India Fraternity Forum is organizing an annual “Fraternity Fest” to bring together non-resident Indians through a socio-cultural program on October 20.
The poster launch of “Snehakoota-22″ event was held in Riyadh. A family reunion and expatriates get-together event named Fraternity Fest is being held by India fraternity forum across Saudi Arabia.
Whilst releasing the poster of the event, Tajuddin, president of India Fraternity Forum, Karnataka chapter, Riyadh, invited all NRIs to participate in the event.
Various cultural and social events will be held at the get-together on October 20 at Sa-Ada Istirah in Exit-18, Riyadh. The colorful event will feature different activities like public speaking, sports, quiz, public awareness programs etc.
India Fraternity Forum, Riyadh Karnataka chapter general secretary Muhammed Naveed, state committee members Sabith Hassan, Muhammed Shareef and Nizamuddin were present at the press meet.
source: http://www.daijiworld.com / Daijiworld.com / Home> Middle East / by Media Release / Riyadh, September 18th, 2022
Women are the largest untapped reservoir of talent in the world. There is no limit to what they can accomplish. Now, one can learn all about the achievements of Muslim women at a two-day exhibition being organised at the Salar Jung Museum on October 1 and 2 by the Intellectual Learning Methodologies (ILM) Foundation in association with the Shaheen Group of Educational Institutions, Islah and Asli Talbina.
Maulana Khalid Saifullah Rahmani, general secretary, All India Muslim Personal Law Board, will inaugurate the exhibition which showcases the achievements of 40 women in different fields. Details of their accomplishment will be explained through posters, said Dr Lateef of ILM Foundation.
The main objective of holding the exhibition is to inform the common man about the achievements of women, particularly Muslim women.
A study of early Islamic history showed that women enjoyed the freedom of movement and took an active part in all walks of life. They excelled as rulers, warriors, nurses, scholars, jurists, teachers, traders and companions of the Prophet (Sahabiat).
In fact, they defined success on their own terms and proved that they are the real architects of society. When he started working on the subject some one-and-half years ago, Dr Lateef said, he stumbled upon the names of at least 10,000 women who had made immense contributions in their chosen field of activity.
These details he accessed through four books. They are Al Muhaddthat written by Oxford scholar of Indian origin, Dr Akram Nadvi, Muslim Women Biography Dictionary of Aisha Bewley, Great Women of Islam written by Mehmood Ahmed Ghazanfar and Achievements of Muslim Women in Religious and Scholarly Field by Maulana Qazi Athar Mubarakpuri.
Some of the well-known names whose exploits and achievements are being showcased include Hazrath Aisha, wife of the Prophet Muhammed, who made an enormous contribution to the cause of Islam through her intelligence and scholarship. Besides being an important narrator of Prophetic traditions (Hadith), she proved to be more learned than many men of her period.
Many male companions of the Prophet used to approach her for clarification of Hadith. Similarly, Hazrath Zainab, daughter of Hazrath Ali, was also a great scholar. Eminent Islamic scholar, Ibn Hajar, is stated to have studied under 53 women while Al Suyuti is under 33 women. All this is history now. Other prominent women are Queen Zubaida, Princess Razia Sultana, Durru Shehvar, and Princess Niloufer.
These women could leave their indelible marks as Muslim society gave them their fundamental rights to education and self-development.
“Lives of early Muslim women represent exemplary models, transcending time and boundaries. And they are a great source of inspiration,” Lateef said.
Organisers plan to take the exhibition to other parts of the country after Hyderabad. The exhibition on the inspiring women achievers is the result of the hard work put in by two talented girls -Juveria Sabir and Zoha Ansari. The latter is working at Edventure Park, a start-up incubator.
The two-day exhibition is being held in the eastern block of the Salar Jung Museum from 11 am to 5 pm. Entry is free.
source: http://www.siasat.com / The Siasat Daily / Home> Featured News / by J S Ifthekhar / September 27th, 2022
Mumtaz Khan was India’s top scorer in the 2022 women’s junior hockey World Cup and at the FIH Hockey5s Lausanne.
