Bollywood superstar Shah Rukh Khan has become the only Indian to be named in an international list of 50 greatest actors of all time by a prominent British magazine.
The 57-year-old actor is included in Empire magazine’s list which also recognises Hollywood giants like Denzel Washington, Tom Hanks, Anthony Marlon Brando, Meryl Streep, Jack Nicholson and many others.
In the accompanying short profile, the magazine said Khan has a career that has now spanned four decades of “near unbroken hits, and a fanbase of pretty much billions”.
“You don’t do that without outrageous amounts of charisma and absolute mastery of your craft. Comfortable in almost every genre going, there’s pretty much nothing he can’t do,” it added.
From his extensive filmography, the publication highlighted Khan’s notable characters from four movies — Sanjay Leela Bhansali-directed “Devdas”, Karan Johar’s “My Name Is Khan” and “Kuch Kuch Hota Hai”, and “Swades”, directed by Ashutosh Gowarikar.
His dialogue from the 2012 movie “Jab Tak Hai Jaan” — “Zindagi toh har roz jaan leti hai… Bomb toh sirf ek baar lega” (Every day life kills us a little. A bomb will kill you only once) — has been recognised as the “iconic line” of his career.
“Jab Tak Hai Jaan” was filmmaker Yash Chopra’s swansong and featured Khan as an Indian Army Major named Samar Anand. The film also starred Katrina Kaif and Anushka Sharma.
The actor will be next seen in the actioner “Pathaan”, set to be released worldwide on January 25, 2023. Directed by Siddharth Anand, the movie also stars John Abraham and Deepika Padukone.
Khan will also star in two more movies — action-entertainer “Jawan” with filmmaker Atlee and the Rajkumar Hirani-directed “Dunki”.
“Jawan”, a pan-India project, is set to come out on June 2, 2023, while “Dunki”, also starring Taapsee Pannu, will release in December 2023.
source: http://www.varthabharati.in / Vartha Bharati / Home /December 20th, 2022
Indiana Hospital & Heart Institute, in yet another milestone, performed a minimally invasive procedure using a transcatheter technique on a Kenyan patient who was advised redo bypass surgery where she was first treated.
A 65-year-old lady from Kenya who had mitral valve disease had undergone bypass surgery and the valve was replaced in 2014 at a hospital in Ahmedabad. After a gap of 8 years, she had degeneration of the valve; in other words, the artificial valve started malfunctioning which resulted in heart failure. This condition was further worsened with respiratory issues and pulmonary hyper-tensions. When she came back to the same hospital in Ahmedabad, they advised to change the valve again, meaning repeating the surgery which was a risky affair.
The patient party came to know of Indiana Hospital and consulted Dr Yusuf Kumble who advised an alternative option of not undergoing any bypass surgery. He suggested that the valve can be changed without removing the old valve through an interventional technique and was very challenging. The entire procedure was completed within one hour successfully. “Valve in valve technique is one of the rare situations where the mitral valve is replaced without opening the heart. It is called trans catheter mitral valve replacement,” said Dr Yusuf Kumble cardiologist and managing director, Indiana Hospital.
Dr Yusuf Kumble and his doctors in Indiana Hospital did a fantastic job in one hour time. The patient was mobilized within 8 hours and was able to move out of ICU in 24 hours. The patient is ready for discharge after 5 days of hospitalisation.
It may be recalled that for the first time, TMVR was done in 2019 in Karnataka at Indiana Hospital, Karnataka. TMVR, also known as transcatheter mitral valve replacement, is a relatively recent technique of replacing the mitral valve in the heart without the need for conventional open-heart surgery.
Dr Apoorva S, medical director, Dr Ali Kumble, chairman, Indiana Hospital, and Dr Sandhya Rani was also present.
source: http://www.daijiworld.com / Daijiworld.com / Home> Top Stories / by Media Release / January 10th, 2023
The Jammu & Kashmir Mountain Biking Association (JKMBA) Sunday felicitated cyclists Aabid Rashid Bhat and Nazir Ahmad Wani, members of JK Mountain Biking Association for successfully completing the Mountain Terrain Biking Expedition here at Nigeen.
The duo were felicitated for covering 440km distance, right from Srinagar to Leh while passing Fotu La and Namikla with an altitude of 14000ft in the said expedition.
Cyclists Bhat and Wani started their cycling journey on August 13 and finished the three days Srinagar-Leh Mountain biking expeditions by reaching Leh on 15 August earlier this year.
Aabid Rashid Bhat 45 hails from Malbagh, Naseem Bagh area in Srinagar city, Nazir Ahmad Wani 50 hails from Dana Mazar Safa Kadal in Srinagar.
