Gazala’s interest in Sanskrit began at the government primary school in Nishatganj where her teacher ” Meena ma’am” taught her Sanskrit in class V
Gazala has been reciting Sanskrit shlokas, the Gayatri Mantra and Saraswati Vandana at cultural programmes in the University
Amid the row in Karnataka over Muslim students not being allowed to wer hijabs to college, a Muslim girl from Lucknow was adjudged the best Sanskrit scholar in November last year and was handed over gold medals by Dean Of Arts Prof Shashi Shukla during a faculty-level medal distribution ceremony on February 10.
Gazala’s achievement is proof that one’s skill has nothing to do with one’s religion, and everyone should have equal access to education. Gazala is the daughter of a daily wager who succumbed to cancer, and her two younger brothers and elder sister gave up their studies so that she could pursue hers.
Gazala has been reciting Sanskrit shlokas, the Gayatri Mantra and Saraswati Vandana at cultural programmes in the University.
She resides in a small one-room house located in the narrow lanes of Nishatganj. The 23-year-old wakes up at 5 am every day to offer namaz, do her household chores, and then study Sanskrit for seven hours straight to gain in-depth knowledge of the subject.
Gazala, without a doubt, wants to be a Sanskrit professor. She is now the winner of five gold medals for being the best student of MA (Sanskrit) at Lucknow University.
“These medals are won not by me but by my brothers Shadab and Nayab who left school and began working in a garage at the age of 13 and 10 years respectively so that I could study,” said Gazala.
Her elder sister Yasmeen, too, began working in a utensil shop while her mother Nasreen Bano took care of all of Gazala’s requirements.
“These five medals are for all five of us,” Gazala added.
When asked why she wants to be a Sanskrit professor, she said, “Bhashasu mukhya madhura divya girvan bharti. Satrapi kavyam madhuram tasmadpu subhashitam (Of all the languages, God’s own language Sanskrit is the mother: divine, and most lyrical. In Sanskrit, poetry is more melodious wherein good verses hold prime position).”
Gazala’s interest in Sanskrit began at the government primary school in Nishatganj where her teacher “Meena ma’am” taught her Sanskrit in class V.
“Thereafter I got admitted to Aryakanya Inter College and got a brilliant Sanskrit teacher, Archana Dwivedi. As a result, I scored very well,” she added.
“These are Nagma Sultan, who taught me Sanskrit during BA at Karamat Hussain Muslim Girls’ PG College, and Prayag Narayan Mishra, at LU during MA,” she said.
“My Sanskrit knowledge and interest often surprise people who ask me how being a Muslim I developed a love for the language. They ask me what I will do with it, but my family always supported me,” said Gazala.
She also said, “You can’t imagine how big these medals are for a person like me who just dreams of getting a study table and a laptop one day so that I don’t have to attend online classes on the phone.”
Gazala now wants to pursue a PhD in Vedic literature. Eventually, she wants to become a civil servant.
source: http://www.indiatimes.com / India Times / Home> Trending> Social Relevance / by Aishwarya Dharni / February 11th, 2022
Rural women of Bihar engaged in doing Kheta embroidery work. | Picture by author arrangement
Kheta is said to be a 500-year-old quilting heirloom practised exclusively by Shershahabdi women. Today, Kheta embroidery work is getting popular among non-Shershahabdi people with many women formerly associated with making Beedis taking to Kheta work to earn a decent livelihood.
Bihar :
Razia Khatoon of Kishanganj district of Bihar is getting 45 days of training in Kheta embroidery work. The training will be completed on May 14 and is done under Project Samarth, a scheme for capacity building in the textile sector carried out by the government of India. Earlier, she would make Beedi (plant leaf cigarettes) as a livelihood. She said Kheta has given her a chance to get rid of the health hazards that making Beedi brings on.
For several workers like Razia, the Kheta embroidery work, after acquiring proper training, is expected to be an alternate livelihood instead of the hazardous Beedi rolling job.
Believed to be a 500-year-old quilting heirloom practised exclusively by Shershahabdi women, today the Kheta embroidery work is getting popular among non-Shershahabdi people. Earlier, the intricate embroidery work was done on the layers of pre-used print Sarees and chequered Lungis etc, however, today the use of new clothes for making Khetas is widely done.