Picture by Hockey India
Teenager Mumtaz Khan was named the FIH Rising Star of the Year 2021-22 in the women’s category, the international hockey federation (FIH) announced on Tuesday.
Mumtaz Khan scored eight goals, including a hat-trick against Malaysia in the group stages, as the Indian hockey team finished fourth in the 2022 women’s junior hockey World Cup in South Africa. She was India’s top scorer in the tournament and the third-highest scorer overall.
The 19-year-old Mumtaz was also the leading goal scorer for the Indian women’s hockey team that played in the FIH Hockey5s Lausanne 2022. She netted five goals in four games, including a hat-trick against hosts Switzerland.
“I cannot believe that I have won this award. It is the hard work of our entire team over the year that has paid off, and I dedicate the win to my team,” Mumtaz Khan said.
“I feel the award is a sign that the hard work that I have put over the past year on the training grounds has helped me improve a lot as a player. But this is just the beginning of my career. I wish to continue the learning process and will continue the hard work to improve upon my game.”
Mumtaz Khan won 32.9 points in the final standings for the FIH Rising Star of the Year award, edging out Belgium’s Charlotte Englebert, who finished with 29.9 points.
Mumtaz Khan is the third Indian woman to win the award after Lalremsiami in 2019 and Sharmila Devi in 2020-21. In the men’s category, Vivek Sagar Prasad has won the honour in both 2019 and 2020-21.
France’s Timothée Clément was named the FIH Rising Star of the Year 2021-22 in the men’s category.
source: http://www.olympics.com / Olympics.com / Home> English> News / by Rahul Venkat / October 04th, 2022
Former Jammu and Kashmir chief minister and National Conference vice president Omar Abdullah condemned the attack.
Wreath laying ceremony held for SPO Javaid Ahmad (Image/ANI)
Srinagar :
A policeman was killed and a CRPF personnel injured when militants attacked a security forces team in Pulwama district of Jammu and Kashmir on Sunday, police said.
The attack took place in Pinglana area of the south Kashmir district.
“Terrorists fired upon a joint Naka party of CRPF & Police at Pinglana, Pulwama. In this terror attack, 01 Police personnel got martyred & 01 CRPF personnel got injured,” Kashmir Zone Police said in a tweet.
The police said reinforcements were rushed to the area and a search operation was launched.
A police spokesman identified the slain policeman as Javid Ahmad Dar.
He said the injured CRPF personnel was evacuated to a hospital for treatment.
Senior police officers along with reinforcement reached the terror crime spot, the spokesman added.
“We pay our rich tributes to the martyr for his supreme sacrifices made in the line of duty. We standby the family of the martyr at this crucial juncture and pray for the speedy recovery of the injured personnel,” the spokesperson said.
Police has registered a case, the investigation is in progress and officers are working to establish the full circumstances of this terror crime, he said.
The area has been cordoned off and a search is going on there, he added.
Meanwhile, former Jammu and Kashmir chief minister and National Conference (NC) vice president Omar Abdullah condemned the attack.
“While condemning this attack I send my condolences to the family of the J&K police personnel who laid down his life in the line of duty today. I also send my best wishes for the speedy recovery of the injured CRPF personnel,” Abdullah wrote on Twitter.
The Peoples Conference too condemned the attack.
“We strongly condemn the militant attack upon the joint naka party of Police & CRPF at Pinglana (Pulwama) in which 1 Police personnel lost his life & 1 CRPF personnel got injured. Heartfelt condolences & sympathies with the family of the deceased and prayers for the injured,” it said in a tweet.
source: http://www.newindianexpress.com / The New Indian Express / Home> Nation / by PTI / October 02nd, 2022 / (image edited by ANI )
Thanks to the painstaking efforts of biographer Yashodhara Dalmia, Sayed Haider Raza: The Journey of an Iconic Artist gives an insight into the global phenomenon
S.H. Raza, Bombay, 1964
Imagine being born in the early 1920s in a small village in Madhya Pradesh amid the lush, inviting Kanha National Park, with quietude all around, only to reinvent the boundaries of contemporary modernist and abstract paintings.
