Category Archives: Arts, Culture & Entertainment

Meet Hyderabad photographer who can ‘read messages from clouds’

Hyderabad, TELANGANA:

Younus believes that clouds have strong messages related to nature, possible dangers, future developments, and love

'Messages from Clouds' captured by Hyderabad boy
Kohinoor diamond shaped cloud captured between minarets of Charminar

Clouds carry divine messages for humanity, believes Younus, a 27-year-old, photographer from Hyderabad who spends most of his time clicking the clouds in the sky and deciphering the messages therein.

Describing himself as a passionate nature lover, Younus has so far captured over 8,000 images of clouds, which hint at awareness messages related to nature, possible dangers, future developments, and love.

Coexistence

One such picture, he feels, narrates a tale of peaceful coexistence between humans and nature. When skygazers look at the picture, they immediately fall in love with it.

Fauna Fantasia: Peaceful coexistence between humans and nature

Mother bird and chick

Another image of clouds featuring a mother bird feeding her chick calls for the protection of birds and their safety. These birds, he said, largely contribute to the stability of the environment.

Mother bird and a chick

“Affection between a mother and child is displayed by clouds, giving a message to the world that nature must be protected the same way like mother protects a child,” said the photographer Younus.

Mother and child shaped among clouds

Kohinoor on Charminar

His another click, Kohinoor diamond-shaped cloud between the minarets of the historic Charminar, makes citizens recall the priced jewel that no longer belongs to Hyderabad. Today, it is a part of the crown jewels on display at the Tower of London.

Cloud in shape of Kohinoor Diamond

Global warming

A spaceship-like cloud reminds us of the existence of aliens in the universe

His another picture, shows an ape and a dragon formed by the clouds. “The flames coming out of the dragon’s mouth are relevant to the rising global warming,” lamented Younus.

Clouds shaping an ape and a howling dragon

“Crab and Bear are looking over the humans and motivating them to succeed,” explained the photographer.

Clouds in the shape of Crab and Bear

“Pterosaur, an extinct species of flying Dinosaur was captured above the fort of Bhongir, said Younus, adding that the sun, mountains and trees are permanent. However, many animals have become extinct and new animals have evolved.

“It reminds us that someday, the human race is also going to be extinct,” said Younus.

Huge cloud shaping the extinct pterosaurs, captured above the Bhongir fort
Clods depicting a lion, cat and a crocodile in discussion

Telangana shaped cloud

27-year-old Younus Farhaan started capturing cloud pictures in 2008. His hobby soon turned into a passion in 2013, when he captured a cloud in the shape of a Telangana geographic map. The state was formed the next year.

World cup victory

In 2011, he captured a cloud that formed the shape of the coveted Cricket World Cup trophy. Soon after, India won its second World Cup under the captainship of Mahendra Singh Dhoni.

Since then, cloud pictures by Younus have been displayed at multiple locations, within and outside Telangana.

Clouds call out for ‘protection of nature’

Younus believes that clouds have strong messages for humans. People must take time from their busy schedule and glance at nature for a few minutes.

Recently, his cloud pictures were displayed to 500 girl students at Safdaria Girls High School in the city.

The motive behind the exhibition was to link the students with nature. “Though the girls were aware that clouds make shapes, they were surprised to find out the messages they wave,” said the delighted photographer.

“Nature keeps evolving and keen observation can reveal the messages hidden in the clouds related to the changing environmental trends,” said Younus.

“People must be made aware that protecting nature is the duty of every human,” he said.

A few of his photos are currently on display at the cloud exhibition at Ravindra Bahrati. ‘Fauna Fantasia’, the exhibition was inaugurated on October 4.

source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / by Masrath Fatima / October 12th, 2023

Kerala: Veteran Mappilapattu singer Ramla Beegum dies

Kozhikode District, KERALA:

The veteran Maappilapattu singer, Ramla Beegum, passed away at her residence in Kerala’s Kozhikode district on Wednesday, September 27, 2023, at the age of 85.

In addition to her renown as a Maapilapaatu singer, Ramla gained fame as a Kathaprasangam artist, captivating audiences with her unique storytelling style that weaved together tales from both Muslim and Hindu cultures.

Her performances graced stages both nationally and internationally.

