Category Archives: Arts, Culture & Entertainment

The future of the Ajmer dargah

Ajmer, RAJASTHAN :

A view of the dargah of Moinuddin Chishti in Ajmer

Ajmer’s dargah of Moinuddin Chishti is undergoing massive restoration work

The dargah of Moinuddin Chishti, fondly remembered as Khwaja Garib Nawaz, or the benefactor of the poor, in Ajmer, will, in two years’ time see a restoration and an incorporation of modern facilities. Considered a holy place of hope, where people from different denominations believe their prayers will be answered, the dargah was built in the 13th century. The tomb was constructed in wood, later covered with a stone canopy. In 1579, Akbar reconstructed the sanctum sanctorum and built the dome. It was renovated in later years by Jahangir, Shah Jahan, and Jahanara.

The project, a part of the CSR wing of Hindustan Zinc Limited, is headed by architect Surbhi Gupta, a heritage management consultant. At present, the dargah that was organically built with various materials, ranging from brick and marble to sandstone, is seeing restoration and redevelopment of the interiors of the Mehfil Khana, widening of gates, structural consolidation, facade work in the courtyards, cleaning of stone surfaces, and new terracing in lime concrete.

“There is no single language of design or material as the dargah was never planned systematically,” says Surbhi, working on one of the most important pilgrimage sites of South Asia with members of her studio Rasika that specialises in heritage management.

The square structure of the royal darbar (Mehfil Khana),was built in 1888 AD. She says it “has been painted over as a part of living tradition. The idea is to bring out its character as a space meant for performances. The architectural character needs to be revived to bring back the original identity of the structure. The patterned ceiling will be designed on the lines of Kashmiri Khatambandh (a woodwork ceiling with a carved geometric pattern), and Mughal stone inlay flooring,” says Surbhi.

Work is also going on at the famous Shahjahani Gate, built by the Mughal emperor Shahjahan to mark the expansion of the dargah complex beyond the Buland Darwaza.

The project — under the Swacch Bharat Abhiyan — also revolves around sanitation, cleanliness, and waste management within the dargah’s periphery. The work entails providing clean drinking water for pilgrims, building toilets, and kiosk management.

“Every day, seven tonnes of rose petals are wasted. For the flower-waste disposal, a compost waste converter has been installed.” As the Khwaja was known far and wide for his large-heartedness and hospitality, the dargah distributes degh ka khana (food from a cauldron) comprising rice, almonds, cashew nuts, raisins and ghee. “The food is prepared in two big deghs , which were made during Mughal emperor Akbar’s reign. A retort packaging machine (sterile packaging of plastic and foil) has been installed to increase the shelf life of food from three hours to three months.”

Feeding into the Swacch Bharat Abhiyan, Surbhi says that her team is working on the revival of wudu (Islamic ritual purification) points so that pilgrims can wash their hands, face and feet before offering namaz. Right now, the overflow leads to a cesspool of water. “We are also building newer ones that are aesthetic as well as functional,” says Surbhi, who from her days in college at CEPT, Ahmedabad, has been interested in heritage structures.

She chose Chunnamal ki haveli in Old Delhi, as a research project. “On the ground floor were shops, first and second floors were residential spaces. It had five chowks (internal courtyards). And it was built as an organic edifice over many decades during the 18th century,” she says.

Meanwhile, she hopes to look at the parts around the dargah. “The approach street is famous for food, craft and gota work done on the chadar laid at the dargah by devotees. We have proposed a facilitating centre that includes a large shopping space, kiosk, and toilets inside the complex,” she says.

source: http://www.thehindu.com / The Hindu / Home> Society> History & Culture / by Madhur Tankha / Septemeber 03rd, 2019

“I believe in intuition while cooking”, Zohra Seemee

NEW DELHI :

Zohra Seemee(L), her recipe book “Zaykah India Ka”

The month of Ramazan has entered its last leg and thus it is possible that the items on the Iftaar table at dusk must be getting mundane. Here, Awaz-the Voice spoke with Zohra Seeme, author of “Zaykah India ka” and founder of NGO Social Pride Welfare Society about how to pep up the Iftar platter for the family.

 “I learnt cooking after I got married..”, was Zohra Seeme’s reply to how and when she learnt how to cook. Zohra said as shewas distributing ration on behalf of Mahila Panchayat (an NGO she collaborates with) to the needy when Awaz the Voice reached her for a tete-a-tete.