In the “Felicitation Ceremony”, Rouf Tramboo President, Adventure Tour Operators of Kashmir (ATOK), and Er. Mushtaq Ahmad Wani gave away the mementos and prizes to the Riders at Nigeen.
Riyaz Wani, President of JKMBA told Rising Kashmir that a brief discussion was also held on the occasion for the development of mountain Terrain biking, the introduction of new MTB routes, and conducting a few more long-distance mountain biking expeditions in the valley.
Secretary JKMBA, Asif Bhat, informed on the occasion about previous MTB expeditions done Umer Nabi and Riyaz Wani Srinagar to Leh in year 2014, and Er. Mushtaq Wani, Er. Kaiser Abdullala, A R Bhat, and Jolley Jaleed completed Srinagar to Jammu in 2022.
On the occasion, Aabid, one of the riders shared all his experiences during the 440km long mountain biking expedition while as Nazir Ahmad Wani thanked the management of JK Mountain Biking Association for their support during the expedition and felicitations to both of them.
Secretary JKMBA, Asif Bhat, President JKMBA, Riyaz Wani, Zahid Iqbal, Yasir Makhdoomi, Dr Shuja ul Basher and 30 members of JKMBA were also present on the occasion.
source: http://www.risingkashmir.com / Rising Kashmir / Home / August 23rd, 2022
Majlis e Islah wa Tanzeem on Thursday held a panel discussion to mark the 74th Republic Day on the topic understanding Constitution of India and our fundamental rights.
The event was held at the Rabita Hall here in Bhatkal.
Academician and lawyer Yaseen Mohtesham, Advocate Imran Lanka, senior journalist Syed Salik Barmavar, and Prof Sahil Mujavar participated as the panelists while former Majlis e Islah wa Tanzeem General Secretary Dr. Haneef Shabab moderated the event.
Several aspects of Indian Constitution and the current scenario of the country were discussed during the panel discussion.
Prior to the event, Jamat-e-Islami Hind Karnataka Secretary, Akbar Ali addressed the event and shed lights on the values and principles of Constitution of India.
Majlis-e-Islah wa Tanzeem President Inayathullah Shabandri, General Secretary Abdul Raqeeb MJ, prominent NRI businessman Yunus Kazia, senior journalist Aftab Kola, and others were also present during the event.
The event concluded with a quiz program compiled by Aftab Kola on Constitution of India.
source: http://www.english.varhabharati.in / Vartha Bharati / Home / January 27th, 2023
Mohammed Siraj has become the new world number one bowler in the ICC ODI Rankings. The Indian fast bowler replaced New Zealand’s Trent Boult at the top of the bowling charts thanks to his impressive performances in the 50-over format.
As far as Mohammed Siraj’s recent performances in ODI cricket are concerned, the right-arm fast bowler bagged 24 wickets in 15 matches last year. In 2023 so far, he has played five matches, scalping 14 wickets, including two four-wicket hauls. The 28-year-old achieved his best bowling figures of 4/32 in the third ODI against Sri Lanka on January 15.
Mohammed Siraj climbed to the third position in the rankings last week. He has now jumped ahead of Josh Hazlewood and Trent Boult to secure the top spot with 729 rating points to his name.
Trent Boult, who does not play ODI cricket these days for New Zealand, has slipped to the third spot with 708 rating points. Australia’s Josh Hazlewood is second in the rankings with 727 rating points.
The gap between Siraj and Hazlewood is of two points only. Interestingly, the two players will face off in the upcoming Border-Gavaskar Trophy and then play together for the Royal Challengers Bangalore in IPL 2023.
Mohammed Siraj was not the only Indian to gain big in ICC ODI rankings
Meanwhile, Shubman Gill has replaced Virat Kohli as the highest-ranked Indian batter in the ICC ODI Rankings. The young Indian opener aggregated 360 runs in three matches of the recently concluded series against New Zealand.
Gill now has 734 rating points to his name. He has moved from eighth to sixth position, overtaking Virat Kohli (727 rating points) and Steve Smith (719 rating points).
Indian captain Rohit Sharma has returned to the top 10 as well after scoring a ton against the Blackcaps. He is currently ninth with 719 rating points.
source: http://www.sportskeeda.com / SportsKeeda / Home> Cricket / by Vinay Chhabria / January 25th, 2023
The Awami Idara, rooted in a working-class Muslim neighbourhood, connects the long history of Southasian Muslim labour activism to political movements and events across Mumbai, Southasia and beyond.