To this day, Ramla’s Mappilapattu songs and lyrical narratives, such as “Husnul Jamal Badrul Muneer,” continue to captivate the hearts of art enthusiasts. Some of her most cherished renditions included “Aalam Udayon…” and “Iruloka Jayamaniyum…”

Ramla has performed narrations of literary classics such as Kesavadev’s ‘Odayil Ninnu,’ Kalidas’s ‘Shaakuntalam,’ and Kumaran Asan’s ‘Nalini’ on international platforms.

Her exceptional talent has earned her numerous awards, including the Kerala Sangeetha Nataka Academi Award and the Folklore Academi Award, to name a few.

source: http://www.maktoobmedia.com / Maktoob Media / Home> India / by Maktoob Staff / September 27th, 2023

City-based Assamese poet Shaheen Akhtar wins literary award

Guwahati, ASSAM:

City-based Assamese poet Shaheen Akhtar has been awarded the ‘Independence Day Literary Honour’.

Shaheen Akhtar

Guwahati :

City-based Assamese poet Shaheen Akhtar has been awarded the ‘Independence Day Literary Honour’ by “Motivational Strips – World’s Most Active Writers Forum” in collaboration with the Gujarat Sahitya Academy (Under the Government of Gujarat).

Shaheen was declared as a recipient of the award “owing to her brilliance in poetry which is considered to be at par with world standards”.

The Independence Day Honour’ is conferred annually to the best poets worldwide jointly by the ‘Motivational Strips’ and the ‘Gujarat Sahitya Academy’ . The literary awards are given as a tribute to India’s Independence Day and the honor is considered as the most valued in the global poetic circle. Shaheen was accorded the honour on August 15, 2021.

The awarding procedure undergoes an exhaustive evaluation process, where the poet’s literary acumen, behaviour, global interactions and inclusions are taken into consideration before the recipient is conferred with the honour. A total of 440 poets from 82 countries were selected for this award.

‘Motivational Strips’ includes writers from more than 160 countries. The average visitors to this forum are beyond 7.2 million every month.

source: http://www.sentinelassam.com / The Sentinel / Home> Cities> Guwahati / by Sentinel Digital Desk / August 27th, 2021

Gathering of hijab-wearing women to break barriers, bust misconceptions

INDIA:

Callisthenics performer, international karate referee, biker, calligrapher who don the headscarf by choice to share stage at YB Chavan auditorium on World Hijab Day

Packing a punch: Shaheen Akhtar, the first female karate referee in south Asia, with her students. (Right)

On Instagram, 19-year-old Haleema Momin calls herself ‘Hijabi Beast’. The athlete from Jogeshwari who performs callisthenics stands out not only for her choice of career but also her attire.

“People who don’t know about Islam assume that hijab is a sign of oppression. For me, the hijab brings a sense of security, strength and dignity. I get a lot of support and attention because of my hijab,” said Ms. Momin, who is trained in powerlifting and martial arts.

Extraordinary feats

The teenager, who works as a personal trainer, is all set to perform a range of moves like the headstand, handstand, superman push-ups and flips at YB Chavan auditorium on February 1, World Hijab Day. She will share stage with an international karate referee, a biker, a calligrapher and other women who wear the hijab by choice and take pride in it.

The first-of-its-kind event has been organised by the non-profit Al Hadi Organisation with the aim of shattering the popular belief that the hijab is an obligation and not a choice. “I started wearing the hijab at the age of 41. It was a sudden consciousness that dawned upon me and I became a hijabi,” said Mazgaon resident Shaheen Akhtar, a World Karate Federation referee and the first female karate referee in south Asia. Ms. Akhtar was lucky that in the same year, 2014, the World Karate Federation introduced the hijab as a part of the attire for referees. Her 26-year-old daughter, who holds an MBA and works with a multinational company, does not wear a hijab. She said, “My mother always told me that our religion calls for it, but never forced me to wear the hijab. I made my own choice and I will let my daughter make her own choice too.”

The event also aims at highlighting the bias against hijabis in schools, colleges and workplaces. “It took so many years for television channels to have hijabi anchors. Why?,” asked 29-year-old Fatema Zaidi Mirza, an anchor with Channel WIN (World Islamic Network) and one of the presenters at the February 1 event. Ms. Mirza will also share her own story of being asked to remove her headscarf while in school, which later resulted in her parents filing a court case. “Even today, there are so many schools that do not allow Muslim girls to wear the hijab and women are asked to remove it at many places,” she said.

Shabana Sadik Husein Pattawala, founder of Al Hadi Organisation, said the event will bring together women from all Muslim sects. She said, “The message we want to spread is that women can do wonders wearing a hijab, and wearing it does not hide their talent. The speakers and performers at the event will bear testimony to this fact.”

