Fifteen years of dedication, resilience, and hope led to a school that uplifts underprivileged children and their families in Karnataka.
New Delhi:
In the heart of Bijapur in Karnataka, one woman’s belief in the transformative power of education has changed the lives of countless children and their families. Saira Bano Khan, who started the New National High School 15 years ago, remains unwavering in her mission to offer children from slum areas a brighter future through learning.
Bijapur city is well known for its historical monuments of architectural importance built during the rule of the Adil Shahi dynasty.
“It all started when I saw the children around my neighbourhood,” Saira Bano said. “Most of them were school dropouts, working odd jobs like selling flowers or working in garages. It pained me to see them wasting their potential,” Sanmarg Hindi newspaper cited her as saying.
With the support of her husband, Saira Bano began a small school in a room of her own house, with only four students and one teacher. Today, New National High School serves 200 students and offers education up to the 12th grade. The school has become a beacon of hope for children from the local slums, particularly those from marginalised communities.
New Path
When Saira Bano started the school, many of the students had no basic manners or discipline. “The children used foul language and had difficulty sitting still,” she recalls. “It took months of patience and guidance to help them change. But now, they are polite, well-mannered, and eager to learn. It’s our greatest success.”
Parents have also become part of the process. Saira Bano organises regular meetings to educate them on their role in shaping their children’s behaviour. “We tell them that building a good life starts with teaching good values at home,” the report quoted her as saying.
Despite these successes, the school faces numerous challenges, especially when it comes to finances. “We struggle with funding,” Saira Bano said. “I dream of building a proper school with a laboratory, library, and playground, but for now, we make do with what we have.”
Commitment to Community
Beyond the classroom, Saira Bano has committed her resources to support the school. She and her husband donated their old family home, consisting of seven rooms, to be used as classrooms. She has also invested her savings in buying land for future school expansion. “I didn’t save much for my children. Instead, I saved to build a wall around the land, hoping one day to construct a proper school,” she said.
Her involvement doesn’t stop at education. During the Muslim fasting month of Ramadan, she and her husband distribute groceries and clothes to the students’ families. “Around 40% of the children in our school are orphans or come from extremely disadvantaged backgrounds. My dream is to open a hostel for them.”
Hope Amid Hardship
The COVID-19 pandemic added extra difficulties, with several boys dropping out of school to support their families. “We found some of them working odd jobs during school hours,” Saira Bano recalled. “Our headmistress spoke to their parents and told them they didn’t have to pay any fees, just send their children back to school.” The boys returned, excelled in their studies, and some even achieved distinctions in their exams.
Saira Bano’s work has touched many lives, including a student named Misbah, who was diagnosed with a serious health condition. With no money for surgery, Saira Bano and her headmistress paid for the procedure. “Now, she’s doing well and studying in college,” Saira Bano said with pride.
Instilling Values
Saira Bano’s vision for her students extends beyond academics. She emphasises respect for all religions and cultures. “I teach them about the Gita, Quran, Bible, and other holy books,” she said. “We encourage them to participate in each other’s festivals and to spread love and tolerance. This is how we build a harmonious society.”
The school also focuses on life skills. “We teach boys to respect women, and girls to maintain their dignity,” Saira Bano noted. Her influence on the students’ moral development is reflected in the way older students now correct younger ones when they use inappropriate language. “When I see that, I feel like my work is bearing fruit,” she said.
Looking to the Future
Despite all the challenges, Saira Bano remains hopeful for the future of her school and her students. “I want at least four students from this school to become IAS officers,” she said with a smile. “In sha Allah (God willing), my daughter might also become an IAS officer soon, as she has cleared her CSE exams.”
For Saira Bano Khan, the journey has been one of sacrifice, perseverance, and a deep belief in the power of education. “Our work is rewarding. I love my students, and they love me. Watching them grow into disciplined, responsible individuals is the greatest joy of my life.”
As she continues to nurture the school and its students, Saira Bano’s dream remains clear: to see the children she’s helped grow into adults who will change not only their destinies but that of their entire community.
source: http://www.clarionindia.net / Clarion India / Home> Editor’s Pick> Indian Muslims / by Mohammad Alamullah, Clarion India / September 19th, 2024
When Muslims first arrived on the Indian coast 1400 years ago, the land embraced them with the same grace bestowed on the Aryans, Africans, Zoroastrians, Tibetians, and others. These arrivals have uniquely imprinted their gems on our nation’s social, cultural, and architectural heritage. One such gem is the Zeenath Baksh Masjid built in wood.
The exquisite and ornate wooden sanctum of Zeenath Baksh Masjid | Source: Wikimedia
History has proven time and again that old is gold, both figuratively for its preciousness and literally for the permanence of the shelf life of gold counted over centuries. But if something that is the oldest, counted over centuries, is in wood, wouldn’t it be more precious and rare? When wood that decays and crumbles away naturally survives the burn of time and political upheavals, then it becomes the golden grace of heritage. The Zeenath Baksh Masjid in Mangalore, Karnataka, is one such gem of Indian historical treasures. It has survived for centuries and is not just the only Masjid made of wood but also the oldest in Karnataka and the third oldest in India.
In the seventh century, Hazarath Mohammed Malik Bin Deenar and his small group arrived at the Malabar coast of Kodungallur, with a letter written by the former Cheruman Perumal, who passed away while returning from Mecca. The letter instructed his son, the contemporary raja (king), to provide every kind of hospitality and permission to preach the faith of Islam in the kingdom. After observing the pious and honest nature of the guests, the king granted lands and other amenities within his kingdom. Malik Deenar, the first-generation disciple of Prophet Mohammed, with his group, established ten masjids after the first in Kodungallur. Zeenath Baksh is the second out of the ten and was constructed in 643 AD, currently located in the Bunder area of Mangalore city. It was earlier referred to as Beliye Palli or Malik Dinar Valya Juma-ath Masjidand was built by the kith and kin of Malik Deenar, who continued preaching the tenets after the sahaba (companion) departed from our coast.
