The holy book, which weighs 54 kg with the cover, measures 28.5 inches long, 22.5 inches wide, and 4.5 inches high.
Abu Dhabi:
A 46-year-old Indian woman has displayed her handwritten Holy Quran in Arabic calligraphy weighing over 30 kgs at the 42nd Sharjah International Book Fair (SIBF).
Jaleena Hussain, who hails from Indian state of Kerala, has spent over a year creating a unique edition of 114 surahs, covering 604 pages.
Speaking to Sharjah 24, Jaleena said writing the Quran was her way of fulfilling her desire to memorize the Holy Book.
She expressed gratitude to the Sharjah authorities for allowing her to showcase her talent.
Jaleena, a former rubber plantation worker and Urdu teacher, has been recognized by the Arabian World Records and the India and Asia Book of Records for her handwritten Quran.
source: http://www.siasat.com / Siasat.com / Home> News> India / by Sakina Fatima X / November 12th, 2023
He was a poet, playwright, lyricist, folk singer and social and political activist.
When it comes to Bhojpuri literature or music, many people are only familiar with the vulgar songs raking in “likes” on YouTube and social media. But there is more that remains unknown outside.
Bhojpuri literature, especially folk music, is profoundly rich and covers a wide range of social, cultural and political issues such as dowry, child marriage, migration, freedom, communalism and caste.
Migration has always been central to Bhojpuri literature. Over the last two centuries, large numbers of people have migrated from this region. Bidesiya, a play written by Bhikhari Thakur that marks the trend, has been adapted into a film. Mahendra Misir and Master Nazir, too, are known for writing on migration and many other issues.
But before them, there was Rasul Miya whose work was not limited to cultural and social issues. He wrote also about the political problems of the time. His poetry is full of agony over issues such as colonialism, feudalism, the Partition, Hindu-Muslim unity and Mahatma Gandhi’s assassination.
Rasul Miya was a poet, playwright, lyricist, folk singer and social and political activist. He was born in 1872 in a village called Jigna in Gopalganj district (neighbouring Siwan) of Bihar and died in 1952. His father and other family elders, too, were members of a drama company known as Naach in the region.
He learnt from his elders but did not follow their tradition. He incorporated contemporary political ideas into his songs. His poetry bore the influence of Mahatma Gandhi.
‘Kalkatwa’ connection
Bihar and eastern Uttar Pradesh have a very old relationship with Calcutta. Since colonial times, this region has not had much employment opportunities, so people migrated to countries like Fiji and Suriname as “girmitiya mazdoors” (indentured labour), to the Gulf countries (called Pardesi) as unskilled labour, and to Calcutta in search of a prosperous life.
Therefore, migration was a very important reason why such literature came into being. In a way, Calcutta was seen as evil because it always snatched the male members of the household.
The people of this region often call the city “Kalkatwa” — a name that carries a negative connotation that is far removed from the “Kalkattey” of Mirza Ghalib, who loved the city.
As Bhikhari Thakur wrote: “Hey sajni re hey sajni, piya gaile Kalkatwa he sajni (Oh, my darling, my beloved has gone away to Calcutta).”
As his father, too, had migrated to Calcutta, Rasul Miya used to go there quite often and perform on stage. The city had a huge number of migrant labourers from Bihar and Uttar Pradesh.
Once, before Independence, Rasul Miya performed in a police station in Calcutta, singing a song that inspired many Indian personnel to quit the British-led force.
“Chhod da gorki ke ab tu khusami balma/ Ekar kahiya le karab ghulami balma (Give up serving the British/ How long will you be slaves to them),” he sang.
The exodus, mainly by personnel from Bihar and eastern Uttar Pradesh, drew the attention of the British. The colonial government arrested Rasul Miya because it felt threatened by his songs. He was taken to a police station through a red-light zone. Later, sex workers of the area pawned their jewellery to secure Rasul Miya’s release.
On the day of the Mahatma’s assassination, Rasul Miya was in Calcutta and was about to perform at a factory. Gandhi’s death shook him. But when he was asked to cancel his show, he insisted that he would perform but would change the content.
He changed the entire performance on the spot. One of the songs he sang was: “Ke maral hamra Gandhi ke goli ho dhamadham teen go/ Kalihe azadi milal aaj chalal goli (Who killed my Gandhi, firing three shots/ We got freedom just yesterday and fired the bullets today).”