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Mumbai / by Jyoti Shelar / January 29th, 2020

Muslims: The first architects of India

INDIA:

Mughal Art and Architecture

We, The Indian Muslims are proud to be citizens of this great country. We have been an architect of this land all through centuries since the days of dynastic rule. Whether it was construction of world class network of transport facilities like Grand Trunk Road linking major cities, founding new cities of highest standards for that age, huge monumental structures to attract the world, development of living standards and maintain cordial relationships between groups belonging to various religions, languages, castes and cultures, we pioneered justice and maintained the system.

With the passage of years, decades and turn of events, the foreign forces got attracted to it and slowly took over the rein of rule.

We were first to challenge and fight for country’s independence valiantly. Even our clergymen took to streets and fought, thousands laid down their lives. Colonel Balwan Singh Nagial, a third-generation Indian Army officer who retired in 2019 wrote in Times of India (April 23, 2022), thus: “Muslim leadership contributed enormously to divergent phases of the  Indian struggle for independence. They (Muslims) played a larger-than-life role and made significant sacrifices in this struggle for independence.

From the last Mughal ruler Bahadur Shah Zafar to nawabs, princes, landlords of all sizes, clergy, ulema and the ordinary people, they all stood for the cause and took on enormous challenges and made supreme sacrifices.

When the INC was formed in 1885, the Muslims responded enthusiastically and supported all its efforts throughout the freedom struggle until India became free. The most enthusiastic support for the INC was from the Muslims of the conservative Ulama of Deoband. Earlier, the Ulama had participated in the 1857 uprising with heart and soul.

They made great sacrifices, and hundreds of them were sent to Andaman-Nicobar and many to Malta, an island to the south of Italy.

Muslim leaders who contributed to India’s struggle for independence were:

Khan Abdul Ghaffar Khan, Maulana Abul Kalam Azad, Maulana Muhammad Ali, Maulana Shaukat Ali, Allama Iqbal, Muhammad Barkathulla, Bi Amma (mother of Ali brothers), Badarudeen Tyabji, Hakim Ajmal Khan, Mohammad Ali Jinnah, Dr M.A. Ansari, Dr Siafudeen Kichlu, Dr Basheer Ahmad, Syed Ameer Ali, Dr Syed Muhammad, Hasrat Mohani, Nawab Abdul Latheef, Altaf Hussain Hali, Syed Ahmad Sirhindi, Syed Ahmad Bareilly, Maulana Shibli Numani, Munshi Karamat Ali, Munshi Zakaullah.

Hindus and Muslims together fought the foreign forces shoulder to shoulder. A report by the ‘Milli Chronicle’ says that names of 95,300 freedom fighters are etched on the India Gate in Delhi, and remarkably, 61,945 of these names belong to Muslims, signifying that 65% of these brave individuals were Muslims. The significance of this statistic is eloquently captured by the renowned writer Mr. Kushwant Singh, who boldly declared that the story of Indian freedom is etched in the blood of Muslims, emphasizing their large contribution to the freedom struggle, considering their dis-proportionately smaller population percentage.

The annals of history are adorned with the stories of Muslim freedom fighters who put their lives on the line to liberate India from the shackles of British oppression. These individuals, driven by an unwavering determination to secure their homeland’s independence, demonstrated exceptional courage and resilience.

All through ages we find tall personalities like Sultan Haidar Ali, father of Tipu Sultan, (he pioneered the fight against British colonial forces); Tipu Sultan, son of Haider Ali; (he pioneered the use of iron-cased rockets); Ashfaqullah Khan,(noted for his daring attacks on British government trains); Maulana Abdul Kalam Azad, the youngest President of the Indian National Congress,(who rallied Hindus and Muslims alike against British oppression); Maulana Hasrat Mohani, Khan Abdul Ghaffar Khan, (a pivotal figure in the Khilafat movement); was jailed for 13 years by the British),  Sirajud Daula, (the last Nawab of Bengal), Badruddin Tyabji (of Indian National Congress); his wife, Suraiya Tayabji, who designed the present Indian flag., Zain-ul-Abideen, an officer of the Indian National Army (INA), coined the iconic patriotic slogan “Jai Hind.”