The carved wooden pillars attest that old can be golden in wood | Source: Wikimedia
The nayaab nature of the original structure is that, all those centuries ago, it was entirely made of wood. The pristine glory of the wooden sanctum is still maintained by the local people and sponsors. Owing to the historical nature of the religious site, the caretakers of the masjid hope to get the site its due recognition and funding for maintenance from the administration. As the Secretary of the Central Muslim Committee, Mr Hanif Ali, informs,
“We have written to the tourism department and the Wakf Board to develop the mosque into a tourist spot. They have shown interest, but nothing concrete is being done.”
Though the original structure, which now acts like the inner sanctum, is enclosed within stone walls after renovation, the ceiling of this part is also made of wood and protected with a brass sheet.
As Mr Ali states, “Even if the stone walls were removed, the structure would still stand.”
The water tank is ubiquitous to all religious sites in the region | Source: Wikimedia
The present structure holds the legacy of the Tiger of Mysore, Tipu Sultan, who renovated the medieval Masjid during the second half of the 18th century. Though he enhanced the serenity and aesthetics of the heritage, the original model was kept intact. He then renamed the structure after his daughter Zeenath Baksh, and for the past 400 years, it has retained the name. In the 19th century, it was given a new look by adding four minarets while earlier with its tiled roof it used to resemble the Malabar-styled mansion of a local chieftain.
The new look of the Masjid with the outer walls enclosing the original | Source: Deccan Herald
The sanctum is designed with typical Indian architectural blends with the tank within its grounds, keeping in sync with the traditional style of the nearby temples. The carvings on the sixteen pillars that form the perimeter of the prayer hall depict flowers, bells, and Arabic texts narrating anecdotes from the life of the Prophet. The art etched into the wood encapsulates the cultural blends of the region, and each pillar is made of a single block of wood. Despite the rain and humid conditions typical of the belt, the intricacy of the wooden designs has not faded into blurred lines, as usually expected. Even the floor, walls, and doors are adorned with teak wood and rosewood. As the manager of the Masjid shares,
“Every couple of years, we spend more than Rs. 1 lakh to rub in oil to preserve it. Apart from fixing small scratches, we have not modified or replaced any part of the structure.”
Where wooden art is revered in prayers | Source: Mangalore online
Records prove that this house for prayers was established in the Islamic month on the twenty-second day of Jumada al-awwal and approximately on 18 April 643 AD, with Moosa Bin Malik, the son of Malik Bin Abdullah, as the first Qazi (magistrate of the shari’a court). The site is not known just for its worthy heritage, but also for its community activities, which keep the people around bonded in gratitude and harmony. Attesting to the shared communal brotherhood is the Sharavu Ganapathi Temple. Contrary to propagated accusations, the well-known historian, A M Prabhu (who wrote a well-researched history of Tipu Sultan), recorded that the temple was developed by the Sultan, as a tribute to the local Tuluvas, who for centuries, protected the mediaeval Arabs and the Muslims.
The Shrine overlooking the Malabar-style verandah | Source: Mangalore Online
The Masjid is a hub of charitable activities with its sponsored yateemkhana (orphanage), funding the destitute during marriage ceremonies and even conducting funerals free of cost for the ones who cannot afford it. The wide verandah for the past eighty-seven years has also cradled the sacred shrine of the revered Qazi Hazrath Sheikuna Muhammed Moula Jalal Masthan Al Bhukhari.
All in all, the Zeenath Baksh Masjid is one of the gems that adorn our heritage of cultural blends and is a cocoon of brotherhood, serene piety, and harmony in diversity. A site that is the zenith of the glorious South Indian history.
source: http://www.thisday.app / Home / by Waheeda Bi Khan (headline edited)
There once lived a woman who epitomised the saying, ‘courage lies in compassion.’ Though born into the creamy tier of society, Bilkees Latif exemplified ‘living life large’ with regal grace, compassion, humility, and service to the downtrodden.
Bilkees Latif – The Enigma of Versatility | Source: You & I
Born to Nawab Ali Yawar Jung of Hyderabad and Alys Iffring from France, Bilkees grew up with a silver spoon that never got to her head or turned her into another conceited, snobbish socialite of the affluent society. Instead, she carved the path for her own legacy, decking it with added laurels for an already illustrious family that graced the halls of fame in professional careers and philanthropy alike.
The happily married couple whom even death could not keep apart for more than a few months | Source: You & I
Bilkees was married off in her early teens, as per norms of those times, to the son of another Nawabi family, the former Air Chief Marshall Idris Hasan Latif. Fortunately, she embarked on a happy marriage where the couple reached new heights of their family legacy, giving back to society with sophistication and empathy. He was one of the rare commissioned Air Force officers under the British Raj when she married him. Down the lane, Bilkees captured his illustrious life in her words, in a book titled The Ladder of His Life, an apt title, because he was the perfect stairwell through which she reached amazing feats*.*
They say greatness is not in lending help; it is in giving the downtrodden the best chance to lift themselves out of their howls. Tapping into the networking skills inherited from her family and her role in the Raj Bhavan as the wife of an Air Chief Marshall and the Governor of Maharashtra, she initiated her most lauded mission of improvising the largest slum of Asia, the Dharavi region in Bombay (now Mumbai). Among the many charitable and rehabilitator organisations she founded, The Society of Human Environmental Development (SHED), was the first. Embedded amongst the Godrej, Wadias, along with personalities like Sarojini Naidu, and Mahalaqa Bai Chanda of the society, she channelled their resources to the best purpose of giving hope of self-reliance to the helpless and discriminated.
A smile that never wavered along the slum dwellers or through the dignitaries | Source: You & I
Her life was a slide ranging from a diplomatic hostess for the likes of President Mitter as the wife of the Indian Ambassador in Paris or when Queen Elizabeth visited Hyderabad, with dexterous flair and culinary delights, to squatting with the slum children during her drive for hygiene or to understand the core issues of almost nil literacy rate, unemployment, drug addiction, etc. She has journaled her experience, which not only involved persistence to gain the dwellers’ trust but also a consistent tussle with the mafia and other powerlords, in her book O Dharavi.
