Prof Zia ur Rehman Siddiqui (R) receives the National Urdu Award from Mr Dharmendra Singh Lodhi at Bhopal
Prof Zia ur Rehman Siddiqui, Centre of Advanced Study, Department of Urdu, Aligarh Muslim University has been conferred with the National Urdu Award by the Madhya Pradesh Urdu Academy, for his contributions to Urdu literature and research.
The award was conferred upon him by Mr Dharmendra Singh Lodhi, Minister of Culture and Dr Nusrat Mehdi, Director of Madhya Pradesh Urdu Academy in a function held at Bhopal.
Prof Siddiqui has authored several books, including “Tehreek-e-Azadi aur Urdu Nasr”, “Urdu Adab Ki Tareekh”, “Urdu-Hindi Dictionary”, “Armughan-e-Tehqeeq”, “Asaleeb-e-Fikr”, “Bengali Kahaniyan”, “Doon ka Sabza” (Urdu translation of Ruskin Bond’s writings), “Hsuan Tsang ka Safar-e-Hindustan”, “Asan Urdu Grammar,” etc.
He has also contributed over 200 research papers to various journals of repute in India and abroad.
Prof Q.H. Faridi, Chairman, Department of Urdu, Prof S. Siraj Ajmali and other faculty members congratulated him for getting this prestigious award.
source: http://www.radiancenews.com / Radiance News / Home> Pride of the Nation> Awards / by Radiance News Bureau / September 11th, 2024
Renowned Kashmiri journalist Arjumand Shaheen has received the Laadli Media and Advertising Award for Gender Sensitivity 2024 for her 2022 report on “Kashmir’s Proxy Sarpanches.” She was recognized with the Web Jury Appreciation Citation in the English category.
Published by Article-14.com in 2022, the report exposes the misuse of statutory posts meant to empower women through the practice of “Sarpanch Patis.” She earned recognition for her report “Kashmir’s Proxy Sarpanches: Women Elected to Reserved Seats Have Become Rubber Stamps for Men,” which highlights male dominance and governance issues in Kashmiri local bodies.
Speaking to Radiance, Ms. Shaheen said, “I feel honored that my work has been recognized. Media wields significant power in shaping public opinion and attitudes towards gender. To combat existing stereotypes, we need more stories with a gender perspective. The media often focuses on male-centric narratives, so it’s crucial to also highlight women-centric stories to achieve a balanced portrayal. Such stories can inspire change and help combat gender discrimination over time. My piece addresses how the ‘panch-pati’ misuses power and highlights the lack of genuine political participation by women.”
Ms. Shaheen received the award at a ceremony in Mumbai this week wherein she was honored for her role in promoting gender sensitivity through media.
The Laadli Media and Advertising Awards annually celebrate journalists and media professionals who challenge patriarchal and misogynistic attitudes in society.
source: http://www.radiancenews.com / Radiance News / Home> Pride of the Nation> Awards> Latest News / by Radiance News Bureau / September 15th, 2024
The annual Global Islamic Finance Conference 2024 was recently held in the Maldives, organized by the Maldivian government. The event was graced by the presence of former Maldivian President Mohamed Waheed Hassan and Finance Minister Mohamed Shafeeq, alongside representatives from various Muslim countries and Islamic banking institutions, reported the Siasat.
During the conference, Syed Moosa Kaleem Al-Falahi, Chief Business and Investment Officer of the Islamic Bank of Afghanistan, was honored with the Global Islamic Finance Award 2024 (GIFA). The award was presented by former President Waheed Hassan and Finance Minister Dr. Mohamed Shafeeq in recognition of his significant contributions to the field.
Hailing from Hyderabad, Syed Moosa is the son of the late Syed Yusuf, former Secretary of the Andhra Pradesh Legislature and former Hon. Editor of Radiance Viewsweekly. He has an impressive track record, having served in prominent roles at the Dubai Islamic Bank, the Islamic Bank of Afghanistan, and various other Islamic banking institutions.
Syed Moosa has played a pivotal role in promoting the concept of Islamic banking in Afghanistan, facilitating the establishment of new branches of the Islamic Bank of Afghanistan to enhance banking services. His extensive experience and commitment to advancing Islamic banking principles were acknowledged at the global conference.
