Monthly Archives: September 2016

Woman on top

Srinagar, JAMMU & KASHMIR :

Dr Gazalla Amin’s is an incredible story that holds the promise of inspiring many women writes Sana Altaf.

In December 2013 when Dr Gazalla Amin became the first woman member of the Jammu and Kashmir Chamber of Commerce and Industry, the first thing she did was to put up a ‘no smoking’ signboard outside the office premises in Srinagar. Recently when the city received its heaviest snowfall of the season, bringing normal life to a standstill, she decided to take matters into her own hands. With the snow cutters she had purchased before the winter set in, Amin and some of her employees cleared roads and by-lanes across the city, something that had been neglected by the local civic agency.

“The city was under a pristine carpet of white. No one had made it to work that day and I wondered why they were holed up inside their homes when it was so lovely. When I called up some of my staff, I realised that many would be stuck as only a few streets had been swept. So I simply gathered a few people together and we did the job ourselves. All of us have to get involved in the community, we cannot always rely on the government,” asserts Amin, who is in her late-forties.

For years now, Amin has been trying to work at bringing about positive change in the lives of ordinary Kashmiris. She was not, however, groomed to be the change-maker she became. Like most middle-class girls in the Valley, she went to the all-girls Presentation Convent in Srinagar and, later, enrolled in the medical college at Srinagar. “I never wanted to be a doctor. But since my parents wanted me to be one, I had no choice. In those days, children hardly had a say in such matters,” remarks Amin.

During the fourth year of her MBBS degree, however, the family started looking for a suitable match for her and soon she was married to a young businessman. Though she completed her studies after marriage, Amin never got down to practicing medicine as she became a mother soon after. As she dutifully ran her home and took care of her three sons, she decided to put her education to good use by teaching at the newly-instituted Jhelum Medical College in the early 1990s. She continued there for three years, but gave it up as her sons grew older and needed more attention. All this time, however, Amin never once abandoned her secret desire to do something that “lay outside the confines of what I had been told was ‘good’ for me”.

That opportunity came to her when she visited her native Sonawari village in Bandipora district of south Kashmir. Amin recalls, “The land there was lying neglected and barren. I realised that I could make a difference in the local community by involving them in cultivating crops that would be commercially viable.”

In 2004, when Amin decided to grow lavender and rose in order to extract and sell their oils, her family and friends were not in favour of her making the switch from medicine to business. After all, women were never associated with entrepreneurship in Kashmir. But Amin was determined to fight such feudal attitude and invested her savings of about Rs 8 lakh in the farm to grow and process aromatic plants.

“As I was from a professional family, my exposure to running a business was minimal. But I decided to hang in there anyway. I didn’t earn anything out of it for three years, but I knew I would learn the ropes on the job,” she adds. Another driving factor for her was that she was keen to see local farmers increase their earning potential – a lavender crop brought in about 20 times as much as, say, maize – to better support their families.

Today, Amin’s Fasiam Agro Farms, besides dealing in essential oils, includes dry fruits and honey under its umbrella. Apart from her business venture, she founded Women’s Association for Kashmir Entrepreneurs (WAKE) in an effort to provide direction to women’s entrepreneurship in the state.

Last year, she also contested the elections of the Jammu and Kashmir Chamber of Commerce and Industry, which had no female representation since its inception in 1934. Amin broke into this privileged circle by becoming the first woman member of its executive council.

source: http://www.deccanherald.com / Deccan Herald / Home> Supplements> She / WFS / February 15th, 2014

Lt Gen Hariz takes over as General Officer Commanding-in-Chief of Southern Command

Kozhikode ,  KERALA :

After assuming command of the largest geographical formation of the Indian Army, Hariz laid a wreath at the National War Memorial in Pune and paid homage to the martyrs.

Lt Gen P M Hariz
Lt Gen P M Hariz

Lieutenant General P M Hariz took over as General Officer Commanding-in-Chief of the Southern Command on Thursday from Lieutenant General Bipin Rawat who has proceeded to Delhi to assume duties of Vice Chief of Army Staff.

After assuming command of the largest geographical formation of the Indian Army, Hariz laid a wreath at the National War Memorial in Pune and paid homage to the martyrs. Thereafter, he was given a Guard of Honour. Prior to the current appointment, he was GOC-in-C at Army Training Command in Shimla.

