Category Archives: Arts, Culture & Entertainment

Hasan Yusuf awarded late SM Basheer Lifetime Achievement Award by KKMA

Karavali (Mangaluru), KARNATAKA:

KKMA Student Awards, ‘Family Benefit Scheme Distribution’ held in Mangaluru

Mangaluru: 

Kuwait Kerala Muslim Association (Karnataka Chapter) held a ceremony on Sunday, July 30, at the Highland Islamic Forum (HIF) Auditorium in Falnir.

The event aimed to provide assistance and recognition to its members and their families through various welfare schemes and awards.

During the ceremony, the Family Benefit Scheme was distributed to the families of deceased members as a compassionate gesture from the association.

Additionally, the deserving patients were recipients of the Free Dialysis Scheme, providing vital medical support to those in need.

The occasion also saw the distribution of the Late SM Basheer Memorial Student Scholarships, which offer educational support to deserving students.

Moreover, the Lifetime Achievement Award was bestowed upon CAO of Shepherd International Academy, Hasan Yusuf, a respected figure recognized for his substantial contributions to social services over the years.

NA Muneer, the former chairman and trustee of KKMA, delivered the inaugural speech, highlighting the association’s commitment to taking care of its members even after their passing. He emphasized how the association, which began in 2002 and now boasts over 16,000 members, has been able to extend financial assistance totaling more than Rs. 15 crore to 255 families who have lost their loved ones. Muneer applauded the selfless contributions of KKMA members, who, despite being small-time earners, generously contribute from their hard-earned money to support bereaved families. He urged the families of the deceased members to pray for the well-being of KKMA members, who tirelessly work for this noble cause.

Yusuf Rasheed, the KKMA Karnataka president, delivered the presidential address, underscoring the association’s dedication to the well-being of its members and the underprivileged within society. This dedication is evident through the distribution of facilities such as free dialysis and educational scholarships, aimed at uplifting and empowering the community.

The ceremony also witnessed an address by Architect Mohammed Nissar, Chairman of Indian Design School Mangaluru. Nissar encouraged the scholarship recipients to make the most of the opportunity and urged the association to provide guidance to these students so they can pursue professions that benefit both themselves and the wider community.

SM Farooq, KKMA Karnataka State President, paid tribute to his late brother, the esteemed SM Basheer, and recounted how he tirelessly worked for the welfare of KKMA Karnataka Chapter. He also highlighted how the Family Benefit Scheme offered essential support to the families of deceased members during crucial times.

In recognition of his exceptional service to KKMA Karnataka Chapter, SM Farooq was felicitated at the ceremony.

Several students were awarded with the KKMA students award for their academic excellence in various exams while several other deserving students were awarded educational scholarships during the event.

The event concluded with Abdul Latif extending the vote of thanks, expressing gratitude to all participants and supporters. Uzaif compered the event.

Prominent personalities like SM Basha and Munir Kodi were among the dignitaries present during the event.

source: http://www.varthabharati.in / Vartha Bharati / Home> Karavali / by Vartha Bharati / July 3oth, 2023

2 Jamia Professors, alumnus scoop Delhi Urdu Academy Awards

NEW DELHI:

2 Jamia Professors, alumnus scoop Delhi Urdu Academy Award

It is a matter of pride for Jamia Millia Millia (JMI) that a current Professor, a retired Professor and an alumnus of the university received prestigious awards for their literary contributions by the Urdu Academy, Government of Delhi.

The award function was organised at the Auditorium of the Delhi Secretariat, IP Estate on 6th July, 2023.

Prof. Mohammad Asaduddin of the Department of English has received the Award for Translation for the year 2021-22 by the Urdu Academy, Government of Delhi.

Prof. Shamsul Haque Usmani, a retired Professor of the university received Pt. Brij Mohan Dattataria Kaifi award for the year 2021-22 .

JMI alumnus Dr. Aadil Hayat received award for Children Literature for the year 2019-20 by the Academy.

Prof. Najma Akhtar, Vice Chancellor, JMI congratulated the awardees and wished them good luck for their future endeavours.