The event was jointly organized by Cambridge IFA and the Maldivian government, where Syed Moosa’s contributions to small and medium enterprises and retail sectors through the introduction of Islamic products were particularly highlighted. His expertise has been instrumental in promoting the ideals of Islamic banking across multiple countries.
source: http://www.radiancenews.com / Radiance News / Home> Muslim World> Asia> Awards> Focus / by Radiance News Bureau / September 19th, 2024
In a remarkable achievement, Dr. Faizuddin Ahmed, an Assistant Professor in the Department of Physics at the University of Science and Technology Meghalaya (USTM), has once again been recognized among the world’s top 2% scientists by Stanford University, USA.
This marks the fifth consecutive year that Dr. Ahmed has received this prestigious honor, showcasing his unwavering contributions to scientific research, reported The Hindustan Times.
Despite ongoing political scrutiny of USTM, a Muslim-owned university, by Assam Chief Minister Himanta Biswa Sarma, the institution has continued to excel academically.
Under the leadership of founder Mahbubul Hoque, USTM has nurtured a diverse student body, with 80% of its students being Hindu. Dr. Ahmed’s recognition further affirms the university’s commitment to academic excellence and inclusivity.
The list, published on September 16, 2024, highlights global scientific excellence, with Dr. Ahmed being honored for his groundbreaking research in Theoretical Physics, particularly in the areas of General Relativity and quantum mechanics. Over the course of his career, he has published 165 research papers in top-tier Scopus-indexed journals, including the European Physical Journal C, Journal of Cosmology and Astroparticle Physics, and Annals of Physics.
Expressing his gratitude, Dr. Ahmed stated, “Being recognized by Stanford University for five consecutive years is a humbling experience. This honor is a testament to the value of persistence, research, and the pursuit of knowledge. I owe a great deal of gratitude to USTM and my colleagues for their unwavering support.”
Dr. Ahmed’s academic journey began at Bholanath College, Dhubri, where he completed his undergraduate degree in 2006. He went on to pursue his master’s and PhD at Gauhati University, receiving his doctorate in 2016.
His consistent recognition on the global stage not only highlights his individual brilliance but also positions USTM as a hub for scientific research and innovation, standing tall against the political challenges it faces.
source: http://www.radiancenews.com / Radiance News / Home> Latest News> Pride of the Nation / by Radiance News Bureau / September 21st, 2024
A day-long exhibition of coins (from ancient to modern) was organised by Maharaja’s College, in association with the Department of Ancient History & Archaeology and Musicology and the Department of History and Graduate Library, University of Mysore (UoM), at the Library Reference Hall, Maharaja’s College campus here recently.
The exhibition was by Dr. Abdul Rasheed, popularly known as the ‘Coin Man of Mysore.’ The main objective of the exhibition was to create awareness on the antiquity of Indian Coinage among students and members of the public. The exhibition was inaugurated by H.I. Abdul Rashid, Programme Executive (Co-ordination), All India Radio, Mysuru.
The exhibition featured coins of the next age that were circulated in India by the Indo-Greek kings of North Western India. The coins are mainly made of Silver, Copper, Nickel and Lead. The collection of coins belonged to dynasties like Kalingas, Hoysalas, Cholas, Vijayanagar Moghuls and coins from East India Company, all of which were made of Gold, Silver, Copper, Nickel, Aluminium, Lead and other alloys.
The fascinating collection further included coins from the kingdoms of Kashmir, Jaunpur, Malwa, Diwanpur, Gujarat, Bahmanis, Bengal, Shahi and other princely States which existed during the British rule and prior to it, and also from Goa, Hyderabad, Travancore, Mysore, Arcot, Wadiyars, Pudukottai rulers, Peshwas, Marathas.
A total of 1,200 coins of 93 foreign countries from all continents and belonging to the times of Napoleon, Hitler, Queen Victoria, Tipu Sultan and other rulers were on display.
Also on display were more than 2,000 currency coins of India and other unique coins of many great personalities, events, food, agriculture practices etc., of the past. These coins have been collected with great efforts and persevered carefully over the years. They have also been systematically classified, categorised and fixed on proper display boards. It was an informative exhibition on Numismatics, the study or collection of currency, including coins, tokens, paper money and related objects.
The expo chronicled the decline of coinage, with notings in their number, their appearance and their value. Almost all the coins had inscriptions of their times, mainly in Perso-Arabic-script.