Receiving Padma Shri from the President | Source: You & I
Today, the tourists who throng Dharavi do not go to witness the squalor of the slums. They visit to admire the very source of the largest economy of Maharashtra, generated from the 99 per cent of the hygienic houses that own some kind of home industry, may it be food, crafts, or hundreds of other options in the legitimate market. Her selfless strife to accomplish her solutions to the innate problems of the slums and not just hear them and forget once out of sight won her the much-deserving Padma Shri in 2008.
Cover pages of two of her books | Source: Penguin, Amazon
Mere words fail to encompass the versatility of Bilkees, as a seamstress of her enigmatic chiffon sarees with Banarasi borders. She was an exceptional artist, attested through one of her works, which was an 8-foot mural exhibited in Osaka, at the Japan Aero Exposition. Her elegance mirrored in her words as an author to her culinary skills and deep insight into the Deccan culture capsuled into “Essential of Andhra cookbook” apart from her other books like The Fragrance of Forgotten Years. She was the Founder member, Board member, President, and Trustee of many organisations like INTACT, the Indian Council for Child Welfare, Anjuman-e-Khawateen, the Board of Air India, and many others. She was the lamp of the literacy drive for children and had helped open 107 Bal Bhavans affiliated with the National Bal Bhavan as the Chairperson and Children’s Museum that organised creative activities for children all over India.
Just like her active life, she faced cancer in her painful last years with equal courage, poise, and humility, before she passed away in October 2017. Some people achieve so much and touch so many hearts that it becomes impossible to encapsulate their lives in just a few lines. Bilkees was one of them, her lifespan must have ended at eighty-six, but her legacy will be carried on, in each breath of Dharavi who are reaping the valorous efforts of her compassion, and in the memories of each of those whose lives she touched, one way or the other. She left behind two sons and a daughter.
Her lovely family of ‘hum do hamare teen’ | Source: You & I
Bilkees Latif was a woman who amalgamated an unaffected natural charm, grit, down-to-earth versatility, and kindness, into such a perfect blend, that it is seldom found in aristocracy. The words from her own pen in her book seem to resonate with the prayers of all those hearts she had touched with her kindness – “Keep her happy wherever she is, please.”
source: http://www.thisday.app / Home / by Waheeda Bi Khan
The road unfolded before us like a ribbon, guiding our car through the lush greenery and coconut groves of Kerala. It was the sacred month of Ramadan, and we had embarked on a journey to the enchanting city of Kannur in search of a pious man. The road ahead promised a culturally rich, soul-stirring experience that would leave an indelible mark on our hearts.
We entered the city after a two-hour long drive; the streets bustled with pedestrians, the sound of traffic filled the air, buyers and sellers haggled in the marketplace. Amidst this vibrant chaos, an air of sanctity was palpable; it carried the essence of a bygone era, where the mingling of diverse traditions shaped the city’s identity. Our guide informed us of Kannur’s deep-rooted connections with the Islamic world, which dated back centuries.
Nestled along the coast of the Arabian Sea, Kannur holds a special place in the tapestry of Islamic culture. The arrival of Arab merchants, who had ventured to the Malabar Coast for trade, had a lasting impact on the locals. Legend has it that Islam took root in Kannur even before the arrival of Malik ibn Dinar, who is famously known as the first companion of the Prophet Muhammad ﷺ to arrive in India (though this cannot be verified historically). The tales passed down through generations speak of King Cheraman Perumal, ruler of the Chera kingdom, who was drawn to Islam after witnessing the miracle of the split moon. He embraced Islam, took the name Tajuddin, and ventured to Mecca, where he shed his worldly concerns. His story, engraved in verse on a wooden tablet at the Arakkal Palace, is a testament to the city’s historical connection with Islam.
Over the centuries, Kannur flourished as a centre for Islamic scholarship and culture, particularly Sufism. It became a hub of spiritual seekers, earning the moniker ‘Baghdad of India’. One notable figure in Kannur’s Sufi tradition is Ghawth al-A’zam (the Greatest Helper), Shaykh Abdul Qadir Al-Thani, whose presence lingers in the serene village of Puratheel, just a short distance from Kannur city, and whose grave we were destined to visit that day.
After parking our car near Varam Kadavu Bridge, we were drawn to a nearby river, its cool, sparkling waters beckoning us under the scorching summer sun. Seeking respite from the heat, I cupped my hands and splashed the cool water on my face, feeling rejuvenated in both body and soul. My colleague, who had visited Puratheel before, remarked that this river served as a natural border for the village, fortifying the sacred site with its life-giving waters. It was this very river that earned Puratheel the epithet dweep, or ‘island’. The flowing waters represented a boundary that was not only physical, but also spiritual, separating this land from the rest of the outside world.
Puratheel. Image credit: Salz Graphy
Standing on the river’s edge, engrossed in its serene beauty, I felt a profound sense of peace wash over me. At that moment, I understood why Puratheel was revered as a place of spiritual import. It provided a sanctuary, a space where seekers could disconnect from the outside world and embark on a meaningful journey of self-discovery. Even as we reluctantly left the riverbank, the serenity of that moment remained with us, and we cherished this reminder of the intense connection between nature, spirituality, and the pursuit of inner peace.
As we wandered through the village, faint sounds of devotional music played from afar. Our guide, prayer beads in hand, began to narrate the story of Shaykh Abdul Qadir Al-Thani.
There once lived an extraordinary man in Afghanistan by the name of Shaykh Uthman Hamdani. A Persian ruler and descendent of the esteemed first Caliph, Abu Bakr Al-Siddiq, this Sultan of Hamadan left all his riches behind to go on a quest for truth. He wandered tirelessly across distant lands, his footsteps guided only by his faith and a thirst for spiritual knowledge.
Shaykh Uthman eventually arrived in Valapattanam, a tranquil village in the northern province of Kerala. One night, during his stay in the village, he experienced a vision. This vision promised him that, should he marry on that very night, he would sire a miraculous child. A year later, in the nearby kingdom of Chirakkal, royal astrologers uncovered a celestial secret. They revealed to their king that a child had been born in the Valapattanam province — a child destined to become the greatest of all miraculous beings. They further prophesied that if the King provided protection and support to this child, his kingdom would prosper.