It is worth mentioning that Dr. Abdul Naseeb Khan, Secretary to the Vice Chancellor, JMI and Prof. Anisur Rahman, a former Professor of English at JMI received Urdu academy, Delhi’s Award for Translation in the year 2018 and 2019 respectively.

source: http://www.theokhlatimes.com / The Okhla Times / Home> JMI-EDU/ by The Okhla Times / July 08th, 2023

Two JMI faculty members receive Uttar Pradesh Urdu Academy Award

NEW DELHI :

New Delhi. :

It is a matter of great pride for the Jamia Millia Islamia (JMI) that Dr. Abdul Naseeb Khan and Dr Khalid Javed of the university have been conferred with Uttar Pradesh Urdu Academy Award (Rs.One Lakh and citation).  

Vice Chancellor Prof. Najma Akhtar extended her heartiest congratulations to both the awardees.

Dr Abdul Naseeb Khan who is currently working as the Secretary to the Vice Chancellor, JMI has been given ‘Award for Translation’. He has to his credit translations of Ghalib’s Urdu poetry, Premchand’s stories, urdu novels, critical urdu writings and several modern urdu poets. He has also been a recipient of Delhi Urdu Academy award for translation in the year 2018. He holds PhD on translation of modern urdu poetry into english.

Dr Khalid Javed a Professor, Urdu Department, JMI received the award for Urdu Fiction. He has also been a recipient of Delhi Urdu Academy Award for Fiction in the year 2018. He has authored three very famous novels- ‘Maut Ki Kitab’, ‘Nematkhana’ and ‘Ek Khanjar Paani Me’. His story ‘Aakhri Dawat’ translated as ‘The Last Supper’ by Abdul Naseeb Khan is on the syllabus of Urdu in Princeton University, USA. His ‘Maut Ki Kitab’ has also been translated as the ‘Book of Death’ by Abdul Naseeb Khan.

Besides, Prof. Khalid Mahmood, a Retired Professor of the Dept. of Urdu, JMI  has also bagged a prize for his book ‘ Nuqush-e-Mani’ .

source: http://www.eduadvice.in / Edu Advice / Home> News Details> Latest News / by Edu Advice / December 18th, 2021

JMI Professor gets prestigious ‘Parvez Shahidi Award’ of West Bengal Urdu Academy

NEW DELHI:

Professor Shehzad Anjum, Department of Urdu, Jamia Millia Islamia (JMI) is a renowned critic, researcher and the senior most Professor of the department.

Parvez Shahidi Award:

Professor Shehzad Anjum, Department of Urdu, Jamia Millia Islamia (JMI) has been conferred the prestigious ‘Parvez Shahidi Award’ of the West Bengal Urdu Academy for his great work in Urdu language. He is a renowned critic, researcher and the senior most Professor of the department.

JMI Vice Chancellor Professor Najma Akhtar, faculty members and students congratulated Professor Anjum for their great achievement.

Professor Anjum is one of the few prominent writers of the present era whose writings are thought-provoking.

Some of his published books are Urdu Ke Ghair Muslim Shaura-o-Udaba, Ahad Saz Shaksiyat: Sir Syed Ahmed Khan, Deedawar Naqqad: Gopi Chand Narang, Azadi Ke Baad Urdu Shairi, Azhar Inayati: Ek Sukhanwar Shayar, Ehtisham Hussain Ki Takhliqi Nigarishat, Tanqeedi Jehaat, Urdu Aur Hindustan Ki Mushtarka Tahzeebi Virasat, Rabindranath Tagore: Fikr-o-Fan, have been published.

He successfully completed the “Tagore Research and Translation Scheme” started by the Ministry of Culture, Government of India as the Coordinator, Department of Urdu, JMI. It is a historic, exemplary and proud achievement in the field of Urdu literature.