Rasul Miya never met the Mahatma but staunchly believed in his ideas. It’s people like Rasul Miya, who registered their protest despite having many limitations, that we need to remember today while dealing with political majoritarianism.
Fearlessness
Other Bhojpuri poets and drama companies portrayed social evils. Bhikhari Thakur, the “Shakespeare of Bhojpuri”, wrote on subjects like child marriage and dowry.
Mahendra Misir’s songs are still popular and help understand the pain of migration, while Master Aziz was a champion of Hindu-Muslim unity through his songs and was known as “Kabir of Bhojpuri”.
But Rasul Miya’s venture into political issues reflected his fearlessness. He wrote against the zamindari system and on the Partition, communal politics, religion and caste, as well as on his philosophy of life.
Why do we need to remember him?
First, when we are dealing with hatred against minorities — especially Muslims but also Dalits — we need to know about a Muslim poet-lyricist who wrote Ram Ka Sehra.
(Sehra is a genre of Urdu poetry. In Poorbi culture, during Muslim and Hindu marriages, sehras are sung for the bridegroom when he arrives at the bride’s door.)
People like Bhikhari Thakur and Mahendra Misir are remembered through books, statues and government facilitation but Rasul Miya has been forgotten. Even his family does not have a single photo of him. Rasul Miya should be remembered the same way as figures like Gaddar, Faiz and Paash.
Although Rasul Miya had been easily forgotten because of the lack of records, the author Subhas Chandra Kushwaha has revived his memory and legacy.
He went to Rasul Miya’s home and collected his songs and details about his life orally from his relatives and other residents of the village.
Chandan Tiwari, a Bhojpuri folk singer, is known for reinventing forgotten Bhojpuri folk songs. He has made Rasul Miya popular and familiar again by singing his songs and making them accessible to the masses.
source: http://www.telegraphindia.com / The Telegraph Online / Home> India / by Nehal Ahmed / May 16th, 2022
Minoo Mumtaz aka Malikunnisa Ali, the veteran Hindi actor and comedian Mehmood’s sister, died in Toronto in Canada on Saturday.
She was recently diagnosed with cancer and her health deteriorated quickly, leading to her demise, ETimes reported.
Mumtaz’s nephew Naushad, confirming the news to the publication, said, “Since she was old, 80 plus, there wasn’t much to be done. She was one of the loveliest people I had ever met”.
Her younger brother Anwar Ali, who is also part of the film industry and is now a producer, wrote, “Regret to inform that my loving sister Minoo Mumtaz, passed away (in Canada) a few minutes ago… Deep gratitude to the film fraternity, press, media, fans, friends, for decades of love and adulation showered upon her.”
Born to a family of four brothers and four sisters, Mumtaz was the daughter of Mumtaz Ali, a dancer and character artiste in Hindi films in the 1940s. She was renamed Minoo by actor Meena Kumari, her sister-in-law and Mehmood Ali’s wife.
While she started her career as a stage dancer, Mumtaz appeared in several Hindi films in the 1950s and 1960s as a dancer and character actor. She made her debut with Sakhi Hateem, and moved on to play the lead opposite Balraj Sahni in Black Cat (1959) and appeared in several Guru Dutt films including Kaagaz Ke Phool (1959), Chaudhvin Ka Chand (1960) and Sahib Bibi Aur Ghulam (1962). Other Hindi films that she appeared in include Taj Mahal, Alibaba,Ghoonghat, Ghar Basake Dekho, Insan Jaag Utha, Sindbad, Jahanaara, Aladin, Gazal, Dharmaputra. She also appeared in the 2002 television serial Chalo Chale Pardes.
Expressing her condolences on the late actor’s demise, author Bhawana Somaaya wrote, “#MinooMumtaz lead dancer of Hindi movies in the 50s and the 60s dies in Canada. Condolences to #AnwarAli family.”
Actor Nasirr Khan also mourned Mumtaz’s death.
Mumtaz is survived by her husband Sayyed Ali Akbar, son and three daughters who lived with her in Toronto.