Intrigued by this prophecy, the King of Chirakkal set out to meet the newborn child, who had been named Abdul Qadir. Recognising the infant’s extraordinary potential, the King assumed responsibility for his upbringing, ensuring that he grew into a virtuous and revered figure. As such, the child was brought to the King’s palace at the tender age of five or six, where he continued his spiritual journey surrounded by the kingdom’s grandeur. His princely childhood abruptly ended at the age of sixteen, when his fortuitous encounter with four strangers changed the course of his life forever.
The strangers had arrived at his family home in a famished state while Abdul Qadir was away at the palace. With his mother’s permission, they slaughtered cattle she had originally set aside for her son, and chopped down a jackfruit tree in front of the house. They cooked their meal, ate, and saved some of the food to be given to Abdul Qadir when he returned. As the strangers departed, the family were astonished to find that both the cattle and jackfruit tree had been miraculously restored to their original state. When Abdul Qadir eventually came home, his mother informed him of their unusual visitors. Realising that these were no ordinary beings, he set off to find them, eventually encountering four people from Bhatkal, Karnataka. Amongst them was the distinguished Sufi shaykh, Mahmoud Al Khabooshani, who bestowed Abdul Qadir with an ijaza in the Suhrawardi tariqa. This was a licence that would formally permit him to instruct his own disciples in the teachings and practices of the Suhrawardi Sufi order.
Mosque built by the Shaykh himself
Inspired, Shaykh Abdul Qadir abandoned all material pursuits and devoted himself to worship. When the King grew concerned at the Shaykh’s sudden withdrawal from the palace and other worldly affairs, the Shaykh expressed his desire to continue this path, furthermore requesting that the King grant him a portion of the land to be reserved for regular worship and seclusion. The King assented, and named this land ‘Puratheel’. There, the Shaykh built a mosque and established a settlement, fostering a culture of spiritual seclusion and growth. He eventually became known as Abdul Qadir Al-Thani (‘the Second’), as people reverentially associated him with Ghawth al-A’zam Abdul-Qadir Al-Jilani, esteemed scholar and saint of Baghdad.
Despite my efforts, I found little information about Abdul Qadir Al-Thani in my research. Even in Malayalam, the native language of Kerala, references were scarce. Only in Arabic did I find a single work, entitled The Holy Maulid, by Shaykh Valappil Abdul Azeez Musliyar. Shaykh Abdul Qadir’s obscurity in the digital realm was, to say the least, disappointing. However, as I stepped into the sacred sanctuary of Puratheel, I was astounded to see its pathways abound with visitors, their footfall echoing with purpose and a yearning for the blessings of a shaykh unknown to Allama Google. This was a realm beyond the age of digital information, where human souls longed for a connection unencumbered by the pretensions of media and search engine rankings. I felt an enigmatic current that drew people to a shaykh who, while evading fame and renown in written histories, had claimed his place in living hearts and memories.
Tombs of Shaykh Abd al-Qadir al-Thani’s descendants
With the setting sun, a melodious call to prayer echoed through the misty valleys, summoning the faithful to gather in the sanctum of the mosque. Inside, the golden glow of flickering lanterns danced across the walls, and the congregation united in prayer between them. The rhythmic recitation of sacred Qur’anic verses rose and fell, followed by murmured supplications emanating from each devotee’s lips.
After the Maghrib (sunset) prayer, a serene calm enveloped the community. We had just shared an Iftar meal to end the day’s fast, replenishing both body and soul with food and prayer. However, the night was far from over. At 12.30am, as moonlight filtered through the mosque’s stained glass windows, bathing the prayer hall in its soft glow, the call to prayer would recommence. As the rest of the world slept on, these worshippers would perform the Taraweeh prayer until 2am, a night prayer reserved for the blessed month of Ramadan, followed by more supererogatory prayers and whispered invocations hoping to forge a bond between this earthly realm and the Divine.
Though Muslims the world over perform these rites every Ramadan, Puratheel has its own unique customs. The Qunut, a special supplication, is recited with every prayer except Maghrib. On Mondays, Thursdays, and Fridays after Maghrib, devotees gather for a dhikr halaqa, or gathering of remembrance, chanting the Divine’s sacred names in melodious union. After the Jumu’ah (Friday) prayers, which are led by a descendent of Abdul Qadir Al-Thani, a ritual of repentance takes place; the Shaykh recites words of istighfar, invocations that seek Divine mercy and forgiveness. Believers repeat the Shaykh’s istighfar, and disclose their struggles and shortcomings to a spiritual mentor as a means of guidance, purification, and self-reflection.
As Ramadan nears its end, the anticipation of seeking Allah’s blessing in the final ten nights of the Sacred Month swells, culminating in the sought after ‘Night of Power’, or Lailat ul Qadr. This is the twenty-seventh night of Ramadan, where in Puratheel, the adhan (call to prayer) resounds seven times to herald the Night of Power’s arrival. The mosque transforms into a radiant beacon, drawing the servants of Allah from near and far.
Puratheel Juma Masjid
When the final sun sets on Ramadan, and Eid ushers in the Sacred Month’s end, the Isha (evening)prayer is delayed until 2am to encourage the faithful to immerse themselves in worship until dawn. Although these customs may seem arduous to some, they are embraced with an unwavering devotion in Puratheel, keeping the legacy of the Shaykh alive. In our age of information and instant gratification, Puratheel reminds us that there are still enigmas to unravel, hidden domains waiting to be explored, and extraordinary souls whose influence transcend the virtual realm. True enchantment lies not in its digital presence but in the transformative encounters that await those who embark on this journey with an open heart and a yearning for the Divine.
Before our trip came to its end, our guide led us inside the mausoleum that housed Shaykh Abdul Qadir Al-Thani’s tomb, where he rested adorned in royal green clothing. Mausoleums of his children, grandchildren, other family members, and companions abound, both in Puratheel and all throughout India.
