City-based Rose Wood Inlay artiste Luqman Khan was presented with the Kamaladevi Chattopadhyay Viswakarma Award during an event organised by the Crafts Council of Karnataka at Karnataka Chitrakala Parishath in Bengaluru recently.
Crafts Council of Karnataka Chairperson Mangala Narasimhan, former Additional Chief Secretary Chiranjeev Singh and Crafts Council of Karnataka Treasurer Mir Shafi Farooq were present on the occasion.
source: http://www.starofmysore.com / Star of Mysore / Home> Gallery>Photo News / August 31st, 2024
While Shah Rukh Khan talks a lot about his work, there are still some cool things about his life that many people might not know.
Shah Rukh Khan (Instagram)
Hyderabad:
Shah Rukh Khan, often called the Baadshah of Bollywood, has been a dominant figure in the film industry for many years, capturing hearts worldwide with his immense fan following. While he talks a lot about his work, there are still some cool things about his life that many people might not know.
One such lesser-known fact is about his childhood name and how he spent his early days in Hyderabad.
Shah Rukh Khan’s Name Was Abdul Rahman First!
During his appearance on The Anupam Kher’s Show—Kucch Bhi Ho Sakta Hai, Shah Rukh Khan shared a surprising detail about his childhood. King Khan disclosed that his Nani (maternal grandmother), had initially named him Abdul Rahman during his early years.
Shah Rukh Khan Childhood Pic (Image: X)
When asked by Anupam Kher if he knew anyone named Abdul Rahman, SRK replied, “Main jaanta kisi ko nahi hun lekin meri jo naani thi…aur unhone mera naam bachpan mein Abdul Rahman rakkha tha (I don’t know anyone but my maternal grandmother had named me Abdur Rehman in childhood).”
“Hann matlab kahi register nahi huwa lekin woh chahti thi ki mera naam Abdul Rahman rahe. Mujhe ajeeb sa laga abhi aap socho Baazigar starring Abdul Rahman in and as kuch jamta nahi. Shah Rukh Khan in and as Baazigar zada better sound karta hai (The name wasn’t registered anywhere but she wanted me to accept the name Abdul Rahman. I felt weird. Just imagine Baazigar starring Abdul Rahman in and as. It wouldn’t sound good. Shah Rukh Khan in and as Baazigar sounds better,)” he said.
Watch the video below.
‘Spent 4 years of my life in Tolichowki’
In a previous interview, SRK also mentioned being adopted by his grandmother due to the absence of a male child in the family at that time. He explained, “I was adopted by my grand mother because they did not had a boy in their family at that time. So, when I was born to my mother they adopted me. They used to live in Tolichowki, Hyderabad. I spent about 4 years of my life here. Then we shifted to Banglore. My mom was missing me so she took me back from her mother and we moved to Delhi. My mother’s house is in Hyderabad and my whole mother’s side of the family stays here.”
SRK’s maternal roots in Hyderabad
Image Source: Twitter
Shah Rukh Khan was born on 2 November 1965 into a Muslim family in New Delhi. His mother Lateef Fatima Khan, who was a social worker, was born in Hyderabad and was the daughter of a senior government engineer. His father Meer Taj Mohammed Khan (a Pathan), was an Indian independence activist from Peshawar.
Image Source: Twitter
His Upcoming Projects
On the professional front, Shah Rukh Khan will start shooting for ‘King’ with Suhana Khan around the summer period. It is going to be directed by Sujoy Ghosh. After the wrap up, the actor will be all involved in Pathaan 2 and Tiger Vs Pathaan.
source: http://www.siasat.com / The Siasat Daily / Home> Entertainment> Bollywood / by Rasti Amena X / February 28th, 2024
Dr. Abdul Qadeer, Chairman and Founder of the Shaheen Group of Institutions, has officially signed an MoU with the Archaeological Survey of India to adopt the Mahmud Gawan Madrasa.
According to the history display board by the Superintending Archaeologist, The Mahmud Gawan Madrasa, located in Bidar, Karnataka, is a distinguished example of Bahamani architecture with Persian influences. Constructed in 1472CE by Khwaja Mahmud Gawan, Persian prime minister of the Bahamani Sultanate during the reign of Muhammad Shah III (1463-1482), the madrasa was a prominent educational institution of its time. It functioned as a residential university, modeled on the Madrasa of Khurasan, and accommodated around 1,000 students. The institution offered education in various subjects, including theology, philosophy, astronomy, mathematics, Arabic, and Persian. It also boasted a library with over 3,000 manuscripts, alongside a mosque, lecture halls, and living quarters for both professors and students, attracting scholars from across the world.