“Shershahabdi is a term used for Muslims of the Seemanchal area of Bihar who were settled in the region by emperor Shershah Suri. They are said to be ethnic Pashtuns mixed with local Surjapuris,” Ashraful Haque, a Shershahabdi, who co-ordinates with the Kheta weavers, told TwoCircles.net.
“Kheta is so intricate and organised that officials from Delhi first refused to believe it as a handcraft. When a live demo was done, they were immensely impressed. After the efforts of the local member of parliament Dr Mohammad Jawed, who raised this question of Kheta in the Parliament, we have got this opportunity to train our women not only in making more vibrant Khetas but also make them aware of its marketability,” he said.
To make Kheta embroidery work as a source of income, the artwork is being introduced in new forms with the use of new clothes. This embroidery work is now done on bedsheets, notebook covers, bags, pillow covers, mufflers, table clothes and handkerchiefs etc.
As of now, seventy thousand workers are believed to be associated with this artwork.
Noticeably, unlike other embroidery works, Kheta avoids figurative depictions which are considered to be forbidden in Muslim culture. The colours used for Kheta are generally bright like red, green, yellow, blue, and purple.
Razia, 24, is a Shershabadi woman, and like every other Shershahabadi female, she knew a bit of Kheta.
She expressed her happiness in learning new designs and colour patterns of Kheta. She used to earn around 1$ per day by Beedi making. She now hopes to double her income by part-time Kheta making.
More than the money she is happy as she considers Kheta work as “Izzat wala kam (a respectful job.)”
Another trainee Rulekha Khatoon’s husband is a migrant labourer. Khatoon is 25-years-old and is doing Kheta work regularly for the last six years. She learnt the technique from her mother and grandmothers. “Earlier we used to make Kheta only for family purposes like dowry and gifts etc. This training showed us that we can sell our work too. I hope to earn Rs. 3000-4000 per month with the work of 3-4 hours,” she said.
47-year-old Tajgara Khatoon is a top trainer of Kheta. She told TwoCircles.net, “A needle and some threads are required to do wonders in Kheta embroidery but not without great painstaking concentration. Shershahabdi women learnt it naturally but this training is giving them a wider range of patterns.”
Inderjit De and Saumya Pande of Zameen Astar Foundation write in their paper on Kheta embroidery, “The term Kheta stands for straight running stitches in the local dialect and refers to both embroidery and the product. In its similarity to the word, Khet meaning farm, the term Kheta may resemble the meticulous lines of the paddy fields.”
According to the website involved in the promotion and marketing of Kheta, “the array of designs offered by Kheta resonates with ripples of water, materials used in building make-shift huts, flowers, dry fruits, leaves, among many more.”
Yuman Hussain is the executive director of Azad India Foundation which is actively involved in promoting Kheta and arranging training for workers.
Yuman told TwoCirles.net that the “training helps in benchmarking the skill level and understanding the quality control. It formalizes the knowledge transfer and helps in keeping the next generation interested in continuing the quilting practice.”
The training also provides the trainees with an artisan card with benefits like insurance and access to participate in different exhibitions.
“On average, a Kheta artisan can make 4 to 6 quilts (96″ x 60″ size) in a year. They can earn anything between Rs 10000 to Rs 30000 per year depending on how many quilts they are making, sizes of quilts, the skill level of quilting etc,” she said.
Yuman rued that even though most Shershabadi women know how to make Kheta, the supply of skilled artisans is less. “The work needs to be done on both sides to build awareness in the market and a supply chain base for these quality quilted Khetas,” she added.
Sami Ahmad is a journalist based in Patna, Bihar. He tweets at @samipkb
source: http://www.twocircles.net / TwoCircles.net / Home> Lead Story / by Sami Ahmad, TwoCircles.net / May 05th, 2022
Modelling professional, rugby player and dermatologist among role models.
(From left) Bilkes Perveen, Saba Ali Firoz and Suraiya Rahman. Gautam Bose
A young woman set a condition to her would-be husband that she would marry only if she was allowed to pursue sports after wedding.
A girl whose neighbours once complained she wore jeans pursued her dream and became a fashion model, an entrepreneur and an anchor-presenter.