As we left Puratheel, a sense of tranquillity washed over me, dispelling, for the moment at least, all of life’s uncertainties. I felt that an inner peace had permeated my being, reminding me that we are never truly alone. For a moment, the world stood still and breathless, before exhaling a gentle breeze that brushed against me. I felt tears spring to my eyes, and wondered if nature possessed its own soul.
I left marvelling at the interconnectedness of the human spirit and the natural world. With the wind divulging its secrets and the land preserving ancestral tales, our souls are inextricably tied to that of nature’s. Through timeless bonds, we find solace, guidance, and an earnest understanding of our place in the cosmos. I journeyed forward, guided by whispers of the unseen, embracing the beauty and mystery bestowed upon us by nature.
Edited by Asma
source: http://www.sacredfootsteps.com / SacredFootsteps.com / Home>Asia> India / by Swalih Kuzhinholam / edited by Asma
____________________________________
Swalih Kuzhinholam
Swalih is a writer, Islamic tutor, and cultural explorer based in Kerala, India. He is a graduate of Darul Huda Islamic University in Chemmad, and a former Associate Editor at Thelitcham monthly magazine. His interests lie in culture, society, Sufism, aesthetics, literature and the arts.
The Salamat Ras departed Surat in India on the 20th September 1676, carrying hundreds of pilgrims from Gujarat. On board was Safi ibn Vali; unlike the other pilgrims, his journey was sponsored by Zib al-Nisa, daughter of the Mughal emperor Aurangzeb (1658-1707). Along with completing his Hajj, Safi ibn Vali was given the task of creating a Hajj guidebook for future pilgrims. Presumably aimed at Indian pilgrims like himself, the ‘Anis al-Hujjaj’ (The Pilgrim’s Companion) contains advice regarding all aspects of the pilgrimage, including the journey to Jidda by sea.
His book is but one of many surviving pilgrimage guidebooks, from various parts of the Islamic world, forming a long-established tradition. They are typically accompanied by diagrammatic views of the holy sites, and Anis al-Hujjaj is no different in this respect. What sets it apart, however, is its use of colourful illustrations depicting various scenes of the pilgrimage, as well as the remarkable accuracy of its maps.
Safi ibn Vali’s Anis al-Hujjaj (‘Pilgrims’ Companion’), possibly Gujarat, India, circa 1677–80. Ink, gold and opaque watercolour on paper; modern leather binding. 3 separate folios show here side by side. Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
The illustration below is a map of Jidda. Jidda was a major port for pilgrims arriving for Hajj, and is thought to have been founded by Caliph Uthman in 647 AD. Safi ibn Vali, arriving at the port himself, maps major parts of the city. Archaeologist Dr Geoffrey King examined the map and found that the vast majority of places and landmarks depicted lie in the same position today.
Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
The upper section of the map depicts Hawa cemetery, thought to be the burial place of Eve, the mother of humanity. While the pink markers represent other graves, the black square indicates the head side of the resting place of Eve (peace be upon her), the white square her naval, and the gravelly area her feet. In Safi ibn Vali’s time, her grave, which is more than 100 feet in length, would have been marked by some sort of edifice. It is possible that the structure that can be seen in the image below, an illustration from 1894, or one similar to it, was what he saw two centuries earlier. The structure is no longer standing; it was destroyed in 1975 and covered with concrete by Saudi religious authorities.
Illustration of the Tomb of Eve in 1894, Jidda.
The middle section of Safi ibn Vali’s map shows the old city of Jidda. When examining the area, Dr King found that everything was accurately placed; a parade of shops and houses in the old city, as well as the surrounding roads, are all found in the same position today. There is however, one surprising discrepancy; an obvious landmark was mapped by Ibn Vali on the wrong side of the road. The green-domed Shafi’i mosque is shown in the Anis al-Hujjaj on the east side of the main street, whilst today it can be found on the west side; “This confuses me- was this main street in Jidda on a different alignment when the Anis al-Hujjaj was composed, or is it a simple error?” Given the remarkable accuracy of the map in every other way, King says this discrepancy is especially puzzling. The Shafi’i mosque is the oldest mosque site in Jidda; its floor is well below street-level, a fact that, according to Dr King, indicates that it predates the Shafi’i period. The oldest standing part of the mosque today is its Ayyubid minaret, dating back to the 13th century.
Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
Since there is no question over the identity of the mosque depicted by Safi ibn Vali, further research needs to be conducted to reach a clear conclusion over the discrepancy. In the foreground of the Jidda map, the governor of the city is shown welcoming pilgrims. There are numerous such illustrations in Safi ibn Vali’s book, depicting various scenes of the Hajj. On the folio below, pilgrims are shown on the day of Eid al-Adha. In the top right hand corner, pilgrims in ihram throw stones at the three pillars representing shaytan, while others have their heads shaved after completing the rites of the Hajj. In the foreground, animals are being slaughtered for the Eid sacrifice.
Safi ibn Vali also made mention of various holy places to visit that are not part of the Hajj itself. The illustration below is a typical diagrammatic view found in the tradition of Hajj guidebooks. According to the captions, the building in the upper section marks the birthplace of the Prophet Muhammad (peace and blessings be upon him). In Ibn Vali’s time, the blessed area was marked by a small mosque with a courtyard and dome. Today a simple library building built in the 1950’s stands over the area. Depicted beneath the upper section are the birthplaces of Lady Fatima and Abu Bakr al-Siddiq (may God be pleased with them both) as well as the Madrassa of Sultan Sulayman and a Sufi lodge of the Bektashi order. The clothes worn by the visitors indicate their various nationalities.
Nasser D. Khalili Collection of Islamic Art. Copyright Nour Foundation. Courtesy of the Khalili Family Trust.
While Safi ibn Vali’s Anis al-Hujjaj is not unique in its function, the accuracy of its map of Jidda, and possibly others, such as Surat in India and Mocha in Yemen, which are also represented, is remarkable, setting it apart from other guidebooks of the same genre. Its colourful illustrations give the viewer a sense of the energy of the pilgrimage, as well as the diversity of the pilgrims represented. Given that many of the sites Ibn Vali illustrates no longer exist in the same form, his work takes on added historical importance, preserving a past all but lost to modernity.