While recounting the names of every Muslim freedom fighter may be an impossible feat, their contributions and sacrifices in the fight against British colonialism are immeasurable and undeniable. The fact that many chose to remain in India underscores their deep-rooted connection to the land. Despite attempts to distort history, India will forever be the cherished home of its Muslim citizens. We gave the independent India Maulana Abul Kalam Azad, the first Education Minister, Dr. Rafi Ahmed Qidwai, Dr.Zakir Hussain (an Educationist and Vice President), and numerous figures as servants to the country in the form of politicians, officers, industrialists, entrepreneurs, researchers, technocrats etc. in every field.

Our very recent contribution to the nation’s public service has been the world famous Scientist/Technocrat and President Dr.A.P.J. Kalam. He set the highest, un-believable standard of honesty, transparency and clean image in public life. A glimpse into the life he spent in the Rashtrapati Bhavan as President gives a shocking information. The same is as under: Mr. P M Nair, (retired IAS officer, then Secretary to Dr. Abdul Kalam, the President writes in his book “Kalam Effect” that Dr. Kalam used to receive costly gifts whenever he went abroad (as it is part of custom & protocol) used to ask the gifts to be photographed and then catalogued and handed over to the archives. Afterwards, he never even looked at them. He did not take even a pencil from the gifts received when he left Rashtrapathi Bhavan. It was a regular practice for every President to host an Iftar party, a routine. Upon being reminded about it Dr. Kalam asked Mr. Nair why he should host a party to people who are already well fed. Instead he estimated and donated Rs.22 lac being the cost to a few selected orphanages in the form of food, dresses and blankets besides a cheque for Rs.1.lakh from his personal funds. Though himself a devout Muslim, he never organized Iftar parties in President’s house at Public expense. Once Dr. Kalam invited 50 of his relatives to come to Delhi and they all stayed in Rashtrapathi Bhavan. He organized a bus for them to go around the city which was paid for by him.

No official car was used. Their lodging and food bill which came to Rs.2 laks was paid by him as per his instructions. Dr. Kalam’s elder brother stayed with him in his room for the entire one week as Dr Kalam wanted his brother to stay with him. When they left, Dr. Kalam wanted to pay rent for that room also. Imagine the President of a country paying rent for the room in which he is staying. This was any way not agreed to by the staff who thought the honesty was getting too much to handle. When he was to leave Rashtrapathi Bhavan at the end of his tenure, every staff member went and met him and paid their respects. Mr. Nair went to him alone as his wife couldn’t as she was confined to bed due to fracture. Upon noticing her absence and knowing the reason Dr. Kalam visited his house and chatted with her for some time. The following property was left behind by Dr.A.P.J.Abdul Kalam: 16 doctorates, 1 website, 1 twitter account, 1 email id, 2500 books, 1 Padmashri, 1 Padmabhushan, 1 Bharat Ratna, 1 flat (which he has donated), 6 pants & 4 shirts (DRDO uniforms), 3 suits (1 western, 2 Indian). He didn’t have any Car, jewelry, stocks, TV, AC, land or any bank balance. He had even donated the last 8 years’ pension towards the development of his village. He was a real patriot and true Indian Muslim. We are proud of him.

Our character building efforts continued even through the present 21st century in the country with unique results as records vouch. For example, the city of KAYALAPATTANAM (in Tamil Nadu) with 100% Muslim population goes. There is no Police Station, no cinema and no crime in the city because there had been no crime there for decades.

The present day situation in the country may appear to be disheartening and disappointing for some. The irresponsible attitude towards Muslims by some extremist groups in the country belonging to a certain ideology should be viewed as a momentary period. Their efforts to demoralize, degrade, deny civil rights are synonymous with their declared intentions. A great majority of country-men still believe and practice true Hinduism as had been for centuries in the past. True Hindus do not endorse hatred, support arson and distrust.

A long history of peaceful co-existence of Muslims and Hindus for centuries with mutual respect, rejoicing specially the occasion of festivals and long socio-economic ties in every nook and corner of the country is its evidence.

Our country has been an example of ‘Unity in diversity’ for the world for a long time. Nobody from either community can imagine a survival without another. The bond has been and will surely be strong as Steel. The ever increasing social evils like Corruption, nepotism, frauds, woman-bashing and vandalism like termites in the country have made the life of common man miserable.

Decline in the values like increased greediness, and wide spread of dishonesty, revenge, vindictiveness, and non-adherence to law need to be challenged and controlled. The ‘PLEDGE’ we used to read in our text books once in first page is long missing both from the book and in practice.