Hariz hails from Kozhikode in Kerala, and did his schooling from Sainik School, Amravatinagar in Tamil Nadu. He is an alumnus of the National Defence Academy, Khadakwasla.

On completion of basic military training from Indian Military Academy in Dehradun in 1978, he was commissioned into 12 Mechanised Infantry Battalion, and later commanded 19 Mechanised Infantry Battalion (Recce and Support), a press release from the Defence PRO said.

He has attended the Staff Course at Camberly (UK), Higher Command Course in Mhow and National Defence College in Delhi. He has held various United Nations appointments, which include a combined tenure as Military Observer, Chief Personnel Officer and Regional Commander in Angola.

The officer was instructor at Infantry School in Mhow and also at the prestigious Defence Services Staff College in Wellington. He has commanded a Battalion, Brigade, Division and Corps in the Western Sector.

His wife Zarina Hariz is actively involved in empowerment of women with special emphasis on education and health care.

His son is a commissioned officer in a mechanised infantry battalion and his daughter s a special educator, stated the release.

source: http://www.indianexpress.com / The Indian Express / Home> India> India News / by Express News Service / Pune / September 02nd, 2016

Tayabun Nisha, first woman from Assam to win medals

Guwahati,  ASSAM :

Guwahati:

It was the love for chocolates which dragged her to the field of athletics and she went on to become the first woman athlete to win a medal for Assam at the national platform. She is Tayabun Nisha who broke a national record in discuss throw in 1971 and represented the country in several international events across the globe.

TaiyubunNisa01MPOs26sept2015

“When I look back to my childhood, it seems so funny. There used to be some village level competitions in my native place at Dhaiali in Sivasagar district on various occasions like Independence Day, Republic Day or on Bihu. Those days the winners used to get a box of chocolates. The love for the chocolates made me work harder to win medals as we could not afford chocolates. But gradually, I realized winning a medal also gives a recognition and later on I took it seriously,” Nisha told TwoCircles.net.

This how it started but the journey was not that easy as it seems. Belonging to a conservative Muslim family was another hurdle for her to take part in sports activities but could not deter her from the goal.

TaiyubunNisa02MPOs26sept2015

“Losing my parents at an early age was a setback but it gave me the courage to fight back the odds in life. I lost my father in 1970 when I was a class VIII student. It doubled the responsibility on my shoulders to look after my siblings. There were people in our neighbourhood who used to say things about girl going out to take part in outdoor activities. But I simply didn’t care because I knew in the hour of crisis these people never came forward to help us,” said Nisha.

But earlier, her father was encouraging. All these developments always motivated her to be even stronger. “We did not have much facility to practice but I used to be always prepared mentally. I knew only my dedication can lead me to the success,” she said.

Then even when she was going through a bad phase, Nisha started working for the Railways at a salary of Rs 250 in 1970s.

In 1971 Nisha took part in the 9th Inter State Athletic Meet to make her debut in Ahmedabad. Bronze in that tournament created a history in sports as she became the first woman athlete from the state to won a medal in a national championship.

In 1974 in Jaipur broke a 12 year old national record in discuss throw throwing a distance of 29.32 metre.
In 1982 Asian Games she missed medals but it did not hamper her mental strength.

TaiyubunNisa03MPOs26sept2015

“Though we worked hard before the games, I could not win a medal. But I was upset as I knew the reality. We were not up to the mark of other countries,” she said.

But a thought always haunts her that if they were provided better facilities, there would have been more medals. “We never had proper training. We did not have idea about the proper diets. But our contemporaries from other countries were well ahead than us. So I sometimes feel that we could have done much better,” Nisha added.

Now, she is planning to set up a sports academy and hostel especially for girls who are from poor families.

“As we have experienced lack of proper facilities for the rural girls, I’m planning to start a hostel where a young will be taken care of to build her sports career. But I’m not sure when we can start it,” she said.

On the present generation, the veteran athlete said that the determination is must. “One has to be determined to achieve. But unfortunately that kind of determination and hunger for success is missing among the today’s youngsters,” she said.

source:  http://www.twocircles.net / Two Circles.net / Home> India News / by Abdul Gani , Two Cirlcles.net / September 18th, 2015

Carry Me Home: A look at the Muslim palanquin-bearers at the shrine of Vaishno Devi in Katra valley

JAMMU & KASHMIR :

The ongoing curfew in Kashmir has seen a sharp drop in tourists.