The exhibition, apart from display of collection of coins through the ages from punch marked coins to gold coins from the Moghuls to the imperial coins and coins of post-independent India, also featured coins from third century BC, Ghazni era coins from North India and from Kanishka era coins in South India.
Over a thousand students and members of the public visited the expo.
When asked what drove him to pursue such a time-consuming hobby, Dr. Abdul Rasheed said that it all began with a curiosity to know about coins of different countries, supplemented by fascination and passion.
The journey began in the year 1955 when he was studying in high school, where he used to exchange coins which he had in excess from the collections of his forefathers, he said and added that his grandfather was an Inspector during British rule,who had the hobby of collecting coins.
Continuing, Dr. Rasheed said he used to collect ancient coins whenever he visited historical places during his trips abroad and he has coins from as old as 3rd Century BC.
source: http://www.starofmysore.com / Star of Mysore / Home> News / March 10th, 2019
India has one of the greatest traditions of paintings on walls. Called murals or frescos, we see a high level of technical excellence, grace and sublime beauty among Indian murals right from the time of Ajanta.
In 1335 AD, the remarkable city of Vijayanagar or the ‘city of victory’ was established in south-central Karnataka. In no time, the city and the empire became a fertile ground for creativity, thanks to the patronage of its powerful King Krishnadeva Rai. A remarkable style of painting evolved with ideas merging from Deccan, Cholas of Tamil Nadu and Jain tradition. When the Vijayanagar Empire collapsed after the battle of Talikota in mid-16th century many of state artists moved to Serirangapatna, a pristine and sacred land surrounded by Cauvery River on all sides. Here they thrived under the royal patronage of the Mysuru Wodeyers. In 1761 AD, the island became the seat of power of Haider Ali Saheb. He and his son Tipu Sulatan established Mysuru as a vibrant Sultanate and continued to patronage the artisan of Vijayanagar ancestry.
Daria Daulat Bagh is a palace situated in the island near the village Ganjam at Seringapatna. The village is set amidst beautiful gardens. It was built by Tipu Sultan in 1784 as his summer palace.
Built entirely out of teakwood, the architecture of the palace shows remarkable fusion of Deccani, Persian and Rajput styles. The most stunning feature of the palace is that all the space available on the walls, pillars, jharokas and arches have colourful fresco work in the style of Vijayanagar-Mysuru paintings.
On the western wall right to the entrance is depicted the battle scene of second Anglo-Mysore war or the battle of Pollilur. The battle had been fought between Haider-Tipu and the British forces, in which Haider and Tipu combated splendidly and won.
The paintings executed by the artists at the instance of Tipu Sultan where primary aim was to glorify their victory over the British. Colonel Bailley, the defeated British officer was taken to Serirangapatna after his defeat. The battle mural is seen in four different panels portraying Tipu and Haider marching in procession towards Pollilur near Kanchipuram. Tipu is depicted in all finery, himself leading the army towards Pollilur riding a beautiful white horse. Baillie sits in a palanquin as he is wounded and biting his pointing figure – a gesture employed by many to signify defeat in dismay.
The climax of the battle scene depict Baillie’s defeat giving special prominence to the explosion of tumbril and to the consternation of the British square colonel.
On the eastern part of the building there are a number of small frames containing figural motifs, architecture in brilliant composition. The most special is the one where the queen is seen seated on a carpet smoking a hookah. Some of the layouts strongly resemble Rajasthani miniature. The other panels illustrate incidents in the lives of princes, rulers and grandees of Tipu’s contemporary and also includes several rajas defeated by him. There are also neighbouring nawabs and kings including the Hindu Rani of Chittore, Rajas of Tanjore, Benaras, and Balajirao Peshwa II.
Come, lets discover the murals of Daria Daulat Bagh and appreciate the legacy of Tipu Sulatan, a brave son of the soil and perhaps one of the earliest freedom fighters.
YOUTUBE
source: http://www.blogvirasatehind.wordpress.com / September 26th, 2016
PCI President Gautam Lahiri addressing the gathering
In a significant move, the Press Council of India (PCI) has announced the institution of the Molvi Baqar Award to recognize and honour three outstanding journalists from the Urdu, Hindi, and English media every year.
PCI President Gautam Lahiri revealed this during an event commemorating the life and contributions of Molvi Muhammad Baqar, a pioneering figure in Indian journalism and the first journalist to be martyred during the 1857 Indian Rebellion.