Several Muslim women who refused to tread the steps that many others wanted them to — get married, have children and live a domestic life — are now successful professionals. They came together at a gathering on Thursday afternoon.
The women will be feted by the NGO Friends of Alumni of Colleges Educational Institutes and Schools (FACES) and Mashriq Education Trust next week.
The Telegraph listened to some of their stories:
Bilkes Perveen
Anchor, model and entrepreneur
She was once frowned upon for wearing jeans. Bilkes, in her early 30s, who grew up on Convent Road in central Kolkata, said she was probably the only girl in her community in the neighbourhood who wore a pair of jeans.
“My neighbours were not happy with me wearing jeans. It was a very conservative space where I grew up,” she said. But she didn’t budge.
When she was 18, Bilkes took a night-shift job. She would go to her workplace wearing jeans or trousers. “I was 18. I wanted to be financially independent. Relatives and neighbours questioned why I took a night job. They wanted me to marry and have a kid instead of working. Fortunately, my parents stood by me,” Bilkes said on Thursday.
Life had better in store for her. At 19, she took up a job with a bank. It is while working there that she found her future husband, Tanmay Chatterjee. “Tanmay has always been very supportive. He wanted me to be a role model for others. After marriage I set up a company named Perveen and Chatterjee,” she said.
Bilkes wants to help women who have dreams but are afraid of defying the moral police. “My company trains Muslim women in personality development,” she said.
Bilkes herself hosts events as anchor and is also a model for a sari brand. “I am today happy with what I am doing,” she said.
Saba Ali Firoz
Rugby player and stylist
Saba had set a condition to her husband before marriage — she would pursue sports, her passion.
“My husband was fine with it,” said the 39-year-old mother of two.
She continues to do it despite unsolicited comments meant to fetter her. “I had to wear short skirts for playing, for which I had to hear comments like ‘you are not Sania Mirza’. Wearing a short skirt is a taboo,” she said.
Daughter of a retired police officer, Saba, a resident of Metropolitan off EM Bypass, got inducted into sports from her early teens by her father. “I did sprints and long jumps. It was my father who inspired me to take up athletics.”
Saba’s interest in sports spans disciplines. She has represented her club CCFC in rugby. She has played darts, badminton and tennis. She has also inculcated the passion for sports in her kids. Her 15-year-old son has represented the state in swimming and her 9-year-old daughter is training in swimming and basketball.
Imran Zaki, president of Faces, one of the organisers of Thursday’s get-together, said Muslim women were usually not encouraged by the society to take up sports and continue that after marriage. “It is to Saba’s credit and her will that she has managed to do what she loves. She is the one to emulate,” said Zaki.
As a professional, Saba runs her own studio at her home. She is a stylist and a make-up artist.
Suraiya Rahman
Gynaecologist and owner of a hospital
Suraiya earned her MBBS degree from Bihar in 1967. She was the only Muslim woman in her batch. She later completed her MD from Kolkata in 1975. Again she was the only Muslim woman in her batch.
“There were objections from relatives and acquaintances. They thought it was disgraceful for a woman to go to a convent school and a medical college,” she said. “But my parents never let those objections reach me. My younger sister is a gynaecologist,” she said.
If Suraiya was a rare example in her student days, she is one even now. At 76, Suraiya is running a hospital on Dilkusha Street near bridge number 4 in Park Circus. She does procedures, looks after the daily administration and advises junior doctors. “I am only 76,” she said when applauded for being so active at her age.
Farah Khan, director, Mashriq Education Trust, said: “Suraiya Rahman is a role model for the entire community. So many young doctors from our community, both women and men, look up to her.”
source: http://www.telegraphindia.com / The Telegraph, Kolkata / Home> My Kolkata / News> Women’s Empowerment / by Subhajoy Roy / June 10th, 2022
Amid the gloom, there is a whiff of fresh air. A young woman photojournalist has made Kashmir proud by winning the prestigious Pulitzer Prize this year.
Sanna Irshad Mattoo became the first Kashmiri woman photographer to win the Prize.
She is among the three from India to have won the award this year. Besides, Sanna, slain Reuters photographer Danish Siddiqui and Adnan Abidi have won the award for their images about Covid’s toll in India.