Here’s her top dishes that can be tried this Ramazan:

Potato-Chicken Patty: potatoes boiled and mashed properly are used as a base that are then filled with minced meat of either chicken or mutton. Minced meat or keema that is prepared by roasting it with bare minimum spices and a dash of onions till cooked properly. 

Chane ki dal ke pakodas with Keema (Gram flour fitters filled with minced meat): preparing the gram flour dough by kneading it with a bit luke warm water, add salt to taste, take small portion, roll it flat, fill it with minced meat (as done with potato chicken patty) and just deep fry it or bake it (whatever suits you best). 

Zohra says, “I was the youngest at my place, thus I never touched a thing, but after I got married, my partner ate less but rich food, thus my journey of preparing food started..” “I don’t particularly follow any book, I believe in intuition rather..”, she replies when asked about her mantra behind the delicious recipes.

She adds, “I make up mind as and when I enter the kitchen, I try to think of flavours in my mind and when they click, I try to lay them on the dining table..”

A complete iftar table as laid out by Zohra Seemee

Asked about some oil-less, health conscious recipes she says, “ well, there’s Ghugni (a local name for chana dal soaked overnight and prepared with a dash of lemon, salt, black pepper, and finely chopped onions, tomatoes..”

A healthy potpourri can be prepared by taking sprouts of your choice(soak black gram, green lentils, yellow gram overnight), and just add lemon, salt, black pepper and salad of your choice.

When asked about an all time favourite recipe of her kids she says, “I prepare chicken roast, that is one recipe that is loved by all..”

Here’s the recipe: boil the preferred choice of meat with salt, garlic, ginger and water. Separate the water from the meat when tender. Add a pinch of fine flour (maida), edible food colour and either pan fry or deep fry the same. When done it is served with preferred salad dressing.

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Women / by Shaista Fatima, New Delhi / April 24th, 2022

MDMK fields ‘Nizam Maama’ in Palayamkottai

Tirunelveli, TAMIL NADU :

People Welfare Front’s candidate for Palayamkottai K.M.A. Nizam of MDMK. — Photo: A. Shaikmohideen; Fatima Babu, MDMK candidate for Thoothukudi.

A social worker for Thoothukudi and a retired teacher for Nagercoil

The Marumalarchi Dravida Munnetra Kazhagam, a constituent of Desiya Murpokku Dravida Kazhagam – People’s Welfare Front, has fielded party’s Tirunelveli city district secretary K.M.A. Nizam, popularly known among the Palayamkottai residents as ‘Nizam Maama.’

Though he has not contested any election in the past, Mr. Nizam, a Grade I contractor, has held various positions in the party and is quite popular among the residents of Palayamkottai, thanks to his ‘helping tendency,’ especially to the needy.

When over 3,000 government employees and the teachers laid siege to the Collectorate recently as part of their Statewide indefinite strike, Mr. Nizam provided them lunch – both vegetarian and non-vegetarian, tea and dinner for two days.

Whenever he is approached for providing lunch for the participants of conferences, seminars in colleges here, he would oblige gleefully, saying that those who teach the younger generation should not be allowed to run from pillar to post for their professional needs.

Mr. Nizam will take on DMK’s T.P.M. Mohideen Khan and AIADMK’s A. Thamizh Magan Hussein.

The MDMK has nominated former MLA T. Sadan Thirumalaikumar, a doctor, at Sankarankovil (reserved) segment. He was elected to the Assembly from neighbouring Vasudevanallur (reserved) constituency in 2006 and had unsuccessfully contested the Lok Sabha polls at Tenkasi (1991 and 2014), Assembly polls at Rajapalayam (1996) and Assembly by-poll in Sankarankovil (2012).

Nagercoil

Marumalarchi Dravida Munnetra Kazhagam has fielded a retired teacher, Rani Selwyn, in Nagercoil constituency.

Ms. Rani is the State deputy secretary of the party’s women’s wing. She unsuccessfully contested for the post of Nagercoil Municipal Chairperson in 1986 and 1996.

The party has fielded 68-year old Sampath Chandra, chairman of the Kanyakumari District Central Cooperative Bank, in Colachel constituency.

Tuticorin

Marumalarchi Dravida Munnetra Kazhagam , a strong ally of DMDK –PWF, has fielded Fathima Babu (64), former Associate Professor of English, St. Mary’s College, in Thoothukudi. Ms. Babu is a familiar face in Thoothukudi. She is a social worker and an environmental activist. Thoothukudi Mayoral election during 2011 saw Ms. Babu as one of key contenders.