We the Indian Muslims, whether a common man, clergy, intellectual, and technocrat, worker or even those with any political group should realize that notwithstanding the company or area, we have a responsibility towards the country and duty-bound to work for our own community. We need to understand todays challenging scenario and strengthen its unity. We are the inheritors of a great legacy, and not followers of the ilk of this day. We Muslims should remember that we are ordained by the Almighty Allah to be united, behold his Commands; make efforts to spread virtuous deed and work eradicate evils. The entire country is looking forward for the honest.

As the phrase rightly goes, ‘Service to humanity is service to God’. Our population in the country according to 2011 census stands at about 200 million which constitutes 15%. We need to contain our extravagant life-style especially in matters of functions and festivals.

We should stop depending on politicians, their promises and focus on a self, collective effort. We need to move forward together in the fields of education, employment opportunities generating plans through mutual cooperation. For this purpose and as in the days of our Prophet, we should make our area Masjid a center for gathering, deliberation, planning, guidance and service as per law.Experts and experienced in relevant fields can be roped in for the purpose and the available resources can be put to work.

سبق پڑھ پھر صداقت کا، شجاعت کا، عدالت کا۔۔
لیا جائیگا تجھ سے کام، دنیا کی امامت کا۔۔

source: http://www.muslimmirror.com / Muslim Mirror / Home> Indian Muslim / by Syed Ilyas Basha / October 03rd, 2023

Dadasaheb Phalke Award conferred on Waheeda Rehman

Chengalputtu, TAMIL NADU / Mumbai, MAHARASHTRA:

Waheeda Rehman, 85, is a towering legend of Indian cinema known for iconic roles in films like ‘Guide’, ‘Pyaasa’ and ‘Kaagaz Ke Phool’

Waheeda Rehman


Union Information and Broadcasting Minister Anurag Thakur on September 26 announced that veteran Bollywood actor Waheeda Rehman would be conferred with the Dadasaheb Phalke Lifetime Achievement Award for 2021, honouring her stellar contribution to Indian cinema.

Prime Minister Narendra Modi congratulated the 85-year-old actor through an X (formerly Twitter) post. “Delighted that Waheeda Rehman Ji has been honoured with the Dadasaheb Phalke Lifetime Achievement Award. Her journey in Indian cinema has left an indelible mark. A beacon of talent, dedication and grace, she embodies the best of our cinematic heritage. Congratulations to her,” he said.

Ms. Rehman has been critically acclaimed for her roles in Hindi films, prominent among them being Pyaasa, Kaagaz ke Phool, Chaudhavi Ka Chand, Saheb Biwi Aur Ghulam, Guide and Khamoshi.

The announcement coincides with the birth centenary of Dev Anand, who had worked with Ms. Rehman in the classics like Guide (1965), an adaptation of R. K. Narayan’s book; and crime thriller C.I.D. (1956), which was her first Hindi film. Earlier, she had acted in Telugu films Rojulu Maraayi and Jayasimha, which were released in 1955.

“In her career spanning over five decades, she has essayed her roles with extreme finesse, leading to a National Film Award for her role as a clanswoman in the film Reshma and Shera. A Padma Shri and Padma Bhushan awardee, Waheeda ji has exemplified dedication, commitment and the strength of a Bharatiya Nari who can achieve the highest level of professional excellence with her hard work,” said Mr. Thakur.

The Minister said: “At a time when the historic Nari Shakti Vandan Adhiniyam (women’s reservation Bill, 2023) has been passed by Parliament, her being awarded this lifetime achievement award is a fitting tribute to one of the leading ladies of Indian Cinema and one who has dedicated her life after films to philanthropy and the greater good of society.”

The award will be presented during the 69th National Film awards ceremony. The Dadasaheb Phalke Award selection committee comprised prominent Indian cinema personalities, Asha Parekh, Chiranjeevi, Paresh Rawal, Prosenjit Chatterjee and Shekhar Kapur.

Ms. Rehman has worked in more than 90 films. She won the Filmfare Best Actress Award for her roles in Guide and Neel Kamal (1968). She also bagged the National Award for Best Actress (1971) and was honoured with the Padma Shri by government in 1972 and the Padma Bhushan in 2011.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by The Hindu Bureau / September 26th, 2023

Waheeda Rehman’s Tamil Nadu connect

TAMIL NADU :

Thanjavur-based Shahida Malik, the elder sister of Waheeda Rehman, talks about growing up with her ‘Chand’.