Siddiqui was killed last year in Afghanistan.
Sanna Irshad Mattoo has won the prestigious Pulitzer Prize award in the feature photography category for 2022.
“Congratulations to @adnanabidi, @mattoosanna, @AmitDav46549614, the family and friends of the late, @dansiddiqui, and @Reuters. #Pulitzer,” Pulitzer announced on Twitter.
Sanna, who holds a Master’s in Convergent Journalism from the Central University of Kashmir, has her work published in international media outlets, including Al Jazeera, TIME, and TRT World. She has also done a fellowship with the prestigious Magnum Foundation in 2021.
“Sanna Irshad Mattoo is a photojournalist and documentary photographer based in Kashmir. Ranging from groundbreaking news to in-depth storytelling, her work concentrates on depicting the tension between the seeming ordinariness of life and the stark symbols of a menacing militarised milieu of Kashmir. Her work has been published in newspapers and magazines around the world and has been screened and exhibited in various exhibitions and festivals. She presently contributes to Reuters as a Multimedia Journalist,” Sanna’s Pulitzer introduction said.
In 2020, three Jammu and Kashmir photojournalists Dar Yasin, Mukhtar Khan, and Channi Anand won the prestigious Pulitzer award. Established in 1917, Pulitzer Prize is an award for achievements in newspaper, magazine, online journalism, literature, and musical composition within the US.
source: http://www.indiatomorrow.net / India Tomorrow / Home> Featured> Inspiring Personality / by Ishfaq-ul-Hassan / May 10th, 2022
Shahid sahab or Shahid bhai, as he was called by most, was not a writer or a poet himself but helped many become successful writers, poets and researchers.
Shahid Ali Khan at his Bookshop in New Delhi. Photo: Mahtab Alam
Since the onset of the pandemic, so many gems from the world of Urdu language and literature have been lost that I have now lost count. It was only last year that a few of us compiled a list of at least 75 Urdu writers and poets who had passed away. It included the likes of Shamsur Rahman Faruqi, Anand Mohan Zutshi ‘Gulzar Dehlvi’, Rahat Indori, Mujtaba Hussain, Nusrat Zaheer and Asrar Jamayee. Notably, this list does not include any Urdu writers, poets, researchers and translators outside India.
This year so far, we have not been able to gather the courage to collate such a list. I am sure the numbers are higher than last year, even though we are still to go through more than half the year. While it’s true that not all succumbed to the virus, the pandemic coupled with the lockdown ensured that most of the friends, admirers and other Urdu lovers were deprived of having one last glimpse or participating in the last journey of their favourite literary heroes.
One such person was Shahid Ali Khan, whom we lost in April this year. He passed away in the wee hours of April 21. This news was not wholly unexpected, as he was 91 years old and was not keeping well for the past few months. Despite that, when the news of his death reached me, I was engulfed in an inexplicable layer of grief. In fact, I felt more helpless than sad. Helpless because despite my strong will to participate in his last journey, I could not do so as I was down with a high-grade fever myself and had been briefly hospitalised due to COVID-19.
Shahid sahab or Shahid bhai, as he was called by most, was not a writer or a poet himself, but he helped and enabled many to become successful writers, poets and researchers. Ram Prakash Kapoor, who retired from the Bhilai Steel Plant, recounts in an article that Shahid sahab encouraged him to write in Urdu and invited him to write a guest editorial for one of the issues of Kitab Numa, a magazine of which Shahid sahab was the editor. Thanks to Shahid sahab’s constant encouragement, Kapoor went on to author at least two books in Urdu after his retirement.
Nai Kitab bookshop in Jamia Nagar, New Delhi. Photo: Mahtab Alam
Like Kapoor, there are probably dozens of writers who were nourished by Shahid sahab during his lifetime. Amongst his admirers included noted writers such as Shamsur Rahman Faruqi, Mujtaba Hussain, Shameem Hanafi, Sughra Mehdi and Sadiq-ur-Rahman Kidwai. For many years, he was also associated with the Maktaba Jamia, the Urdu publication division of Jamia Millia Islamia. The Maktaba is one of the largest and longest surviving Urdu publishers in India. He had joined the Maktaba in 1951 as a junior clerk and retired as its general manager in 2006.
