” with several hits like ‘White Savage (1942)’, ‘Cobra Woman (1944)’, ‘Man-Eater of Kumaon (1948), and many more to his name.
It was on the sets of ‘Song of India’ in 1949 that he met actor and future wife Marilyn Cooper for the first time.
Sabu Dastagir breathed his last on 2nd December, 1963 in California, despite being in the pink of his health at the time.
source: http://www.timesofindia.indiatimes.com / TimesofIndia.com / Home> Entertainment> Kannada> Movies / by Swaroop Kodur / September 07th, 2021
Rasheed Artist is one among these people in Malegaon, who despite all odds went on to achieve such a position, which is difficult for many even under most favourable conditions
Rasheed Artist – renowned artist of Malegaon
The powerloom factories in Malegaon might have been the only available option for the Malegaonians, the deprived people of the Muslim dominated textile town in North Maharashtra. Yet the amount earned after working in these factories was sufficient till a few decades ago to make one’s end meet easily. This perhaps is the reason why the town has surprising number of poets, laureates, scholars and artists who would work in these factories like petty labourers during the day and then indulge themselves in creative activities till late in the evening.
Rasheed Artist is one among these people in Malegaon, who despite all odds went on to achieve such a position, which is difficult for many even under most favourable conditions. Hanging against the walls of the main halls inside the plush bungalows owned by the dignitaries in India as well as in various other countries in the world, Rasheed Artist’s paintings are point of attraction for visitors since many years. Fabulous achievement indeed! However the journey that led to these walls was not easy, and for Rasheed Artist, it needed a matchless and unprecedented effort since childhood.
Malegaon in the sixties though had quite a good number of schools, managements could hardly find a good drawing teacher during those difficult days. Under these circumstances having a professional artist to teach the art of painting to students using watercolor was beyond one’s imaginations. However Rasheed Artist was resolute. He was just 15 but when he failed in fulfilling his strong desire for commercial art in the corridors of the education campus, he decided to quit schooling.
“It was my craze for paintings that forced me to drop out of the school in the early age”, he recalled.
Holding brush in one hand and color box in the other, he began roaming here and there to satisfy his lust for Art. It was then that Wad Saheb, a Director at Camel, the stationary giant famous for manufacturing pencils, watercolor and other stationary items till recently, came to Malegaon. Wad Saheb, as Rasheed Artist described the renowned artist from Shimla, visited Malegaon as part of his nation-wide talent-search program.
“He visited Malegaon for consecutive years in the seventies, shared valuable tips with the students like us and organised painting and drawing competitions to encourage us”, Rasheed Artist said adding:
“In his second visit to Malegaon in 1968, I won the competition. Wad Saheb was thrilled watching the improvement I had attained in one year.”
In Wad Saheb, Rashid Artist found a mentor. But he was not a lord and any further continuation from now had become unbearable for his parents. To bear the expenses hence Rasheed Artist began working in a local powerloom factory along with his father – without of course sharing hardly any money with him for regular household needs. Rasheed Artist would work for three to four days in a week and the moment he would get some cash would rush to Mumbai and wander around the city’s art galleries in his humble and simple attire which is part of his persona even now.
“Jahangir and Taj Art Galleries in Mumbai were my favorite hunting grounds”, he recalled.
His encounter with the masters of the time – including the legendaries Jahangir Sabhawala and Sarvayya at these galleries are still the precious moments of his life.
“My comments and discussions would make them dumb. They could not believe a humble looking person like me had such a sound knowledge of canvas paintings.”, he said.
Rasheed Artist
In 1970, Rasheed Artist permanently moved to Mumbai,and started working on banners, sketches and art works for the upcoming films at V. Shantaram’s Mumbai Central Film Department. He was earning reasonably well now. But to earn was never in his priority list. Therefore he decided to leave Mumbai and return back to Malegaon where his talent soon witnessed a surprising turnaround.
“Innovation and creativity have always been my passions. Back in Malegaon, I began working on popular couplets of Urdu poets and tried to portray them in my paintings”, he recalled.
There was no looking back after that. He soon acquired perfection in transferring Urdi couplets over the canvas with amazing interpretational skills. Hundreds of canvas paintings portraying Urdu couplets by the poets like Mirza Ghalib, Firaq Gorakhpuri, Meer Taqi Meer, Majrooh Sultanpuri, Rahat Indori, Shabina Adeeb, Parvin Shakir and others were ready in quick succession. Subsequently, it became customary for the Malegaonians to gift Rasheed Artist’s paintings to the dignitaries who would visit the town.
While the one gifted to veteran musician Naushad painted on the famous couplet Aabadiyon main dasht ka manzar bhi ayega; Guzroge shaher se to mera ghar bhi ayega is still greeting the visitors in his hall, Shabana Azmi has put the one presented to her father Kaifi Azmi portrayed on Aik woh keh jinko fikre nashaib o faraz hai; Aik hum keh chal pade toh behr haal chal pade in her office.