Namrata Ganguly is a Correspondent at Silverscreen India, and can be reached by email at namrata@silverscreen.in
source: http://www.silverscreenindia.com / SilverScreen India / Home> Hindi> News / by Namrata Ganguly / October 23rd, 2021
We are happy to announce that TCN’s SEED Fellow Sufi Parween has won the 13th Laadli Media Award for her exceptional contribution to gender-sensitive reporting.
Barsa, written by Kadeeja Mumtas, is the first Malayalam novel to be set in Saudi Arabia and as its introduction states, is a record of “a woman’s scrutiny of Islamic scriptures and Muslim life”.
Barsa, as its introduction states, is the first Malayalam novel to be set in Saudi Arabia. Written by Kadeeja Mumtas and translated into English by K M Sherrif, the book acts as a record of “a woman’s scrutiny of Islamic scriptures and Muslim life”.
Sabitha, the protagonist of the novel, after moving to Saudi Arabia, starts questioning every aspect of her every day life – including religion.
The novel traces her personal journey as she is caught amidst culture, religion, and personal agency, and struggles to assert her own identity.
One hot afternoon, Rasheed and Sabitha first stepped out like refugees on the large expanse of land surrounding the grand mosque which housed the holy Ka’aba. Other travellers who knew their way hurriedly moved on while the two of them stood hesitantly at the crossroads, unsure of their next step. The coppery glare of the sun sat on their heads like the legs of a giant spider.
Rasheed glanced at Sabitha. He could sense her discomfort in the headscarf and the abaya, looking like a lawyer’s coat, which the Malayali workers at the airport had helped her buy. But he thought that even in those uncomfortable clothes, Doctor Prabhakaran’s niece, with her wheatish complexion, had a particular charm. He wanted to tell her this with a little smile, but with his tongue stuck to the roof of his dry mouth. He just couldn’t do it, which was a pity. If he had, maybe the wrinkles on her forehead would have lost at least one crease.
A yellow taxi backed up and stopped near them. Th e face of a man with a shabby headdress clamped down by a black ring came into view, and an arm jerked out of the window at the driver’s seat. “Fain aabga ruh?” Rasheed guessed he was asking where they wanted to go and replied, “Mudeeriya Musthashfa”—the Health Directorate. He had gleaned the Arabic expression from the conversation he had had in halting English with the Palestinian doctor they had met at the airport emergency service. He had seen Sabitha too write it down in her diary.
“Ta’al ”—come. Th e driver opened the car doors and invited them in. As he could not understand the driver’s sarcastic remark, directed obviously at his fairly large suitcase, Rasheed, with some embarrassment, chose to put it on his lap as he sat down and leaned back comfortably.
As the car sped at breakneck speed, Sabitha felt a tremor run through her, but she suppressed it immediately. She felt helpless at having to depend on a complete stranger, an Arab driver whose language she did not know. But she was also reassured by Rasheed’s presence. They had reached this far, trusting strangers, many of whose languages they did not know.
As they boarded the Saudi Airlines flight to Riyadh from Mumbai, Thambi, the man from their ticketing agents Ajanta Travels, had said reassuringly, “The flight will take about four and a half hours. Someone from the Ministry will be waiting to receive you. There is nothing to worry about, Riyadh is a nice city. Okay then, happy journey!”
From the moment Thambi, with that characteristic city dweller’s way of waving goodbye had raised his hands and walked away, Rasheed and Sabitha had taken comfort in each other’s presence. They could make this journey together only because of their decision to stick to each other, come what may. At the interview in Mumbai, it was Sabitha who was selected first, as a lady gynaecologist. The interview for ophthalmologists had not yet been conducted and, as there were a large number of applicants, Rasheed was not too hopeful of getting in. When she was asked to sign the contract, Sabitha hesitated, “I will sign only if my husband too is selected.” She had by then realised that lady gynaecologists were much in demand. “You sign; even if he is not selected, he can come with you on a family visa and then try for a job there.”
The man at Ajanta Travels, a go-getter, tried to hustle her. “No, I am not that keen to go to the Gulf to work. I will go only if he also gets a job there.” Her stubbornness paid off . An interview was fixed for Rasheed as a special case.
