A museum in Bhatkal is a treasure trove of Nawaiti culture and heritage.
Ajaib Shabbir with a writing desk which also acts as a jewel box | Subhash Chandra NS
Bhatkal (Uttara Kannada):
There stands a heritage building in Bhatkal. This 150-year-old edifice is home to a very unique museum. Within its halls is a trove of artefacts, which visitors want to touch and feel. But Ajaib Shabbir stands guard with his eyes roving around, warning people against doing so. “Do not touch anything! Just look at them,” he repeats every now and then, concerned about the safety of the property. In the museum is the collection of a community’s culture, that of the Nawaitis.
The old house — a unique Nawaiti museum — was opened by the Navayathi Mehfil. On entering, visitors are greeted by a replica of an old boat with a mast. On entering another room, there are old brass, porcelain, and other artefacts made of tin and iron. Just below the high-beam lamps, hang at least two dozen lanterns collected over a hundred years.
“These have been collected from various people in Bhatkal, who have preserved them like treasure. I requested them that these be displayed in a museum and they obliged. Many families like those of Damudi Abdulla and Saeed Shoupa, and others, donated their collections. A few even lent them,” says Shabbir, whose brainchild is this museum.
Pointing out to some of the lanterns, he says these were our means of lighting before the advent of electricity in Bhatkal, sometime in the 1960s. Then turning to a visitor, he describes a writing desk nearby, saying, “This would act as a writing desk and a jewellery box. It’s a 100-year-old design. You can hide your valuables and lock it, and then cover it with materials for writing to use as a desk.”
Moving on, there are areca cutters, hookahs, and coconut graters in designer brass, which look like they are from another era. Explains Shabbir: “The use of these tools in households stopped several decades ago… Maybe when I was a child. These are all very valuable.”
The porcelain products displayed at the museum are among his most valued possessions, and he reminisces how his forefathers collected them from various places. Lifting one of the exhibits, he says, “This plate is from Holland. It was in the possession of a family here.” He adds, “We have materials from Italy, Yemen, England and other European countries, contributed by various families. We are all proud of them,” he says.
Large copper pots, both carved and uncarved, pans, kettles and other products are displayed too. The latest exhibit to join the collection is about 50-years-old, while the oldest is at least 150 years. “We do not look at our exhibits as old articles. They are aimed at explaining how we lived in our past, and the place we came from. That’s why we placed a replica of the ship in which legendary historian Ibn Batuta came to Bhatkal. We consider him as our pioneer,” said businessman and philanthropist Jaan Abdul Rehman Motisham.
Replicas of several old mosques have also been highlighted in the museum. One of the mosques, said to be the second oldest in the country, has undergone several changes except to crucial parts inside, and in its dome.
“These are some replicas of old mosques, how they were in the days gone by,” he says, adding that this museum is a symbol of co-existence as both Muslim and Jain communities have been living in harmony here. Likewise, the Basti constructed by Chennabhaira Devi, the queen of Gerusoppa, is a living holy spot where the devout come and worship.
Preserving culture
The Navayathi Mehfil, which began the museum, came into existence 20 years ago, with an aim to preserve Nawaiti culture, language and social life. The language spoken by the community is a unique mix of Marathi, Urdu and Konkani.
Communal harmony
Nawaitis share a special bond with the Jain community, and both have coexisted in Bhatkal for centuries. According to studies, Nawaitis claim that they have a 1,400-year-old culture. Accordingly, they came with horses for trade and immediately liked Betkal (the name for ancient Bhatkal), the place where they landed. According to Ajaib Shabbir, their culture matches with Yemenis, Arabs and Jains. They consider Ibn Batuta, the great traveller who visited the court of the Vijayanagara Rayas, as their pioneer.
source: http://www.newindianexpress.com / The New Indian Express / Home> Good News / by Subhash Chandra NS / Express News Service / February 05th, 2023
The inaugural ceremony of the Masjid Hajira Hassan and Sullia Community Centre is being organized by the Sullia Educational and Charitable Trust (SECT) on Sunday, February 12.
The Masjid and Community Centre will be inaugurated by Mohammed Yunus Hassan, entrepreneur, Al Khobar and trustee, Team B-Human, at 9.30 am on Sunday, SECT has said in a press release.
The inaugural will be held in the presence of T Arif Ali, general secretary, JIH; Maulana Shoaib Hussaini Nadwi, Khateeb, Kutchi Memon Masjid, Mangaluru; Muhammed Kunhi, Khateb, Masjidul Huda, Thokkottu; Hussain Kamil Saqafi, Khateeb, Juma Masjid, Shanti Nagar, Velam; Maulana Yahya Thangal Madani, Khateeb, Havva Juma Masjid, Bolangady; U T Khader, MLA, Mangalore Constituency, former Minister for Urban Development and Housing; Sri Angara S, MLA, Sullia Constituency and Minister of State for Fisheries; A K M Ashraf, Member of Kerala Assembly; B M Farooq, MLC, Karnataka; Zakariya Jokatte, CEO, Al Muzain Saudi Arabia and trustee, Hidaya Foundation; M Sharif Bolar, CEO, Whitestone Group, Saudi Arabia, and trustee, Team B-Human; Mr. Vinay Kumar Kundadka, president, Sullia Town Panchayat; and Mr. M B Sadashiva, state spokesperson, JDS Karnataka, said the Trust.