Architecturally, the madrasa is a three-storied building with a conventional quadrangular layout and semi-octagonal projections crowned by bulbous domes. The main entrance is flanked by two imposing three-stage minarets. The facade is adorned with multi-colored tiles in green, yellow, and white, featuring intricate designs, arabesques, and Quranic verses.
Despite suffering damage from an explosion of gunpowder in 1695, the madrasa retains much of its original architectural grandeur. Although the library was destroyed, the building remains a unique cultural and architectural landmark in India.
Since 1914, the madrasa has been managed by the Archaeological Survey of India (ASI). It stands as a testament to Mahmud Gawan’s scholarly cultural contributions, with its architecture reflecting the influences of Persian madrasas and showcasing Gawan’s enduring legacy.
source: http://www.radiancenews.com / Radiance News / Home> Focus>Report / by Radiance News Bureau / August 28th, 2024
Jailed Kashmiri journalist Irfan Mehraj, who is currently incarcerated under draconian charges, has been honored with the Human Rights and Religious Freedom Journalism Award for 2024.
Mehraj, who won in the Best Video Story category for his impactful work on the heroin epidemic in Kashmir, shared the award with Akanksha Saxena and Khalid Khan of Deutsche Welle, reported Freepress Kashmir.
The awards, organised by the Indian American Muslim Council, a Washington, D.C.-based advocacy group, were presented at a ceremony in Chicago, Illinois. This year, the competition received over 210 entries across four categories.
The prestigious award for ‘Best Video Story on Human Rights and Religious Freedom’ was jointly won, with the top honour going to the three journalists from Deutsche Welle for their impactful documentary, “On Drugs – Kashmir’s Heroin Epidemic.”
The piece stresses upon the growing heroin crisis in Kashmir and lives of people ravaged by addiction in the region.
According to a Human Rights Watch statement issued earlier, said, “While on a professional assignment on 20 March 2023, Mehraj was summoned for questioning and detained by the National Investigation Agency (NIA) of India in Srinagar under provisions of the Indian Penal Code and the Unlawful Activities (Prevention) Act.”
Irfan has been booked under the draconian UAPA. According to the NIA, Irfan was previously summoned to Delhi in a case related to “NGO terror funding”. The NIA in its press note claimed he was a “close associate” of the Kashmiri human rights defender Khurram Parvez.
In June 2023, United Nations experts expressed serious concerns regarding the charges against and arrest of Mehraj and Parvez, stating that their continued detention is ‘designed to delegitimize their human rights work and obstruct monitoring of the human rights situation in Indian-administered Jammu and Kashmir.’
On 7 March 2024, UN experts sounded the alarm on the “harassment and prolonged detention of human rights defenders and journalists” in the country. ( With Agencies Inputs )
source: http://www.muslimmirror.com / Muslim Mirror / Home> Indian Muslim>Media / August 28th, 2024
Sayeed Bin Mohammed Naqsh was a prominent figure in the Progressive Art Movement, born on September 7, 1921, in Mahbubnagar District, Telangana.
A self portrait of Sayeed Bin Mohammed Naqsh
Hyderabad:
A website dedicated to the late Sayeed Bin Mohammed Naqsh, a renowned artist from the 1960s and 1970s, was inaugurated by Prof. T. Gangadhar, the Principal of the College of Fine Arts in Masab Tank.
The launch event for the website, ‘www.sayeedbinmohammed.com’, was organized by his son Hamid Bin Sayeed Babader and daughter Jameela Nishat, and featured a display of some of the artist’s paintings.
Sayeed Bin Mohammed Naqsh was a prominent figure in the Progressive Art Movement, born on September 7, 1921, in Mahbubnagar District, Telangana.
He was known for his innovative approach to portrait painting, initially mastering oil techniques that diverged from Western traditions.
His unique style later evolved to include watercolour, where he infused life into his subjects, often using blue backgrounds to evoke calmness and spirituality.
A recent event celebrated his legacy with the launch of a dedicated website, attended by art enthusiasts, former professors, and colleagues.
During this event, Hamid Bin Sayeed highlighted the distinctiveness of Naqsh’s self-portraits, noting how his method of expression captivated viewers.
In recognition of his talent, Naqsh received the Chattari Gold Medal in 1945 for his remarkable contributions to art, particularly for his ability to intertwine themes of creation and life in his works.