She has held various responsibilities such as Executive Committee Member of Thoothukudi Town Beautification, Senate member of Manonmaniam Sundaranar University, and State Convener of Fishermen Movements of Tamil Nadu and Puducherry. This candidate was conferred with ‘Greenpeace International Award’ in recognition of her efforts to protect the planet’s environment. Thoothukudi district administration honoured her at the Republic Day celebration in 2011 for outstanding social service.

source: http://www.thehindu.com / The Hindu / Home> News> National> Tamil Nadu / by Madurai Bureau / Tirunelveli / April 17th, 2016

Meet Mohammed Shamim, The Delhi Gravedigger Dealing With The Dead During COVID-19

NEW DELHI :

As the number of COVID victims rose in Delhi, more and more bodies needed a final resting place.

And that’s probably why Cemetery Supervisor Mohammed Shamim at ITO cemetery had no choice but to turn families away and risk his life to bury those who died of COVID-19. “I am fighting corona daily. I have not taken a single day off since the lockdown and come to the cemetery every day. I don’t even go to my home and sleep here only as no other person is ready to come here,” Shamim said.

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Gravedigger Mohammed Shamim brings a rope to use for burial of a coronavirus victim at a graveyard in Delhi. The death toll from coronavirus in Delhi has reached a reported 176.

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Shamim instructs relatives of a coronavirus victim before burial at a graveyard. As of May 20, the total number of confirmed coronavirus cases in India stand at 1,07,819. 

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“I’ve been burying the dead for the last two decades. But until now, I’ve never been scared for my own life,” he said to AFP.

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Shamim sanitises his gloves before the burial of a COVID-19 victim. He always keeps a santiser bottle with him.

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He uses his mobile phone after a burial.

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Shamim rests in his room after the burial of a COVID-19 victim. He has moved his four daughters to his parents’ house to prevent the risk of them catching the disease.

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Mohammed Shamim prepares a rope to use it to lower a body into a grave.

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Here, he’s seen directing an ambulance carrying the victims of COVID-19.

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He talks to the relatives and asks them to put on protective suits, gloves, and masks for the burial ceremony.

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“People just refuse to come help with the burial. What can you do? I have to step in,” he said, describing “heartbreaking” scenes, like when only a wife and a small child came to the funeral of one man.

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Shamim receives a rope to use for the burial of a coronavirus victim at a graveyard. “I always felt safest around the dead and most vulnerable in the outside world. Now I find it difficult to sleep at night,” he said.

Inputs From AFP

source: http://www.indiatimes.com / India Times / Home> Trending> Social
Relevance / by Bhupinder Singh / Inputs fr9om AFP / July 21st, 2020

Shafakath Hussain is the new President of HIF Qatar unit

Mangaluru, KARNATAKA / Doha, QATAR :

Shafakath Hussain

Shafakath Hussain from Mangaluru was unanimously elected as the president of the HIF Qatar unit here on Friday. The election was held at the annual general body meeting of the forum at Doha.

Shahim Mohammed  was elected as general secretary and Suhaib Ahmed as treasurer of the forum.

HIF outgoing president Rizwan Ahmed  presided over the meeting and welcomed the gathering. 

General Secretary Shahim Mohammed gave power point presentation of work done by forum in past 2 years and gave details about work done during the pandemic period.

Leaders of various organisations attended the meeting that was compered by Suhaib Ahmed.

source: http://www.english.varthabharati.in / Vartha Bharati / Home> Gulf / February 11th, 2022

Abdul Razak Puttur is new President of South Kanara Muslim Welfare Association Doha

Dakshina Kannada (South Canara), KARNATAKA / Doha, QATAR :

Doha:

South Kanara Muslim Welfare Association a charitable organization, hailing from southern Part of Karnataka State, elected Mr. Abdul Razak Puttur, as its new President for 2022 -2024 at their recently held 29th Annual General Body Meeting.

The Annual Meeting started with the recitation of Holy Quran by Master. Shazil Jameel.

Outgoing President Mr Abdul Majeed presided over the function and briefed the members about the committee’s activities during the year 2020 and 2021. Kasim Udupi Welcomed the Gathering., Nasir Ullal and Sathar Montepadav Submitted Annual Report and Financial Report. Vote of thanks was given by Abdul Razzak Puttur.