Excerpted with permission from Barsa, by Kadeeja Mumtas, Yoda Press. You can buy this book at 20% off at the FII-Yoda Press Winter Book Sale on 21st and 22nd December 2018 in New Delhi. For more details, check out the sale page.
source: http://www.feminisminindia.com / Feminism In India – FII / Home> Culture> Books / by FII Team / December 21st, 2018
Historians and enthusiasts are taking public education into their own hands to tell the story of the country’s Muslim communities.
Chaotic narrow lanes lined with opulent old mansions, shops selling spices, dried fruits and kebabs, all overhung by dangling power cables – any trip to Old Delhi, a bustling Muslim hub built by Mughal ruler Shah Jahan, is a full sensory experience.
Abu Sufyan weaves through the crowd with about 20 people in tow, making his way through streets smelling of flatbread soaked in ghee, the call to prayer at a nearby mosque mingling with the bells of a Hindu temple.
He is on a mission to change negative perceptions of Muslims by showing visitors more of their history in the capital.
“People in old Delhi were labelled as ‘terrorists’ and ‘pickpockets’ because they were predominantly Muslims from the lower economic background, and Mughal rulers were vilified as cruel invaders, as they were considered the ancestors to Indian Muslims,” Abu Sufyan, 29, says.
“My walks involve the local community members including calligraphers, pigeon racers, cooks and weavers with ancestral links in the Mughal era to showcase old Delhi’s heritage beyond these stereotypes.”
Abu Sufyan is one of a growing crop of enterprising men and women using the medium of heritage walks to educate the Indian public and tourists on the nation’s lesser-known history.
He started his walks in 2016, when hatred against Muslim communities was on the rise after Prime Minister Narendra Modi’s ruling Bharatiya Janata Party introduced several anti-Muslim policies.
In 2015, a BJP politician urged the local civic body in Delhi to change the name of Aurangzeb Road to APJ Abdul Kalam Road. The civic body immediately obliged, removing the reference to the Mughal ruler from the road by naming it after the former president of India, who was always considered a “patriotic” Muslim.
Later, the 2019 Citizenship (Amendment) Act caused further division, as critics said it could be weaponised against Muslims, who are designated as “foreigners” under the National Register of Citizens.
Occasionally, divisions lead to violence: Thirty-six Muslims were killed in Hindu mob attacks for allegedly trading cattle or consuming beef between May 2015 and December 2018, according to Human Rights Watch.
‘A sense of belonging and togetherness’
Over 2,000 kilometres away in Chennai, documentary filmmaker Kombai S Anwar hosts walks in Triplicane to tell stories of Tamil Muslim history, Tamil Nadu’s pre-Islamic maritime trade links with West Asia, the arrival of Arab traders, Mughal emperor Aurangzeb’s rule, the appointment of a Mughal minister’s son Zulfikhar Ali Khan as the first Nawab of Arcot, and the lives of the subsequent nawab’s descendants.
“Predominantly, non-Muslims participate in these walks because they are ‘curious’ about local Muslims and their heritage. During [Ramadan], they are invited to the historic Nawab Walaja mosque, where they experience the breaking of fast and partake in the iftar meal,” Mr Anwar says.
Tickets for heritage walks across India range between 200 and 5,000 Indian rupees ($2-60).
Historian Narayani Gupta, who conducted heritage walks in Delhi between 1984-1997, said any controversy related to history generates more interest.
“Whether history is right or wrong or good or bad, it has to be backed by research findings,” she says.
Saima Jafari, 28, a project manager at an IT firm, who has attended more than 30 heritage walks in the past five years, says it is hard to ignore the historical monuments in the city since they are almost everywhere.
Delhi-based Ms Jafari recalled one of her best experiences was a walk, in 2021, trailing the path of “Phool Waalon Ki Sair”, an annual procession of Delhi florists, who provide sheets of flowers and floral fans at the shrine of Sufi saint Qutubuddin Bakhtiyar Kaki and floral fans and a canopy at the ancient Hindu temple of Devi Yogmaya in Mehrauli.
“When I walked along with others in that heritage walk, I realised that heritage enthusiasts across religion walk together in harmony,” Ms Jafari says.
“One of the best parts of heritage walks is the storytelling that connects places with lives of people of a certain period. Plus, it always gives a sense of belonging and togetherness.”