SECT has added that Riyaz Kattekar, Mrs. Sushila Channappa and Shareef (Kanti) members of Sullia Town Panchayat; Sheik Karnire, MD, Expertise Group, Saudi Arabia; Mansoor Azad, MD, Azad Group, and chairman, Hidayah Foundation; Riyaz Bava, Bava Group and vice-chairperson, Hidayah Foundation; H U Farooq Tarikere, former president of Tarikere Municipality; Inayath Ali Mulki, general secretary, KPCC; Shahul Hamid Ujire, Well Done Group, Saudi Arabia, and president, Al Khobar unit of Team-B Human; Hanif Golthamajal, Hajaj Group, and president of Mangaluru unit, Hidayah Foundation; Mohammed Basheer, Al Falak, Saudi Arabia, and president of Jubail unit, Team-B Human; Ibrahim, Baikampady; K Ahmed Bava, MD, Deals Group; Abdul Salam, CEO, Raqwani Group, Saudi Arabia; Ibrahim M Hussain, MD, Raqwani Group, Saudi Arabia; Mohammed Wazir, vice-president, Sullia Community Centre; Salman Noor Hasan, S/o Late Hajira Hassan; H K Kasim Ahmed, founder-chairperson, Hidaya Foundation; Ashkaf Abdul Hameed; CEO, Plant Solutions; Dr. Abdul Majeed U, general surgeon, Mangaluru; S E Mohammed Kunhi, Koynad; Muhammad Ali, Tamarachery, Sullia; Ibrahim Goonadka, Abdulla P M, Abbas B, Dr. Umar Beejadakatte, Abdul Razak K C and Mohammed Noorullah of Sullia; K M Shareef of Mangaluru; Abdussalam U, Nazim-e-Ilaqa, JIH, Mangaluru Region, and Asif Deals, chairperson of Team-B Human, Mangaluru, Abdul Nasir Luckystar, chairperson of Dakshina Kannada District Wakf Advisory Committee, have been specially invited for the inaugural.
source: http://www.english.varthabharati.in / Vartha Bharati / Home> Karavali / by Vartha Bharati / February 09th, 2023
The HIF Qatar held its 8th Annual General Meeting at Maaza Restaurant on Friday, 3rd February 2023. The program began with the recitation of verses from the Holy Quran by Master Moiz and Master Shafee. HIF Qatar Unit President Shafakath Hussain welcomed the gathering.
The meeting featured a presentation by Rizwan Ahmed on the overall activities of HIF and future objectives.
The chief guest of the event, Dr. Abdul Salem, founder of Ideal Indian School, addressed the gathering and appreciated the works of HIF. He emphasized the importance of implementing the five values – namely respect, responsibility, excellence, integrity and collaboration – in day-to-day life.
Prominent guests, including Abdul Razak, President of South Kanara Welfare Association; Fayaz Ahmed, President of Karnataka Muslim Cultural Association; Saqib Raza, President of Hidaya Foundation; Ayub Ullal, President of Qatar Indian Social forum; Mohammed Javed, President of Family Friend Circle; and Sheikh Usman, In-charge of Karnataka Unit-Indian Friend Circle, were in attendance at the meeting. They spoke about the importance of collaboration between organizations for the greater good of the community.
In the meeting, the members remembered the contributions of S.M. Basheer to the society who passed away recently.
Shahim, secretary of the HIF Qatar unit, gave the vote of thanks. Imran Mohammed was the master of ceremony.
The meeting was a successful demonstration of HIF’s commitment to community development and collaboration.
source: http://www.english.varthabharati.in / VarthaBharati.in / Home> Gulf / by Vartha Bharati / February 05th, 2023
February 5, 1884. Does the date ring a bell? No prizes for guessing. It was this day 139 years ago that the Hyderabad State got its sixth ruler, Mir Mahboob Ali Khan. He was just 18 when he was invested with full administrative powers. British Viceroy, Lord Rippon, visited Hyderabad for the first time to place the young Nizam on the gaddi at Khilwat Mubarak in Chowmahalla Palace.
The palace was recently in the news when the body of Mukarram Jah Bahadur, the titular Nizam, was kept here for public display and a few days later, his son, Azmet Jah, was crowned as his successor.
This day is also significant as Mahboob Ali Khan was the first Nizam to be coroneted by the representative of Her Majesty, the Queen. Soon after the investiture ceremony he was conferred the title of Grand Commander of the Star of India.
Interestingly the 6th Nizam inherited the masnad at the age of two itself when his father, Nawab Afzal-ud-Daula, passed away. But a Council of Regency was put in place to look after the administration till he came of age. When he turned 16 years, he was initiated into the details of office work and the administration of the State by Nawab Salar Jung.
The first thing that Mahboob Ali Khan did after assuming power was to proclaim that nothing pleased him more than seeing people live in peace and prosperity. Subsequent years proved that he lived up to his words by undertaking administrative reforms that benefitted the people. Development of railways, revision of revenue settlements, setting up of cotton mills at Hyderabad, Aurangabad and Gulbarga are among his significant achievements. Besides this, education, irrigation, medicine also received top priority. The famous Chloroform Commission was held in Hyderabad all because of the scientific interest shown by the sixth Nizam.
Popularly known as Mahboob Ali Pasha, he is also responsible for the establishment of the Victoria Memorial Orphanage, Madrasa-i-Aliya, Asafia State Library and Dairatul Maarif. Old timers recall how the sixth Nizam ruled more with the heart than the head. One can’t forget the relief measures he took after the disastrous Musi floods of 1908.
Poet, marksman, administrator and lover of gems and jewellery, his was a multifaceted personality. Elegantly dressed, he had a fascination for expensive clothes and cars. His two-storey wardrobe at Purani Haveli, the longest one in the world, still has a huge collection of expensive clothes collected by him. He had the reputation of not wearing the same dress twice.
Similarly, his fondness for vintage cars is legendary. Some of the expensive cars like Napier, Rolls Royce Silver Ghosts, were made to order for the then wealthiest man in the world. They are still a big draw at the Chowmahalla Palace.