Rashid Artist with his paintings.
Majrooh Sulatnpuri was lucky to get two paintings. Of these two, the one on Sutoone daar pe rakhte chalo saron ke charaag; Jahan talak yeh sitam ki siyah raat chale is in Canada and the other on Phir koi masloob hua sare rahe tamnna; Aawaze jaras pichle pahar taiz bahut hai is part of the splendid collection at Dubai Urdu Library.
Simultaneously, Rasheed Artist also perfectly worked on portraits of the people he loved the most. They included freedom fighters, world leaders, artists and poets. When Dilip Kumar visited Malegaon in 1980, he was thrilled to see his portrait. The portrait presented to him is now greeting the people at his Bandra residence. The portraits of Iranian leader Ayatollah Khomeini and Mirza Ghalib presented to Ferhad Parizaad of the Iranian Cultural Centre in Mumbai in 1985 are in Iran.
Today Rasheed Artist is the ultimate and globally recognized name when it comes to canvas paintings. In fact, he is perhaps the only artist in the Indian sub continent who portrays Urdu couplets over the canvas with such a sound interpretational skills. Yet Rasheed Artist has few more dreams in his life.
“Apart from writing a book on Sketching and Painting, it’s my dream to transfer the history of Urdu Ghazals from Ameer Khusroo till date over the canvas”, he said in a determined tone.
Rasheed Artist at this stage of his life is finding it easier to run the expenses of his family. However to run his dream project is of course an expensive affair. Moreover, looking at him who resolutely turned down the offers by popular art galleries in London and Australia to auction his paintings, it seems impossible for him to make any compromises merely for the sake of arranging funds needed to work on these projects. Yet one thing is certain. The stubborn in him would not let him sit idle. It would be really interesting to see how he achieves these targets.
[An abridged version of this article was published by The Times of India, on August 25, 2010 in its Nashik edition.]
source: http://www.ummid.com / Ummid.com / Home> India> Life & Style / by Aleem Faizee, ummid.com / June 13th, 2009
The revolt of 1857-58 is largely considered and is widely seen as a ‘Popular Uprising’. The uprising had centres spread across North India as well as Central and Western India. The uprising in different centres had its own leaders. The most important names associated with the uprising that comes in one’s mind are those of the Indian soldier Mangal Pandey at Barrackpore, Rani Laxmibai at Jhansi, Veer Kunwar Singh at Arrah, Maulvi Ahmad Shah at Faizabad, Tantia Tope at Kanpur, Begum Hazrat Mahal at Lucknow.
Peer Ali Khan
At the same time, there are many heroes who are largely unheard of or are often forgotten. One such name is that of Peer Ali Khan, a bookseller who led the uprising in Patna. Peer Ali Khan has been described as the “Chief Rebel of the city”[1] by William Tayler who was the Commissioner of Patna between 1855 and 1859.
Peer Ali Khan was born in Muhammadpur in Azamgarh district of Uttar Pradesh. Around the age of seven he ran away and arrived in Patna. In Patna he was provided shelter and refuge by a zamindar who brought him up along with his son and educated him.[2]Peer Ali Khan owned a bookshop in Patna. The bookshop became the meeting point for rebels and also a contact point for rebels and the disenchanted Indian soldiers in the British Army.
According to William Tayler:
“Peer Ali was a native of Lucknow, but had resided for many years at Patna; he was by trade, a Book-seller, and I strongly suspect that he may have originally established himself here, for the express purpose of carrying on the intrigues which issued in this abortive out-break.”[3]
Peer Ali secretly distributed important leaflets, pamphlets and coded messages to the rebels.
He regularly organised campaigns against the British, and became the leader of the July 1857 upsurge in Patna.
William Tayler in his narration of the events of 1857 in Patna says:
“Two days before the emeute at Patna, which will be described in a subsequent chapter, Ahmed Oollah’s father, Illahee Buksh, the blind man, whom I have above mentioned, sent a message to apprise me, that the leader of the Rebels, Peer Ali Khan, was collecting arms and men”.[4]
Uprising in Patna
The uprising in Patna took place on the 3rd of July 1857 and it was carried out by Peer Ali and the other rebels.
The rebels led by Peer Ali first attacked the house of a Roman Catholic priest in the heart of the city but the priest escaped. They then shot and killed Dr Lyell who was the principal assistant to an opium agent. When a reinforcement of British soldiers was sent to the scene of attack some of the rebels were shot and killed whereas others fled.