Anoushka Jain, 28, a postgraduate in history and founder of heritage and research organisation Enroute Indian History, which holds walks to explore the erstwhile “kothas (brothels),” and “attariyas (terraces)” of old Delhi, said during pandemic lockdowns, posts on Instagram helped sparked interest.
“Before the pandemic, barely 40 people participated in two weekly walks as opposed to 50 in each of the four weekly walks which we conduct now,” she says.
But it is not all smooth sailing.
Ms Jain says some people feel uncomfortable when they are given historical facts and research that show Hindu and Jain temples constructed by Rajput rulers were repurposed during the rule of Delhi Sultanate, Qutb ud-Din Aibak.
Iftekhar Ahsan, 41, chief executive of Calcutta Walks and Calcutta Bungalow, adds that sometimes, participants come with preconceived notions that Muslims “destroyed” India for more 1,000 years – but walk leaders hold open conversations to “cut through the clutter” with authentic information.
For some, heritage walks often change perceptions.
“Until I visited mosques in old Delhi during a walk, I didn’t know that women were allowed inside mosques,” law student Sandhya Jain told The National.
But history enthusiast Sohail Hashmi, who started leading heritage walks in Delhi 16 years ago, cautions that some walk leaders present popular tales as historical fact.
A mansion called Khazanchi ki Haveli in old Delhi’s Dariba Kalan is presented as the Palace of the Treasurer of the Mughals by some walk leaders, Mr Hashmi says. The Mughals, however, were virtual pensioners of the Marathas – Marathi-speaking warrior group mostly from what is now the western state of Maharashtra – and later the British and had no treasures left by the time the mansion was built in the late 18th or early 19th century.
Another walk leader had photo-copied an 1850 map of Shahjahanabad, now old Delhi, passing it off as his own research, he adds.
“The walk leaders must be well-read and responsible enough to ensure that the myths are debunked,” Mr Hashmi says.
source: http://www.thenationalnews.com / The National / Home> World> Asia / by Sonia Sarkar / June 01st, 2023
On the sidelines of the educational seminars, various stalls and exhibitions on environment, and business have also been set up at the community’s sports ground in Khaimat al-Riyada to provide a holistic learning experience to the attendees.
The leader of the global Dawoodi Bohra Muslim community, His Holiness Syedna Mufaddal Saifuddin, the 53rd al-Dai al-Mutlaq, arrived in Surat from Rajkot on Thursday on the occasion of ‘Istifada Ilmiyya’ (education seminar). He will be in the city till first week of November.
Every year, the education seminar — ‘Istifada Ilmiyya’ — is held in Surat that is graced by his presence, said organisers. ‘Istifada Ilmiyya’ comprises a series of learning and skill development sessions that cover a wide variety of topics such as Islamic philosophy, history, and jurisprudence, as well as contemporary topics. The attendees include students, business people, professionals, and teachers as well as members of Syedna’s administration, and graduates of the Aljamea-tus-Saifiyah Arabic Academy.
Thousands of community members annually register their presence at the event. This year, the event kicked off on Friday, and myriad programmes will continue till the first week of November.
Hatim Fakhar, public relations coordinator for the Dawoodi Bohras in Surat, said, “The anticipation and excitement to host thousands of attendees for this annual educational seminar in Surat are palpable, and we hope we will be able to provide them with a memorable experience. This year, the event is even more special as we will mark the 80th birthday of His Holiness Syedna Mufaddal Saifuddin on 3rd November.”
“We are grateful to the local authorities and government agencies for rendering their timely support and assistance as always in hosting thousands of community members in the city,” Fakhar added,
A large number of members of the Dawoodi Bohra community have already arrived in Surat from various parts of India and the world to attend the events in the Zampa Bazaar area on Thursday. With the venue intricately decorated, boasting of colourful lights and freshly painted buildings, hundreds of volunteers are also present to guide visitors.
The Surat unit of the community had been preparing for the event over the last 15 days by hiring open grounds and plots on rent and by erecting tents with various facilities for visitors to stay. Besides hotel rooms, several houses in Zampa Bazar, Sagrampura, Begampura, Salabatpura (walled city areas) have been rented out for visitors. Apart from this, the organisers have also arranged staff to maintain cleanliness on roads and halls. . Apart from this, Burhani Foundation & local organisers have also arranged staff to maintain cleanliness on roads and halls.