When Yashodhara Dalmia—a renowned art historian and curator in her own right—met S.H. Raza in Paris just a few months before his passing, it was the most extraordinary day of her life for all the right reasons. Of course, she could never have envisioned writing the biography of the man; but the memories are fond and wistful. “His presence itself was so welcoming,” she recollects. “I came out spell-bound. He was strikingly informative and ever so humble.”
pix: harpercollins.co.in
Dalmia was commissioned by HarperCollins to work on Raza’s biography shortly after his passing in July 2016. Naturally, her biggest source—the man himself—was inaccessible. The only way for her to attempt near-accurate documentation of Raza was through his correspondences with other artists, interviewing his loved ones, and tracing his continent-spanning journey of more than seven decades.
Raza, Kathe Langhammer, Rudolf von Leyden (sitting front row) and Walter Langhammer, Ara (standing behind)
But it was an undertaking Dalmia had willingly signed up for. And she was in it for the long haul.
Childhood: The Only Muse
Dalmia observes that almost all of Raza’s works were informed by his childhood in India. He consciously made a point to visit the country annually, meet its burgeoning artists, and travel the interiors. “He grew up in the dense forests of Kanha. And he had more-or-less a happy childhood. Naturally, his relationship with nature which was solidified in his early years, manifested very powerfully on the canvas,” notes Dalmia. Raza channelized the concentrated beauty of Kanha through the funnel of expressionism in works like Saurashtra and Tapovan. His relationship with nature was symbiotic—he sought his creative muses in the spaces between the hushed silences of the night and the stillness of the imposing trees.
When he broke into his legendary bindu paintings it again stemmed from this very distinct memory of his childhood. “As a child, he was quite the wayward kind—easily distracted. He found it hard to concentrate on his studies. His teacher then told him to focus on a single dot and then this dot would go on to become the bindu,” Dalmia explains. Like all of his styles that later evolved—bindu advanced too. “The circle graduated into different spaces. Initially, it was solid, later it became concentric and diaphanous and then even suspended in space,” she says.
Global: Deeper Colours
Raza’s arc of global recognition was running in parallel to his own evolution as an artist. He’d started to experiment with more liberal brushstrokes and his relationship with impasto paintings became only more acute. The year 1956 had proven to be a turning point for the master in more ways than one—he was the first foreign artist to receive the prestigious Prix de la critique award. This would pave the way for his first solo exhibition because with this award he was in the august company of past winners—auteurs like Debre, Kito, and Buffet. “Even when he went to Berkeley in 1960s, he encountered a range of abstract and surreal artists,” notes Dalmia. “It’s not that he learnt anything new from them. But getting acquainted with these experimental art forms triggered the vast reserves of his childhood experiences.”
More than anything, Dalmia credits Raza’s relationship with his partner, Janine Mongillat, as being immensely influential on his liberation and artistic fulfilment.
“She was an artist too but hers was a wholly different style. And yet, the conversations Raza had with Janine deeply impacted his works. He used to look forward to those conversations as he found them intellectually stimulating on multiple levels,” says Dalmia. Mongillat’s unfortunate death due to cancer in 2002 shook Raza to the core. He was confronted with an intense longing for the woman he had deeply loved. It naturally influenced his works, the bindu became more celestial and ruminative.