“The most serious affair at Patna, however, occurred about the close of the period to which this chapter more particularly relates. At about eight o’clock in the evening of the 3d of July, a body of Mohammedans, variously estimated from eighty to two hundred, assembled at the house of one of their number, one Peer Ali Khan, a book-seller, and proceeded thence to the Roman Catholic Church and mission-house in Patna, with two large green flags, a drum beating, and cries of ‘Ali! Ali!’ The priest, whom they probably intended to murder, fortunately escaped. They emerged into the street, reiterated their cries, and called on the populace to join them. Dr Lyell, principal assistant to the opium agent, immediately went to the spot, accompanied by nine Sikhs. He rode ahead of his support, was shot down by the rioters, and his body mangled and mutilated before the Sikhs could come up. A force of Sikhs and nujeebs speedily recovered the unfortunate gentleman’s body, killed some of the insurgents, and put the rest to flight.”[5]
In the aftermath of the attack, Peer Ali’s house was searched by the British, where they found and seized arms and a number of letters. He was designated as the leader of the upsurge by William Tayler.
William Tayler describes it as follows:
“Somewhat later in the day, the deputy Magistrate, Moula Buksh to whom the Magistrate had entrusted the investigation of the case, came to me in great triumph with some murderous looking arms and implements (among which was an English fencing mask) and a large packet of letters, all of which had been found in the house of Peer Ali Khan, the leader of the outbreak and Captain of the rebels;”[6]
“The letters discovered in his house serve to show, that, for several years past, he had been in correspondence with different parties, principally with one “Musee” ool “zuman”, a Lucknow man, who followed the same trade, and that he had, in communication with these parties, deliberately discussed and matured seditious plans against the British Government.”[7]
Thereafter, Peer Ali Khan and the other rebels were arrested and tried. Most of the rebels were hanged within hours of sentencing. Peer Ali who was believed to be the murderer of Dr Lyell was also handed death sentence for his overall role as the leader in the uprising of 3rd July 1857.
“….. numerous accomplices were seized during the next few days, and among them, after a short resistance, in which he was wounded, Peer Ali himself; ample evidence was, by the exertions of Moula Buksh, obtained, convicting these men of active participation in the outrage, 21 were hanged, 23 imprisoned.”[8]
He refused amnesty
After being sentenced to death, Peer Ali was offered amnesty in lieu of providing more evidence and information regarding the nature of the uprising, but nothing could break him. History therefore stands witness to the fact that this ordinary bookseller did not concede to the demands of the British and refused the amnesty. He accepted the gallows rather than a life of disgrace.
William Tayler goes on to note:
“After capital punishment had been pronounced upon him, I sent for him (as I generally did with such criminals) and questioned him in my private room, in hopes of eliciting some further information regarding the plot.
Heavily fettered, his soiled garments stained deeply with blood from a wound in his side, confronted with myself and several other English gentlemen, the last hope of life departed, not for a moment did he betray agitation, despondency, or fear.”[9]
Declining the pardon being offered, Peer Ali proclaimed:
“On being asked whether he could do anything to make it worth while to spare his life, he answered with supreme coolness and some contempt: “There are some cases in which it is good to save life, others in which it is better to lose it”. He then taunted me with the oppression I had exercised, and concluded his speech by saying, “You may hang me, or such as me, every day, but thousand will rise in my place, and your object will never be gained.””[10]
William Tayler seems to be in awe of Peer Ali and says:
“….. men, whose unconquerable fanaticism renders them dangerous enemies, and whose sternresolution entitles them, in some measure, to admiration and respect”.[11]
The Hanging
On 7th July 1857, Peer Ali was hanged in full public view in Patna. In present day Patna a children’s park opposite the DM’s office near Gandhi Maidan has been named the Shaheed Peer Ali Khan Park by the Govt. of Bihar to commemorate the sacrifice of this ordinary bookseller whose deeds made him extraordinary and memorable. The park is considered to be the place where Peer Ali was hanged in 1857.
Naming a park after a forgotten hero of the 1857 uprising goes a long way in making him and his contribution known to the people. Moreover, reading and writing about Peer Ali khan made me realize once again and ever more that our freedom is very hard earned. We cannot take it for granted. I and we all need to cherish it, nourish it and strengthen it.