Mohammad Qasim (right), 55, and Khushi Mohammad, 35, have been working as palanquin bearers at Vaishno Devi for decades. They confirm that they have never faced any religious biasness here.
Mohammad Qasim (right), 55, and Khushi Mohammad, 35, have been working as palanquin bearers at Vaishno Devi for decades. They confirm that they have never faced any religious biasness here.

Located at a staggering altitude of 5,200 ft above sea level in the Katra valley in Jammu and Kashmir , is the lofty abode of goddess Vaishno Devi. The 13.5 km stretch to the main bhawan (temple housing the holy shrine) is accessible via various modes of transportation, including ponies, electric vehicles, helicopters and, most popularly, its paalkhis (palanquins), operated by two or four bearers a time.

There are over 5,000 palanquin bearers in the area, out of which around 3,500 are Muslims, often seen chanting “jai mata di” on top of their voices during their steep trek to-and-fro the shrine. “I’ve worked all my life here and have never faced any problem,” says 55-year-old Mohammad Qasim, who has been a palanquin-bearer for the last 32 years. “So what if I’m a Muslim, the goddess protects everybody. I get my food from here, so, this place is my home,” he adds.

The famous Katra market wears a grim, desolate look these days, given the conflict in Kashmir that has brought to halt all forms of functionality. The ongoing curfew in Kashmir has seen a sharp drop in tourists. The shopkeepers and locals depend on the pilgrimage, which sees outsiders in throngs, for their daily livelihood. The last two months have been severe, say some of the locals, pointing at the empty roads. But the palanquin-bearers appear strikingly unperturbed.

Khushi Mohammad, 35, smiles as he recalls the last 20 years of his service at the shrine, facing neither any troubles from his own community for visiting a Hindu pilgrimage, nor from the devotees for being a Muslim at the shrine. “We trek even during our Ramadan fast. People are so nice to us, they wait while we read the namaz during our working hours,” he says.

source: http://www.indianexpress.com / The Indian Express / Home> Lifestyle> Life-Style / by Cheena Kapoor / September 18th, 2016

President appoints Dr Nasim Zaidi as chief election commissioner

UTTAR PRADESH / NEW DELHI :

Zaidi will assume the charge of office of the chief election commissioner with effect from April 19
Zaidi will assume the charge of office of the chief election commissioner with effect from April 19

New Delhi :

President Pranab Mukherjee has appointed the senior-most Election Commissioner, Dr Nasim Zaidi, as the next Chief Election Commissioner (CEC).

Zaidi will assume the charge of office of the chief election commissioner with effect from April 19, after the incumbent Harishankar Brahma will retire on April 18.

The law ministry had initiated the file to appoint the next CEC as present incumbent HS Brahma retires on April 19.

After Zaidi’s appointment, the government will set in motion the process to appoint two election commissioners to fill vacancies in the three-member body. “But as of now, we are appointing a new CEC. A decision on ECs will come later,” a senior government functionary said.

(With inputs from PTI)

source:  http://www.timesofindia.indiatimes.com / The Times of India / News Home> India / TNN / April 09th, 2015

Sania Mirza’s Unlikely Stardom

Hyderabad, TELANGANA :

A tennis player blazes a trail for Indian women.

“For a girl to pick up a tennis racquet and to want to be a professional—it was unheard of,” Sania Mirza says. “People thought it was a joke.” PHOTOGRAPH BY GREG WOOD / AFP / Getty
“For a girl to pick up a tennis racquet and to want to be a professional—it was unheard of,” Sania Mirza says. “People thought it was a joke.”
PHOTOGRAPH BY GREG WOOD / AFP / Getty

On the last day of August, Sania Mirza, currently the No. 1 women’s doubles player in the world, was on one of the smaller side courts at the U.S. Open grounds, in Flushing Meadows, about to play her first match in this year’s tournament. She and her partner, Barbora Strýcová, of the Czech Republic, were squaring off against the Americans Jada Myii Hart and Ena Shibahara. The sun had begun to sneak behind the bleachers, where a few dozen fans had settled in. Occasionally, a roar from Arthur Ashe Stadium or the grandstands could be heard over their polite clapping. Mirza’s black hair was tied back in its usual businesslike bun, her dark eyes focussed beneath a neon-pink headband. Mirza’s gruelling summer had included her third Olympics, which had ended just a couple of weeks before, with a fourth-place finish in mixed doubles. Her longtime partnership with the tennis icon Martina Hingis was also coming to an end. Now she was gearing up again, knowing that millions were paying attention in her native India, even if only a handful were watching in New York.