It was he who bought the famous Jacob Diamond, which forms the crowning glory of the Nizam’s jewels. The 6th Nizam, who was exposed to Western education, was fond of a lavish lifestyle and had a fascination for the good things in life. He breathed his last at Falaknuma Palace at the age of 45 following a paralytic attack. But as his name, Mahboob suggests, he remains a beloved ruler even to this day.
source: http://www.siasat.com / The Siasat Daily / Home> Featured News / by J S Ifthekhar / February 06th, 2023
Controversial film producer Nazim Hassan Rizvi whose hit film “Chori Chori, Chupke Chupke” (2001) blew the lid off the Bollywood-Mafia nexus passed away at a private hospital here, industry sources said on Tuesday.
Controversial film producer Nazim Hassan Rizvi whose hit film “Chori Chori, Chupke Chupke” (2001) blew the lid off the Bollywood-Mafia nexus passed away at a private hospital here, industry sources said on Tuesday.
Admitted to the Kokilaben Dhirubhai Ambani Hospital (KDAH) for certain undisclosed ailments, Rizvi breathed his last while under treatment late on Monday.
Said to be in his early 70s, his mortal remains are being taken to his native place in Uttar Pradesh for the funeral.
Rizvi had also produced other inferior films such as “Majboor Ladki” (1991), “Apaatkal” (1993), “Angarvaadi” (1998), “Undertrial” (2007), “Chori Chori, Chupke Chupke” (2001), “Hello, Hum Lallan Bol Rahe Hain” (2010), “Qasam Se, Qasam Se”, (2011), and “Laden Aala Re Aala” (2017).
However, he is widely known for the musical hit “Chori Chori, Chupke Chupke” starring the top trio of that time — Salman Khan, Rani Mukherjee and Preity Zinta — which discussed the topic of surrogate motherhood for the first time on the silver screen.
Nevertheless, the film, which shot him into big league, also made news for other unsavoury reasons. Shortly before its release, Rizvi and another financer Bharat Shah were arrested in December 2000 for allegedly diverting tainted underworld-linked money for the movie production.
The stunning expose was made by a crack team of Mumbai Police Crime Branch comprising former encounter-specialists’ who had shadowed Rizvi, his associates, and investigated the case in depth before finally swooping on them.
The Mumbai Police had charged the Rizvi-Shah duo with allegedly receiving funds from the Mumbai mafia, specifically from Shakeel Babumiyan Shaikh – dreaded as Chhota Shakeel – and a close aide of the absconder underworld don Dawood Ibrahim Kaskar.
Rizvi had been under surveillance for his alleged murky activities for months before the arrest by the Mumbai Police and the Central Bureau of Investigation (CBI), which later seized the film’s negatives and prints, and deposited them with the Special MCOCA Court in Mumbai.
The film was finally released under the Special Court’s order, with an unprecedented directive that all profits earned by the movie should go to the Maharashtra government treasury.
Interestingly, the film’s credits had acknowledged the role’ of the Special MCOCA Court, the Mumbai Police Crime Branch and the Court Receiver without whose untiring efforts and good offices the picture would never have been made.
Prior to its official release, the Mumbai Police were given a special screening as per a previous commitment and to ensure that there was no objectionable content in the film.
Ironically, during its formal release in cinemas in March 2001, where it got huge initial response, both Rizvi and Shah remained in jail, and later they were awarded six years and one year in jail, respectively.
“It was the film ‘Chori Chori, Chupke Chupke’ that is said to have convincingly proved the long-suspected theory of Bollywood-Mafia, bhai-bhai’,” a veteran Bollywood producer told IANS, preferring anonymity.
However, the film’s fiasco and its aftermath opened alternative doors for more respectable channels of film financing like banks, later some companies, corporate houses and even MNCs entering the scene, he explained.
He recalled how that was a trying period for Bollywood which was reeling under immense pressures from the underworld and mafia dons Gulshan Kumar was shot dead (August 1997), Mukesh Duggal was killed (March 1998), and an unsuccessful warning’ attack was made against Rakesh Roshan (January 2000), besides other similar scary developments that rattled Bollywood biggies.
Many quietly concurred’ or cooperated’ with the mafiosi, while a few dare-devils have admitted to getting death threats, extortion calls and other forms of intimidation from various underworld gangs in India and their shady operatives from foreign locales.
(SJ/IANS)
source: http://www.newsgram.com / NewsGram / Home> Entertainment /by Quaid Najmi / February 07th, 2023
Kalikavu Village, Nilambur, (Malappuram District), KERALA:
A real-life story of a Muslim couple from Kalikavu village of Nilambur, Malappuram district of North Kerala, who raised three children of their deceased Hindu housemaid along with her own three, is now a feature film in Malayalam language being shown across theaters and the OTT platforms.
The film, Ennu Swantham Sreedharan (With Love, Sreedharan’), was premiered at Edapally on January 9. Made by renowned filmmaker Siddik Paravoor, the film is being talked about and appreciated for the extraordinary strength and courage of conviction of Subaida.
It’s named after Sreedharan, the youngest of the children of Chakki, who worked as a housemaid with Subaida some 50 years ago. It was Sreedharan’s post on the Facebook after Subaida’s death in 2019 where he addressed her as Umma, a Kerala Muslim way of calling a mother that generated curiosity about this relationship and eventually it became public knowledge that a practicing Muslim couple had raised three Hindu children along with their biological children and never converted them.
Sreedharan, who at the time of his mother Umma’s death was working in the Gulf and couldn’t arrive for burial due to Covid restrictions, had posted a heartfelt note on his grief. Netizens asked him how come a Hindu addressed his mother the way Muslims do.
A poster of the film Ennu Swantham Sreedharan
His explanation revealed the story of extraordinary humans boned in love and not through religion.