Jameela Nishat, daughter of Sayeed Bin Mohammed Naqsh, noted that her father, like any other artist, was deeply observant of his surroundings and absorbed the essence of life into his art.
She highlighted how he was particularly influenced by the allure of the Deccani marbled miniature paintings housed in the Salar Jung Museum in Hyderabad.
source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / by News Desk / August 22nd, 2024
Creates world record of doing Indian Bridal makeup in less than 9 minutes’*
Budgam :
A youth from Budgam district of Kashmir has made it to the International Book of records for doing the fastest Indian bridal makeup.
Younis Ahmad Sheikh (22) known by the name Afnan, a resident of Bugam district area in Chadoora hamlet of Budgam district has created a record for making Indian bridal makeup in less than 9 minutes.
Younis said that he was interested in calligraphy since childhood which later turned to designing and make up art as well.
“Despite facing taunts from the society as makeup artists being a female dominant area during the initial stage as there was no make up artist in Kashmir, I continued my passion and joined training programmes online,” he said.
Younis first used to do make-up of his customers at his residence as he wasn’t in a position to start his saloon due to financial issues.
“As my mother left this world in my childhood and father was old and not in a position to earn anything. After struggling hard, somehow I managed to start a saloon at my own village and slowly society has started becoming supportive as well,” he said.
After starting a salon titled YAS professional beauty salon, the number of customers started increasing and currently three girls are working as helpers at his salon.
“Three girls have got a job at my salon as currently makeup is available for ladies only and I am planning to start making up for male folk as well,” Younis said.
He said that earning livelihood for himself and providing jobs to others is a big achievement at a time when youth are getting involved in anti-social activities.
Younis claims that he had first made it to the Indian book of records followed by the Asia book of records and now the International book of records. He made to international book of records by breaking the previous record of Indian bridal make up of Assam girl in 13 minutes 46 seconds to just 8 minutes and 58 seconds
“I made it to the International book of records for making the fastest Indian bridal makeup and creating a world record,” he said. He said that people shouldn’t be judgemental as every art is a gift of Allah and everyone must respect it.
“Many people don’t show their arts just out of the fear that how society will react to it and if there are equal rights, then men can go in the field of women and vice versa,” he said—(KNO)
source: http://www.thedispatch.in / The Dispatch / Home> The Lead> The News Feed / by The Dispatch Staff / May 08th, 2023
To celebrate the declaration of India as a democratic country, an Urdu periodical ‘Jamhoor’ was started from Aligarh, on the same day when the Indian Constitution came into force, i.e., on 26th January 1950.
Aligarh :
The Constitution of India was enacted in our country on 26th January 1950, after repealing an earlier act known as Government of India Act-1935. This implementation marked the beginning of the democratic form of government in India.
To celebrate the declaration of India as a democratic country, an Urdu periodical ‘Jamhoor’ was started from Aligarh, on the same day when the Indian Constitution came into force, i.e., on 26th January 1950. It was published three times a month, on 6th, 16th, and 26th day of the month. It was owned and edited by Mohammad Umar Khan Chattarvi (1924-2003), a well-known literary and pro-Urdu figure from Aligarh. Chattarvi was also the founding Secretary of the Urdu Board Aligarh and Idara-e- Ilm-o-Adab, Aligarh, under which he organised various Urdu literary activities and worked to promote Urdu education. He was a good poet and carried the pseudonym, “Samar”. In addition, he also held the posts of Secretary of Anjuman Taraaqi Urdu, Aligarh, and the National Anti-Communal Committee. He also served as the vice-president of the Aligarh Congress Committee.
Mohammad Umar Khan Chattarvi (1924-2003)
In 1957, in his editorials, he raised his protest against corruption in government circles and vehemently criticised its policies against the people. He questioned many decisions of the government, and in this regard, he exposed many faces. The then government did not appreciate his views, and he was soon arrested and sent to jail. Thereafter, protests started in Aligarh for his release. In 1958, the district court acquitted him honourably. Even after his release, he continued to edit ‘Jamhoor’. He believed that the strength of a democratic system rests on questioning and analysing the government’s work. He passed away on 16th March 2003, at the age of 77.
Every year, on the occasion of the Republic Day (26th January), “The Jamhoor” used to publish a special issue ‘Jamhooriat Number’ in which it meticulously examined Indian democracy and identified the real issues of the country, such as corruption in the government sector, educational inequality, poverty, illiteracy, minority issues, and communal problems, and so on. This special number was continuously published for thirteen years until it ceased its publication in 1962.