Waheeda Rehman with Shahida Malik | Photo Credit: Special Arrangement

Many rejoiced at the news of veteran actor Waheeda Rehman being conferred with the Dadasaheb Phalke Lifetime Achievement Award for 2021.

But quite above the fan frenzy, is 92-year-old Shahida Malik, Waheeda Rehman’s elder sister based out of Thanjavur, who has been moved to tears of joy at the recognition of her beloved sibling, nicknamed ‘Chand’ (moon and a term of endearment in Urdu), whose innate talent has been finally given its due.

It often comes as a surprise to many that Waheeda Rehman is actually from Tamil Nadu. She was born in Chengalpattu.

With a beautiful dance sequence that marked her debut at the age of 17 in the 1955 Telugu film Roju Marayi (remade as Kaalam Mari Pochu in Tamil), Waheeda Rehman’s body of work spans several decades of unusual roles. Her career in Hindi started in 1956 with the Guru Dutt production CID

“Waheeda’s Roju Marayi dance was so famous that people used to throw money at the screen whenever the song came on,” says Shahida. “We were amazed to see the reaction to our sister and so proud of her success.”

Trained in Bharatanatyam

Born in 1938 to district commissioner Mohamed Abdul Rehman and Mumtaz Begum, Waheeda was the youngest of four daughters. She and her sister Sayeeda trained in Bharathanatyam.

Shahida, who is seven years elder to the actor, remembers the family fearing for Waheeda’s poor health in her early childhood. They were also worried about the reaction to girls from the Muslim community taking up dance or films as a career.

She was first noticed as a performer at a Bharatanatyam recital for a cultural show organised during a visit by India’s last Governor-General C. Rajagopalachari by her father when he was posted at Vishakapatnam (in what was then the Madras Presidency).

“Father was asked to use only local artistes in the programme. Waheeda and Sayeeda were roped in for the dance,” recalls Shahida. As mentioned in the 2015 book Conversations with Waheeda Rehman by Nasreen Munni Kabir, the family went through straitened times after the death of Mohamed Abdur Rehman in 1951.

Veteran actor Waheeda Rehman at an event in New Delhi | Photo Credit: –

“Our father was transferred constantly, and this affected our studies. My elder sister Zahida and I managed to study up to Class 8, but Sayeeda and Waheeda didn’t get even that far. They worked very hard to stand on their own feet,” says Shahida. 

Foray into films

Waheeda Rehman’s success in the Roju Marayi song led to a meeting with actor-producer-director Guru Dutt, who eventually signed her up for a three-year contract with his production house in 1955, persuading Waheeda and her mother to shift to Bombay from Madras.

Their creative partnership flourished in films like PyaasaTwelve O’ ClockKaagaz Ke PhoolChaudvin Ka Chand and Sahib Bibi Aur Ghulam. With a ringside view on the world of films, Shahida has many memories of her sister’s heyday as a young actor, and also chaperoning her to shoots in outdoor locations. 

Waheeda Rehman in the Telugu film ‘Rojulu Maaraayi’ | Photo Credit: The Hindu Archives

Shahida and Waheeda are the only two surviving sisters. Family members, irrespective of their age, refer to their star relative affectionately as ‘Chand Khala’. “I nicknamed her after the moon, because she was destined to rise high in life and shine. I am so happy, I cannot stop crying,” says Shahida.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by Nahla Nainar / September 27th, 2023

The Awe-Inspiring Wildlife Drawings of Shaikh Zain ud-Din

Patna, BIHAR (BRITISH INDIA) :

An 18th-century album of India’s flora and fauna showcases the startling work of an overlooked master.

Bird
Shaikh Zain ud-Din’s Brahminy Starling with Two Antheraea Moths, Caterpillar, and Cocoon on an Indian Jujube Tree was originally part of an album commissioned by his British patrons. © Minneapolis Institute of Art

In the late 1770s, a British colonial official named Sir Elijah Impey and his wife, Lady Mary, commissioned the Indian artist Shaikh Zain ud-Din to catalog a private menagerie, including various bird species, the couple had assembled at their home in Calcutta. Using paper and watercolors from England, Zain ud-Din, a Muslim from the city of Patna, modeled his work after English botanical illustration, but he also brought to the job his training in the ornate Mughal artistic tradition—and his own distinctive style. Today critics praise the quality of the colors and the composition, in which a bright, simple background offsets the keenly wrought details of plants and animals. “Everything is incredibly precise and beautifully observant,” says Xavier Bray, director of London’s Wallace Collection, which this month mounts the first UK exhibition of works by Indian artists commissioned by officers of the British East India Company.