Professor Anjum also authored several monographs including Muhammad Ali Johar, Syed Ehtisham Hussain and Syed Muhammad Hasnain for Sahitya Academy, Delhi, Altaf Hussain Hali for Urdu Academy, Delhi, West Bengal Urdu Academy, Mirza Ghalib for Kolkata and Urdu Directorate. The Kalam Hydari monograph for Patna is particularly noteworthy. Several books translated by him have also been published. He also wrote a literary column on non-Muslim Urdu poets and writers for the daily ‘Inqlab’, Delhi, for about two and a half years.

source: http://www.shiksha.com / Shiksha / Home> News> College / by Anum Ansari, Asst Mgr Content, New Delhi / September 09th, 2022

Grandson of the Nizam Shahamat Jah passes away; he was a lonely poet

Hyderabad, TELANGANA:

He was born to Prince Moazzam Jah whose complete name was Mir Shujaat Ali Khan.

 Prince Shahamat Jah (Source: khaleequrrahman.blogspot.com/)

Hyderabad:

Prince Shahamat Jah, the grandson of the last Nizam of Hyderabad State Mir Osman Ali Khan, passed away at a hospital on Sunday (July 30).

He was about 70 years old.

He was born to Prince Moazzam Jah whose complete name was Mir Shujaat Ali Khan. He also went by his penname Shaji and wrote poetry in Urdu. Nizam had named Moazzam Jahi Market after his name.

Prince Moazzam Jah was the second son born to Mir Osman Ali Khan. His elder brother was Azam Jah also known as Mir Himayat Ali Khan.

His first wife was Princess Niloufer, niece of the last Turkish Sultan and Caliph Prince Abdul Majeed. Niloufer who built a hospital for children in the Red Hills area left her husband and settled down in France. She had no children.

Prince Moazzam Jahs married Razia Begum after separation from Princess Niloufer. His third wife was Anwari Begum who bore the only child to him—Shahamat Jah.

Shahamat Jah’s two marriages were unsuccessful. He remained alone and aloof and died childless.

After selling off his house at Red Hills, he moved to his sister’s home in Banjara Hills. He had a limited circle of friends. Most of the people who gathered around him took advantage of ‘innocence’ and deserted him.

In the evening of Sunday his body was being readied for burial at Masjid-e-Joodi, King Kothi, where his grandfather Osman Ali Khan has his mazaar.

Prince Muffakham Jah, Prince Azmet Jah, the titular head of the Nizam family, and his mother Princess Esra sent their deep condolences to the relatives and friends of Shahamat Jah. Himayat Ali Mirza, his nephew, who was taking care of the deceased took him to a hospital in Banjara Hills where he breathed his last.

source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / by Mir Ayoob Ali Khan / July 30th, 2023

Kokni Muslim: The Konkan’s hidden cuisine

INDIA:

Long thought to be simple fare, Kokni Muslim cuisine’s unique flavours and aromas are slowly wafting out of the confines of home kitchens.

The Konkan coast, which is home to the Kokni Muslim cuisine

When you think of Muslim cuisine, what do you think of? Hyderabadi dum biryani, Lucknowi galouti kebab on a warqi paratha, or the lavish Bohri thaal? Dishes such as yakhni gosht (dry mutton), machli cha halduni (fish gravy), dum che Bombil (Bombay Duck made in the dum technique) are not the ones that readily come to mind as most of us are unfamiliar with the cuisine of the Kokni Muslim community.

What has kept this cuisine away from public knowledge is that it cannot be found at just about any restaurant and can be sampled only at home-dining experiences or pop-ups, that too only over the past couple of years.

One such is Ammeez Kitchen, a home-dining service on weekends at Marol, Mumbai, founded by Shabana Salauddin in 2017. “Ammeez Kitchen happened over a conversation with my mother, Ammee, while having our meal,” she recalls. “The discussion hovered around why Kokni Muslim food, which is so delectable, is unknown compared to other regional cuisines? Ammee dismissed the idea, saying our food is just ‘ghar ka khaana [simple home food]’. This strengthened my resolve, as I felt this was exactly what I wanted to showcase.”