Jamhoor also started publishing a series of special articles on Indian democracy, contributed by Dr. Mohammad Hashim Kidwai who was then a young assistant professor of political science at AMU. This series was published continuously for about ten years. In his articles, Kidwai analysed and explored the political activities related to India over the previous year, highlighting the points that would contribute to the weakening of the Indian democracy.
On the cover page of the Republic Day special issue of 1951, under the title ‘Heroes of India’s Independence’, sketches of Mahatma Gandhi, Maulana Abul Kalam Azad, Pandit Jawaharlal Nehru, Acharya Kirpalani, and Sardar Patel were published. The same issue carried articles of Dr. Parasram, and Mohammad Hashim Kidwai, respectively titled “Position of Minorities in the Republic of India” and “Some Disturbing Thoughts on Democracy”.
‘Jamhoor’ helped the helpless Muslims at every stage of the post-independence period by fostering national unity and integrity and debunking Pakistan’s propaganda. Through their editorials and columns, ‘Jamhoor’ pulled Indian Muslims out of their inferiority complex and tried to convince them that their future is safe in India and they should not fall into Pakistan’s mischievous propaganda. For this purpose, it published messages, statements, and speeches of national leaders from time to time, so that the atmosphere of peace and tranquilly in the country can be maintained.
‘Jamhoor’ made a unique and indelible mark in the field of journalism. Its editorials and columns highlighted public concerns and issues in independent India, and helped to find new avenues. These features of ‘Jamhoor’ guaranteed its success and advanced its popularity.
At a critical juncture, during the early years of the post-independence years, when Hindus and Muslims were looking at each other suspiciously, there was a lot of prejudice on both sides, this newspaper played a significant role in promoting national unity and a peaceful society. Jamhoor apprised the government of the basic problems of the people, and exhorted both Hindus and Muslims to exercise patience and take steps towards the development of the country.
Many eminent scholars, such as Dr. Hashim Kidwai, Riyazur Rahman Sherwani, Muqtada Khan Sherwani, Waseem Alig, Dr. Ashraf, Haroon Khan Sherwani, Dr. Parasram, Zia Ahmed Badayuni, Abdul Shahid Sherwani, Zaheer Ahmad Siddiqui, Abu Anjum Qamar Sohouri, Aziz Ahmad Siddiqui, etc. immensely contributed to Jamhoor through their writings.
References:
Farooqui, Asad Faisal. Aligarh Ke Sahafat, Educationl Book House, 2016
Jamhoor, Aligarh (1951-1960) preserved in MAL library, AMU.
Idara-e-Ilm-o-Adab, Salana Report, 1959 (Annual Report, Compiled by Mohammad Umar Khan Chattarvi Samar)
The author may be contacted at asadfaisalamu@gmail.com
source: http://www.milligazette.com / The Milli Gazette / Home> News> Special Reports / by The Milli Gazette Online / by Asad Faisal Farooqui / March 16th, 2023
The Urdu Academy Jeddah, in collaboration with the Hyderabad Education Center, organized a gold medal and merit certificate distribution ceremony for SSC top-performing students and best teachers from Telangana government Urdu medium schools. The event was held at the Education Center in Nezampet, Bownampally on Saturday.
The ceremony was presided over by Mr. Saleem Farooqui, Founder and Patron of the Urdu Academy Jeddah, and Mr. Sheikh Ibrahim, President of the Urdu Academy Jeddah.
The guests included General Secretary Syed Naeemuddin Bari, Manwar Khan, Qudrat Nawaz Baig, Vice President of Hyderabad, Ahmeduddin, Rifat Siddiqui, and Mohammad Bashir Ali.
The event began with a recitation from the Quran by Hafiz and Qari Syed Naeemuddin, followed by a Hamd (praise of God) and Naat (praise of the Prophet Muhammad ﷺ) by Hafiz Ameenuddin Ansari.
Special tributes were paid to the late Mr. Syed Jamalullah Qadri, former President, and Mr. Asif Samadani, former Patron-in-Chief, for their invaluable contributions to Urdu language and literature.
The event continued with the distribution of gold medals to top-performing SSC students and certificates of appreciation to outstanding teachers.
The distinguished guests included Mr. Obaidullah Kotwal, Chairman of Telangana Minorities Finance Corporation, Mr. S.A. Ashkour, Director of Ma’arif University Osmania, Mr. Haqayuqur Rahman Baig, Coordinator of All India Congress Committee, and Mr. Imtiaz Ishaq, former Chairman of the Minority Financial Commission.