Upon entering the Awami Idara (People’s Institution) library in the summer of 2022, I first met the older members of the library peering over their newspapers. Having visited many other Urdu libraries dotted across India, I did not find the welcoming elderly newspaper readers surprising. More unusual, however, was a small but imposing bust of Vladimir Lenin perched above them all, and a hammer and sickle. The iconography reflected the library’s Marxist leanings, and its historical connections with the Soviet Union and transregional leftist movements. This history sharply distinguishes what is by reputation Mumbai’s largest Urdu library from many other Urdu collections in India.
Indeed, the distinctive mission and history of the Awami Idara are apparent from the moment one enters the library. Open from 6 to 10 pm, the library’s hours reflect its historically intended audience – labourers who worked at mills and factories during the day and read and gathered in the evenings. The library is located near the centre of a residential, working-class Muslim neighbourhood in Mominpura, Mumbai. Founded in 1952, it is surrounded by both homes and small-scale mills and factories, and seems designed not to impress visitors but to provide a welcoming, convivial space for local readers. While many readers visit the library to read newspapers or socialise, the walls are lined with thousands of Urdu books which, according to the library’s internal catalogue, are shelved in a strict numerical fashion and bound in uniform yellow covers.
In recent years, several newspaper and media reports have celebrated the unique and unusual nature of the Awami Idara, particularly the fact that a leftist library aimed at Muslim mill workers continues to survive and adapt in an era where right-wing Hindu nationalism flourishes. Others focus on the shifting religious ideologies evident in the surrounding neighbourhood, expressing surprise at the lack of conflict between Muslim movements claiming religious orthodoxy – most notably local proponents of the Ahl-i Hadith movement – and the left-leaning library. The fact that the largest and oldest Urdu library in Mumbai is a leftist organisation that once boasted strong ties with the USSR does sometimes seem incongruous in today’s political environment.
The Awami Idara is part of a long history of Southasian Muslim labour activism and an often-overlooked Indian Muslim left, rooted in the mills and factories of cities like Mumbai. The yellow-bound volumes lining the walls of the library hold wider histories, connecting the mill worker-readers of the Awami Idara to both local and transregional histories of the left.
Working-class readers
The Awami Idara and its collections force us to question our assumptions about how Muslim workers conceptualised their communities, neighborhoods and social and political connections. As the historian Arun Kumar argues, labourers’ efforts to avail themselves of night libraries – like the Awami Idara – and night schools in urban India from the early twentieth century more broadly belie our assumptions about labourers’ presumed illiteracy and lack of interest in education.
Many of the materials held by the Awami Idara – particularly those collected by the library in its early years, in the 1950s and 1960s – address readers as labourers, emphasising a reader’s identity as a mazdoor (worker). During my visits in May and June 2022, among the first texts to catch my eye was a volume titled Mashīn aur mazdoor (The machine and the worker). First published in 1941, and updated in 1946, it reflects regional debates about the role of the working class in the years immediately preceding independence and Partition, and its presence in the Awami Idara suggests the continued relevance of these debates in the post-Partition India of the 1950s.
” Founded in 1952, it is surrounded by both homes and small-scale mills and factories, and seems designed not to impress visitors but to provide a welcoming, convivial space for local readers.“
Published in Lahore, Mashīn aur mazdoor was authored by Abdul Bari Alig, often remembered today as an early mentor and teacher of Saadat Hasan Manto, and about whom Manto authored a notable biographical sketch. Bari was also the proprietor of several leftist newspapers in Punjab, and his writing ranged from a biography of Karl Marx and translation of his works to a history of Islamic civilisation and a treatise on the French Revolution, as well as a 450-page account of the rise of the British East India Company.
In Mashīn aur mazdoor, Bari suggests that workers might engage with “changing means of production” wrought by the industrial revolution and the rise of machines to shift the “distribution of power and ownership.” The text also highlights the contribution of Indian labour movements to the freedom struggle, and imagines new roles for Indian workers in the wake of British control. Bari maintaines that “socialism and communism are gaining ground in the political debates of India today. The working class of India is realising its political and economic importance.” For readers at the Awami Idara, the text suggests that labourers shaped the Indian past, and calls on them to exert political influence in a post-colonial, industrial and independent state.
The Awami Idara in historical context
Like many texts held in the Awami Idara, Bari’s Mashīn aur mazdoor suggested that Indian labourers sought to understand their own positionality in regional economic and political events and movements. Far from being illiterate or uneducated about their economic and social experiences, readers at the Awami Idara likely found, within the walls of the library, written polemics and debates that they used to make sense of their own experiences as both workers and political actors.