According to The News Minute, it was 50 years ago that Chakki, a housemaid separated from her husband, died, and her three little children – the youngest one Sreedharan a toddler – were picked and brought to her home by a tearful Subaida.
Three of them were ushered into the house where three children were growing, the eldest one Shanavas, was 7 and he was told by his mother that the Chakki;’s children will stay at their house. Subaida informed her husband Aziz Haji about Chkki’s passing away and that she had brought her three children home.
Shanavas remembers his mother’s return from Chakki’s house with her youngest, baby Sreedharan, in her arms, and two young girls Ramani and Leela with her. That day Shanavas welcomed three new siblings into his life. He remmembers their father Aziz Haji being informed by their mother about three children joining their family.
Subaida passed away due to a kidney ailment in July 2019, and her husband Aziz Haji followed two years later. The family’s heartwarming story has now been adapted to screen.
Sreedharan said that Umma and Uppa (father) had three biological children of their own, including Joshina, who was born a few years after he and his sisters were never made to feel like outsiders there.” That is the only home I have known. I have heard that umma used to breastfeed me and Jafer together,” Sreedharan told the New Minute.
A scene from the movie: Umma Subaida with her children
As netizens made uncharitable comments about the “Hindu son of a Muslim mother” in response to his post, Sreedharan responded:
“This post is to clear your doubts about who I am. When I shared the news of my umma’s passing, some of you had doubts. Even when I posted a picture of me wearing a taqiyah (a Muslim way of trying lungi), there were doubts if a Muslim man could be named Sreedharan. My mother died when I was about a year old. I have two sisters. I had a father too. The very day my mother died, this umma and Uppa brought us to their house. They educated us, just like they did for their children. When my sisters reached a marriageable age, it was Uppa and Umma who married them off. Having kids of their own did not stop them from taking us in. They had three kids. Even though they adopted us at a young age, they did not try to convert us to their religion. People say that an adoptive mother can never match up with one’s biological mother. But she was never an ‘adoptive mother’ to us, she was truly our mother.”
His post was followed by people calling him. He told the News Minute: “Suddenly we were getting calls from activists and media persons to ordinary people, all of them wanting to know more about the story behind that post,” he says. “In today’s political climate, where religions are constantly pitched against each other, the fact that this family took us in and raised us to believe in god, believe in our faith, seemed almost unbelievable for some.”
Shanavas said all six siblings were surprised at the public reaction to their story. He says: “We grew up as brothers and sisters. We had never thought of our family as different from the others,” says Shanavas, the eldest of Subaida’s biological children.
“Of course, when umma first brought Ramani, Leela, and Sreedharan into our home, I had asked her what she was planning to do. She then told me that these children will now grow up in our house, and that was it. We never questioned it. Our father, who was in the Gulf at the time, was also equally supportive of Umma’s decision,” he says.
Sreedharan told the media that he once asked his Umma and Uppa why they didn’t convert them. “Their first response was a concern. They asked me if someone had said something bad to me. After I reassured them, they explained to me that we should not let religion define anyone. They said that all religions were essentially preaching the same thing — to love and help people and that it was human beings who were interpreting these teachings wrongly.”
Real Sreedharana with his Uppa Aziz Haji (Image courtesy: The New Minute)
He said his parents taught the children to have faith, no matter what the religion. “My sisters and I used to go to the temple, and walk around with sandal marks on our foreheads.”
He says their parents encouraged them to practice our religion. “All they expected from us was to ensure we don’t lie, steal, or hurt others. And we also took care to never do something that would hurt their reputation,” he told the News Minute.
Sreedharan says after he became the father of a son he realized the true depth of his parents’ love. He now appreciates all the more his parents’ efforts in bringing three of them. “I can only imagine how big of a task bringing up six children would have been.”
Director Siddik Paravoor, whose previous film Thahira had featured in the Indian Panorama Feature Film section of the 51st International Film Festival of India (IFFI) in Goa, first heard of Subaida through a social worker and orator AP Ahamed.
“Presumably after Sreedharan’s Facebook post went viral, I read a note Ahamed master had written about Subaida and her life, which deeply affected me. I wanted to bring her story to more people’s attention. I wanted to let them know that there are people who live like this. People who put love and kindness over religion and prejudices,” he says.
When Siddik was researching for his project, he came across more stories of this extraordinary woman called Subaida from people in her village.
He told local media in interviews after the release of his film that everyone in the village Kalikavu loved Subaida. She is known to have spent all her ancestral money to help the poor. Subaida had donated all 12 acres of her land to the needy over the years. She even took loans to help others.
In Kalikavu after Subaida passed away, the nearby church rang the church bell, usually reserved only for the Christians, and held a prayer meeting for her.
Dancer Nirmala Kannan plays the role of Subaida, and journalist and writer Suresh Nellikode, also the producer of the film, plays her husband Aziz Haji. Actor Nilambur Ayisha and writer Shihabuddin Poythumkadavu also appear in prominent roles, alongside Sachin Roy, Vaibhav Amarnath, Harsha Arun, and Rajitha Santhosh.
Interestingly, the first shot of the movie was shot with the appearance of Aziz Haji in front of the camera. He died later due to the Covid-19. He and his children were all glad that more people would now come to know about their Subaida and the benevolent woman that she was.
The director says. “People are inherently good. But sometimes we need stories like these to remind them of that goodness. Subaida deserves to be remembered, and her story repeatedly told.”
The audience lapped up the movie.
Member of Parliament Shashi Tharoor wrote about the movie on Twitter:
Ex-serviceman Col Reji Koduvath wrote from, Ontario, Canada: “Ennu Swantham Sreedharan (With Love, Sreedharan), is a must-watch movie in the present society where sectarian strife and conflict still exist.