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Kokni Muslims are a sub-ethnic group from the Konkan region, including the areas of Thane, Raigad, Ratnagiri and Sindhudurg. About 1,000 years ago, trade between the Indian sub-continent and West Asia saw Arab merchants coming to this region—to ports such as Chaul, near Alibaug—and, over centuries, settling along the coast, marrying into the local communities and giving rise to the Kokni Muslim community of seafarers. The Arabs brought along with them the knowledge of food such as yakhni or mutton dishes, and spices such as fennel. Besides, owing to their location, seafood became an integral part of their cuisine along with local, Maharashtrian influences.

(From top left) Khatte bangde; roath, a semolina-based cake

Nujmoonnisa Parker, author of Kokni Delights (a book of recipes and history of the community) and an exponent of Kokni Muslim cuisine, explains, “The backbone of Kokni Muslim cuisine has always been what is harvested from the ground, i.e. local produce. Like the cuisine of the Goud Saraswats of Konkan and Christians in Goa, Kokni Muslim cuisine is largely dairy-free, and, in this respect, differs from the Mughlai cuisine. There are various permutations of any given recipe, based on the region, availability of ingredients and seasonality. Coconut, rice, lentils, onions, potatoes and red chilies are the main ingredients of this cuisine.”

Although a myriad spices and ingredients go into each dish, according to Shahida Khan, a Kokni Muslim from Navi Mumbai, the food is light on the stomach. “Kokum, dry mango, black sesame seeds, coconut, red chilies, turmeric—all grown in the region—are used in our cuisine. Rice, which is also common, is used in whole or powdered form in almost every dish.”

Elaborate meals are the cornerstone of this cuisine. Popular dishes include machli cha halduni, chavachi chutney (coconut chutney that is eaten as a main dish), chawrachi roti (boiled rice flour chapati), kavtacho bojar (stuffed egg), kolbi chi chutney (dried prawns chutney), alni paalni (chicken soup without salt).

“Kokni Muslim food is always a complete meal. We have roti, chawal (rice), sabzi (vegetables), saalan (gravy), kebab or talela, and tondilavayla (condiments). Many a time, the number of condiments exceeds the number of main courses, and typically include hari chutney (green chutney), sirke ka achaar (onions pickled in vinegar), kalkhand, kuldey (rice papad), thecha (chilli chutney), raita or kachumber,” says Salauddin.

Saravle, a wheat pasta

The cuisine has similarities with other Konkan cuisines and yet remains distinct. Mumbai-based home chef-turned-entrepreneur Mumtaz Kazi Pawaskar, who hails from the fishing village of Harnai in Ratnagiri and runs a catering business along with her cousin Sameera Gawandi, elaborates: “We call ourselves Kokni and not Konkani. The use of coconut milk as in other Konkan cuisines is common. But we use it instead of water to make curries, and this is one such distinction of Kokni food. So much so, that coconut milk is even used to cook rice, which gives it a glaze and extra flavour.”

Pawaskar adds that the cuisine has three broad spice combinations: Fish masala, mutton masala, and haldi (a combination of turmeric and fennel ground together). Fennel, a key ingredient of Kokni cuisine, is an example of the Arab influences. “Isan is the process of adding a few prawns to some vegetable preparations like stuffed brinjals, a yellow curry with drumsticks, and yam in garam masala for extra flavour,” she explains. “In our village, during summer, all household courtyards have whole red chillies drying in the sun, while households make and store spice mixtures for the whole year.”

Each meal has some special dishes. “Ghavne and sandan are breakfast dishes made with rice flour and a bit of jaggery. While ghavne [delicate crepes] is made on a tawa with pure ghee, sandan [similar to the Goan sanna] is steamed and is lighter in texture,” Khan explains. “Ghario, on the other hand, is an evening snack made with shredded cucumber, jaggery and rice flour, deep fried and typically served with Sulaimani chai.” 

Cooking methods and ingredients vary from village to village, according to Salauddin. “Every family has their own version of the recipe. Most of the Kokni families have at least one clay pot or degh in which machli ki halduni and kalsani ka saalan (fish gravy) are prepared. The wet spice mixture—coriander, chillies and garlic—is always freshly ground. There are two extremes in our cooking: An entire meal can be fixed in 30 to 45 minutes, while others that include sandan (like idlis, made of coarse rice, coconut, milk, sugar and steamed), roath (semolina-based cake), khichda (slow-cooked meat and lentils), sarole or saravale (wheat pasta), bhakorche (like rotis), and ukdi ke kanole (rice dumplings) are laborious.”