S.H. Raza, Rajasthan, 1975
Pinnacle: Towards Home
Towards the last phase of his artistic career, Raza grew fonder for the home country that had taught him so much and had shaped him, creatively, to be the master that he became. The longing for his home and his deceased partner was intense. And there was no way he could have reconciled with both. “After the 70s, he became more conscious of his Indian roots. Now, he did not channelise it into abstract expressions. He even explicitly started using verses in Devanagari in his works,” observes Dalmia. For instance, in L’inconnu, he uses a line in Devanagari to convey the dichotomy between sects and identities. The local character of India then formed a bulk of his works. And he captured the verve of India in its fullest spirit. “When you see Bombay or Rajasthan the colours are vivid. With Rajasthan he brings out the searing sensations of the desert so powerfully on the canvas,” elaborates Dalmia.
S.H. Raza, L’inconnu, 1972
Mahatma Gandhi’s influence on his works cannot be understated at all. As a child when Raza first saw him with a singular lathi in his hand a simple white cloth wrapped across his body—the image seared in young Raza’s consciousness. As Dalmia notes in the biography, Raza did not follow the footsteps of his family to choose Pakistan after the partition of 1947 because he simply “couldn’t bear to leave the land of Gandhi” and even during his annual visits to India he would religiously bow before Gandhi’s samadhi in Delhi.
The Ethereal Touch
While the spiritual element in him only became more acute with each work. “Without divine intervention, paintings cannot be made,” he is quoted in the book. And the spiritual elements in his bindu paintings became perfectly attuned with the character of India on his canvas. With these multiple resonations in his works—ranging from the spiritual to the Gandhian and to the personal—for Dalmia, even writing the book and studying him was an “opening up experience” in many ways. She believes that Raza was an artist who lifted you up, he drew from life and made it bigger.
“His journey is simply astounding,” says Dalmia. “I don’t claim to have done total justice to his life because there are a lot of things only his eyes were privy to. But one thing remains unchanged: the story of a little boy who rose from the forests of Kanha to conquer the art world is nothing if not astounding.”
source: http://www.architecturaldigest.in / AD , Architectural Digest / Home> Culture / by Arman Khan / Photography by The Raza Foundation Archives / New Delhi / June 11th, 2021 / Front cover pix. edited in ..harpercollins.co.in
Parvej clocked 3:40.89 to leave Bahadur Prasad’s 1994 National Games mark of 3:43.57 behind.
Parvej Khan (568) of Services wins the men’s 1500M gold, and Ajay Kumar Saroj (731) comes second at the 36th National Games in Gandhinagar on September 30, 2022. | Photo Credit: V. V. Krishnan
Gandhinagar, Gujarat:
Parvej Khan improved upon Bahadur Prasad’s 28-year-old record to win the men’s 1500m event in the athletics arena of the National Games at the IIT campus here on Friday.
Parvej clocked 3:40.89 to leave Bahadur’s 1994 mark of 3:43.57 behind.
In the absence of Abdulla Aboobacker, Praveen Chithravel stole the limelight by setting a new Games record and winning the men’s triple jump title. The Tamil Nadu jumper leaped to 16.68m to erase Ranjith Maheshwary’s 2015 mark of 16.66m.
“After the Commonwealth Games I was not training with full intensity. But I wanted to finish well here. The presence of Eldhose Paul and Aboobacker would have pushed me,” said Praveen.
Altogether six Games records were made on the opening day of the athletics events.
Adlers Lombard Football Club. Photo: Special Arrangement
Adlers Lombard, a Keralites-run football club, will become the first of its kind to compete in an Italian soccer league on Sunday
They moved from Kerala to Italy for higher studies, work and seeking better lives. But for these soccer maniacs, there was no better life without football. Moving from a football-crazy State to a country where soccer is almost a religion, they took their game to a new level.
Come Sunday, Adlers Lombard, a Keralites-run football club in Italy, will begin its journey in the Italian football system by competing in the CSI (Centro Sportivo Italiano) Regione Bergamo, a lower-division football league competition consisting of 12 teams. The club formed in 2019 plays the 7-a-side football format. It is the first of its kind, with 15 Keralites among its 20-member roster, to play in an Italian league. The CSI Regione Bergamo season lasts 10 months.