“The criteria for this award will be to encourage journalists to follow in the footsteps of Molvi Baqar, who made the ultimate sacrifice while covering the events related to the 1857 ‘Mutiny’ through his newspaper, Delhi Urdu Akhbar,” said Lahiri in his presidential address. He added that PCI would soon finalize the modalities and constitute a jury to select the awardees.
The event, which focused on “The Life and Times of Moulvi Muhammad Baqir ,” highlighted his role as a patriotic journalist who played a key part in preparing the ground for India’s freedom. Historian and author Dr. Swapna Liddle, the Chief Guest at the event, praised Baqar’s commitment to the nation’s cause, despite the controversies surrounding his role.
“Some confusion exists due to the views of his son, Mohammad Hussain Azad, a renowned Urdu literary figure, who appeared to have taken a contrary position to his father. However, this must be understood in the context of the reign of terror during that time,” said Dr. Liddle, clarifying that Azad’s actions were likely influenced by the pressures of British rule.
Shoib Raza Fatmi, Editor of Hamara Samaj, reinforced this perspective by noting that Azad’s name frequently appeared in Delhi Urdu Akhbar as Editor, Printer, and Publisher, indicating his involvement in his father’s journalistic mission despite the difficult circumstances.
The program also featured a panel discussion moderated by Mahtab Alam, where young Urdu journalists discussed the relevance of Molvi Baqar’s journalism in today’s media landscape. Munazah Shah of News 18 pointed out the striking similarities between the challenges faced by Baqar in his time and those confronting the Urdu media today, particularly financial pressures and the need to foster communal harmony.
“The challenges faced by Molvi Baqar and today’s Urdu media are not very different. We should look to him as a role model for overcoming these obstacles,” said Sohail Akhtar Qasmi of Al Jazeera Arabic.
Tasleem Raja, a journalist with Siyasi Taqdeer and Qaumi Awaaz, echoed this sentiment, emphasizing how much contemporary media could learn from Baqar’s work in covering sensitive and complex issues.
A.U. Asif, a senior PCI member who was instrumental in connecting the Urdu media with PCI initiatives, lauded Molvi Baqar’s pioneering work in investigative journalism. “Molvi Baqar was one of the first to practice on-the-spot reporting and investigative journalism between 1837 and 1857 through his newspaper Delhi Urdu Akhbar, a practice that is now common in today’s media,” said Asif. He congratulated the PCI for unveiling Molvi Baqar’s portrait in its central conference hall, a tribute to his lasting legacy.
The event, organized to mark the martyrdom of Molvi Baqar on September 16, was held a day earlier this year due to the coinciding celebration of the Prophet’s birth anniversary. A large number of journalists attended, and the program concluded with a question-and-answer session.
The institution of the Molvi Baqar Award is seen as a step toward encouraging journalists to adhere to principles of courage and integrity in their work, much like the pioneering figure it honors.
source: http://www.muslimmirror.com / Muslim Mirror / Home> Indian Muslim> Media> Positive Story / by Muslim Mirror Desk / September 16th, 2024
Fifteen years of dedication, resilience, and hope led to a school that uplifts underprivileged children and their families in Karnataka.
New Delhi:
In the heart of Bijapur in Karnataka, one woman’s belief in the transformative power of education has changed the lives of countless children and their families. Saira Bano Khan, who started the New National High School 15 years ago, remains unwavering in her mission to offer children from slum areas a brighter future through learning.
Bijapur city is well known for its historical monuments of architectural importance built during the rule of the Adil Shahi dynasty.
“It all started when I saw the children around my neighbourhood,” Saira Bano said. “Most of them were school dropouts, working odd jobs like selling flowers or working in garages. It pained me to see them wasting their potential,” Sanmarg Hindi newspaper cited her as saying.
With the support of her husband, Saira Bano began a small school in a room of her own house, with only four students and one teacher. Today, New National High School serves 200 students and offers education up to the 12th grade. The school has become a beacon of hope for children from the local slums, particularly those from marginalised communities.
New Path
When Saira Bano started the school, many of the students had no basic manners or discipline. “The children used foul language and had difficulty sitting still,” she recalls. “It took months of patience and guidance to help them change. But now, they are polite, well-mannered, and eager to learn. It’s our greatest success.”
Parents have also become part of the process. Saira Bano organises regular meetings to educate them on their role in shaping their children’s behaviour. “We tell them that building a good life starts with teaching good values at home,” the report quoted her as saying.