[1] William Tayler, Our Crisis Or Three Months at Patna during the Insurrection of 1857, (2007 Reprint), Khuda Bakhsh Oriental Public Library, Patna, p.4
[3] William Tayler, Our Crisis Or Three Months at Patna during the Insurrection of 1857, (2007Reprint), Khuda Bakhsh Oriental Public Library, Patna, p.45
[4] William Tayler, Our Crisis Or Three Months at Patna during the Insurrection of 1857, (2007 Reprint), Khuda Bakhsh Oriental Public Library, Patna, p.30
[6]William Tayler, Our Crisis Or Three Months at Patna during the Insurrection of 1857, (2007 Reprint), Khuda Bakhsh Oriental Public Library, Patna, p.44
7William Tayler, Our Crisis Or Three Months at Patna during the Insurrection of 1857, (2007 Reprint), Khuda Bakhsh Oriental Public Library, Patna, p.45-46
8William Tayler, Our Crisis Or Three Months at Patna during the Insurrection of 1857, (2007 Reprint), Khuda Bakhsh Oriental Public Library, Patna, p.44
[9] William Tayler, Our Crisis Or Three Months at Patna during the Insurrection of 1857, (2007 Reprint), Khuda Bakhsh Oriental Public Library, Patna, p. 44
[10] William Tayler, Our Crisis Or Three Months at Patna during the Insurrection of 1857, (2007 Reprint), Khuda Bakhsh Oriental Public Library, Patna, p.44-45
[11] William Tayler, Our Crisis Or Three Months at Patna during the Insurrection of 1857, (2007 Reprint), Khuda Bakhsh Oriental Public Library, Patna, p. 45
source: http://www.thecrediblehistory.com / Credible History / Home> English> Freedom Movement> Others / by Kanupriya Gautam / October 20th, 2021
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Kanupriya Gautam : Kanupriya has done her Master’s in Modern Indian History from University of Delhi and has deep Interest in History, Politics and Literature.
source: http://www.thecrediblehistory.com / Credible History / Home> English> Freedom Movement / by Kanupriya Gautam / October 20th, 2021
Shams Tabrez Qasmi, the CEO and the chief editor of Millattimes, has been honoured with “Amar Shaheed Molvi Baqar Award 2021”.
The award is in the memory of the martyr and celebrated Urdu journalist Molvi Muhammad Baqar (1780-1857). The award was conferred upon him on 16th September 2021 in a programme held at the premises of the Press Club of India (PCI), 1 Raisina Road, Near Kirshi Bhawan, New Delhi-1 in the presence of the office bearers of the PCI and a good number of the journalists.
The award was presented to Mr. Qasmi in the recognition and appreciation of his commitment, dedication and continuous efforts in the field of journalism.
Millattimes, from its day one, had been covering the issues ignored by the mainstream media, specially the issues of the minority communities and the other weaker sections of the society.
The Award was sponsored by Media 24×7 and Abdul Sattar Memorial Educational Society.
The programme, wherein the award was presented, was held from the Press Club of India (PCI) to commemorate the 164th death anniversary of the Martyr of the first War of Independence 1857 and the famous Urdu journalist Maulvi Muhammad Baqar.
It was addressed by a galaxy of journalists like Mr. Jai Shankar Gupta, Member of Press Club of India, Satish Jacob, former BBC journalist, Meem Afzal, ex-MP, Ismail Zafar Khan, SK Pande, Arvind Kumar Singh, Qurban Ali, Maroof Raza, Masoom Moradabadi and others, besides chief guest Prof. Azra Mosavi, a direct descendant of Maulvi Muhammad Baqar’s grand family from AMU, Aligarh.
Congratulations to Shams Tabrez Qazmi (@ShamsTabrezQ) & Swati Mathur (@SwatiMathurTOI) for winning the award for best journalist in commemoration 1857 martyr, journalist Molvi Mohammad Baqar. A special function for the 164th death anniversary of First War of Independence was held pic.twitter.com/oTsNRCTft9
The Press Club of India resolved in its meeting held on 6th September 2021, in the presence of its President, Mr. Umakant Lakhera, Secretary General Mr. Vinay Kumar and other members, like Mr. A. U. Asif, Press Club of India’s executive member, to commemorate the death anniversary of the Martyr of the first War of Independence 1857 and the famous Urdu journalist Maulvi Muhammad Baqar.
It was also decided that an award after his name will be presented to two journalists every year along with an amount of 21,000-00 Indian Rupees.
According to the resolution, this programme was held on 16th September 2021 and two dynamic, youth, budding and promising journalists: Maulvi Shams Tabrez Qasmi, a Darul Uloom Deoband Alumnus and the Chief Editor of Millattimes and Swati Mathur, a JNU Alumnus and a reporter with The Times of India were felicitated with the award named after him.
मिल्लत टाइम्स के चीफ एडिटर शम्स तबरेज़ का़समी (@ShamsTabrezQ) और टाइम्स ऑफ इंडिया की पत्रकार स्वाती माथुर (@SwatiMathur06) प्रेस क्लब ऑफ इंडिया की ओर से अमर शहीद मोलवी मुहम्मद बाकिर पुरस्कार से सम्मानित । pic.twitter.com/yUVVmsWdtO
The Press Club of India (PCI), as stated at its website, is basically a meeting point for the journalists. The idea to set up the Press Club of India was first conceived by eminent journalist and editor Mr Durga Das in the early 1930s. When he had visited London as the editor of the Associated Press of India, he had chance to visit the London Press Club as well. It became a motivator for him to replicate the model in Delhi.