” Across the subcontinent, readers and writers from a wide range of religious communities continued to engage with Urdu.“
As a library and physical centre of workers’ intellectual culture, the Awami Idara was unique in Mumbai, and reflected the consolidating social influence of leftist organisations in the city’s working-class neighbourhoods in the 1950s. However, at the time of its founding, it was also part of a long tradition of working-class organisation in Mominpura and neighbouring areas around Byculla – such as Madanpura, Agripada and Nagapada – that stretched back to the late nineteenth century. The construction of textile mills in these neighbourhoods in the late nineteenth century drew in migrants both from elsewhere in Mumbai and across India, with Muslim workers developing extensive settlements around Byculla.
By the 1890s, textile mill workers in Byculla and surrounding neighbourhoods succeeded in organising and regularly shutting down mills to demand better wages and working conditions. Later, in the 1920s and 1930s, communist and socialist organisations in the city sought to provide formal sites for the education of workers in the neighbourhood. For instance, in 1934, the leftist Young Workers’ League of Mumbai rented a room in Byculla to serve as a labour centre in the area.
These many years of experience with labour agitation, organisation and strikes meant that readers in the neighbourhood already possessed forms of social and political connection to movements that connected them with other workers across Southasia. Key speeches, texts and arguments likely circulated within the new labour centres, the mills themselves and the workers’ neighbourhoods, long before the establishment of the Awami Idara library. In the primarily Muslim neighbourhoods that the library now serves, these leftist speeches, texts and arguments may have even circulated through some of the same networks and communities that served to sustain Islamic religious knowledge and practice.
Language and religion in the collections
Some texts held by the Awami Idara suggest readers’ interests in Islam and comparative religion. But most mid-twentieth-century Urdu texts held in the Awami Idara are more directly concerned with readers’ class and labour identities. For instance, in Mashīn aur mazdoor, Bari does not address his readers explicitly or exclusively as Muslims, although in other works he is interested in the forms of social organisation reflected in the Islamic past.
The plurality and religious diversity of Urdu writing held at the Awami Idara is not surprising. Over the course of the early twentieth century, some religious nationalist articulations had sought to distinguish the scripts of Hindustani by religious identity – associating Hindi, written in the devanagari script, with Hindus and Urdu, written in nastaliq, with Muslims. But this simplistic imagination contradicted the realities of Southasian readerships. Across the subcontinent, readers and writers from a wide range of religious communities continued to engage with Urdu. The authors of leftist Urdu texts framed their readers primarily as members of a shared class community, responsible for contributing to their fellow workers’ economic and political uplift.
That said, most of the readers at the Awami Idara were from Muslim backgrounds, though they likely differed in their degrees of religiosity (or lack thereof). The Muslim membership of the Awami Idara reflected the surrounding neighbourhood but was also indicative of an often-overlooked demographic reality of both pre and post-Partition urban India. In many of British India’s largest cities, Muslims made up a significant percentage of the industrial working class, and in several cases they formed the majority of regional migrants recruited to industrial mills in the early twentieth century.
Social solidarities in Muslim working-class neighbourhoods
This fact has often formed the basis of academic studies of “communalism” and conflict among mill labourers and other working-class communities. Scholars have sought to understand whether religious differences spurred labour solidarity and cohesion failures in industrialised Indian cities. But these debates have often overlooked how community institutions in working-class Muslim neighbourhoods contributed to labour movements, class-based identities and localised solidarities.
Popular imaginations of neighbourhoods and communities such as Mominpura have changed significantly over time. The academic Robert Rahman Raman has argued that, in Mumbai, there has been a significant shift over the course of the twentieth century in whether neighbourhoods are popularly seen as “working class” with primarily Muslim residents or “Muslim” with primarily working-class residents. Moreover, the anthropologist Thomas Blom Hansen has noted that, beginning from the 1960s, mill work and other forms of industrial labour in these neighbourhoods were reorganised, contributing to the marginalisation of Muslim labourers from the organised industrial economy. In the wake of the 1992-93 riots in Mumbai, many Muslims who lived elsewhere fled to Muslim-majority neighbourhoods such as Mominpura to escape violence.
As a result, areas that were historically considered labouring neighbourhoods have come to be known as “Muslim ghettos,” even in cases where their economic and religious demographics have not changed significantly. Despite these shifting external understandings and processes of ghettoisation, across the twentieth and twenty-first centuries, neighbourhoods like Mominpura have continuously provided a space for Muslim labourers to build local communities and debate their engagement with the broader political world.