The Zampa Bazaar area in Surat is home to a large number of members of the Dawoodi Bohra community in India, where one can find religious places, an Arabic university, and shops run by the community.
On the sidelines of the educational seminars, various stalls and exhibitions on environment, and business have also been set up at the community’s sports ground in Khaimat al-Riyada to provide a holistic learning experience to the attendees.
Ummehani Ismail, a lawyer and a mother of two who travelled from the United States to attend the annual seminar, said, “Every year, I look forward to attending these seminars which have helped me develop new skills and broaden my knowledge base and understanding on various aspects of life. These sessions empower me to be a better person and create a positive impact on society. Throughout the event, we engage in thought-provoking discussions, attend workshops, and benefit from the speakers’ insights.”
source: http://www.indianexpress.com / The Indian Express / Home> News> Surat / by Express News Service, Surat / October 21st, 2023
Jaan Nissar Lone was graced with the illustrious global humanitarian award by the World Humanitarian Drive. He is mainly known for his song ‘Harmukh Bartal’ featured in Manoj Bajpai Starrer Webseries ‘The Family Man’. This momentous occasion, graced by esteemed luminaries, reverberated with the essence of his contributions to the realm of music, particularly his role in fostering a sense of unity among diverse populations, including those residing in the picturesque yet troubled valley of Kashmir.
Jaan Nissar Lone’s musical artistry has transcended geographical confines and tugged at the heartstrings of individuals from all walks of life. His melodious compositions served as a wellspring of inspiration, galvanizing countless souls to embark on a journey characterized by love and mutual comprehension, not just for their homeland but for the entire global community. Through his educational music videos, he has empowered a legion of youthful enthusiasts to partake in endeavors aimed at heightening awareness of human unity, thus laying the foundation for a more harmonious and all-encompassing world.
The World Humanitarian Drive lauded Jaan’s remarkable endeavors in employing music as a unifying conduit, capable of bridging divides between communities and nations.
The ‘World Humanitarian Drive’ founder Dr Abdul Basit Syed lauded Jaan’s remarkable endeavors in employing music as a unifying conduit, capable of bridging divides between communities and nations. Lone’s journey as a musician and humanitarian transcends borders, languages, and cultures to promote harmony and peace worldwide. His work resonates with people globally, earning him recognition as a symbol of peace and tranquillity.
source: http://www.timesofindia.indiatimes.com / The Times of India / Home> News> Times Entertainment> Hindi> Music / November 08th, 2023
Sahaspur Village , Amroha, UTTAR PRADESH / Kolkata, WEST BENGAL:
Adjoining the sprawling maidan and the Eden Gardens is what the locals call – the largest sports goods market in Asia. Whether it’s a brag or the truth, the half a kilometer-stretch is the first stop of every aspiring sportsman of the city.
Badminton racquets dangle from creaking ceilings, cricket bats of all sizes, shapes, wood and football boots are a nudge away from falling off the glassed showcases. There are also imitation-gold plated trophies shinning garishly under the glare of tube-lights.
“The journey of every sportsman starts here, and not the maidan,” says Rahman Ali, who owns Palace Sports. “Established 1965,” he asserts. Ali’s grandfather, like most shop-owners had migrated from East Pakistan after the partition.
“Back in the 70s, Abbas Ali Baig tore his shoes one day and bought a pair from us. My grandfather didn’t take any money from him. Dhoni brought a pair of gloves from here too once. And of course, we have spotted Shami bhai a lot of times here (before he got into the Indian team). Now, of course, he can’t. He would be using foreign goods,” he says.
Shami’s jerseys, though, are out of stock. Ali reasons: “Usually, we stock more jerseys of Rohit and Virat. But we didn’t know our bowlers would become such a hit. But no worries, the load will arrive tomorrow, in time for the match,” he says.
Every replica jersey costs around Rs 450, which in normal time is sold for Rs 250-300. “The pandemic struck us badly, we were running on heavy losses. So we have to cash in during the World Cup,” says Armaan, who quips: “We look forward to the sports season more than the sportsmen.”
The three-week window is their equivalent of the harvest season. These days, they sell around 200-300 jerseys a day, and on match-days even more. Match-days are the busiest days, and therein lies their biggest pang. “The stadium is so near, yet we can’t leave the shop and watch the match,” he says.