Eventually the Press Club of India was founded on December 20, 1957 and incorporated as a company on March 10, 1958. Mr Durga Dass, the then Editor of The Hindustan Times was elected its first president and Mr D R Mankekar, a veteran journalist, became the first secretary general of the Club.
Now, it is an important and oldest body of the Indian journalists which is run by the elected President, Secretary general and members.
Moulvi Muhammad Baqar, a scholar, a journalist and an Indian independence activist, was born in 1780 in Delhi. He received his basic education from his father. For further studies, he got admission in Delhi College. Following his graduation, he was appointed as a teacher in Delhi College in 1828. He served as a teacher for six years.
Along with being one of the best editors, he was a successful reporter as well.
He launched a weekly newspaper namely “Dehli Urdu Akhbar” in 1835. It survived for almost 21 years and proved to be a milestone in the field of the Urdu Journalism. With the help of this weekly, he played a significant role in social issues. The weekly brought political awakening in masses and united them against the tyrant British rulers.
It is a fact that Maulavi Muhammad Baqar always advocated for the unity among the Muslims and Hindus as he thought that it is necessary to get rid of British rule.
He was arrested on 14th September 1857 for revolt. On 16th September 1857, he was tied to the mouth of a cannon. Then he was fired mercilessly by Major William SR Hudson.
Thus he became the first journalist to be executed following rebellion in 1857 by the then tyrant British government ruling over India.
Mr. Qasmi, who was felicitated with Amar Shaheed Molvi Baqar Award, is fond of learning, reading and writing from his early age. He has penned more than one thousand articles and essays on religious, social and political issues. He is one amongst the few journalist of the new generation taken seriously in India. He is known as a courageous, bold and fearless journalist.
Being a student in the DUD, he wrote columns for Weekly “Aalmi Sahara” and Daily “Azizul Hind”. It was an honour for him that on 6th December 2014, Dr. Aziz Burney published his article on Babri Masjid in his daily newspaper Azizul Hind as editorial.
When he reached capital city Delhi, he started his career as the editor of known New Agency: “INS”. In 2015, he was offered to write a column for the daily newspaper “Khabren”, New Delhi.
Mr. Qasmi launched a News Portal namely “Millattimes.com” in January 2016.
Officially it was inaugurated by Maulana Sayyid Muhammad Rabey Hasani Nadavi, President: All India Muslim Personal Law Board in Mumbai. Currently it is most read and visited Urdu news portal from India. Along with Urdu language, Millat Times is also providing its services in English and Hindi languages. Its YouTube Channel is also available, where the ignored issues by mainstream media are discussed.
He has interviewed several towering personalities like Mr. Iqbal Ahmad Ansari, ex-Chief Justice of Patna High Court and General Zamiruddin Shah, ex-VC of Aligarh Muslim University to let the viewers know their lives, services and views on several topics.
The area of his main interest is issues of Indian Muslims, current affairs of the Muslim World and the Middle East.
On this auspicious occasion, I congratulate Mr. Qasmi from the bottom of my heart! Congratulations! I hope Millattimes, as a media house, will continue offering its services and covering the issues, under Mr. Qasmi’s able leadership, which are commonly ignored by the mainstream media houses. ****
Email: qasmikhursheed@yahoo.co.in
source: http://www.millattimes.com / Millat Times / Home> Opinion / by Khursheed Alam Dawood Qasmi / Millat Times Staff / September 19th, 2021
A bunch of Bohra women harness the power of social media to ace their careers, clad in their colourful traditional wear
The rida is the traditional attire of the women of the Dawoodi Bohra community, a sub-sect of the Shiite Muslims.
After an adrenaline-charged skydive from 15,000 feet in the USA, everyone around Arwa Merchant was in awe, not because of her daring performance, but for her insistence on doing so in the rida. She wrote about this in a blog post for Dawoodi Bohra Women’s Association for Religious Freedom in October 2019.
The rida is the traditional attire of the women of the Dawoodi Bohra community, a sub-sect of the Shiite Muslims. The two-piece dress is distinguishable from other forms of the hijab by its bright colours, decorative patterns and lace. With their roots in Gujarat, the members of this peace-loving trading community follow the teachings of their spiritual leader Syedna Mufaddal Saifuddin. Although embedded in a tradition dating back to more than 1,400 years, this two million-strong Dawoodi Bohras in India have never been shy to embrace the latest technologies. They even have celebrated festivals like Eid and Shab-E-Baraat online due to the pandemic.