Bringing the world to Mominpura
The Awami Idara also provided a space for members of these communities to debate and build an understanding of how their own experiences as labourers fit into global workers’ movements beyond the borders of Mumbai and the newly created nation-state of India. Another text that immediately caught my eye as I paged through the library’s extensive catalogue was a collection of the journal Naya Parcham (New Flag). Nayā Parcham was an Urdu periodical published in Mumbai in the late 1940s and early 1950s, around the same time as the foundation of the library. The journal was associated with the Progressive Writers’ Movement, and compiled by the prominent Urdu writers Rajinder Singh Bedi, Vishwamitter Adil, Muhammad Haider Asad and Zamir Niazi. While it served partially as a space for publishing the works of the Progressive Writers’ Movement, Nayā Parcham also focused on explaining the principles of socialism and Marxism to Urdu readers and keeping them apprised of global leftist movements.
” Popular imaginations of neighbourhoods and communities such as Mominpura have changed significantly over time.“
Issues of Nayā Parcham were donated to the Awami Idara in the 1950s by the city’s Nawjavan Party, which maintained offices nearby in neighbouring Mandapura. Like the editors of Nayā Parcham, the local leaders of the Nawjawan Party sought to reach Mumbai’s working-class communities, and to provide them with information about global leftist and working-class struggles.
One 1949 issue of Nayā Parcham held by the Awami Idara, for instance, was devoted entirely to the 1949 Chinese Revolution, with articles as well as lessons that Indians might take from the Chinese educational system. Opening with a “salaam” to “the New China,” the issue celebrated that “today the People’s Liberation Army of China covers one-third of China’s territory and leads more than half of its population.” The issue featured three Urdu translations of Chinese poems in praise of the revolution. This emphasis on global revolutionary poetry reflected efforts to reach Urdu readers – and potentially listeners – through literary language highlighting shared social and emotional experiences and desires.
A poem titled Chīn kī bahār (China’s Spring), pronounced:
“China’s spring is being rejuvenated on the battlefield
And this battlefield is uniting the entire world.”
Poems and articles celebrating the global success of leftist movements encouraged readers at the Awami Idara to understand their struggles as not bound by their neighbourhood, city or nation, but as part of a ‘battlefield uniting the entire world.’ The special issue on the Chinese Revolution reflected the global and transregional outlook of the publication and its intended readers. The experiences of the left across Southasia were of particular interest for Nayā Parcham. Published in the wake of Partition, the magazine especially focused on uniting the left across the newly created border.
It featured, for instance, regular dispatches and notes from Pakistan, addressing Indian readers as Southasian comrades, as shared participants in a class struggle that continued to unite readers across the newly established border. In June 1949, it included a letter from Ahmad Nadeem Qasmi, the secretary-general of the Progressive Writers’ Movement for Pakistan, who gained renown for his literary contributions over the subsequent decades. He addressed his article to “Friends! Comrades! And companions!” across the border.
” The Awami Idara also provided a space for members of these communities to debate and build an understanding of how their own experiences as labourers fit into global workers’ movements beyond the borders of Mumbai and the newly created nation-state of India. “
The letter was aimed in part at members of the Progressive Writers’ Movement in India, seeking to ensure continued exchange between the two wings of the movement, now divided by a border. But it also reflected Qasmi’s hopes for “lovers of progress” and leftist movements across the subcontinent, including workers’ movements. He admonished his readers not to forget the shared “yoke of colonialism” that had oppressed the subcontinent. Indeed, he argued that imperial influence, in the form of European capitalism, continued to contribute to the “suffering of all of our pride, our honour, our freedom.” Even across the border, he suggested, the struggle for progress could continue to unite the residents of the two new nations.
Texts like the Nayā Parcham provided working-class Muslim readers in Mumbai – who engaged with these writings throughout the 1950s and even later – connection to larger communities and struggles. They suggested that fights for progress and the rights of workers were not divided by borders within Southasia or beyond it or limited to specific urban localities. By collecting and making these texts accessible, the Awami Idara encouraged readers in Mominpura to participate in workers’ movements that would contribute not only to their own uplift, but also to shared Southasian and global progress.
Plural interests
Not all the materials held in the Awami Idara offer an explicitly leftist point of view or focus primarily on the experiences and political aims of the working class. On the contrary, the library’s early collections suggest that mid-twentieth century Muslim mill workers possessed many interests. In addition to finding magazines, books and newspapers that situated them within global working-class struggles, mill workers also used the library to read everything from novels to travelogues, religious treatises to poetry collections. While the founders and supporters of the library aimed to educate mill workers through leftist publications, they also recognised the demand for a wide range of literature among Mumbai’s working-class Muslim readers.
Published in the wake of Partition, Nayā Parcham especially focused on uniting the left across the newly created border.