Ms. Saadia Fatima Khan from Maharashtra, representing the Urdu Academy Jeddah, conducted the ceremony with great skill. She extended a warm welcome to the guests of honor, patrons, and attendees, expressing gratitude for their continuous support.
The Urdu Academy Jeddah has always strived to support Urdu medium students, teachers, and schools. Their efforts aim to promote and preserve the Urdu language. The academy’s dedication has illuminated the path of knowledge not only in Hyderabad and Telangana but also in other cities, spreading the light of education.
The ceremony concluded with the announcement of awards for 25 students who achieved top grades in the SSC exams, including gold medals and cash prizes. Twelve outstanding teachers and two exemplary schools also received honors, including shawls and mementos.
Prominent figures at the event emphasized the importance of creating a supportive home environment for learning, encouraging families to maintain a library at home. The ceremony was a celebration of academic excellence and a tribute to the ongoing efforts to promote Urdu language and education.
source: http://www.radiancenews.com / Radiance News / Home> Pride of the Nation / by Radiance News Bureau / July 03rd, 2024
Dr. Faiza Abbasi receiving the Nishan-e-Urdu Award from Mr Abbas Ali Mehndi at Lucknow
Aligarh :
Dr. Faiza Abbasi, Director, UGC Malaviya Mission Teacher Training Programme (MMTTP), Aligarh Muslim University, has been honored with the prestigious Nishan-e-Urdu Award by the Fakhruddin Ali Ahmed Memorial Committee, Uttar Pradesh Government. The award ceremony took place at the Premchand Sabhagar of the Rajarshi Purushottam Das Tandon Hindi Sanstha, Lucknow on June 22.
The Nishan-e-Urdu Award is conferred upon individuals who have significantly contributed to the promotion of the Urdu language in India but neither got their employment from Urdu nor studied through the Urdu medium. Dr. Faiza Abbasi was selected for her contributions to the Urdu language, despite the fact that she holds a PhD degree in Wildlife Sciences and has been teaching Environmental Studies to undergraduate students in the departments of Shia and Sunni Theology and Quranic Environmental Ethics at the Khaleeq Ahmad Nizami Centre for Quranic Studies, AMU, which primarily imparts higher education to the students from Madrasas.
Dr. Abbasi has authored, edited, and translated five books in Urdu on educational, scientific and literary topics and regularly writes for Urdu journals and magazines, including the Tehzib ul Akhlaq and Fikr-o-Nazar. She also emceed at Jashn-e-Rekhta and organized Urdu literary evenings, voluntary Urdu language classes, and delivered lectures on the contributions of non-Muslim Urdu poets.
She was felicitated by Mr Abbas Ali Mehndi, Vice Chancellor, Era University, Lucknow, at a programme convened by Shri SN Lal, Convener, and Jitendra Kumar, Additional Secretary of Languages, Government of Uttar Pradesh.
source: http://www.radiancenews.com / Radiance News / Home> Pride of the Nation> Awards> Focus / by Radiance News Bureau / July 01st, 2024
Historians and enthusiasts are taking public education into their own hands to tell the story of the country’s Muslim communities.
Chaotic narrow lanes lined with opulent old mansions, shops selling spices, dried fruits and kebabs, all overhung by dangling power cables – any trip to Old Delhi, a bustling Muslim hub built by Mughal ruler Shah Jahan, is a full sensory experience.
Abu Sufyan weaves through the crowd with about 20 people in tow, making his way through streets smelling of flatbread soaked in ghee, the call to prayer at a nearby mosque mingling with the bells of a Hindu temple.
He is on a mission to change negative perceptions of Muslims by showing visitors more of their history in the capital.
“People in old Delhi were labelled as ‘terrorists’ and ‘pickpockets’ because they were predominantly Muslims from the lower economic background, and Mughal rulers were vilified as cruel invaders, as they were considered the ancestors to Indian Muslims,” Abu Sufyan, 29, says.
“My walks involve the local community members including calligraphers, pigeon racers, cooks and weavers with ancestral links in the Mughal era to showcase old Delhi’s heritage beyond these stereotypes.”
Abu Sufyan is one of a growing crop of enterprising men and women using the medium of heritage walks to educate the Indian public and tourists on the nation’s lesser-known history.
He started his walks in 2016, when hatred against Muslim communities was on the rise after Prime Minister Narendra Modi’s ruling Bharatiya Janata Party introduced several anti-Muslim policies.