Not one to fall behind, the women of the community have taken social media platforms by storm. From content creators to food bloggers to creating clothing brands, they have managed to expand their careers online, but without giving up their rida.
MariyaKanchwala, 31 Makeup artist and beauty influencer, Indore Instagram: 28,000 followers Kanchwala has carved a niche for herself in the glamour industry by showcasing her makeup skills while wearing her rida. After a brief stint as a public relations executive for a fashion brand, she turned her full attention to makeup. She started posting on Instagram in 2017 as a food blogger, but 2020 made her realise her passion for makeup and she began posting beauty looks on Instagram. In the past year, she has started working on beauty and looks projects for weddings and shoots for makeup.
Rashida Jawadwala, 20 Content creator, Neemuch, Madhya Pradesh Instagram: 32,700 followers Known online as GirlInRida, Jawadwala started posting comic content on Instagram while pursuing her degree in Computer Engineering from Indore in September 2020. And the follower count went up to 32,000 in a year. Jawadwala has brand deals from companies such as VLCC, Urban Clap and Dresscode. Also, offers came her way for anchoring TV and stage shows, but she declined them to focus on her studies.
Arwa Zakir, 25 Fitness expert, GoFit Studio, Salmiya, Kuwait Instagram: 4,200 followers Also known as GoFit Arwa on Instagram and YouTube, Zakir is a certified trainer from the American College of Sports Medicine and owns the GoFit Studio fitness centre in Salmiya, Kuwait, where she trains people of all ages and genders. Her parents are originally from Sagwara, Rajasthan, and until she turned 16 she never paid heed to her health and was an obese child. Today, she posts content around health and workouts on Instagram. Even though some people initially mocked Zakir for posting content in the rida, she never let negativity come in the way of her passion. Zakir believes that social media is the best place for small business owners to grow and for creative people to showcase their talent.
Winner of the 2019 Women Icon of the Year Award in the field of coaching and the Best Life Coach of the Year Award, Ghadiali conducts workshops and seminars on motivation, personality development, life skills, etc—both online and offline—along with personal therapy sessions. Born in Tanzania, but working in Mumbai for the past 17 years, she has a master’s in Counselling Psychology along with a Life Coaching Certification from the International Learning Centre, Manchester, the UK. Ghadiali started posting videos and content on Instagram and Linkedin in 2015 when she found a lot of misinformation being circulated about mental health. It helped her grow from 2,000 to 19,000 followers on Instagram, which helped her garner many clients as well.
source: http://www.newindianexpress.com / The New Indian Express / Home> Magazine / by Zainab MM / December 12th, 2021
Rare RD 350 HT added to cricket legend’s large collection.
Mysore/Mysuru:
Former Indian cricket captain M.S. Dhoni has a large collection of cars and bikes at his Ranchi home. The latest addition is a Yamaha RD 350 HT bike built by restoration expert from Mysuru Syed Jadeer Husnain. The mean machine was delivered to Dhoni last month.
This competition green-coloured bike may be the 34th or 35th RD 350 bike Dhoni has, Syed said. The all-new paint looks fantastic with white contrast that gives it a rich tone.
A resident of Manti at Belavatha in Mysuru, Syed restores RD 350 bikes. In fact, he restored one gold-coloured RD 350 for himself and he took both the bikes to Ranchi to show his craftsmanship. “Now, the gold RD 350 carries Dhoni’s autograph on the fuel tank which makes it a priceless bike in my own collection,” Syed told SOM.
“I am a fan of Yamaha RD-350 and I try to make the best of that bike to find true pleasure. By profession I am a building construction contractor but I love to live my dream,” Syed said.
Picture shows an ecstatic Dhoni at his Ranchi farm house after riding the gold coloured RD 350 HT
Chance to meet Dhoni
On how he met Dhoni, Syed said that a close friend of his, who was in touch with Dhoni’s friend, shared the contact. “I had a restored RD 350 HT bike then which was the 19th bike that was rolled out in India and one of the best projects we had completed. My friend told me to contact Dhoni and get the bike included in his collection since it was a collector’s item. But it did not materialise,” he revealed.
After upgrading the next bike to the 1973 model as per US specification with minute detailing such as colour, seat shape and installation of disc brakes, Syed sent the photos of the competition green bike to Dhoni’s friend, who in turn showed it to Dhoni.
“Dhoni liked the photos and wished to see the vehicle in his farm house at Ranchi. This particular RD 350 was my own project bike which was built to US specification which is entirely different from the Indian Rajdoot specifications. After the project was successfully completed, we discussed it with Dhoni’s friend and the meeting with the legend happened,” Syed explained.
Painstaking process
On the restoration process, Syed said that he and his team first checked the bike for broken, damaged and worn out parts before replacing them. “The spare parts are restored before disassembling the bike so that it can be easily painted and fixed without any problems. Then the bike was disassembled and was divided to different teams for mechanical works, engine overhauling, painting and chrome-plating. New parts were sourced from different parts of India,” he explained.