Chonge, or sweet puris

Desserts occupy an important place in this cuisine. Pelve are rice flour crepes stuffed with grated coconut and jaggery and garnished with chironji, a variety of nut. Poppy seeds are used abundantly to garnish sweet dishes like mitli (made of rice flour and coconut), peyushi (coconut milk and cashew pudding), duderi (flour and egg pudding), chonge (sweet puris) and seviya (vermicelli in milk).

Although Kokni Muslims have traditionally cooked and enjoyed their own cuisine at home, Parker feels that in the last few decades the community has learnt to incorporate various styles of cooking into their kitchens.

Saravle, a pasta made from wheat dough moulded into tiny rings, is a favourite in this cuisine. It plays a significant role in weddings as it is part of a bride’s ‘rukhwat’ (gifts) when she leaves her parents’ home. It is cooked as a savoury dish with mutton or chicken, or as a sweet when steamed and topped with eggs.

Salauddin says, “Ukdi ke kanole, small half moon-shaped rice dumplings stuffed with freshly grated coconut, sugar and nuts, are prepared on the wedding day. These piping hot dumplings are bought in a big plate and placed in front of the couple. The groom is expected to pick up the maximum number of dumplings and gift them to the bride. The belief is that the larger the number of dumplings he picks, the more likely he is to take care of his wife.”

Religious occasions, too, call for special dishes being prepared at home. “Women prepare sandan on Ramadan Eid, and roath and malido in the first week of Muharram,” says Parker.

Until recently, Kokni Muslim food had remained restricted to homes and was not considered to be a cuisine that could be popularised beyond the community. However, many women are now making an effort to help more people become aware of their rich culinary heritage through pop-ups and curated home-dining experiences.

Since 2017, Pawaskar and Gawandi have been delivering food from their home under the name of Kokni Dastarkhwan, and have joined hands with Authentic Cook, an organisation that offers unique culinary experiences hosted by home chefs. For instance, in 2019, Neel, a popular Mughlai and North Indian cuisine restaurant with branches in Mumbai’s Mahalaxmi and Powai held a Kokni Muslim cuisine pop-up with Pawaskar and Gawandi.

Salauddin’s Ammeez Kitchen offers home dining experiences on weekends, where customers can reserve their seats in advance, and also delivers Kokni Muslim fare to the homes of customers. “Most Kokni Muslims now live in nuclear families, and with the busy lives we lead we all prefer to have quick-fix meals rather than our own cuisine, which can be quite elaborate. Families have either stopped making these dishes, or are unaware of old recipes made by our grandparents,” laments Salauddin. “This is why the transfer of knowledge from one generation to another is at a standstill. While we Koknis love our food, we have always undervalued it. It is confined within the walls of our kitchens. It is now time to let the world know.”

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(This story appears in the 14 February, 2020 issue of Forbes India. To visit our Archives, click here.)

source: http://www.forbesindia.com / Forbes India / Home> Life> Forbes Life / by Mini Ribeiro / February 08th, 2020

AMU pays tribute to renowned poet Mir on his 300th birth anniv

INDIA:

A two-day international seminar was organised by the department of Urdu, Aligarh Muslim University here at AMU on Saturday and Sunday to mark the 300th birth anniversary of renowned Urdu poet, Mir Taqi Mir.

Seminar under way at AMU. (HT Photo)
Seminar under way at AMU. (HT Photo)

Presiding over the event, AMU vice chancellor Prof Muhammad Gulrez said that Mir Taqi Mir portrayed in his poetry a wide array of human emotions and feelings and his poetic thoughts are still considered valuable for serious studies in Urdu poetics.

Citing a number of Mir’s popular couplets, he said that the importance of Mir can be gauged from the fact that his poetry is popular even today, after a passage of three hundred years.