The committee unanimously elected Mr Abdul Razak Puttur as President for the term 2022-2024. Other officer bearers for the proposed term are: Mr Abdul Kasim Udupi and Mr. Mohammed Shareef (Vice Presidents), Mr Mohammed Imran Bantwal (General Secretary), Ismail MN(joint Secretary) Mr Abdul Nasir Ullal, (Treasurer), Afzal Jameel (Joint Treasurer), Mr.Shameer Mahin, Mr. Mansoor, Mr.Sathar, Mr.Imthiaz and Mr.Imran (Event Secretaries) The new committee also selected Abdul Majeed Moodbidre, Firoz Kundapura, Ibrahim Beary, Abdul Majeed Haleyangadi, Abdulla Monu, and Ismail Jokatte as the advisor committee members. Nasir Manjeshwar, Suhaib Ahmed, Rizwan Ahmed, Abdul Hameed Haleyangadi, Abdul Khader Hanan, Rasheed Kakkinje, Ameer Hamza, Adam, saleem Ullal, Ilyas Beary, Abbu Jokatte, Abdul Rasheed, Abdul Khader Jeelani were elected as event coordinators.

The new President Abdul Razak Puttur congratulated the outgoing team for successfully completing their tenure. He expressed his gratitude to the committee members and promised that with the new team he is confident of taking the eminent legacy of SKMWA to newer heights. The event concluded with the vote of thanks by Vice President Abdul Kassim Udupi.

source: http://www.english.varthabharati.in / Vartha Bharati / Home> Gulf / May 15th, 2022

Preserving the beauty of tradition is a way of life for the Razas

Lucknow, UTTAR PRADESH :

In a believe-it-or-not type of story, a ‘heritage’ house in Lucknow owned by a descendant of the erstwhile Nawabs, who once ruled the region, preserves an ambience that may have prevailed in many royal households centuries ago.

A visit to Syed Masoom Raza’s family house, Saltanat Manzil, near City Station, located in a sprawling one acre campus, is like stepping into a time machine and getting transported to a bygone era.

This house boasts of a 55-feet tall clock tower, and a drawing room full of antiques such as a violin, radio, chandeliers, and sofa sets that are all more than 100 years old. Other antiques one could see include coins, pen nibs and even fire extinguishers. The walls are adorned with handwritten letters and awards that the family had received at different periods in the past.

Royal grandeur: The Raza family members love to follow their customs though it could be cumbersome at times (right) Syed Masoom Raza with his wife Naseema 

As you enter the house, Masoom Raza greets you with the customary adab and a domestic aide offers you a glass of water in a silver glass. Directions are issued for tea.

It is another matter that when one can get instant tea, it takes more than one hour to prepare tea in Raza’s house with all the etiquettes.

“We have been living like this for ages. Our daily chores are also done in the same manner. It takes time but we feel inner satisfaction and pride that we are living the blue lineage,” says Raza.

The stone plaques reflect that the house was opened by the then state governor C W Guwyne of British era. “We belong to the family of nawabs and are descendents of the Law Minister during the regime of the first king of Awadh,” reveals Raza.

The female members of the family also take pride in following the customs, even though at times it proves cumbersome for them. “There is nothing like fast food in our house. The cooking takes several hours and our domestic aides take care of it. The food is laid on a common dining area which is itself a reflection of a variety of Awadhi cuisine,” says Naseema, Raza’s wife.

Their daughter Haya Fatima presently pursuing engineering too is at ease living in this style where everything moves at a lethargic pace. “We use modern gadgets, but even our computer table is an antique,” she adds.

source: http://www.theweekendleader.com / The Weekend Leader / Home / by Mohd Faisal Fareed / Volume 3, Issue 3 / June 26th, 2011

In Kolkata, history builds bridges between communities

Kolkata, WEST BENGAL :

Sabir Ahamed leading a KYN walk. Photo: Special Arrangement

Neighbourhood walks resume after pandemic to promote communal harmony

While history has turned out to be a source of confrontation in some parts of the country, with the Taj Mahal and the Gyanvapi mosque once again in the news for the wrong reasons, history is building bonds between communities in Kolkata.

A social experiment called ‘Know Your Neighbourhood’ or KYN, which began in 2016, has returned after a pandemic-forced gap of two years, and is once again using history — through neighbourhood walks — to dispel apprehensions and promote communal harmony in West Bengal.

The next walk is in June, and the one held most recently — on April 23, during Ramzan — had led to the 1784-built Niyamatullah Ghat Masjid in north Kolkata. The mosque visit was held under what KYN organisers call Dosti-ki-Iftar, which has Muslims and non-Muslims breaking bread together, and saw about 150 participants, several of them non-Muslim women who were allowed into its premises for the first time.