He had also worked as the in-charge of Maktaba Jamia’s Mumbai branch. According to noted screenwriter and playwright Javed Siddiqi, there was a time when the Maktaba in Mumbai used to be packed with writers, poets, journalists, professors and (then) young lovers of literature like him. So much so that people had to take refuge on the steps of the Maktaba and the footpath outside it. It was a place for debate and discussions on issues related to literature and beyond. Every Saturday evening witnessed a literary gathering in which Urdu lovers from across the city used to participate.
It is here that he befriended writers and poets like Jan Nisar Akhtar, Meena Kumari, Sahir Ludhianvi, Kaifi Azmi and Jagan Nath Azad. Some of them were regular visitors at the Maktaba. There are several interesting stories about their friendship which can be heard here in his own words. Though he had left the city several decades ago, several Urdu writers and journalists who used to visit the Maktaba (located near JJ hospital naka) would tell me of how they missed Shahid Sahab’s presence.
He continued to attract and host Urdu lovers in Delhi. It would often happen that whenever an Urdu lover visited the city, they would make it a point to meet him. One of the reasons behind this was that he possessed an encyclopaedic knowledge about Urdu and its literature. He also often had Urdu books which were not available in the market. At times, he would also make arrangements for books on request.
After his retirement from the Maktaba, he started an independent publishing house and book store in Jamia Nagar by the name of Nai Kitab and a quarterly literary journal by the same name. It is here that I met him for the first time in 2007. Though the magazine ceased to be published after a few years – owing to his growing age and deteriorating health, he continued with the book shop even though it was time for him to take a break. “The bookstore is like oxygen for me,” he had once told me. It was open till a few months before the lockdown in March last year.
One of the attractions for me while visiting Jamia Nagar (after having shifted out) was to meet Shahid sahab and spend some time at his bookshop. It was not just another bookshop where one would primarily buy books. It was like a centre of learning and Shahid sahab was always there to host you no matter how young one was. He was a guide for those interested in Urdu and wanted to know more about the language and its literature.
During my umpteen visits to the bookstore, I always found him surrounded by people – poets, writers, journalists, researchers and students of varying ages. He would always pay individual attention to each visitor and if you were regular, you were likely to be treated with black tea and chips. It was no surprise then that Urdu lovers missed his warmth when the bookshop was closed.
“It is not just a bookshop but an institution where one got to meet noted writers and lovers of Urdu literature,” young Urdu poet Rizwan Khan, who used to visit the shop at least twice a week, told me last year. “I miss the black tea and chips that Shahid sahib served us with love and affection,” he recalled, adding that “he is a storehouse of information, and several veteran writers were his friends, so he would tell us stories all the time.”
In my own case, after enquiring about his khabar-khairyat on each of my visits, he would say, “Achcha aap bahut dino baad aayen hain, ye nayi kitaabein aayi hai dekh lein (You’ve come after a long time, here are some new books for your perusal),” pointing towards the book rack where new arrivals were kept or those that were on his table. It is no surprise to me that some of the best Urdu books in my personal library are from his shop, often on his recommendation. I had been reading the works of noted Urdu writer Shaukat Thanvi in the past few days, all brought from his shop and which are either out of print or seldom available in the market.
Shahid Ali Khan and other staff of Maktaba Jamia (Mumbai) with Zakir Hussain, former president of India and VC of Jamia Millia Islamia. Photo: Shahid Ali Khan: Ek Fard, Ek Idara (Arshia Publications)
It is our misfortune that despite requests from several admirers, he never paid heed to write his biography or memoirs. Had he done so, we would not have been deprived of the knowledge and stories which have now gone with him. In my understanding, he didn’t write his memoirs for two reasons. He was always busy with work and never had the time – so much so that his children would say that the Maktaba (and later, Nai Kitab) was his first love. Secondly, and more importantly, he hardly ever spoke about himself.
He had a special interest in young researchers of Urdu. God only knows how many of them he has helped by supplying important books and literature for their research, providing guidance (what to read, whom to interview or contact) and getting their work published.