Despite these successes, the school faces numerous challenges, especially when it comes to finances. “We struggle with funding,” Saira Bano said. “I dream of building a proper school with a laboratory, library, and playground, but for now, we make do with what we have.”
Commitment to Community
Beyond the classroom, Saira Bano has committed her resources to support the school. She and her husband donated their old family home, consisting of seven rooms, to be used as classrooms. She has also invested her savings in buying land for future school expansion. “I didn’t save much for my children. Instead, I saved to build a wall around the land, hoping one day to construct a proper school,” she said.
Her involvement doesn’t stop at education. During the Muslim fasting month of Ramadan, she and her husband distribute groceries and clothes to the students’ families. “Around 40% of the children in our school are orphans or come from extremely disadvantaged backgrounds. My dream is to open a hostel for them.”
Hope Amid Hardship
The COVID-19 pandemic added extra difficulties, with several boys dropping out of school to support their families. “We found some of them working odd jobs during school hours,” Saira Bano recalled. “Our headmistress spoke to their parents and told them they didn’t have to pay any fees, just send their children back to school.” The boys returned, excelled in their studies, and some even achieved distinctions in their exams.
Saira Bano’s work has touched many lives, including a student named Misbah, who was diagnosed with a serious health condition. With no money for surgery, Saira Bano and her headmistress paid for the procedure. “Now, she’s doing well and studying in college,” Saira Bano said with pride.
Instilling Values
Saira Bano’s vision for her students extends beyond academics. She emphasises respect for all religions and cultures. “I teach them about the Gita, Quran, Bible, and other holy books,” she said. “We encourage them to participate in each other’s festivals and to spread love and tolerance. This is how we build a harmonious society.”
The school also focuses on life skills. “We teach boys to respect women, and girls to maintain their dignity,” Saira Bano noted. Her influence on the students’ moral development is reflected in the way older students now correct younger ones when they use inappropriate language. “When I see that, I feel like my work is bearing fruit,” she said.
Looking to the Future
Despite all the challenges, Saira Bano remains hopeful for the future of her school and her students. “I want at least four students from this school to become IAS officers,” she said with a smile. “In sha Allah (God willing), my daughter might also become an IAS officer soon, as she has cleared her CSE exams.”
For Saira Bano Khan, the journey has been one of sacrifice, perseverance, and a deep belief in the power of education. “Our work is rewarding. I love my students, and they love me. Watching them grow into disciplined, responsible individuals is the greatest joy of my life.”
As she continues to nurture the school and its students, Saira Bano’s dream remains clear: to see the children she’s helped grow into adults who will change not only their destinies but that of their entire community.
source: http://www.clarionindia.net / Clarion India / Home> Editor’s Pick> Indian Muslims / by Mohammad Alamullah, Clarion India / September 19th, 2024
When Muslims first arrived on the Indian coast 1400 years ago, the land embraced them with the same grace bestowed on the Aryans, Africans, Zoroastrians, Tibetians, and others. These arrivals have uniquely imprinted their gems on our nation’s social, cultural, and architectural heritage. One such gem is the Zeenath Baksh Masjid built in wood.
The exquisite and ornate wooden sanctum of Zeenath Baksh Masjid | Source: Wikimedia
History has proven time and again that old is gold, both figuratively for its preciousness and literally for the permanence of the shelf life of gold counted over centuries. But if something that is the oldest, counted over centuries, is in wood, wouldn’t it be more precious and rare? When wood that decays and crumbles away naturally survives the burn of time and political upheavals, then it becomes the golden grace of heritage. The Zeenath Baksh Masjid in Mangalore, Karnataka, is one such gem of Indian historical treasures. It has survived for centuries and is not just the only Masjid made of wood but also the oldest in Karnataka and the third oldest in India.
In the seventh century, Hazarath Mohammed Malik Bin Deenar and his small group arrived at the Malabar coast of Kodungallur, with a letter written by the former Cheruman Perumal, who passed away while returning from Mecca. The letter instructed his son, the contemporary raja (king), to provide every kind of hospitality and permission to preach the faith of Islam in the kingdom. After observing the pious and honest nature of the guests, the king granted lands and other amenities within his kingdom. Malik Deenar, the first-generation disciple of Prophet Mohammed, with his group, established ten masjids after the first in Kodungallur. Zeenath Baksh is the second out of the ten and was constructed in 643 AD, currently located in the Bunder area of Mangalore city. It was earlier referred to as Beliye Palli or Malik Dinar Valya Juma-ath Masjidand was built by the kith and kin of Malik Deenar, who continued preaching the tenets after the sahaba (companion) departed from our coast.