“The idea came to me in 2015, when communal violence was taking place in parts of West Bengal — in Barasat, in Naihati. Rumours were being spread and there were cases of lynching. That’s when we realised that there was inadequate information and adequate misinformation about Muslims. KYN is an attempt to bridge the gap between communities using dialogue as a tool,” Sabir Ahamed, national research coordinator with the Pratichi Trust, and the convenor of KYN, told The Hindu.

“Neighbourhood walks in an important tool of dialogue because even though we share the same geography and live in the same city, we do not go to each other’s neighbourhoods or bother to find out about each other’s customs. Hatred breeds in this atmosphere of ignorance. Today, KYN has become a popular campaign, aiming to tackle religious prejudices and dismantle stereotypes,” Mr. Ahamed said.

The initiative, according to him, has succeeded in breaking new ground. During one of the walks, non-Muslim women climbed to the top of a minaret of the famous Nakhoda mosque for a majestic view of old Kolkata. Participants also discovered that water from the Hooghly river is used for ablutions before the offering of prayers at the mosque.

“Many young people admitted — after our events — that they harboured hatred because of misinformation and that they had changed their minds. A young lady told us that she never got into a cab if she found the driver to be a Muslim. Many students often refuse field surveys in Kidderpore (a locality with a large population of Muslims) because they fear something might happen to them, many believe that all you see in Muslim neighbourhoods is green flags — we need these ideas to change,” Mr. Ahamed said.

“That’s why we would like to work with colleges and univarsities to bring about a lasting change in the way we know each other. We are working with Presidency University and other colleges,” he said.

Samata Biswas, who teaches English at the Sanskrit College and University, said of her experience at recent walks in Kidderpore and in Taltala: “They reminded us of the confluence of faiths, cultures and people that has created modern Calcutta. From the Tamil church at Kidderpore to the historic Calcutta Madrassa which is older than both Presidency and my own institution — this aspect of Bengal’s history is often forgotten, the one that has Anglo-Indians, Jews, Parsis, Muslims, Tamils and Afghans living and working together in Calcutta.”

She added: “The trip to Baker Hostel, where Sheikh Mujibur Rahman was a resident, reminded me of the shared history of the two Bengals and Calcutta’s contribution to Bangladesh’s Liberation War. These are stories we seldom hear — stories that remind us that Calcutta is not merely for and by the Bengali bhadralok (elite), and that it has accommodated multiple cultures, institutions, cuisines and religious beliefs.”

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Kolkata / by Bishwanath Ghosh / Kolkata – May 14th, 2022

Just like old times

Bengaluru, KARNATAKA :

Musical duo Lucky Ali and Mikey McCleary, who first worked together on O Sanam, is collaborating again after almost 11 years for an album, Intezaar, the first song of which is out and trending.

Singer Lucky Ali. (File | PTI)

Bengaluru :

Lucky Ali turns to music to express himself. He might never be in a hurry to create tunes, but Ali makes sure the wait is worth it. The singer is now out with his latest album Intezaar, which has touched over 2 million views.      

Ali’s loungey music has always been popular among music lovers and Intezaar has something to it that makes it a crowd-puller too. The music of the album is by composer and long-time associate Mikey McCleary. The first time McCleary and Ali worked together was for the singer’s first album Sunoh in 1996, which created magic with the song O Sanam. The duo subsequently went on to work on many projects but is back together after a long break.

Ali says this is the first of many songs that is going to be out. “It’s an album, but we’ll be releasing one song at a time,” says Ali, adding that the composition was done a while ago but they were waiting for the right time to release it. The lyrics are by IP Singh which was a ‘new experience’ for Ali. “IP brings in more depth and has worked around the tunes,” he adds. 

When the seasoned musical duo took a break from working together, 63-year-old Ali says it gave him time to explore live shows. “Music took me to live experiences where I overcame stage fright. Performing live was a new experience all together,” says Ali. 

Meanwhile, McCleary has been a shining star in the Bollywood music scene, whose last project was in Priyanka Chopra and Farhan Akhtar-starrer The Sky is Pink. This song, for McCleary, has been about revisiting some of his older ideas. “Intezaar was actually an idea that we had worked on around 10 years ago. I was going through some of the older works and found a rough outline.