Bibliography
L. York Leach, Paintings from India, The Nasser D. Khalili Collection of Islamic Art, volume VIII, London 1998, cat.34, pp.124–9.
J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.332–41, pp.284–7.
source: http://www.sacredfootsteps.com / SacredFootsteps.com / Home>Asia> Arabia> History / by Zara Choudhary
The new management committee for the school was announced on Tuesday and will be headed by Shahnas Abdul Jaleel as chairperson.
The other members were Sajida Husna, Sumaiya Sangreskop, Shahzeen Eram, Pashim Ali and Syed Zafer Ali.
Photo of Shahnas Abdul Jaleel
Jeddah:
In a significant development, the governing body of the Indian International School, Riyadh (IISR) is now led by women, with four of the six members being women.
The new management committee for the school was announced on Tuesday and will be headed by Shahnas Abdul Jaleel as chairperson. The other members were Sajida Husna, Sumaiya Sangreskop, Shahzeen Eram, Pashim Ali and Syed Zafer Ali.
The four women in the management committee are in addition to principal Meera Rahman. Previously all management committees had seven members, however, this time only six members were named. Shahnas is a software engineer working in Saudi Arabia and is a native of Ernakulam in Kerala and is a mother of two. Her husband also works as a software engineer.
The women in leadership roles in the school is expected to change the dynamics, especially in matters of the academic affairs of the students. The community-run schools under the patronage of the Indian Embassy play a pivotal role in Indian community affairs in the Kingdom. It is noteworthy to mention that earlier, Dr. Hemalatha Mahalingam was nominated as chairperson of Jeddah’s Indian International School.
Interestingly, social reforms unleashed by Saudi Arabia’s Crown Prince Mohammed Bin Salman have brought sweeping changes in the Kingdom wherein women benefitted the most. The country, where women for decades had a restricted role in public, is now embracing their potential.
source: http://www.telanganatoday.com / Telangana Today / Home> India / by Irfan Mohammed / September 06th, 2024
Following a remarkable performance of 2 minutes and 59.05 seconds at the World Athletics Championships in Budapest on Saturday night,…
Following a remarkable performance of 2 minutes and 59.05 seconds at the World Athletics Championships in Budapest on Saturday night, the Indian 4×400 meter relay team consisting of Muhammed Anas, Amoj Jacob, Muhammed Ajmal Variyathodi, and Rajesh Ramesh gained widespread recognition.
This lesser-known relay group not only shattered the Asian record but also accomplished a historic feat by becoming the first Indian team to qualify for a World Championship final.
Muhammed Ajmal, a 24-year-old Indian track and field athlete, specializes in 400m sprints. His motto is straightforward: “Hear the bang and just run.” Gradually making his mark in the national scene, he aspires to progress further and achieve significant success in the international arena.
More about Muhammed Ajmal Variyathodi:
Born on June 1, 1998, in Palakkad, Kerala, Muhammed Ajmal initially embarked on his sports journey as a soccer player while growing up in Palakkad. He participated at the U-19 state level in football until his coach, Nandakumar sir, recommended that he shift his focus to running. This marked the beginning of Ajmal’s transition from a 100m sprinter to his current role as a 400m sprinter.
Indian athlete Muhammed Ajmal originally started as a 100m sprinter but eventually transitioned to the 400m category under the guidance of his coaches. In his very first 400m race, he achieved an impressive time of 46.91 seconds, securing the gold medal at the National Services Championships held in Bhubaneswar.
Muhammed Ajmal discussed his transition in an interview, saying, “In India, there’s a higher chance of competing in international events in the 400m. Otherwise, you need to be exceptional as a sprinter to make it in the 100m.”
His goal is to surpass the national record set by another athlete from Kerala, Mohammed Anas, who achieved a time of 45.21 seconds.
At the 7th International Sprint & Relay Cup held at Atatürk University Stadium in Turkey, Ajmal secured the third position with a timing of 46.04 seconds. In 2021, he clinched the gold medal at the Inter-Services Championship with a time of 46.91 seconds. He had a strong start in 2022 by winning gold at the Indian Grand Prix, finishing in 46.78 seconds.
He followed up his success by earning a silver medal at the National Inter State Senior Athletics Championship. There he improved his timing to 46.48 seconds. Ajmal is now dedicated to performing well at the upcoming Commonwealth and Asian Games later this year.
Muhammed Ajmal’s Athletic Accomplishments:
Muhammed Ajmal has emerged victorious at the National Athletics Championship on two occasions.
He secured a gold medal at the Indian Grand Prix in the year 2022.
In 2021, he earned a gold medal at the National Federation Cup.
Interesting Tidbits about Muhammed Ajmal:
His initial aspiration was to become a soccer player.
He shares a strong friendship with the national record holder, Mohammad Anas Yahiya.
Major Achievements:
1x In the Top 8 at World Championships
1x Asian Championships Silver medallist
Alongside, 1x In Top 8 at Commonwealth Games
1x In the Top 8 at Asian Championships
2 x National Champion
1 x Current Asian Record holder – 4x400m
source: http://www.thestatesman.com / The Statesman / Home> Who Is / by Statesman Web / August 28th, 2023
Mysuru-based Director Islahuddin believes in movie-making beyond the ordinary
The Kannada film industry, popularly known as Sandalwood, has recently witnessed a surge in films across diverse genres, breaking away from the conventional commercial ‘masala’ formula. Films like Achar & Co, Daredevil Mustafa, Hostel Hudugaru Bekagiddare, Tagaru Palya and Orchestra Mysuru have been warmly embraced by audiences, proving that the industry is in safe hands with the new generation of filmmakers stepping up to the challenge.
Joining this fresh wave of talent is N.S. Islahuddin from Mysuru, the director of the Kannada film Anna. Despite hardships, Islahuddin successfully directed a few films, including Nodi Swamy Ivanu Irode Heege, starring Rishi.
Known for inspiring many aspiring actors and technicians, Islahuddin is now back with his latest venture Anna, which tells the story of eight-year-old Mahadeva. Set in the 1980s, the film portrays the struggles of a poor family that cannot afford even rice (Anna in Kannada).