The carved wooden pillars attest that old can be golden in wood | Source: Wikimedia
The nayaab nature of the original structure is that, all those centuries ago, it was entirely made of wood. The pristine glory of the wooden sanctum is still maintained by the local people and sponsors. Owing to the historical nature of the religious site, the caretakers of the masjid hope to get the site its due recognition and funding for maintenance from the administration. As the Secretary of the Central Muslim Committee, Mr Hanif Ali, informs,
“We have written to the tourism department and the Wakf Board to develop the mosque into a tourist spot. They have shown interest, but nothing concrete is being done.”
Though the original structure, which now acts like the inner sanctum, is enclosed within stone walls after renovation, the ceiling of this part is also made of wood and protected with a brass sheet.
As Mr Ali states, “Even if the stone walls were removed, the structure would still stand.”
The water tank is ubiquitous to all religious sites in the region | Source: Wikimedia
The present structure holds the legacy of the Tiger of Mysore, Tipu Sultan, who renovated the medieval Masjid during the second half of the 18th century. Though he enhanced the serenity and aesthetics of the heritage, the original model was kept intact. He then renamed the structure after his daughter Zeenath Baksh, and for the past 400 years, it has retained the name. In the 19th century, it was given a new look by adding four minarets while earlier with its tiled roof it used to resemble the Malabar-styled mansion of a local chieftain.
The new look of the Masjid with the outer walls enclosing the original | Source: Deccan Herald
The sanctum is designed with typical Indian architectural blends with the tank within its grounds, keeping in sync with the traditional style of the nearby temples. The carvings on the sixteen pillars that form the perimeter of the prayer hall depict flowers, bells, and Arabic texts narrating anecdotes from the life of the Prophet. The art etched into the wood encapsulates the cultural blends of the region, and each pillar is made of a single block of wood. Despite the rain and humid conditions typical of the belt, the intricacy of the wooden designs has not faded into blurred lines, as usually expected. Even the floor, walls, and doors are adorned with teak wood and rosewood. As the manager of the Masjid shares,
“Every couple of years, we spend more than Rs. 1 lakh to rub in oil to preserve it. Apart from fixing small scratches, we have not modified or replaced any part of the structure.”
Where wooden art is revered in prayers | Source: Mangalore online
Records prove that this house for prayers was established in the Islamic month on the twenty-second day of Jumada al-awwal and approximately on 18 April 643 AD, with Moosa Bin Malik, the son of Malik Bin Abdullah, as the first Qazi (magistrate of the shari’a court). The site is not known just for its worthy heritage, but also for its community activities, which keep the people around bonded in gratitude and harmony. Attesting to the shared communal brotherhood is the Sharavu Ganapathi Temple. Contrary to propagated accusations, the well-known historian, A M Prabhu (who wrote a well-researched history of Tipu Sultan), recorded that the temple was developed by the Sultan, as a tribute to the local Tuluvas, who for centuries, protected the mediaeval Arabs and the Muslims.
The Shrine overlooking the Malabar-style verandah | Source: Mangalore Online
The Masjid is a hub of charitable activities with its sponsored yateemkhana (orphanage), funding the destitute during marriage ceremonies and even conducting funerals free of cost for the ones who cannot afford it. The wide verandah for the past eighty-seven years has also cradled the sacred shrine of the revered Qazi Hazrath Sheikuna Muhammed Moula Jalal Masthan Al Bhukhari.
All in all, the Zeenath Baksh Masjid is one of the gems that adorn our heritage of cultural blends and is a cocoon of brotherhood, serene piety, and harmony in diversity. A site that is the zenith of the glorious South Indian history.
source: http://www.thisday.app / Home / by Waheeda Bi Khan (headline edited)
There once lived a woman who epitomised the saying, ‘courage lies in compassion.’ Though born into the creamy tier of society, Bilkees Latif exemplified ‘living life large’ with regal grace, compassion, humility, and service to the downtrodden.