Other materials also focused on the needs and interests of labourers, but from a technological perspective rather than an economic-political perspective. Indeed, I was first drawn to the library through my efforts to trace the development of Urdu-language technical manuals and treatises, in trades ranging from papermaking to metal plating. The library boasts several such manuals, reflecting the efforts of workers to expand their knowledge of their trades and perhaps move up in factory or workshop hierarchies. Whether or not texts were aimed primarily at workers, throughout the second half of the twentieth century the library collected printed Urdu materials from across India and Pakistan. In doing so, it built an eclectic collection that also tied its Mumbai neighbourhood to trans-Southasian worlds of Urdu literature and writing.
The Awami Idara and its collections offer an important reminder that people – including working-class people – hold multiple political, social and religious identities simultaneously. The books and journals held at the library demonstrate that Muslim labourers in Mumbai were aware of Southasian and broader global political currents, and sought to understand their place within them. While rooted in a highly local space – a unique library and its walls of bound volumes in Mominpura – the Awami Idara provided a space for Mumbai’s Muslim labourers to consider their connections and commitments to political movements and events across Mumbai, Southasia and beyond.
source: http://www.himalmag.com / Himal, South Asian / Home> Culture> Essay> India / by Amanda Lanzillo / January 09th, 2023
President Dr Mohammed Ifraan Ali receiving the Pravasi Bharatiya Samman Award from Indian President Droupadi Murmu.
Guyanese President Dr Mohamed Irfaan Ali was conferred today with the Pravasi Bharatiya Samman Award (PBSA).
The award is India’s highest honour for members of the Indian diaspora.
Indian President Droupadi Murmu presented Ali with the award at a special ceremony in Indore, India
Ali, Trinidadian judge, Justice Frank Arthur Seepersad and Suriname’s Dr Dewanchandrebhose Sharman are the three Caribbean nationals of Indian origin, who were presented with the PBSA this year.
‘All That Breathes’ a Documentary feature film based on the lives of two brothers Mohammad Saud and Nadeem Shehzad of Delhi, who work out of their derelict basement in Delhi’s Wazirabad, to rescue and treat injured birds, especially the black kites, has made it to the Oscar nominations list.
‘All That Breathes’ made by Shaunak Sen has been nominated in the ‘Documentary Feature Film’ category against ‘All the Beauty and the Bloodshed’, ‘Fire Of Love,’ ‘A House made of Splinters,’ and ‘Navalny’.
Besides, the most- predicted and the much-celebrated music of ‘RRR’ also made it to the Oscars race. The magnum opus film’s energy-packed track ‘Naatu Naatu’ made it to the nominations this year in the ‘Original Song’ category.
After the Oscar nominations were announced, every Indian’s heart was pumped with pride and joy as we secured three nominations this year.
This lyrical composition of ‘Naatu Naatu’ by MM Keeravani, high energy rendition by singers Rahul Sipligunj and Kaala Bhairava, unique choreography by Prem Rakshith, and lyrics by Chandrabose are all the elements that make this ‘RRR’ mass anthem a perfect dance craze.
The song is competing against ‘Applause’ from the film ‘Tell It Like A Woman,’ ‘Hold My Hand’ from the movie ‘Top Gun: Maverick,’ ‘Lift me Up’ from ‘Black Panther: Wakanda Forever,’ and ‘This Is Life,’ from ‘Everything, Everywhere All At Once’.
Adding to the Indian list of nominations for Oscars 2023 is Kartiki Gonsalves’ ‘The Elephant Whisperers.”
‘The Elephant Whisperers’ has been nominated in the ‘Documentary Short Film Category’ against ‘Haul Out,’ ‘How Do You Measure A Year?’ ‘The Martha Mitchell Effect,’ and ‘Stranger At The Gate’.
The film’s plot revolves around a family who adopts two orphan baby elephants in Tamil Nadu’s Mudumalai Tiger Reserve.
The Oscars are going to be held on March 13 and while the wait is going to be quite a long one from now, the nominations have sure lifted the spirits of not just the crew and cast of the films mentioned above, but also of everyone who hopes to see an Indian movie bagging the prestigious award.
source: http://www.awazthevoice.in / Awaz, The Voice / Home / posted by Aasha Khosa, ATV / January 25th, 2023
Does it ring a bell? Yes. Film buffs couldn’t forget this line from Kalicharan. Spoken in a cool and collected manner some four decades ago, it still has a chilling effect.
How about this one: Kutta jab pagal ho jaata hai toh use goli mar dete hain. Apni umar se badkhar baatein nahi karte. Shakaal jab baazi khelta hai .. toh jitne patte uske haath mein hote hain utne hi uki aasteen mein.
The soft-spoken villain, Ajit Khan, who delivered these memorable lines, turns 101 today. To mark his birth centenary celebrations, his family is launching his biography in Urdu and Hindi languages on Friday evening. The book, authored by Iqbal Rizi, is appropriately titled – Ajit the lion.