It’s a great movie-watching experience – the best movie I watched in the past 12 months. While drawing the life of an unsung and unrecognised person or a family on screen, there is a tendency to go overboard and portray them as super-humans.
This movie effectively tackles that difficult task and brilliantly tells the story of a do-gooder – a true good neighbour – a great family. All are based on real-life, sincerely and honestly.
The story and situations in the movie brought back memories of my grandmother who too had a troop of oldies across castes, creeds, and religions. I used to enjoy them reminiscing about their good old days. When our grandmother came to live in our home which is about 12 km away from the ancestral one, these oldie troopers dropped in to spend time with her. What is depicted in the movie in the life of Amina Umma and Subaida is close to what I experienced in my childhood.”
source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Aasha Khosa / February 07th, 2023
Veteran film journalist and writer Rauf Ahmed, a native of Mangaluru, who was known for introducing changes in film journalism in the mid-1970s, died at his residence in Versova here on Sunday morning, after a short bout of ill health.
He is survived by his wife, son and daughter.
The son of Abdul Rahim, a retired judge from Bunder, Mangaluru, Rauf Ahmed completed his graduation at St Aloysius College, Mangaluru, before moving to Mumbai where, in 1975, he joined the Times of India training course, with contemporaries M J Akbar.
With an interest in film journalism, Ahmed launched the magazines ‘Super’ and ‘Movie’, after which, he took charge as editor of ‘Filmfare’, the film magazine of the Times of India. Sidelining film industry gossip that was popular during his times, he gave the news and articles on the industry a fresh look, while this change gave a new look to film journalism.
Ahmed’s wonderful style of writing and artistic design of the magazines caught the attention of the readers. Under the veteran, vintage music, parallel cinema and full-fledged nostalgia also found an inlet into mainstream film magazines. As a result, serious and studious writing joined the regular entertainment matter in the magazines.
Rauf Ahmed was the editor of ‘Filmfare’ for six years. During his tenure, the Filmfare Award ceremony too witnessed major changes. The venue of the ceremony was shifted while the style of the award ceremony was changed to that of the Academy Awards.
The journalist worked with many superstars in the film industry, including Amitabh Bachchan.
Ahmed worked with the Asian Age magazine and other fields of journalism, but film journalism remained his favourite.
In his 2016-book ‘Shammi Kapoor – The Game Changer’, Ahmed describes in an interesting manner how veteran actor Shammi Kapoor changed the very style of the Hindi film hero.
Yet, it would be well worth noting that Rauf Ahmed was himself a game changer in film journalism in India.
source: http://www.english.varthabharati.in / Vartha Bharati / Home> India / by Vartha Bharati / February 07th, 2023
Khazin Munir, a self-taught artist from Srinagar, is the proud owner of the venture ‘KAAMEKAAR’, which is basically an Instagram page.
Srinagar:
In the contemporary world, you will find most of the youth making excuses for remaining unemployed. But not Khazin Munir, who despite being a doctoral student in law, earns her bread through calligraphy and other art and craft forms.
Munir, a self-taught artist from Srinagar, is the proud owner of the venture ‘KAAMEKAAR’, which is basically an Instagram page, where she showcases her artistic skills in calligraphy, wall-hangings, umbrellas, customised kangris etc., attracting many online customers to her artworks.
‘Lawyer turned Artist’
She said KAAMEKAAR is more of passion than a simple social media page to her. When she started the page, she was not really hopeful that it will work, but her artistic skills have been attracting scores of people.
“I have been very lucky to have got an audience who always admire me, support me and love me. I started it as a page for calligraphy, but gradually it became a multi-art page where you can customise calligraphies, wall-hangings, chocolate bouquets, nail and thread art, customised paper bags, gift wrapping, needle work art, small goody baskets, customised kangris etc.,” she said.
“Basically, if you want to gift something different to someone or want something special for yourself, we have got your back,” Munir added.
Munir, who hails from the Sanat Nagar area in Srinagar, is presently pursuing her PhD in law from the University of Kashmir. In the past, art was just a hobby for her. When she started her Instagram page three years back, she was busy completing her masters.
She said the page was started on the basis of hit and trial method. Her siblings pressurised her to do so, as they were keen to see the response of the general public. Within a few days of launching the page, Munir got her first order and since then has been no looking back.
With time, she realised that her hobby was making her stress-free and forget the many challenges in life.
“Art for many is just a stroke on paper or just a hanging on the wall, but for me art is strength, medium of expression, happiness, perfection and a way of life,” she said.
Early Education
Munir completed her schooling from the Presentation Convent School till 10th and then from the Mallinson School till 12th.
She did not have a passion for art in her school days, but with time she began to develop a special liking for the creative form.
“I was not that artistic in school, but with time my personality made its way to the outer world. When I was doing my BA LLB, I used to participated in many competitions, both state and national-level. I won many prizes, which included some cash price also. I have represented the Kashmir University in many inter-varsity competitions at the national level,” she said.
Family Background
Munir belongs to a well-educated family. Her father retired as the chief architect of Kashmir. Her sister is also an architect.
“I never thought of doing a small business or starting something like this, because I didn’t have a business background. But destiny has different things stored for me, and I am very happy for that,” she said.
Munir draws inspiration from her parents.
“I have seen my father work day and night, creating unique designs for his clients. He is a pioneer in his profession and I just wanted to adapt the mechanism which he has created for himself. I draw much of the motivation from him,” she said.
Munir, who has worked on several projects so far, said every project is interesting and special to her.
But her friend’s wedding decor, which had umbrellas, nikah potlis, backdrops, mehndi trays etc., nail and thread art at her father’s office and mandala art on a 12 feet wall are few of her artistic works that are very close to her heart.