Bilkees Latif – The Enigma of Versatility | Source: You & I
Born to Nawab Ali Yawar Jung of Hyderabad and Alys Iffring from France, Bilkees grew up with a silver spoon that never got to her head or turned her into another conceited, snobbish socialite of the affluent society. Instead, she carved the path for her own legacy, decking it with added laurels for an already illustrious family that graced the halls of fame in professional careers and philanthropy alike.
The happily married couple whom even death could not keep apart for more than a few months | Source: You & I
Bilkees was married off in her early teens, as per norms of those times, to the son of another Nawabi family, the former Air Chief Marshall Idris Hasan Latif. Fortunately, she embarked on a happy marriage where the couple reached new heights of their family legacy, giving back to society with sophistication and empathy. He was one of the rare commissioned Air Force officers under the British Raj when she married him. Down the lane, Bilkees captured his illustrious life in her words, in a book titled The Ladder of His Life, an apt title, because he was the perfect stairwell through which she reached amazing feats*.*
They say greatness is not in lending help; it is in giving the downtrodden the best chance to lift themselves out of their howls. Tapping into the networking skills inherited from her family and her role in the Raj Bhavan as the wife of an Air Chief Marshall and the Governor of Maharashtra, she initiated her most lauded mission of improvising the largest slum of Asia, the Dharavi region in Bombay (now Mumbai). Among the many charitable and rehabilitator organisations she founded, The Society of Human Environmental Development (SHED), was the first. Embedded amongst the Godrej, Wadias, along with personalities like Sarojini Naidu, and Mahalaqa Bai Chanda of the society, she channelled their resources to the best purpose of giving hope of self-reliance to the helpless and discriminated.
A smile that never wavered along the slum dwellers or through the dignitaries | Source: You & I
Her life was a slide ranging from a diplomatic hostess for the likes of President Mitter as the wife of the Indian Ambassador in Paris or when Queen Elizabeth visited Hyderabad, with dexterous flair and culinary delights, to squatting with the slum children during her drive for hygiene or to understand the core issues of almost nil literacy rate, unemployment, drug addiction, etc. She has journaled her experience, which not only involved persistence to gain the dwellers’ trust but also a consistent tussle with the mafia and other powerlords, in her book O Dharavi.
Receiving Padma Shri from the President | Source: You & I
Today, the tourists who throng Dharavi do not go to witness the squalor of the slums. They visit to admire the very source of the largest economy of Maharashtra, generated from the 99 per cent of the hygienic houses that own some kind of home industry, may it be food, crafts, or hundreds of other options in the legitimate market. Her selfless strife to accomplish her solutions to the innate problems of the slums and not just hear them and forget once out of sight won her the much-deserving Padma Shri in 2008.
Cover pages of two of her books | Source: Penguin, Amazon
Mere words fail to encompass the versatility of Bilkees, as a seamstress of her enigmatic chiffon sarees with Banarasi borders. She was an exceptional artist, attested through one of her works, which was an 8-foot mural exhibited in Osaka, at the Japan Aero Exposition. Her elegance mirrored in her words as an author to her culinary skills and deep insight into the Deccan culture capsuled into “Essential of Andhra cookbook” apart from her other books like The Fragrance of Forgotten Years. She was the Founder member, Board member, President, and Trustee of many organisations like INTACT, the Indian Council for Child Welfare, Anjuman-e-Khawateen, the Board of Air India, and many others. She was the lamp of the literacy drive for children and had helped open 107 Bal Bhavans affiliated with the National Bal Bhavan as the Chairperson and Children’s Museum that organised creative activities for children all over India.
Just like her active life, she faced cancer in her painful last years with equal courage, poise, and humility, before she passed away in October 2017. Some people achieve so much and touch so many hearts that it becomes impossible to encapsulate their lives in just a few lines. Bilkees was one of them, her lifespan must have ended at eighty-six, but her legacy will be carried on, in each breath of Dharavi who are reaping the valorous efforts of her compassion, and in the memories of each of those whose lives she touched, one way or the other. She left behind two sons and a daughter.
Her lovely family of ‘hum do hamare teen’ | Source: You & I
Bilkees Latif was a woman who amalgamated an unaffected natural charm, grit, down-to-earth versatility, and kindness, into such a perfect blend, that it is seldom found in aristocracy. The words from her own pen in her book seem to resonate with the prayers of all those hearts she had touched with her kindness – “Keep her happy wherever she is, please.”
source: http://www.thisday.app / Home / by Waheeda Bi Khan