“Mir’s poetry helps common people express their feelings effectively and his love imbued Ghazals masterfully reflect the agonies and pleasures of lovers,” said Prof Gulrez, adding that research scholars should work to bring out the deeper nuances of Mir’s poetry.

Delivering the keynote address, Prof Sharif Hussain Qasmi, former chairman, department of Persian, AMU said that Mir’s poetry opens a wide range of possibilities to study the human emotions. He said Mir generously used Persian vocabulary giving currency to many Persian words in Urdu.

Calling Shamsur Rahman Farooqi’s book Sher-e-Shor Angez a milestone in the study of Mir, he discussed Mir’s Persian poetry with wider connotations. He said Mir has a unique position among Urdu poets because of the simplicity of his style and expression.

The chief guest and noted Persian scholar, Prof Azarmi Dukht Safavi said that Mir Taqi Mir’s thoughts and ideas are not limited to his era but are relevant for all times. She pointed out that for deeper understanding of Mir’s poetry, knowledge of Persian is necessary and Urdu scholars need to pay special attention to it to access Mir’s poetics. She further said that Mir’s couplets betray beauty and sadness that are essential attributes of life according to Mir.

Prof. Safavi highlighted the diversity, simplicity and meaningful dimensions of Kalaam-e-Mir and also discussed the salient features of his prose. Citing examples from the books, Zikr-e-Mir, Faiz-e-Mir and Nikat-us-Shora, Prof Safavi said that these books are the best example of his prose writing.

Prof Arif Nazir, dean, faculty of arts said that Mir’s poetry is popular because of its linguistic richness. He cited several couplets of Mir and stressed the need for the translation of Mir’s poetry into Hindi and other languages of India.

Earlier, welcoming the guests, Prof Mohammad Ali Jauhar, chairman, department of Urdu introduced Prof. Sharif Hussain Qasmi and Prof Azarmi Dukht Safavi, and highlighted the objectives of the seminar.

Dr Sarwar Sajid, convener of the seminar, conducted the programme, while Prof Qamrul Huda Faridi proposed vote of thanks.

Jaheedan Khatoon, a MA final year student, presented Mir’s popular Ghazal “Dikhai Diye Yun Ke Bekhud Kiya” in her mesmerizing voice.

source: http://www.hindustantimes.com / Hindustan Times / Home> Cities> Others / by HT Correspondent, Aligarh / July 23rd, 2023

The Kerala Story: Sound designer Resul Pookutty and cartoonist EP Unny inspire communal amity

KERALA:

While the response to the film in Kerala and neighbouring Tamil Nadu has been tepid, it seems to have opened the floodgates of abusive comments, both for and against.

A sketch by EP Unny that he tweeted shows a church (extreme right), a mosque and a temple “cuddling into” Palayam in the heart of Thiruvananthapuram, the Kerala capital. The sketch was a part of Spices & Souls: A Doodler’s Journey Through Kerala, published by DC Books, Kottayam, in 2001 /. Sourced by the Telegraph

Academy award-winning sound designer Resul Pookutty and cartoonist E.P. Unny have inspired many tweets highlighting communal harmony in their home state of Kerala, contrasting with the hate being spewed on social media following the release of The Kerala Story.

While the response to the film in Kerala and neighbouring Tamil Nadu has been tepid, it seems to have opened the floodgates of abusive comments, both for and against.

Against this background, Unny, chief political cartoonist at The Indian Express newspaper, has tweeted one of his old sketches that depicted a temple, mosque and a church that stand side by side at Palayam in Thiruvananthapuram as an exemplar of communal amity.

By Sunday evening, Unny’s tweet, dated May 5 and posted under the hashtag #KeralaStory, had been viewed by 2.97 lakh people, shared by 561 and drawn comments from 223.

Pookutty too, on May 5, exhorted people to share stories that would fit two hashtags he had created: “Guys if you have your own story of #brotherhoodinKerala share it here under the #MyKeralaStory.”