She also said that digitalisation has made things easy and accessible.
“On a click of a button, one can now order any stuff. This gives a content creator and an artist a platform to showcase his/her work, get appreciation and last but not the least, earn a livelihood because job opportunities are very few now,” she said.
“After three years of continuous hard work, people have started recognising my Insta page… I get so many overwhelming messages from people now. Some praise my work while some compliment my patience. I feel elated to receive such messages, which motivate me to work harder in order to brush up my skills,” Munir concludes.
source: http://www.ummid.com / Ummid.com / Home> India> Life & Style / by Ummar Jamal, IANS / January 30th, 2023
Abdul Ghafoor Parekh was a well-renowned Islamic scholar, educator, humanitarian and expert in the Quran and its translation. He was known for his vast knowledge of Islamic theology and his ability to convey complex concepts in a clear and accessible manner.
Early lLfe and Education
Abdul Ghafoor Parekh was born in 1948 in Nagpur, India. He completed his Post Graduation in Commerce from Nagpur University. He was fluent in several languages including English, Urdu, Hindi, Marathi, Gujarati (Kutchi-Memoni), and Arabic. He was raised in a devout Muslim family. His father, Padma Bhushan Maulana Abdul Karim Parekh, was a social worker, recipient of various national and international awards, and scholar, known for his translation of the Quran into the Urdu language. From a young age, he showed a deep interest in the Quran and its teachings. He was very well equipped with the book his father compiled, Lughatul Qur’an (Quranic Dictionary) which has been read widely throughout the globe and has been translated into several Indian Languages along with English, Turkish and Portuguese. Abdul Gafoor Parekh being the eldest son played a key role in continuing the mission and legacy of his father.
Personal Life
Parekh was a devout Muslim and was known for his deep commitment to his faith. He was a father to two sons and two daughters and was someone known to be deeply devoted to his wife and children. After his father’s demise in 2007, he continued with his work and legacy. He avoided publicity and mass lectures. He believed in shaping individuals personally within his reach and capacity.
Career
After completing his education, Parekh began his career as an educator, teaching at a number of universities and madrasas in India. He quickly gained a reputation as an expert in the Quran and its translation, and his classes were highly sought after by students.
He developed a unique and efficient method for teaching Arabic with 200 hours only. Many academic institutions and universities in India and abroad have adopted his system. Parekh’s expertise in the Quran and its translation led to many invitations to speak at conferences and seminars around the world. He was a much sought-after speaker and has traveled extensively, sharing his knowledge and insights with audiences in many countries.
In addition to his teaching and speaking engagements, Parekh has also designed several curriculums to teach Arabic. His lectures have been widely heard and highly praised for their scholarly rigor and excellence.
Parekh’s knowledge and understanding of the Quran and its teachings have made him a respected figure in the Muslim community. His work as an educator and author has helped to deepen people’s understanding and appreciation of the Quran, and his teachings continue to inspire and guide people of all ages and backgrounds.
“If people all over India understand Quranic Arabic in large numbers or even more, if people believe, it is possible to learn and understand the language, it is because of Ghafoor sir. He opened our minds and hearts to the word of God and made us believe that it reigns supreme. He leaves behind a literary legacy for teachers to emulate in India and abroad. He was a friend, philosopher and guide, a beacon for teachers and a proud mentor. He could cut you down to size with his words and yet praise you in the next sentence,” said Dr Kamran Khan, Surgical Oncologist, Saifee Hospital, Mumbai, with deep sorrow.
“It’s indeed a great loss. Like his father Janab Abdul Kareem Parekh, he worked very hard to spread the knowledge of Quran with understanding and left a legacy which is truly an inspiration for the generations to come,” said Haseeb Ahmad Khan, Manager, IT, MSEDCL. “His teaching style was so influencing that one cannot afford to miss a single class,” said Farheen Khan, a homemaker.
“One cannot forget his zeal, enthusiasm, and unique style of teaching the Qur’an. I attended some of the various teachers’ training classes a couple of times that he would conduct for teachers from Mumbai in the field of Islamic Sciences and Education. He pulled out references from Qur’an to explain how Qur’an was an excellent source of understanding the Seerah questioning the teachers on the chronology of the ayahs and nuances that usually goes unnoticed due to not understanding the beauty of Arabic grammar. I particularly remember his class in May 2013 when he announced that he wouldn’t be able to travel to Mumbai due to his deteriorating health marking that class as his last, which made all the teachers sigh in unison. He did come to Mumbai a couple of times after it. His unique advice to his students would leave a huge impact on them, his words still touch and shape me as a person, towards serving humanity and recognizing one’s true potential. He will by far be one of my most favourite teachers of all times, may Allah elevate his status and that of his father” said Zulekha Shakoor Rajani, an Islamic Educator and Counsellor.
Throughout his career, Parekh dedicated his life to spreading knowledge and understanding of the Quran, making it accessible to people from all walks of life. He would draw his living from the Timber business and travel to teach as much as he could. His work has had a profound impact on countless individuals, and his legacy as a leading expert in the field of Quran and its translation will continue to be remembered for many years to come.
On the eve of 24th January 2023, the cast and crew of the documentary All that Breathes was huddled in producer Aman Mann’s house to see the ceremony of the nominations for Oscar awards. Others involved in the film joined online. As soon as the list was announced, there was jubilation in the room.
All That Breathes by Shaunak Sen is among the shortlisted documentary feature films for the best in this category. From India, another film, The Elephant Whisperers by Kartiki Gonsalves is another documentary nominated for the coveted award in short category.