Mirza, who will be thirty in November, is wildly famous in one hemisphere and virtually unknown in the other. She has nearly twelve million Facebook fans – more than double the number that Serena Williams has—plus four million followers on Twitter, and two million more on Instagram.  She is, without hyperbole, one of the most popular athletes on Earth. She has, to date, earned $ 6.3 million in career prize money, a fraction of what Williams has made, but more than a thousand times the annual per-capita income in her home country.

She is also Muslim, and has sparked the ire of clerics for competing in tennis clothes that leave her arms and legs exposed. Though roughly one in twelve people on the planet is a woman from India, few Indian women have succeeded in professional sports, for reasons that are not hard to pinpoint. Last year, in the World Economic Forum’s Global Gender Gap Report, India ranked No.108, out of a hundred and forty-five countries listed. For years, women in India were largely discouraged from participating in high-level sports—and, unless the women were wealthy, good facilities were hard to come by, anyway.

Mirza is helping to change this. She’s an advocate for women’s rights, and has spoken up about ending the practice of female feticide in India. She has criticized government policies on domestic violence and sexual assault, as well as lopsided pay schemes, including in sports. She was the first South Asian woman to be appointed as a Goodwill Ambassador for the United Nations, and she often calls out reporters for asking her, and not her male counterparts, about her “family plans.” She told me that, after she and Hingis won Wimbledon last year, she was asked by a reporter when she’d be having a child. “I was, like, ‘I won Wimbledon two days ago!’ ”

Though Mirza makes light of her reputation, in India, for what some there see as arrogance, the truth is that her outspokenness has only made her more popular back home. Her stardom is an unlikely outcome, considering where she started. “For a girl to pick up a tennis racquet and to want to be a professional—it was unheard of,” she told me. “People thought it was a joke.”

Mirza grew up in Hyderabad, a city of nearly seven million. It was only half that size when she was a child, and, back then, sanitation, let alone access to a tennis court, was not a given—only a handful of courts existed, and many that did were riddled with potholes or made with cow dung (a surface that was thought to offer a middle ground between clay and hard courts). Today, as Mirza is well aware, the city center of Old Hyderabad is a hub for human trafficking, and domestic violence is an urgent problem. Though technically illegal, child marriage persists. Local police blotters in and around Hyderabad regularly carry gruesome stories: a woman who hanged herself by her sari when a dowry went sour, a husband setting his wife on fire. Just a few weeks after last year’s U.S. Open came news, from south of Hyderabad, in Bengaluru, that a woman had been raped by two security guards outside of tennis courts in Cubbon Parks. It was the third such attack in the city in a month. According to local reports, the victim later told police, “I want to be like Sania Mirza.”

The Mirzas moved to Hyderabad, from Mumbai, when Sania was an infant, one of many families drawn to the burgeoning technology mecca. Mirza’s father, Imran, held a number of jobs, working mostly as a printer and, later, in construction. Mirza’s mother, Naseema, also had a mind for business, and she and her husband often worked together. They were ambitious, and forward-thinking in their attitude toward girls; still, they tried to avoid placing too much stress on their daughters. (Sania’s sister Anam is seven years younger.) It was on a whim that Imran signed up Sania, then six years old, for tennis lessons, at Hyderabad’s Nizam Club. There were cricketers in the Mirza family, but women’s cricket had not yet taken off in India. Tennis seemed like something she might enjoy.