Lok Sabha member Shashi Tharoor shared Unny’s tweet and commented: “Proud to represent Thiruvananthapuram constituency. The Palayam example is one I often cite in my speeches. Beautifully drawn by @unnycartoonist.”

The image Unny tweeted was drawn in 2000 for his travel book Spices & Souls, commissioned by DC Books and published in 2001.

“I was not reacting to the film at all because I have not seen the film. If I had seen the film, I might have done a cartoon on it,” Unny told The Telegraph on Sunday.

Unny had already, before the controversy over The Kerala Story broke, been planning to tweet the screen grab of the sketch to commemorate the 150th anniversary of the Palayam church.

“I had a screen grab of this image and thought I would tweet it at some point since I had read sometime in March that this was the 150th year of the Palayam church,” he said.

“This in itself is remarkable with a temple, a church and a mosque adjoining each other in the Thiruvananthapuram landscape.”

Soon after, a storm began brewing over The Kerala Story, which controversially suggests that Malayali women are being lured into conversion and radicalisation by the Islamic State.

“That was when discussions started about this film and highly polarising comments were made around it. That was why I tagged #KeralaStory while tweeting it (the sketch),” he said.

“What I was responding to was the noise made around this film by people, many of whom had not seen it,” Unny said.

Pookutty’s tweet found immediate acceptance, with Carnatic vocalist and activist T.M. Krishna tweeting: “Singing in innumerable temples across the length and breadth of Kerala for over two decades and always having people who belong to diverse faiths sharing in the music. People from whom I learnt a lot! Will be singing Guru in Kollam tomorrow.”

“Guru” is a reference to social reformer Sree Narayana Guru, whose verses Krishna has been singing for several years.

Pookutty’s hashtag #MyKeralaStory has led to several stories about communal amity in Kerala being shared.

Shanmugavel Shankaran, a netizen, tweeted a picture of a Muslim couple who had married off their adopted Hindu daughter to a Hindu man at Kanhangad in Kasargod district.

P. Abdullah and his wife Khadeeja had adopted Rajeshwari after she was orphaned at the age of seven. The couple educated the girl and brought her up as a Hindu.

A man named Zafri tweeted: “Rightly said, Resul. There are so many stories of love to share. Recently attended the Nikah ceremony of my sister in Trivandrum. Our stay, our commuting as well as the marriage reception arrangements taken care of by the groom’s non-Muslim friends. #MyKeralaStory.”

Many tweeted a video clip of a Hindu wedding at a mosque that was recently shared by Academy award-winning composer A.R. Rahman. The video is about how the Cheruvally Muslim Jamaal Mosque in Kayamkulam, Alappuzha district, held a wedding for Anju and Sharath Sasi on January 19, 2020.

The event happened after the bride’s mother, a widow, sought help from the mosque committee for her daughter’s marriage. The committee fully sponsored the Hindu wedding, held on the premises of the mosque.

A man named Raj P. tweeted: “I looked after a child with a severe illness on a ventilator. The family couldn’t meet the expenses. Their church raised some money to help them. The neighbourhood mosque committee heard about this, collected funds from Muslim families, and helped the child. #mykeralastory.”

Many stories have been shared also about how Malayalis had cut across religious communities to help one another during the devastating floods of 2018.

source: http://www.telegraphindia.com / The Telegraph Online / Home> India / by K.M. Rakesh, Bangalore / May 08th, 2023

Zarina Hashmi: Google celebrates Indian-American artist’s 86th birthday with doodle

Aligarh, UTTAR PRADESH , INDIA / USA :

https://economictimes.indiatimes.com/magazines/panache/zarina-hashmi-google-celebrates-indian-american-artists-86th-birthday-with-doodle/videoshow/101794393.cms

Today, Google Doodle commemorates the birthday of Zarina Hashmi, an influential Indian American artist who would have turned 86 today.