Search for selfie
The jersey-hunters are swelling by the minute and the narrow passageways have become narrower. Some stop by and chat about Shami’s demolition of Sri Lanka, or whether Virat Kohli would equal Sachin Tendulkar at the Eden. The proximity of the bus station that is ferrying thousands of cricket pilgrims from different corners of the state and the line of hotels in the neighboring New Market Area has made an already crowded part of the city seaming at its bursts.
Some of them wander into the Eden Gardens, across the Maidan with its kite-fliers. These marching cadet scouts go past the hundreds of sports clubs and the Lesilie Claudius Sarai named after the city’s most famous hockey star, in search for a selfie or to merely soak in the atmosphere.
Eden Gardens illuminated with lights ahead of the ICC Men’s Cricket World Cup 2023 match between India and South Africa, in Kolkata. (PTI)
“You should come after six,” a policeman tells a pair of inquisitive tourists.” That is when the facade of the storied stadium glows. A fleet of police cars screeched past the stadium, tired policemen could be spotted leaning against the walls or resting on the cane fence near the stadium.
There is a buzz crackling in the humid air of the city. When the list of games were announced, the city was dejected that it would not host any of India’s marquee games. It’s hosting a semifinal—but it was accustomed to hosting bigger games, the finals (1987 World Cup and 2016 T20 WC). And wallowing about its glorious past is ingrained in the city’s psyche.
SA’s piece of history
Political subplots were read into it. But the sleight of destiny ensured that the city got the most competitive game of the tournament, India versus South Africa. Few considered South Africa contenders, but they are now the second favourites. Two days cannot fly faster is the common refrain. Some fans loitered around the stadium, assuming that the team would practise in the stadium on Friday. A policeman, tired of shooing a pack of youngsters away, now starts shouting expletives and waving the cane lathi. They flee. The new batch arrives, and the policeman is his wits’ end.
Anyone passing along the premises of the stadium is asked the standard question: “Ticket hain?” It could be anyone from a casual inquirer to a desperate fan pleading, or a tout seeking a potential buyer to slap an over-priced ticket. Among them was Ebrahim, from Durban. He landed on Thursday, but has no ticket. Draped in a South Africa flag, he says: “Maybe, I can buy one in the black market, or one of the South African supporters here can manage one. I was so thrilled to watch this World Cup that I didn’t bother about the ticket. I called a friend of mine from Cape Town last week and decided to travel just like that,” he says.
He says it was destiny that has brought him to Kolkata. “We played our first game after reintroduction here, we won our first Test match in India here. Hopefully, we will watch something special here too,” he says.
There is another connect—the administrator credited with bringing South Africa back into the cricket fold, Jagmohan Dalmiya, too was from the city. The series was organised in a week’s time, thanks to a meeting between then West Bengal CM Jyoti Basu and South Africa cricket board administrator Ali Bacher.
A batch of nervous cricketers in a chartered flight landed to a raucous welcome. In the post-match interview, captain Clive Rice would emotionally say: “I know how Neil Armstrong felt when he stood on the moon.” There is a picture of him and his teammates bowing down with folded hands and thanking the crowd after the game. “The most historic match in the history of South African cricket,” he would say.
A sense of history is lurking around the Eden Gardens this week too, as two of the strongest teams in the World Cup encounter on Sunday. And there is a whole ecosystem around it, literally and symbolically, waiting for the match and their catch.
source: http://www.indianexpress.com / The Indian Express / Home> News> Sports> Cricket World Cup 2023 / by Sandip G, Kolkata / November 04th, 2023
H.S. Madhurani, working as a lecturer in city, has been selected for Eee Hottige poetry award given by Bengaluru-based Eee Hottige Readers Forum. The award carries a cash prize of Rs.10,000 and a citation.
Madhurani has bagged this award for Neeli Chukkiya Neralu, a collection of her poems.
The other winner is Dr. K. Sharifa of Kalaburagi, for her Neerolagana Kichhu, a collection of poems.
Madhurani and Dr. Sharifa will be conferred the awards during Hottigeya Honalu event at Kappanna auditorium in J.P. Nagar, Bengaluru, on Mar. 27.
source: http://www.starofmysore.com / Star of Mysore / Home> News / February 23 rd, 2022