After developing the work, I showed it to Lucky who really liked it,” says McCleary, speaking to CE from New York. “I loved working on it because even if it is not a fast track, there is an uplifting feel to it. It’s a nice track that feels appropriate for the times we live in,” he adds. 

In times where remixes are trending, McCleary’s music, especially his remix of Khoya Khoya Chand for the movie Shaitan in 2011, has revamped the notion of remixing old classics. “My interest in classics, like Hindi film songs from the ’50s and ’60s, came from my wife (Diksha Basu, an author), who used to play Geeta Dutt’s classics. She encouraged me to experiment with that and I started doing that as a passion project,” says McCleary.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Monika Monalisa, Express News Service / May 02nd, 2022

Relevant and potent, Naseem is our regional recco this week

INDIA :

The film takes a subtler and restrained turn on the wake of a communal violence surrounding the demolition of the Babri Masjid

A still from the film Naseem
Sourced by the correspondent

Consider these film titles. Albert Pinto Ko Gussa Kyun Aata HaiSalim Langde Pe Mat RoMohan Joshi Hazir Ho! Arvind Desai Ki Ajeeb Dastaan. Each of them catchy and original. All these titles share a common thread. They are directed by Saaed Akhtar Mirza, one of the most important chroniclers of Indian parallel cinema. Perhaps, it is this fascination with titles that leads to his final film Naseem that released in 1995, which opens with the eponymous protagonist (debutante Mayuri Kango) asking what her name means, in a way addressing the audience’s curiosity as well. It means the morning breeze, her grandfather (played by the late poet Kaifi Azmi) says. The same scene reveals itself again, towards the final act. What blends so beautifully here is how a director meets the needs of character and the audience with disarming ease, through his most succinctly titled directorial, given most of his feature film titles are so iconic.

Naseem, which earned Mirza National Awards for Direction and Screenplay, takes a subtler and restrained turn on the wake of a communal violence surrounding the demolition of the Babri Masjid. Unfolding in 1992, it tells the story of teenager Naseem as she faces the contrast between two different Indias — one that she imagines from the stories recounted by her bedridden grandfather and the other surrounding her in the present with constant threats. As Naseem makes her way through the increasingly intolerant nation that surrounds her, she becomes a thread that connects both the past and present worlds.

Surekha Sikri and Kulbhushan Kharbanda play her anxious parents, slowly processing the changes, fearing for their daughter’s future more than theirs. Mirza paints Naseem with a stubborn paletteof bright colours, collectively letting the audience see the world through his protagonist. For Naseem, whose life revolves in getting good grades in school and helping her mother with household work, nothing else really matters. When a normal working day at school is cut short due to the growing curfew, Naseem goes to catch a Shah Rukh Khan movie with her classmates. At the local shop she befriends the wife of the Hindu shopkeeper, but her friendship is tested as time goes by. She notices it too but does not let it affect her.

This unaffected sense of teenage naivete is what drives the narrative forward. Mirza provides his happy-go-lucky protagonist with a constant sense of wonder and awe. Naseem teaches her classmates how to whistle. Her bargaining power with the local vegetable seller is a winner. Yet, in all these innocent moments, there are echoes of chaos and commotion. Naseem reads the newspaper for her grandfather, “There is tension in Faizabad. Muslim families are leaving….” She is told to stop. Truth is at a distance, yet threatening to break through the morning breeze in all its delirium.

In a brilliantly scripted scene, her grandfather recounts an incident from the time Indians were fighting for independence from the British. Naseem’s mother complains that she never heard this version. So he revisits the same story but with a different perspective. This is Mirza’s plea of recognising stories as part of history, not to be defined only as an amalgamation of facts and important figures. Real people lived too, and howsoever small, their accounts of defiance are part of the same shared history. “Hum bhi toh thhe,” insists her grandfather. Kaifi Azmi’s presence in the film is particularly important. He composed Doosra vanvaas right after the Babri masjid massacre took place.

Mirza had described Naseem as, “the epitaph of my dream of India that I wanted to see”. There is a silently overpowering dichotomy in Naseem, between innocence and ignorance, between restlessness and resilience. Naseem captures Mirza nurturing a seed of hope in a ground that breeds hate and violence. The dream that Mirza builds in Naseem is constantly charged with the fear of waking up to the frightening reality. At the end, it is a requirement. It is an inevitability.

source: http://www.telegraphindia.com / The Telegraph Online / Home> Entertainment / by Santanu Das (t2 Intern) / April 19th, 2022