After Writing with Fire in 2022 this is the second time when Indian documentaries have made it to the Oscars. All that Breathes is a 90 minutes feature based on the story of brothers Nadeem Shehzad and Muhammad Saud who run the “Wildlife Rescue Centre” in North Delhi’s Wazirabad for treating owls and raptors (big kites).
The film has already been screened in Sundance Film festival, Cannes International Film Festival where it bagged the best documentary award. It has also been screened at Dharampura International Film Festival. It’ll be screened in Bangalore at a World Wildlife conference on 12th February then at the BAFTA followed by the Oscars ceremony in March.
As Awaz-the Voice visited their three-storey Home-cum-office-cum-hospitals in Wazirabad after the film made it to Oscar Nominations, brothers Nadeem and Saud spoke stoically about this event, for they were immersed in thoughts about where to raise funds from for their organisation and the mission.
They say that to run an NGO like theirs funds were a dire need and people weren’t that enthusiastic about helping out raptors like Kites, Vultures, Owls and other similar avians, “Some consider them a bad omen while others feel they aren’t endangered, it is easy to get funds for tigers, lions rabbits and elephants but not for carnivorous avians…they have zero cuteness factor”
Nadeem says, “We don’t have any recognition even now, it isn’t like after watching our film we were ushered with a lot of funds, our film producer did give us some, but it is strange as to how even after such a good film people are hesitant with the funds..” Nadeem jokingly chips in, “Many channels have released funds for doing a story on us but they cannot release funds to help our cause…”
Inside the building, the walls of the office have chipped sea green paint. Behind the reception counter are two chairs and a working computer. While Nadeem and Saud are seated, Salik is moving to and fro looking after the chores while an incumbent team member Sana is documenting the records on the word file.
Nadeem,42, and Saud,40, started the NGO in 1993. Salik joined the team later To solve the problem of constant lack of funds, the brothers have set up an organization in the USA because they find “It a bit easier to get funds in the US..” “We lack the running money for day-to-day basis—like salaries, transportation, bird food, medicines, and other expenses are always on the back of our mind; we always have what after two months, what after three months..”
On being asked as to why kites and other raptors were so important for the ecosystem they say that the Kites, Egyptian Vultures, Falcons and others help in clearing up the filth left by the slaughtering of animals, these big birds are nature’s scavengers, “India is the second largest exporter of meat after Australia..the waste from the slaughterhouses is normally dumped in Ghazipur, there one can see upto 7 thousand kites that eagerly wait for the dump…”, he adds.
He further adds that in Delhi open garbage system is a normalcy and then there is the tradition of feeding the eagles and the kites, “In Old Delhi and parts of Rajasthan people feed them, they consider them lucky, in a very dramatic manner the meat loaves are thrown in the air while the raptor scales down with its wings to savor upon the treat..”. This scene also serves as the opening for the trailer.
He adds that, “Rajasthanis often come and give us meat to feed the birds as they feel connected to their roots by following the tradition..”
Apart from treating Kites they also treat barn owls, sparrow hawks, harriers, falcons, migratory birds, egrets, storks, hornbill, “last year we had around 3100 birds, we are the largest care takers of the raptors in the world, this is because we have the highest population of kites and more than that we have manjha (glass powder covered kite flying threads that are suicidal for birds), thus we have means of hurting them as well with us..”
He adds that injuries due to manjha (flying kite thread coated with glass powder) are rampant in India, Pakistan and Bangladesh, “we are continuously trying our best to augment the research around operating the birds injured due to manjha and we have presented the same techniques in the US conferences…”
He says that to their amazement the, “US wildlife centre likes our work and we discovered that even there this work hadn’t been done to retrieve a fully functional wing…” Nadeem and Saud told Awaz the Voice that their work falls under Wildlife Rehabilitation and they were a part of the community of rehabilitators, “US has the largest rehabilitator community and we often get sponsored trips to the US to take training and courses and incorporate them here..”
Nadeem says that their rehabilitators community is highly accepting and they don’t feel foreigners at all while on work trips, “We stay at other members homes thus fooding and lodging is expense free, I feel they are eager to share information which we as Indians lack a lot…the findings in the US are shared by one and all..the findings are shared annually worldwide through conferences…”
The rooftop hospital in Wazeerabad has three enclosures, the first one is an open on where healed birds are kept, it is designed in a manner that until the bird can fly 10 ft effortlessly, it won’t leave, whereas the rest of the healthy birds can come and go as and when pleased. Enclosure two holds surgery cases whose treatments are underway, whereas the the third Enclosure are reserved for birds under medication. Nadeem adds, “Since 2010 we get all the birds that are carnivorous, so in a way we are easing their work..”
The birds meanwhile cooed on top of their voice making the reporter realise their existence. While the rooftop was covered with black kites, Egyptia Vultures and falcons looked like foreigners. Nadeem continues, “We are a collection point for hospitals like Charity Jain hospital, Sanjay Gnadhi hospital, Menaka Gandhi Hospital, Animal care hospital, Karol Bagh jain hospital, we collaborate with them…” He says that their rescue rate differed according to seasons, during the bird’s nesting season they got maximum cases, “during this time we just need to feed them and give them water, we give them drips they are easy to maintain…”
“Second kind of cases are those due to the wounds by the Manjha, these are deep cut wounds in which even the bones are shattered…” He adds that in such kind of wounds the next part is to regain their functnality, “We may heal it and forget about wing functionality but then reconstructing is where the process lies. Here we need better understanding and better doctors. In humans we can achieve it through microsurgery but in birds they can lead to gangerine and then death…” He believes that even in birds also the wings can be fixed but then, “we do not have that kind of facilities. ..”