Islahuddin also pioneered Kannada’s first-ever crowd-funded film, Jaagadoreyuthade (Spaces for Rent), an adaptation of Maxim Gorky’s play The Lower Depths.
Star of Mysore caught up with the talented moviemaker Islahuddin during his recent visit to Mysuru for a brief chat. Excerpts…
Star of Mysore (SOM): How do you feel about ‘Anna,’ a non-commercial movie, being accepted by all sections of the audience?
Islahuddin: I am elated. Being embraced by all sections of society feels like a blessing. Our movie doesn’t take sides — except for the side of the hungry. ‘Anna’ is merely a metaphor. While rice, as a staple food for billions, holds deep significance, our story is set in the 1980s when rice was a luxury beyond the reach of the common man. Today, ‘Anna’ could symbolise any unfulfilled desire of the underprivileged.
SOM: What inspired you to choose a subject like ‘Anna?’
Islahuddin: The story found me. It is based on a Kannada Sahitya Akademi award-winning short story by Hanur Chennappa, who had previously served as Assistant Director, Department of Kannada and Culture in Mysuru. The team was already in place, and I joined towards the end. I am deeply grateful to the entire ‘Anna’ team for making this an unforgettable experience.
SOM: For a film like ‘Anna,’ it’s often difficult to secure producers and theatres for release. How did you manage both?
Islahuddin: ‘Anna’ symbolises desire. It highlights the gap between ragi and rice and the divide between the haves and have-nots. Basavaraju, our film’s producer, who faced hardships in his youth, was approached by our music director and executive producer Nagesh Kandegala and he instantly agreed to produce the film. The film has turned out exceptionally well and the overwhelming response during screenings gave us the confidence that we have a winner. Even though Basavaraju is a first-time producer, we chose to take this leap of faith on our own.
SOM: With four gold medals in journalism and mass communication, a master’s from the University of Sunderland and having cleared the National Eligibility Test (NET) from the University Grants Commission (UGC), you could have easily settled as a Professor in a reputed university. Why did you choose theatre and films?
Islahuddin: I’ve always liked theatre and cinema and so did my friends. I’ve always valued my friendships and most of my friends are here in my city Mysuru. We are a close-knit group here in Mysuru, bonded by our shared passion for the arts. Our journey began in theatre, but we quickly set our sights on filmmaking.
I took the next step by pursuing my master’s in filmmaking in the UK, then returned to Mysuru to reconnect with my friends. Our primary goal has always been to build a thriving ecosystem for filmmakers right here in our city.
SOM: What are your upcoming projects?
Islahuddin: I’ve been in talks with a few actors, who also happen to be good friends, about directing some scripts I’ve written. Additionally, there are exciting offers from producers interested in bringing my stories to life with me as the director. There’s also an international project in the works, but I’ll reveal more when the time is right. Only time will tell. — VNS
Excelled academically
A graduate in Business Management from D. Banumaiah College, Islahuddin went on to pursue a Post Graduate degree in Mass Communication and Journalism at Manasagangothri, where he excelled academically, bagging four gold medals, including the prestigious Star of Mysore Silver Jubilee Endowment Gold Medal in 2006.
His passion for filmmaking led him to secure a scholarship at the University of Sunderland, where he earned a Master’s in Media Production in 2008. Upon returning to Mysuru, Islahuddin embarked on a challenging 15-year journey to fulfil his dream of directing films.
source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / September 12th, 2024
Pakistan’s misadventure in Kargil will be remembered not only for the convincing win of the brave Indian army but also for some of the heroes who sacrificed their lives for our dear motherland. Prominent among those heroes was a 25-year young Captain Haneefuddin of 11 Rajputana Rifles who led from the front and made the ultimate sacrifice. Martyr Vir Chakra Captain Haneefuddin had to be from the Dilwalon ki Dilli! Truly, he had a large heart for he volunteered to command an operation to capture a post which would give a vantage position to observe the enemy’s movements.
It was quite early days of Kargil war when there was hardly any information available about the enemy troops. A company of 11 Rajputana Rifles was deployed in Operation Thunderbolt on June 6th, 1999 led by Captain Haneefuddin. It was at an altitude of 18,000 feet in the Turtuk region. The Mission: To capture a position in the region which would facilitate the Indian army to monitor the movements of the enemy troops better. The capture of this position would give the troops a strategic advantage in those early stages of the war. Captain Haneef volunteered for this Operation Thunderbolt as it was his ingrained in his nature to lead from the front. He set off for the vital operation with one junior commissioned officer and three other ranks. They made significant strides on the nights of 4th and 5th June 1999. They captured nearby positions. They captured the adjacent position and set out their advance on 6th June 1999 to capture the position they desired. They were undaunted by an altitude of 18,500 feet and extremely cold temperatures. They were however spotted by the enemy and fired upon. A firefight followed, against an enemy equipped with heavy artillery.
Captain Haneefuddin was concerned about the safety of his team more than himself. He took up a position and fearlessly showered bullets on the enemy. In the exchange of bullets, he was severely injured. But he kept engaging the cunning enemy, until his boys were safe from the enemy fire. Unfortunately, he ran out of ammunition and he was shot from all directions. He succumbed to his injuries, just 200 meters from the position they valiantly set out to capture. He displayed extraordinary valor in the face of the enemy and cared more about his team’s safety than his own. Captain Haneefuddin attained martyrdom at the young age of 25. It was exactly two years after he was commissioned in the army. But his body could not be retrieved due to heavy firing till a brave Colonel Bhatia and his illustrious team set out to retrieve the body. It was on 18th July, 43 days after Haneef’s martyrdom, Captain S K Dhiman, Major Sanjay Vishwas Rao, Lieutenant Ashish Bhalla, Havaldar Surinder and Rifleman Dharam Vir volunteered for the task.