There are many who claim to be, or are often referred to as Khadim-e-Urdu (Servant of Urdu). But I have not met a servant of Urdu like Shahid sahab. He was a selfless benefactor of Urdu and his services can’t and shouldn’t be forgotten. Now that Shahid sahab is no more, it is unlikely that the bookshop will open again. Even if it does, it will never be the same.
source: http://www.thewire.in / The Wire / Home> Culture / by Mahtab Alam / June 01st, 2021
Thiruvananthapuram girl enters India Book of Records for Warli paintings
Thiruvananthapuram :
Najiya Navas, a graduate from Thiruvananthapuram, has entered the India Book of Records by drawing pictures in the technique of Warli painting, an art form unique to the tribal community of North Sahyadri Range in Maharashtra.
A Warli painting made by her of 5 inches in length and breadth has fetched her the India Book of Records recognition. Her entry breaks the previous record of a 10-inch length and breadth Warli painting.
Najiya has not learned painting formally and picked up the tricks of the trade from the internet. She has drawn more than 100 pictures so far.
Talking to IANS, Najiya said that it was during the Covid-19 lockdown that she entered the world of Warli painting and has already sold several of her drawings online and earned money from it.
She said that she is planning to learn drawing and painting in a systematic manner from Mumbai in the coming days. Najiya has already sent her pictures to the Guinness World Records.
Najiya is the daughter of Navas and Najma of Kaniyauram in Thiruvananthapuram.— IANS
source: http://www.muslimmirror.com / Muslim Mirror / Home> Indian Muslim> Women / by IANS / June 05th, 2022
Badharwa Fateh Mohammad Village, BIHAR / Lucknow, U.P. / NEW DELHI :
New Delhi :
Mohammad Zeyaul Haque, a senior journalist, well known in journalistic and intellectual circles of Delhi, Bihar and UP, passed away on Thursday after a short hospitalisation, the end came around 7:30 pm today. He was 72.
Born in 1948 in a remote village of Bihar called Badharwa Fateh Mohammad, under Dhaka subdivision of East Chamapran district, he received his early education in Dhaka. After schooling, he went to college in Motihari and later joined LS college, Muzaffarpur, from where he graduated with English Literature. Inclined towards Journalism and writing from college days, he went to Lucknow to pursue his Journalistic career, first joining Urdu daily, Qaumi Awaz, published by the associated journals limited which also published National Herald and Navjeevan in Hindi. His journalistic acumen, writing skills and intellectual calibre soon attracted the attention of the Editor of English daily, the pioneer of Lucknow who offered him a job as a reporter for his newspaper.
It was a big jump for a person who started out as a Journalist in an Urdu Daily. From there, there was no looking back for Mr Haque who was affectionately called Zeya Saheb by his friends and journalist colleagues. In Lucknow, he worked National Herald and Times of India which he left to join Russian Embassy to work for its publications as the consultant editor in Delhi. Later, Mr Haque took up the stewardship of a fortnightly, Nation and the World, as its Executive Editor, though he piloted it as its de facto Editor.
He was executive editor of The Milli Gazette and edited a number of books published by Pharos Media. Currently, he was editing the English translation of the Quran by Zafarul-Islam Khan.
He also edited the Magazine ‘The Encounter’, with distinction. Zeya saheb was a trilingual journalist who was a regular columnist of Rajasthan Patrika published from Jaipur and used to contribute articles to the multi-edition Hindi daily The Hindustan. At the time of his death, Zeya saheb was working for an NGO group, Institute of Objective Studies, New Delhi, which he served for long years, as its strongest pillars.
Coming from a rural background, Zeya saheb compared well with many of city-bred and public school educated peers. He had trained and inspired generations of Journalists. Apart from qualities of Head, he was also known for his qualities of heart. He was a thorough gentleman, kind and compassionate, helping people with his right hand without his left hand knowing it.
A gentleman to the core, he had exceptional grasp of English and was highly well-read. Always had a story to share from his treasure.
He is survived by two sons and one daughter and a lot of grandchildren and relatives. His eldest son Waqas is Senior Journalist with India Today and the other son Arafat, is a Senior Manager in an MNC, while his daughter Naila teaches English in Delhi University. May Zeya Saheb’s soul rest in peace.
source: http://www.milligazette.com / The Milli Gazette / Home> News> Community News / by The Milli Gazette Online / April 22nd, 2021
How did the politics of the Ram temple and the demolition of the Babri Masjid secure support for the militant Hindu nationalistic idea?