The expat aristocrats who patronized Zain ud-Din and his fellow artists had been sent abroad to help manage their country’s growing empire, but once there many, like the Impeys, fell in love with the subcontinent, as well as its flora and fauna. “These paintings,” Bray says, “were made into albums to be leafed through back home, on a rainy day, drinking Earl Grey tea.”

History failed to record much about Zain ud-Din’s life beyond his watercolors for the Impeys. But the new show, which includes 99 paintings of nature studies, portraits and landscapes by 18 artists, makes an argument that he and his contemporaries should be recognized on their own merits, as some of India’s greatest painters. “Anything with a colonial air about it is now considered politically incorrect,” Bray says. “But what we’re trying to do is bring back these extraordinary artists who have been almost completely forgotten.”

Bat
A Great Indian Fruit Bat, or Flying Fox (pteropus giganteus), by Bhawani Das, Calcutta, c. 1778-1782. Courtesy Private Collection
2nd bird - Indian Roller
Indian Roller on Sandalwood Branch, by Shaikh Zain ud-Din, Impey Album, Calcutta, 1780. © Minneapolis Institute of Art
Stork
Asian Openbill Stork in a Landscape, by unknown artist, Lucknow, c. 1780. Courtesy Private Collection (Photo: Margaret Nimkin)
arum
Arum tortuosum (now Arisaema tortuosum, family Araceae), by Vishnupersaud, c. 1821. © The Board of Trustees of the Royal Botanic Gardens, Kew

source: http://www.smithsonianmag.com / Smithsonian Magazine / Home> Arts & Culture / by Amy Crawford, Contributing Writer / December 2019

Guntur Girl Enters Record Books With Periodic Table

Chilakaluvripeta (Guntur District) , ANDHRA PRADESH:

Fazeela Tabassum Shaik, a 9-year-old child from Chilakaluripeta, Guntur district has broken her previous Guinness World Record of “The Fastest time to arrange all elements of the periodic table” in which she took 1min 57sec. Now she arranged in 1min 43 sec setting up a new Guinness record.

Earlier, a Pakistani child had set a record in 2.27 minutes, which has now been broken by Fazeela Tabassum Shaik. Fazeela practised nearly 4 to 5 months for daily 5 to 6 hrs daily to achieve this. Fazeela is presently trying to break her own record by setting the periodic table in 1 min 30 seconds.

In January 2021, Ganapavaram CR College conducted an official attempt at the Guinness Book of World Records and Fazeela Tabassum completed the event in 1.43 minutes.

In this regard, Fazeela has received an official confirmation and certificate from the Guinness Book of World Records on April 27.

source: http://www.sakshipost.com / Sakshi Post / Home> Andhra Pradesh / May 09th, 2021

How a women’s collective revived the food of Nizamuddin

NEW DELHI:

Zaika-e-Nizamuddin, run by 11 women of Delhi’s Nizamuddin basti, is carrying forward the 700-year-old legacy of culture and cuisine.

Members of Zaika-e-Nizamuddin
Members of Zaika-e-Nizamuddin

The awe-inspiring neighbourhood of Nizamuddin is located in the heart of Delhi. One of the oldest parts of the capital city, this bustling area comprises the World Heritage Site of Humayun’s Tomb, the vibrant seven centuries-old settlement of Hazrat Nizamuddin Basti and the 70-acre Sunder Nursery, among other landmarks. It also has a delectable cuisine, that is distinct in its rootedness and flavour, which is integral to Delhi’s food scene.

A women’s collective—Zaika-e-Nizamuddin (ZeN)—is carrying forward this 700-year-old legacy of culture and cuisine. As the name suggests, it is the flavours (zaika) of Nizamuddin that the group curates. Swati Batra, Women’s Livelihood coordinator of the initiative, says, “Zaika-e-Nizamuddin was initiated in 2012 under the Nizamuddin Urban Renewal Initiative of the Aga Khan Trust for Culture (AKTC) in response to a study conducted under the initiative’s ECCD (Early Childhood Care and Development) component. The study revealed more than 50 percent of the children under the age of six in Nizamuddin Basti are malnourished. Further exploration highlighted junk food to be one of the major causes of malnourishment in children. ZeN came into existence when a group of mothers was brought together to make and supply healthy homemade alternatives to the junk snacking.”