In 2015, a BJP politician urged the local civic body in Delhi to change the name of Aurangzeb Road to APJ Abdul Kalam Road. The civic body immediately obliged, removing the reference to the Mughal ruler from the road by naming it after the former president of India, who was always considered a “patriotic” Muslim.
Later, the 2019 Citizenship (Amendment) Act caused further division, as critics said it could be weaponised against Muslims, who are designated as “foreigners” under the National Register of Citizens.
Occasionally, divisions lead to violence: Thirty-six Muslims were killed in Hindu mob attacks for allegedly trading cattle or consuming beef between May 2015 and December 2018, according to Human Rights Watch.
‘A sense of belonging and togetherness’
Over 2,000 kilometres away in Chennai, documentary filmmaker Kombai S Anwar hosts walks in Triplicane to tell stories of Tamil Muslim history, Tamil Nadu’s pre-Islamic maritime trade links with West Asia, the arrival of Arab traders, Mughal emperor Aurangzeb’s rule, the appointment of a Mughal minister’s son Zulfikhar Ali Khan as the first Nawab of Arcot, and the lives of the subsequent nawab’s descendants.
“Predominantly, non-Muslims participate in these walks because they are ‘curious’ about local Muslims and their heritage. During [Ramadan], they are invited to the historic Nawab Walaja mosque, where they experience the breaking of fast and partake in the iftar meal,” Mr Anwar says.
Tickets for heritage walks across India range between 200 and 5,000 Indian rupees ($2-60).
Historian Narayani Gupta, who conducted heritage walks in Delhi between 1984-1997, said any controversy related to history generates more interest.
“Whether history is right or wrong or good or bad, it has to be backed by research findings,” she said
Saima Jafari, 28, a project manager at an IT firm, who has attended more than 30 heritage walks in the past five years, says it is hard to ignore the historical monuments in the city since they are almost everywhere.
Delhi-based Ms Jafari recalled one of her best experiences was a walk, in 2021, trailing the path of “Phool Waalon Ki Sair”, an annual procession of Delhi florists, who provide sheets of flowers and floral fans at the shrine of Sufi saint Qutbuddin Bakhtiyar Kaki and floral fans and a canopy at the ancient Hindu temple of Devi Yogmaya in Mehrauli.
“When I walked along with others in that heritage walk, I realised that heritage enthusiasts across religion walk together in harmony,” Ms Jafari says.
“One of the best parts of heritage walks is the storytelling that connects places with lives of people of a certain period. Plus, it always gives a sense of belonging and togetherness.”
Anoushka Jain, 28, a postgraduate in history and founder of heritage and research organisation Enroute Indian History, which holds walks to explore the erstwhile “kothas (brothels),” and “attariyas (terraces)” of old Delhi, said during pandemic lockdowns, posts on Instagram helped sparked interest.
“Before the pandemic, barely 40 people participated in two weekly walks as opposed to 50 in each of the four weekly walks which we conduct now,” she says.
But it is not all smooth sailing.
Ms Jain says some people feel uncomfortable when they are given historical facts and research that show Hindu and Jain temples constructed by Rajput rulers were repurposed during the rule of Delhi Sultanate, Qutb ud-Din Aibak.
Iftekhar Ahsan, 41, chief executive of Calcutta Walks and Calcutta Bungalow, adds that sometimes, participants come with preconceived notions that Muslims “destroyed” India for more 1,000 years – but walk leaders hold open conversations to “cut through the clutter” with authentic information.
For some, heritage walks often change perceptions.
“Until I visited mosques in old Delhi during a walk, I didn’t know that women were allowed inside mosques,” law student Sandhya Jain told The National.
But history enthusiast Sohail Hashmi, who started leading heritage walks in Delhi 16 years ago, cautions that some walk leaders present popular tales as historical fact.
A mansion called Khazanchi ki Haveli in old Delhi’s Dariba Kalan is presented as the Palace of the Treasurer of the Mughals by some walk leaders, Mr Hashmi says. The Mughals, however, were virtual pensioners of the Marathas – Marathi-speaking warrior group mostly from what is now the western state of Maharashtra – and later the British and had no treasures left by the time the mansion was built in the late 18th or early 19th century.
Another walk leader had photo-copied an 1850 map of Shahjahanabad, now old Delhi, passing it off as his own research, he adds.
“The walk leaders must be well-read and responsible enough to ensure that the myths are debunked,” Mr Hashmi says.
source: http://www.thenationalnews.com / The National / Home> International Edition> World> Asia / by Sonia Sarkar / June 01st, 2023