He adds with a shrug, “Animal hospitals abroad are better maintained than human hospitals here in India , cataract surgery for animals is available in abroad but in Indiat have Dr.Reena Dev who specialises in cataract surgery..” Talking about his favorite moments from the film he says he liked the end credits a lot, “When you see the movie you’ll see a lot of kites sitting on the trees and after color correction it looks like an oil painting, the shot gives the feel of a still shot until a bird flies far off then comes the names and it feels as if words are drooping down from the branches…it feels surreal…”
Talking his heart out about disappointments has eased Nadeem a little as he then reminisces his childhood days saying, “Bachpan se mai oscars zaroor dekhta tha..in fact DD Metro pe bhi Oscars aate the..(I always used to watch Oscars on DD Metro in my childhood) but after coming into this profession our lives are upended, we have no personal life whatsoever…”
The three years shooting gave them some special moments and for Nadeem the moment when they swam, across the river to rescue birds will always be special.
He says, “Our favorite ones are mostly deleted, out of the 500 hours of working footage only 90 minutes were in the Final Cut..still the camerawork and cinematography is beyond our imagination…”
Documentaries juxtapose real lives and thus a scene shows the duo (Nadeem and Saud) fighting over some trivia matter when asked they both reply instantly, “Asi ladaiyan toh roz hoti hain..(We fight like this on a daily basis)… See the work we are doing is very stressful and that too without money, there is a lot at stake and when workload increases our temperature also soars but then we are family so it is all in good faith..” “After 5 minutes we are like..what was it we were fighting about..we are best friends and brothers for life..so yea..this is normal..”, Saud adds.
Saud says that Shaunak took three months to make them feel at ease with the camera’s presence, “He started shooting us when we finally started yawning in front of the camera which was one of his idiosyncrasy, he used to say treat the camera as a fly on the wall..” Sharing his experience at various screenings Nadeem says, “at DIFF people were whistling on the scenes that they liked, they started clapping whenever they liked a shot whereas Cannes is very cosmopolitan..” He says that the close collar dress code at Cannes is a sign of respect for the artist, “we came across many great artists, the cameramen were running after them but we couldn’t recognise them, people were clicking selfies but then I didn’t knew them and then Shaunak was like Oh..Nadeem they are so and so of the Industry…”
Talks about Cannes has lightened the air and Saud seeems relaxed and hopefull than before yet he says, “Asli Khushi tab milegi jab Oscar milega..(we’ll be really happy after bagging the Oscars)” Salik chimes in saying, “It is a tough call but we are hopefull..” He adds, “We never thought that one day a documentary will be made on our efforts or that we will become world famous one day, it feels great…” Salik has a camera friendly face and when for the first time he saw his photo on the big screen he was excited. His favourite scene from the feature is the one where the kite takes his spectacles, “I just say arey chasma le gayi yeh mera(oh! She took my specs), it was as if they were aware of being documented…then there is a moment when I rescued a squirrel and it stays in my pocket, i had no idea that it was being shot but then it came out really well…” Salik feels that their social media presence has increased after the movie.
The ambience of the room feels lighter than before as the talks about the upcoming awards night are now the topic and who’s going to wear what becomes the major question now. Saud says, “There isn’t any prep for it as such, if there’ll be a photo shoot then we’ll prefer it in traditional Indian attire …”
Saud then smiles and tells Awaz the Voice, “In France people stopped us on the road and complimented us for our traditional wear..” Nadeem looked befuddled and happy for the first time when he says, “the women were wearing such long gowns that two to three men were carrying it yet our Indian attire outshone them.” Saud continues, “It was white linen Kurta with a closed collar and Jawahar cut jacket..” “We made sure to keep it as close to Indian traditions as possible..” Abdul Rehman of skylark tailors stitched our whole attire, Saud says, “When people asked is your tux from Paris, we replied “No, Chandini Chowk…the fabric was sourced from Katra Neel and Krishna Market in Old Delhi…”
They add, “We didn’t had much time, it was done at the last moment…” Even for Oscars Abdul Rehman will be stictching the attire for the brothers. One may find skylark tailors in Ballimaran near Rabia Girl School. Coming to footwear it was sourced from SreeLeathers and Ballimaran. Sharing their hopes and visions for the future the duo says that they want a hospital outside their home with proper operation theater, x-ray machines, blood testing laboratories, “someone gave us their lab equipment when they shut down theirs but we don’t have any money to hire a lab assistant…”
Meanwhile two boys rushed in with an injured kite to whom Nadeem attended like a professional healer. He felt for signs of injury through palpitations that were done manually and later placed it under observation after giving it first aid. He wishes people to be more sensitive and more aware of the surroundings like the movie which says “life is kinship and we are the community of air” thus “we must learn to share our surroundings with all the things alive around us. I am not asking everyone to open a hospital but we can still make time to help each other…”
On being asked what after Oscars and what if they win they say, “We’ll be back to work after the oscars..” They went on to add, “On 1st march there is a technical film festival and we are trying to reach them to learn how to document our work as many techniques that we know can be shared with the world…”
“We want to document our research in print and digital format now…We are working on orthopedic surgeries and very few know about it, especially the wounds by th kite flying thread, the surgeries require intricacies, for example if the bird is brought in late o the hospital then the technique to cure them is different..”
“The muscle moisture has evaporated, thus the method to cure them is different and difficult…we are currently researching the same…” Saud adds,“We don’t want our techniques to die with us,we wish them to be known to the world..” Nadeem winds up by saying, “Wildlife preservation conference see a huge footfall by the conservationists every year thus we wish to present it there…”
They again looked disappointed when they said, “It is tough to work with Indians, they have big egos, whereas people abroad are much more open to learning new techniques” “We have had hands on experience..through consultations with various vets we have developed these techniques, also we have had interaction with human doctors more thus we have tried to replicate the same in the birds..”
source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Shaista Fatima / February 07th, 2023
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