What makes the dishes made by this group of chefs different from what one eats at Jama Masjid? “That food is more commercial, and laden with oil and spices . We, on the other hand, are simple home cooks. We don’t have a degree in culinary skills,” says Fatima Shahjahan, a member of the collective. “Our food is loved because we make every dish from scratch with age-old recipes. The taste upholds the living heritage and also gives a peek into the culture of Nizamuddin,” says another member, Kulsum. “It looks simple, but it has struck a chord with many,” says ZeN member, Noorjahan.

The group started its catering wing in 2015, and since then it has grown into an independent women’s enterprise and provides food beyond Nizamuddin. They were invited to Park Hyatt, Hyderabad, and JW Marriott Mumbai for special food festivals in 2019 and 2020. The group recently got registered as an LLP company with 11 women members as partners.

The product repertoire of ZeN includes home delivery, picnic baskets, catering, pop-up restaurants and live counters with dishes like khichda, salans, koftes, laddoos, namkeens and more. They also participate in several food exhibitions and have a weekend stall in Delhi’s nature hub, Sunder Nursery. “The main value proposition is that every order is made exclusively (from scratch), using fresh ingredients (no refrigeration) and age-old recipes (no internet),” says Batra.

It is empowering to see the ‘bajis’ (elder sister in Urdu) of Nizamuddin sport aprons and headgears to make nihari and haleem using their grandmother’s recipes in a commercial bawarchi khana (kitchen). It has been a transformative journey for 11 illiterate women, who have never done any work outside their homes, apart from being domestic helps. To work on something of their own has been empowering. “It wasn’t as difficult to form a group as it was to keep the group together, especially during phases of low income. All the women come from a difficult reality and investing time into something without any immediate income has been very trying. They faced a lot of resistance from their families initially. But fortunately, the members held on to the hope and stuck around. Now they are partners of their firm,” says Batra.

The AKTC team responsible for incubating and anchoring the group tried to keep the women active during lean periods and the initial phase (when the quantum of business was lesser) by involving them in different kinds of training, regular meetings and organising exposure visits. When they started out, the women made around ₹200 a month. They are now earning up to ₹6,000 a month per person. There is also a communal kitty that they circulate among themselves. Over the years, ZeN has been able to create a place for its brand in the multi-faceted food space of Delhi. It has a small but loyal customer base who appreciate the quality of the food along with the journey of the enterprise.

“ZeN works with the objective of creating sustained, dignified, and enhanced incomes for its women members through promoting the indigenous cuisine of Basti Hazrat Nizamuddin,” emphasises Batra. As the group coordinator receives an order from a customer she puts in the duty of the chef(s) according to an internal roster. The chef(s) in charge procures fresh meat and vegetables and prepares the order which is finally delivered by a local delivery boy working with the group. Bigger or difficult orders are made under the supervision of group leaders.

The collective works on a flexible model where the members can choose the number of hours they want to devote. If a member decides to not take up the order, the one next in line in the roster gets it, and so on. Every member has a work passbook that records their daily duties. At the end of every month, the chefs’ income, according to the work they have done, is transferred directly to their bank account.

The pandemic was challenging and the collective is still coming to terms with it. “It was a huge and disappointing speed breaker, and the kitchen remained closed for months. Concealment of Nizamuddin, after it was marked a ‘red zone’, made everything worse. The annual turnover reduced by more than 20 percent in FY 2020-21 compared to FY 2019-20. The enterprise also lost many hard-earned customers,” rues Batra.

The catering service re-started after a break in July 2020 after collecting customers’ responses through a survey on their willingness to place orders. During the second wave, ZeN launched a new product idea of simple home-cooked food. The food received encouraging response and was mostly ordered by Covid-positive patients across the city. “The biggest learning has been to take feedback constructively and continue to work in a systematic manner with constant efforts towards improvement. For community enterprises like these, teamwork is very important,” says Batra, revealing that Zaika-e-Nizamuddin is planning to scale up in the future by considering collaboration with cloud kitchens and delivery partners while maintaining their authentic value proposition. “I can’t say any more on this topic. Just keep a watch out for us going big,” she smiles.

ZeN can be contacted through their Instagram page: @zaika_e_nizamuddin. They deliver across Delhi-NCR and orders can be placed via WhatsApp on 9891543356.

source: http://www.lifestyle.mint.com / Mint / Home> Mint Lounge> Food> Discover / by Medha Dutta Yadav / March 28th, 2022