“Before moving to Italy from Kerala, one thing we all liked doing most was playing football. We came to Italy from different parts of Kerala at different times. But football has brought us together. After launching Adlers Lombard (Eagles from Lombardy), the team initially participated in some local tournaments. In the last 12 months or so, we have won five tournaments organised by the Kerala European Football Federation in Italy and Germany. The victories prompted the team management to register the club with the CSI and participate in the league,” says club vice-captain Mohammed Naseef C.P. who hails from Malappuram and works as a teacher in Italy. According to him, Adlers Lombard is the first ‘Indian Club’ to compete in an Italian football league.
The team is captained by Muhammed Abir P.T., also from Malappuram. The rest of the Keralite players are from Thrissur, Ernakulam, Thiruvananthapuram and so on. Two other Indians and a couple of Italian players are part of the team.
The club has spent around €20,000 (approximately ₹15.84 lakhs) to prepare the team for competing in the league. They raised the money through sponsorships from several funders including an Italy-based automobile giant.
For Adlers Lombard, competing in CSI Regione Bergamo is just a start. “We are currently plying our trade in a lower division. But we are ambitious and have a long-term goal. Our aim is to play professional football in Italy in Serie D, Serie C, Serie B and Serie A and compete against top teams like Juventus, AC Milan and Inter Milan. We hope to recruit Indian players and provide them with a chance to play in the Italian league. It will help the growth of football in India,” says Smento Joseph, president, Adlers Lombard who hails from Angamaly in Kerala.
source: http://www.thehindu.com / The Hindu / Home> News> India> Kerala / by Sam Paul A / September 30th, 2022
In the under-10 category, India’s Hanya Shah took the eighth spot with 7.5 points while compatriots Aadya Ranganath (7 points) and V Tirupurambika (7 points) finished 14th and 19th respectively.
Shubhi Gupta, Charvi A and Safin Safarullakhan after medal ceremony. ( Source : All India Chess federation / Twitter )
Batumi, Georgia:
India’s Shubi Gupta and A Charvi emerged winners in the girls under-12 and under-8 sections respectively in the FIDE World Cadets Chess Championship .
Shubhi Gupta, who hails from Ghaziabad, scored 8.5 points from 11 rounds to claim the top prize in the under-12 event. In the girls under-8 section, Charvi finished first with 9.5 points from 11 rounds. Charvi was trailing Bodhana Sivanandan (England), who finished second for the last three rounds, but managed to catch and overtake her, thanks to a better tie-break score after both ended up with 9.5 points.
Samhita Pungavanam finished 10th with 7.5 points.
In the under-10 category, India’s Hanya Shah took the eighth spot with 7.5 points while compatriots Aadya Ranganath (7 points) and V Tirupurambika (7 points) finished 14th and 19th respectively.
In the open events, India’s Ethan Vaz scored eight points to take the sixth spot in the under-12 category while the next best was Arjun Adireddy (7 points) in 20th place. In the under-10 section, Vivaan Vishal Shah (8 points) settled for 9th place while France’s Lacan Rus David took the first prize scoring nine points.
France’s Marc Llari and Russian Sav Shogdzhiev Roman, who finished first and second respectively after the tie-breaks. Safin Safarullakhan added Under-8 Open Bronze Medal to the Indian Medal tally at World Cadet Championship at Batumi, Georgia / pix @aicfchess
India’s Safin Safarullakhan claimed a bronze medal in the under-8 category with nine points.
The Kerala boy ended up half a point behind France’s Marc Llari and Russian Sav Shogdzhiev Roman, who finished first and second respectively after the tie-breaks.
source: http://www.indianexpress.com / The Indian Express / Home> Sports> Chess / by PTI / plus pix edited added source @aicfchess / September 28th, 2022
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