In this episode of ‘In Dino’, Mahtab Alam interviews senior journalist and author, Nilanjan Mukhopadhyay on the impact the Ram Janmabhoomi-Ayodhya movement had on India polity and society.
Mukhopadhyay in his latest book, The Demolition and the Verdict: Ayodhya and the Project to Reconfigure India (Speaking Tiger: 2021) analyses how politics of the Ram temple and demolition of Babri Masjid secured support for the militant Hindu nationalistic idea and the long-term implications of the imminent construction of the Ram Mandir.
source: http://www.thewire.in / The Wire / Home> Books / by Mahtab Alam / December 20th, 2021
Rashida Be Khatri, a craftsperson of Bagh Print, has been selected for national merit certificate for 2018 by Union Ministry of Textiles.
Bhopal :
Rashida Be Khatri, a craftsperson of Bagh Print, has been selected for national merit certificate for 2018 by Union Ministry of Textiles.
She has been selected for Bagh handblock print bedcover. In the bed cover; she has done fine work using natural dyes. Rashida has been working in the field for more than 30 years in Bagh village in Dhar district of the state.
She is the only woman to have been received two state-level awards in 2012 and 2014. She is wife of late master craftsman Abdul Kader. Rashida did not lose hope after death of her husband on May 12, 2019. She took care of her sons Arif, Hamid and Ali as well as the craft. Her sons are also working under her guidance to promote the craft.
Her designs are inspired by ancient monuments of Dhar district including Mandu Nilkanth besides Taj Mahal, Red Fort, Agra Fort etc.
source: http://www.freepressjournal.in / The Free Press Journal / Home / by Staff Reporter / October 31st, 2021
After a near-death experience, Badrunissa Irfan, wife of Irfan Razack, CMD of Prestige Group, has put paintbrush to paper, expressing all that she’s been through.
Bengaluru :
11 years ago, Badrunissa Irfan was in a comatose state for almost a month. Doctors had lost hope but Irfan pulled along.
Today, over a decade after the incident, Irfan is sharing what she experienced for the first time, through her art works. Titled ‘Freedom of the Soul’, 35 paintings of Irfan will be on display at Sublime Galleria in UB City through the month of June.
Picking up her acrylic paints after a 20-year break, Irfan questions what a soul is through her paintings. “I had a near-death experience where I was in a state of coma for 23 days and was declared clinically dead twice. But I came back to life and what I witnessed during those days is what I have painted now. I want to convey the message I received from the Almighty through my art.”
While she took to art at a young age, her passion took a backseat when life and responsibilities took over. “It was my daughter Uzma [Uzma Irfan, director of Prestige Group], who encouraged me to pick up the brushes again. When I told her that my body cannot do what it used to before, she sent her daughter (my granddaughter) Alayna Zaid (who is also an artist) to sit with me while working,” she says, adding that she started work on her paintings in January this year.
Talking about her paintings, Irfan says, “You’ll find that most of my paintings are of open skies, mountains, gushing streams, animals and birds.”
Starting at `75,000 and going up to `1,40,000, all proceeds from this show will be donated to charity. She recalls how she couldn’t hear anyone except her daughter reading verses from the Quran every day.
“In my unconscious state, there was a scenario where I felt like I was looking at my own body from the outside,” she says. Every experience that she went through during that period comes to life in this series. “The colours that I use depend completely on my mood. I spend about two hours in the afternoon and another two in the evening and finish one painting within two days. It might take a little longer if it’s a bigger one,” Irfan adds.
Irfan believes she ‘came back to life’ to share what she has seen and witnessed. “I personally feel more connected with nature, animals, birds, flowers and fruits. I feel humans are hypocrites and so I use my art to share the beauty I believe in,” says Irfan, who is also the author of cookbook Duniya-e-Ziyafat.
(Freedom of the Soul will be showcased from June 1 to 30 at Sublime Galleria. All proceeds from this show will be donated to charity)
source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Anila Kurian , Express News Service / May 31st, 2022