Born Hamid Ali Khan, he took the screen name, Ajit Khan, when he ran away from his house in Hyderabad and landed in Mumbai. Though he acted in over 200 films, he came into the limelight when he turned a baddie. The polished suited booted look he sported coupled with his unique dialogue delivery, deadpan expression and mannerism made him a superstar in his own way.
Ajit did support roles in scores of films like Shah-e-Misr, Hatimtai, Sone ki Chidiya but mostly went unnoticed. However, when he chose to do an image makeover and turned baddy cine-goersoers started taking note of him. Ajit brought a rare freshness to the portrayal of negative roles with his suave looks, tuxedo white suites, polka-dotted ties and brylecreemed hair. Gone was the savage loud-mouthed villain of Bollywood. In his new avatar Ajit, as an underworld don, is seen in most of the films reclining on a chaise lounge with a buxom babe tucked into one arm. In the movie, Zanjeer, when a blood-dripping Amitabh Bachchan confronts him after getting out of prison, the don, Teja, reacts very casually sipping his drink. Unfazed he drawls “Hayllo”.
That was Ajit at his suavest best. His career skyrocketed in 70s and 80s with blockbusters like Zanjeer, Yaadon ki Barat, Kalicharan, Jugnu, Patthar aur Paayal. His typical one-liners like Mona Darling, Lilly don’t be silly, and Loin are a rage even now.
More than his dialogue the ‘Ajit jokes’ have added to the legend. Names such as Mona, Peter, Michael and Raabert (Robert) came into common parlance. Some of the famous jokes are: Robert: Boss, Tony to bhaag gaya hai Mona ke saath. Ajit smirks: Raabert, my bway, Mona kaise bhaag sakti hai. Uske kapde to mere pass haiN. Ajit: Raabert iss ko liquid oxygen mein daal do, Liquid isse jeeney nahi deygi aur oxygen isse marne nahin degi.
Interestingly, Ajit himself was unaware about these jokes. He didn’t know who invented them. But they gained currency and spread like wildfire since they have a sharp wit. From a C-grade hero to a polished villain, Ajit’s career turned a full circle when he sported a suave and westernised image. People liked this suited and booted baddie who never loses his cool even in most trying times.
The 221-page biography traces the early days of Ajit in Golconda, Hyderabad, his school life and his struggles in the film industry when he landed in Mumbai and little-known things about his real life. The book makes an interesting read, especially for the ‘lion’ fans. The book priced Rs. 230 is scheduled to be released in the Western Block of Salar Jung Museum at 4.30 pm on Friday. Siasat Managing Editor, Zaheeruddin Ali Khan, MANUU Vice-Chancellor, Syed Ainul Hasan, Nawab Ehteram Ali Khan, Board Member, Dr. A. Nagender Reddy, Director, Salar Jung Museum, and Ajit family members will grace the occasion.
source: http://www.siasat.com / The Siasat Daily / Home> Featured News / by J S Ifthekhar / January 26th, 2023
Ever since the death of Prince Mukarram Jah on 14th January 2023, who was considered the last and titular Nizam, Hyderabad’s Nizams, the rulers of the Asaf Jahi dynasty are in the news on every tabloid, newspaper and news channel. A lot is being debated about the Nizams from their lineage to titles to connections to inheritance.
Let us understand their lineage and the use of the title Nizam-ul-Mulk Asaf Jah. Basing my views on Henry George Briggs book The Nizam: His History and Relations with the British Empire published in 1861 and Roper Lethbridge’s book The Golden Book of India: A Genealogical and Biographical Dictionary of the Ruling Princes, Chiefs, Nobles, and Other Personages, Titled or Decorated, of the Indian Empire, with an appendix for Ceylon, published in 1893, when we look at the remote ancestry of the Nizams, their lineage is traced to two lines of descent.
The first line of descent is from Shaikh Shah Abudin Suharwardi, a lineal descendent of Caliph Abu Bakr, the father-in-law, of Prophet Muhammad. Shaikh Shah Abudin Suharwardi who lived in Persia was a contemporary of the Persian poet Sadi and finds reference in his thirteenth century poetic composition, Bostan, as his murshad or spiritual guide. It is believed that some of the immediate descendants of the shaikh settled in Turkey and also some of them travelled to Samarqand, and became ulema there. The popular ulema from this line were Khwaja Ismail, his son Khwaja Abid who later on was designated as Qazi and Shaikh-ul-Islam.