Col. Bhatia and his team carefully negotiated the deadly precipices. The team managed to locate the brave heroes Haneef and Parvesh. They extricated the frozen bodies. Dragging them behind the boulders, the team carried the fallen heroes on their backs. They walk quietly through the night, reaching Zangpal by early morning. A helicopter carried the bodies away as the brave Colonel Bhatia watched the body bags with moist eyes for one last time.
Vir Chakra Captain Haneefuddin’s mother Hema Aziz had paid tribute to her martyr son thus: “As a soldier, Capt Haneef served his country with pride and dedication. “There cannot be a greater statement on his valor than his death which came while fighting the enemy.” Later, a subsector in the battle zone was named as Subsector Captain Haneefuddin.
It is interesting to note that Captain Haneefuddin had gone to fight for 11 Rajputana Rifles whose war cry is ‘Raja Ram Chandra ki Jai’. Twenty years later, in February 2020, in Captain Haneefuddin’s hometown – Delhi, a similar war cry — Jai Sri Ram was used by the rioters who looted, raped, killed innocents, destroyed 11 mosques and burnt down the copies of the Holy Quran, according to the just released report of the Delhi Minorities Commission. Those who carried out this pogram do not have guts to go to the borders and fight the enemies Pakistan and China. Instead, they choose our own citizens!
Where have the Dilwallas disappeared from Dilli? Lest we forget Kargil War Hero Vir Chakra Captain Haneefuddin and other heroes!
source: http://www.beyondheadlines.in / Beyond Headlines / Home> Lead / by Dr Ahmed Mohiuddin Siddiqui / July 27th, 2024
On Teachers’ Day, AMP held the felicitation ceremony for the 8th AMP National Awards for Excellence in Education 2024. The event took place at an impressive function in Ravindra Bhawan, Raj Bhavan Road, Bhopal, Madhya Pradesh. It was attended by award winners, invited guests, AMP members, volunteers, and the academic community. Some awardees who could not travel to Bhopal participated virtually, and many others joined through social media platforms.
The Chief Guest for the event was Shri Digvijay Singh, Former Chief Minister of Madhya Pradesh and Member of Rajya Sabha. He praised the role of teachers and commended AMP’s initiative of uniting Muslim professionals to give back to society. Shri Singh emphasized the importance of prioritizing education and healthcare for the progress of the country. He also highlighted the need for Muslims to pursue professional education to foster community advancement.
In his keynote address, Prof. Furqan Qamar, Former Vice Chancellor of the University of Rajasthan and Central University of Himachal Pradesh, underscored the necessity of increasing participation in higher education. He stressed the importance of public investment in education to make it accessible to marginalized groups, such as rural communities, women, and landless laborers, who often lack opportunities for higher education.
Maulana Syed Mushtaq Ali Nadvi, Shahar Qazi of Bhopal and the Presiding Speaker at the event, quoted Allama Iqbal, saying, “The soil of Hindustan is very fertile and amenable to good works from its citizens.” He emphasized the special status of teachers in Islam, reminding the audience that according to a Hadith of Prophet Muhammad (PBUH), a good teacher can attain a rank close to that of the Prophets.
The winners of the AMP National Awards were selected by a jury of 14 distinguished educationists and academicians from thousands of nominations submitted across India. These awards were presented in seven categories:
Primary and Secondary Teachers
College and University Teachers
Principals/Head of Institutions
Islamic Education (Arabic/Fiqh/Islamic Studies)
Educational Institutions
Lifetime Awards
Late Ibrahim Quereshi Memorial Award
The Late Ibrahim Quereshi Memorial Award was bestowed upon Prof. Furqan Qamar in recognition of his exceptional service in the field of education.
The Lifetime Achievement Awards were given to the following esteemed educators:
Jamaluddin Ahmad Khan, Ex-Lecturer, Halim Muslim Inter College, Kanpur, Uttar Pradesh
Sharifa A. Azeez, Correspondent, Crescent Matriculation Higher Secondary School, Chennai, Tamil Nadu
Sheila Lawrence, Former Headmistress, Lucknow Christian College, Lucknow, Uttar Pradesh
On this occasion 78 teachers were honored with Special Jury Awards in the categories of Primary & Secondary Education, Higher Education, and Heads of Institutions. Furthermore, 50 “My Favourite Teacher” Awards were presented to teachers who were voted by students and parents from across the country.
One of the Guests of Honour, Dr. Usha Khare, National Teacher Awardee (Govt. of India) and State Teacher Awardee (Govt. of M.P.), recounted her efforts to promote education for girls in impoverished neighborhoods. Dr. Khare, who recently retired as the Principal of Jahangirabad Girls Government School in Bhopal, shared her inspiring story of how she encouraged parents to send their daughters to school. She also mentioned her act of philanthropy, where she donated her entire prize money of Rs. 25 lakhs, won on the television show Kaun Banega Crorepati, to the school. Upon her retirement, she left assets worth Rs. 1.5 crores for the institution.
Other notable Guests of Honour included Mr. Arif Masood, MLA – Bhopal Central; Mr. Atif Arif Aqueel, MLA – Bhopal North; and Mr. Wazir Ansari, IPS (Retired), Former DGP of Chhattisgarh. Each guest lauded AMP’s tremendous achievements in the fields of education and employment over the past 17 years. They also praised the event’s organizing team and the jury for their thorough selection process and the professional execution of the felicitation program.
Farooq Siddiqui, Head of AMP’s National Coordination Team, hosted the event, reflecting on AMP’s humble beginnings and its expansion to over 200 cities across India. He also noted AMP’s growing global presence, with volunteers in many countries around the world.
The guests were welcomed by Kaleem Akhtar, Zonal Head for Central India, AMP NGO Connect. Sajid Qureshi, Acting President of the Late Ibrahim Qureshi Memorial Study Circle in Bhopal, expressed his gratitude to AMP for the opportunity to support such a prestigious event. Rafat Iqbal Farooqi, State Head of AMP Madhya Pradesh, extended a vote of thanks to the guests, awardees, and the entire AMP Madhya Pradesh State and Bhopal Chapter teams for their hard work in making the event a resounding success.
The event was a testament to the immense contributions made by teachers and educators, who continue to shape the future of the country through their dedication to education and their students.