“Everything was done to make the bike a perfect beast and was assembled. This bike was restored in six months but the process of collecting spares started six months ago,” Syed said.
Syed has different teams to work on his projects. “I try to make the best bike and people who work with me on my projects are all specialists. We specialise in two-stroke engines like Yamaha RX series, Suzuki Shogun and Shaolin,” Syed said.
After the message that Dhoni wanted to see the bike, Syed and his team had the challenge of covering the bikes with packing materials to prevent scratches while being transported in a train. He, along with his wife’s younger brother and a mechanic, boarded a train to Ranchi in November.
A dream come true
“Dhoni is a fantastic gentleman who spared his time to look at our creations. I got goose bumps when he came in front of me. When we started discussing, I fumbled for words and I admired his passion and interest. He showed me his huge collection. For me it was like a dream come true to meet him in person,” Syed said.
Later, Dhoni took the bikes for a spin. “His eyebrows rose after the rides said it all,” revealed Syed. Dhoni later autographed the gold-coloured RD 350 tank. The cricketer also signed a few posters and posed with Syed for photos.
Yamaha RD 350 was one of the most powerful two-wheelers in the late 1980s and also India’s first performance-oriented bike. It had a 347 cc two-stroke twin cylinder engine that was de-tuned for the Indian markets to produce lesser power of about 30.5 bhp on the High Torque (HT) version and 27 bhp on the Low Torque (LT) version.
‘Race Derived’
The RD 350 from Japan was introduced in the Indian markets under the name Yamaha Rajdoot RD 350 by the Escorts Group from 1983 to 1989. Despite the common notion, RD stands for ‘Race Derived’ and not Rajdoot. It was given the name ‘Rapid Death’ because of the frequent fatal accidents because of its power.
The RD could go 0-100 in about 7 seconds and reached a top speed of around 160 kmph in the top gear. It had a price tag of Rs. 18,000 when it was launched in 1983 and Rs. 30,000 by the time it discontinued, which was expensive then. A well maintained RD 350 bike will now cost between Rs. 2 lakh to Rs. 2.5 lakh, if at all it is available.
source: http://www.starofmysore.com / Star of Mysore / Home> News> Top Stories / December 12th, 2021
Emperor Aurangzeb’s 217.80 carat Shia amulet is world’s largest engraved emerald
The largest engraved emerald gemstone in the world – The Mogul Mughal Emerald, weighing 217.80 carats.
This emerald tablet dates back to the year 1695. It belonged to the Mughal Emperor Aurangzeb who reigned between 1658-1707 and is adorned with the names of the Fourteen Infallible Guides: the Prophet Muhammad, Fatima al-Zahra and the Twelve Imams of Ahl al-Bayt ending with “wal-Mahdi al-Qaim.”
The gem is on display as part of the Al Thani Collection at the Museum of Islamic Art, Doha, Qatar, after it was acquired from Christie’s for $2.2 Million USD.
Emperor Aurangzeb’s 217.80 carat Shia amulet is world’s largest engraved emerald
The translation of the inscription reads: ‘O Merciful One, O Compassionate One, O God. God bless Muhammad and ‘Ali and Fatima and al-Husayn, and al-Hasan and ‘Ali, and Muhammad and Ja’far, and Musa and ‘Ali, and Muhammad and ‘Ali and al-Hasan and the Steadfast [al-Qaim] al-Mahdi.
source: http://www.therahnuma.com / The Rahnuma Daily / Home / August 19th, 2021
He was the Chairman of Indo Arab League and tirelessly worked for the Palestinian cause
pix: therahnuma.com
Hyderabad:
The Editor of Urdu Daily Rahnuma-e-Deccan Syed Viqar Uddin Qadri passed away on Thursday night after a prolonged illness. He was 82 years old.
For a few months, Qadri was under treatment in a private hospital. Yesterday, after Maghrib he suffered a massive cardiac arrest and passed away at 11:30 p.m.
Qadri was the Chairman of the Indo-Arab League and tirelessly worked for the Palestinian cause. He was a reputed journalist with integrity and was very popular among his friends, peers, and relatives.
He had close personal relations with the former Iraq President Saddam Hussein, the ex Palestinian Authority President Yasser Arafat, and the current Palestinian Authority President Mohammad Abbas.
He organized many meetings under the banner of Indo Arab League which were attended by the Palestinian President Yasser Arafat and Indian Prime Minister Indira Gandhi and other prominent world personalities.
Qadri was awarded the “Star of Jerusalem” the highest Palestinian civil award. He was the first and only Indian to receive this award.