The doodle, designed by guest illustrator Tara Anand from New York, pays homage to Hashmi’s artistic style by incorporating her signature geometric and minimalist abstract shapes.

source: http://www.economictimes.indiatimes.com / The Economic Times / Home> English Edition> Business News> Magazine> Panache / by ET Online / July 16th, 2023

Nisar Kubra’s 50 books got destroyed as family didn’t want her to write

Patna, BIHAR:

The cover of Nisar Kubra’s only published book Khayalat e Kubra

“I used to write criticism of every book or article which I believed needed to be countered. Apart from these, I had written fiction, non-fiction, satires, and novels. Unfortunately, I could not publish any of these works because my Father-in-Law (May Allah Bless him with Paradise) was old-fashioned. In his opinion, good women did not write or engage with the public. Still, I got a few of my articles published in magazines under a pseudonym.”

These are the words of a Muslim woman writer from Patna who lived about a century ago. She was Nisar Kubra, one of the first women Urdu poets from Bihar to get published. She had written at least 50 books that were never published. In fact her works got destroyed by natural calamities. Her first notebook with her poems was torn by her elder brother, who questioned her daring act of being like Sauda (a famous Urdu classical poet). The poems were lost.

Probably, looking back, one could have reconciled to her plight had she been from a less-educated or backward family. Kubra’s mother Rashid un Nisa was the first woman author to publish a novel in Urdu. She had also established one of the first girls’ schools in Patna. Her father-in-law was Syed Ali Karim, who took part in the 1857 revolt and was a well-known scholar of his time. Kubra’s family and her in-laws belonged to Patna’s intellectual class.

In her memoirs, Kubra wrote that in the early 20th century “women’s education was considered to be evil, and teaching them the art of writing was no less than a grave sin”.

Muslim women are taught to read the Quran but without understanding it. They weren’t taught to read or write Urdu, Hindi, or English. She was no different. The female tutor hired for her didn’t know anything but the Quran, without understanding its meaning.

Kubra would have ended up like other girls of those times, uneducated but for her passion for reading and writing. She imitated alphabets on waste papers with the help of a piece of straw dipped in colour. One day her mother, who was an advocate of women’s education but couldn’t do much against the wishes of male members to help her daughter, saw Kubra trying to write. She was moved. She immediately gave her pen, ink, and paper. A tutor was hired for her. A female tutor who herself didn’t know much about writing could teach only the basics. But, this was enough for Kubra. She started practising.

Kubra learnt Arabic by comparing Arabic with Urdu translations; English from male family members’ books and Hindi from a Hindu maid at home. She would read any scrap. She followed her mother’s advice that girls should be exposed to both good and bad literature. Their minds should be developed in a fashion that they could distinguish between good and evil.

Kubra and her niece, Asghari, started writing poems. Once, when the Urdu poet Shad Azimabadi was shown her poems, he appreciated those and said that she should have been sent to a formal educational institution. Professor Syed Abdul Ghafur also appreciated her writings but Kubra’s elder brother did not endorse a woman from the family writing poetry. He tore down her notebook of poems. Kubra recalled, “This humiliation killed my passion for poetry and I would not write another poem for years to come”.

Kubra felt independent only in 1934, after the death of her father-in-law. Her children had grown up by then and she was on a pilgrimage to Arab. She got her poems published and called it Khayalat e Kubra (Kubra’s thoughts).

Kubra’s poems written before 1934 were lost because she also feared the rage of male members of her family if she discloses her passion.

Kubra wrote on religion, women’s rights, political movements, social movements, freedom struggle, Hindu-Muslim unity, and education.

In one of her poems on Hindu-Muslim unity, she wrote, “Suno aey Hindostaan waalo tum aey Hindu Musalmaano, Tumhi aapas ke kul jhagdo ko bekhatke mita sakte” (Listen my Indian people divided into Hindus and Muslims only you can solve these internal communal feuds).

Kubra also wrote about the need for education among women. She welcomed the freedom of women with a caution that Indians should not get carried away with western ideas. Kubra was satisfied. She wrote, “Now the times are changing. Women are attaining freedom, rather they have gained freedom. Old traditions are now past. We have no dearth of teachers for girls. Girls’ schools are being opened. Muslim women should also move forward with women of other communities to educate themselves. They should not lag.”    

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Saquib Salim / July 21st, 2023