The second lineage of the Nizams of Hyderabad’s ancestry is traced to the family of Tartars and claim descent from Bahauddin who was the founder of the Naqshbandi Sufi silsilah. Most Naqshbandis prefix the word Khwaja to their names to imply an honourable position of a learned person. Bahauddin was a contemporary of the Turko-Mongol conqueror Timur and his descendent was Khwaja Abid who was the first from the family to visit India. He travelled from Samarqand to Delhi during Mughal emperor Shah Jahan’s reign. Whichever lineage is looked at, we see that Khwaja Abid ultimately travelled to India.
Khwaja Abid was given the title of Sadr-us-Sadr by the Mughal emperor Aurangzeb for his services rendered and was also made the Subedar of Multan. Soon, he was awarded more titles of Azeem Khan and Qillich Khan. Qillich also spelt as Kulij or Qulij in Turkish and Qillich in Persian denoted shamsher, a sword in both languages. Qillich Khan also led campaigns into Bijapur and Golconda during which he was injured badly on his right arm and eventually after battling for his life, he died. He was well-known for his military exploits and was buried at Attapur near Hyderabad in 1686.
Qillich Khan left behind a son, Mir Shahabuddin, born in 1644, who was also later employed by the Mughals. Like his father, he too exhibited exceptional bravery and was awarded by Aurangzeb with the title of Ghaziuddin as he was one of the greatest of the generals of Aurangzeb. For his military and administrative services rendered in the Deccan, he received another title Feroz Jung and Aurangzeb even referred to him as Ghaziuddin Bahadur Feroz Jung Farzand Arjumand meaning dear son.
When Aurangzeb died in 1707, Ghaziuddin was the subedar of Berar and Elichpur. The next Mughal successor, Bahadur Shah, made him the Subedar of Gujarat before the latter died in 1711. Ghaziuddin had married the daughter of Saadaullah Khan, a minister of Shah Jahan, in Delhi and a son had been born to them in 1671 who was named Mir Qamaruddin who came to be known in Deccan’s history as Asaf Jah I.
In 1699, Mir Qamaruddin had received the title of Chin Qilich Khan commanding the imperial troops at Bagul Kota.
He then became Faujdar of the Carnatak at Bijapur and also the Subedar of Bijapur. He was given one of Aurangzeb’s own horses on the battle field in one of the campaigns he led in the Deccan. He remained loyal to Prince Azam but eventually differences arose and they went separate ways. But under Bahadur Shah, he was again invited to the Mughal court and was conferred the Subedari of Oudh and Faujdari of Lucknow with the title Khan-e-Dowran, but soon he was disgusted with the politics at the court and retired by relinquishing all his appointments he was holding under the Mughals.
Next, when Farrukh Siyyar started contesting for the Mughal throne, Chin Qilich Khan was roped in once again and he started to fight on the side of Farrukh Siyyar. He was rewarded in 1713 by Farrukh Siyyar with the title of Nizam-ul-Mulk Asaf Jah and Viceroy of the Imperial Dominions in the Deccan and as Faujdar of Carnatak. He continued to fight against the Marathas for the Mughals. There were a series of rapid developments and conflict with the Syed brothers who had emerged as the king makers to the Mughal throne. This finally led to his independently laying the foundation of his own administration in the Deccan with the battle of Shaker Kheda near Aurangabad in 1724.
Asaf Jah had won battles east, west, north and south, dealt effectively with the kingmaker Syed brothers and successfully established his authority over a vast region that came to be called the Asaf Jahi or Asafiya state.
The title of Asaf Jah was named after the rank of Asaf who was supposed to be a minister of Solomon, the Hebrew king. The title of Asaf was not new; the Mughals had used it many a time earlier. The name Asaf was conferred in Mughal India on Nurjahan’s brother and Mumtaz Mahal’s father and in other instances. It was but natural that the Mughal titles were retained by the nobles of the Deccan. These titles were conferred in ascending order of Jung, Daula, Mulk, Umara or Jah. The British equivalent of Jah or Umara was the English Dukes and Marquesses, Mulk was equivalent to Earl, Daula was equivalent to Viscount, and Jung was like a baron. All the successors of the Nizams have the word Jah appended to their name. The only officer or Prime Minister on whom the title of Jah was conferred was Arastu Jah.
Until the Nizams started ruling independently of the Mughals in the Deccan, they were known as Subedars of the Deccan showing their allegiance to higher authority in Delhi. While the British referred to them out of respect as Nawabs of Hyderabad or Bundagan-e-alee meaning slaves of the highest rank.
Professor Salma Ahmed Farooqui is Director at the H.K.Sherwani Centre for Deccan Studies, Maulana Azad National Urdu University, Hyderabad.
source: http://www.siasat.com / The Siasat Daily / Home> Featured News / by Salma Ahmed Farooqui / January 23rd, 2023