He was also awarded the highest civilian award “Sahibul Jllallah” by Morocco King Mohammed IV. His older brother Syed Lateefuddin played a key role in uniting different Muslim groups in Hyderabad. Lateefuddin had passed away in the 1970s.
Qadri was also close to the ex AP Chief Minister N T Rama Rao and has served as Chairman of the Minority Financial Corporation. He is survived by his two sisters.
His funeral prayer will be held in Mecca Masjid after the Friday prayer. His body will be put to rest in his ancestral graveyard at Hazrat Musa Qadri Dargah at Purana pul.
source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / by Mohammed Hussain Ahmed / December 10th, 2021
The Jawad Memorial Prize for Urdu-English translation was instituted to honour the literary legacy of poet and scholar Ali Jawad Zaidi (1916-2004).
Bilal Tanweer (left) and Aalim Akhtar (right)
This year’s Jawad Memorial Prize for Urdu-English translation has been given jointly to Aalim Akhtar’s translation of Hari Bol, written by Zakia Mashhadi, and Bilal Tanweer’s translation of Parasite (Keera), written by Bilal Hasan Minto.
The Jawad Memorial Prize for Urdu-English translation was instituted to honour the literary legacy of poet and scholar Ali Jawad Zaidi (1916-2004). People from across the world can apply with an unpublished translation into English of an (already published) Urdu short story or essay. All submissions are judged blind.
While there are no runner-ups, the jury — comprising authors M Asaduddin and Aakar Patel — had commendations for two translations. Nazia Akhtar’s translation of Chhottam Jaan, written by Zeenath Sajida, and Fathima M’s translation of Shadows (Saaye), written by Khalid Jawed.
In its comments, the jury called Akhtar’s translation of Hari Bol “lucid and accessible”. It remarked that the language was direct and the translation was close to the original text. “Mashhadi’s Hari Bol depicts life lived at a most basic level. The story examines the complexity of human relationships with an unsentimental, even pitiless gaze,” the jury noted.
Tanweer’s translation of Parasite was applauded by the jury for drawing both major characters with great skill, panache, and a clinical eye for detail. “The translation is free-flowing, an elegant rendering from the original,” it said. The jury mentioned that Manto’s Parasite is an unusual and enjoyable story, bordering on surreal. “It draws its strength from the portrayal of characters, which include a tapeworm,” it added.
Akhtar is a PhD scholar at the Center for English Studies, Jawaharlal Nehru University (JNU), New Delhi. After pursuing a Bachelors’ degree at Delhi University’s Kirorimal College and a Masters’ degree at JNU, Akhtar has taught undergraduate students at JNU and at Zakir Hussain Delhi College, DU. As part of the translation studies course at his current centre, Aalim has translated over 25 micro-fictions by Manto, a play, Anarkali by Imtiaz Ali Taj, and some nazms by Jaun Elia. He has also reviewed Srikant Verma’s Relapse: A Novel, translated by Krishna Baldev Vaid, for The Book Review (Sept 2020).
Tanweer’s novel The Scatter Here Is Too Great won the Shakti Bhatt First Book Prize and was shortlisted for the DSC Prize for South Asian Literature, and the Chautauqua Prize (US). The novel was also translated into French (Editions Stock) and German (Carl Hanser Verlag). His translation of Muhammad Khalid Akhtar’s novel and stories, Love in Chakiwara and Other Misadventures, received the PEN Translation Fund Grant.
source: http://www.indianexpress.com / The Indian Express / Home> Books & Literature / by Aditya Vaddepalli / December 05th, 2021
Numismatists and real estate mogul Rezwan Razack was conferred an honorary doctorate on Tuesday by GD Goenka University.
The honorary doctorate was conferred on him during a special convocation attended by Chancellor of the GD Goenka University Renu Goenka, Pro-Chancellor Nipun Goenka, Vice-Chancellor Prof. Dr Tabrez Ahmad, Chairman of M3M group Basant Bansal, and Registrar of the university Dr Dhirendra Singh Parihar. Prof. Dr Tabrez Ahmad, Vice-Chancellor of the GD Goenka University, praised Razack for his contribution to numismatic studies and research.
Rezwan Razack is Co-Founder and Joint MD of Bangalore-based Prestige Group and is hailed as the largest collector of Indian currency. He is also the founder of South India’s first currency museum in Bengaluru, one of the largest and most authentic collections of Indian paper money and coins. He is co-author of the Revised Standard Reference Guide to Indian Paper Money.
After receiving the honorary doctorate from the GD Goenka University Razack said it was an honour for him. A graduate of prestigious St. Joseph College Razack is also the current chairman of the International Bank Notes Society-India Banknote Collectors’ Chapter.
source: http://www.thecognate.com / The Cognate / Home> Business / by The Cognate News Desk / November 25th, 2021