A couple of months later, Sania’s coach suggested that Imran come to watch his daughter play. He put it off. When he finally saw her on the court, he immediately realized that she was a standout talent. Soon, the sport became as much a part of her childhood routine as brushing her teeth or doing her homework. Sania attended the Nasr School, a progressive all-girls private school, which adapted her academic schedule to accommodate her tennis travels. “Always in tracksuits, coming directly from practice straight to school!” Nirmal Gandhi, a teacher at Nasr who had Mirza as a student, said. “I don’t think I ever saw her serious. She was always laughing with her friends.” At the time, the Indian system for youth tennis was, Imran said, “nonexistent.” It’s not unheard of for the parents of tennis players to spend fifty thousand to a hundred thousand dollars, or more, annually on coaching, travel, and equipment, an expense that was far beyond the Mirza household budget at the time. So Imran began to coach his daughter, and set about researching local tournaments, learning what he could through word of mouth and follow-up phone calls. Sania’s mother stayed at home “to hold down the ranch,” tending to Mirza’s little sister and various pieces of family business, a pattern that would continue for twenty years—Sania’s tennis career becoming another joint family venture.

Mirza eventually won a berth in the 2003 Wimbledon junior girls’ competition, as a doubles player with Russia’s Alisa Kleybanova. They won the tournament. When Mirza stepped off the plane back in India, a mob of people greeted her and her family at the airport, fanfare that surprised them. Government dignitaries took photos with her and bestowed her with awards. The Indian press began to cover her every move, and it hasn’t stopped since. “At fifteen or sixteen, you’re still trying to get in touch with yourself as a person, as a teenager,” Sania Mirza said. “You have pimples. You have baby fat, in front of millions of people. You have to kind of grow up in front of the media, and you’re growing older and the following is getting larger and larger. You’re still getting in touch with who you are.”

“The Indian media, too, was just growing up,” Imran said. “They grew up along with Sania. They were really not geared or didn’t know how to handle a female sporting icon. They might have handled a film star, but here was the first sporting woman from India. It wasn’t easy for her, but it probably wasn’t easy for the media to deal with, either.” In 2005, as she was competing on the international circuit, a group of clerics issued a fatwa against Mirza, calling her skirts and T-shirts “un-Islamic” and “corrupting.” The cleric Haseeb-ul-hasan Siddiqui told the Guardian that the clothing she wore on court “ leaves nothing to the imagination .”

“You get hate mail,” Mirza told me. “You get love mail, but hate is a lot harder to digest than love. That’s the way it is.” She continued to wear Western-style pants and heels, and slogan-bearing T-shirts, including a popular one that declared, “Well-behaved women rarely make history.” The increased attention, and Mirza’s handling of it, gained her even more Muslim fans, a broad demographic that had largely been overlooked by the tennis-marketing establishment. And she excelled on the court. As a professional singles player, she reached a ranking of twenty-seven, the highest spot achieved by an Indian woman.

Privately, though, Mirza was battling a series of injuries. The hypermobile joints that helped give her flexibility on the court also led to extreme pain, which she often hid. She underwent operations on both knees and a wrist. Upon examining her body and her demanding competition schedule in 2010, doctors gave her the devastating news: she was done playing singles.

Mirza had been engaged to a longtime family friend, but in January of that year it was reported that she had called off the engagement. Then, in April, she became engaged to the Pakistani cricketer Shoaib Malik, whom she had met through mutual friends and had seen occasionally thereafter on various sports-related travels. The new wedding plans were a major story in India: Malik had served for two years as a captain of the Pakistani national cricket team, and cricket is something of a religion in that part of the world. Ordinarily, this would have made Mirza and Malik the Beyoncé and Jay Z of South Asian sports—but marriage to a Pakistani, even one who is an élite athlete in a treasured national pastime, is still “a huge taboo” in India, according to Bappa Majumdar, the Hyderabad bureau chief for the Times of India, who has covered Mirza. “It showed huge guts on her part,” Majumdar said.

The couple had planned an Islamic wedding ceremony in Hyderabad, with another ceremony to follow in Pakistan, adhering to that country’s customs. Within hours of the announcement, dozens of journalists had camped out in front of the Mirza home, to cover the tale of the star-crossed lover-athletes. The story then took an additional soap-opera turn: a woman from Mirza’s home town went to the press, saying that she was already married to Malik, and had been since 2002. He initially disputed this; they had merely met online and exchanged photographs—though, he said, the pictures she sent him were of someone else. But he ultimately admitted to the marriage and got a quick divorce, according to local news reports, days before his wedding to Mirza.

Mirza at her second wedding to the Pakistani cricket star Shoaib Malik, in his home country. His nationality drew criticisim of Mirza in India./ PHOTOGRAPH BY FAISAL MAHMOOD / REUTERS
Mirza at her second wedding to the Pakistani cricket star Shoaib Malik, in his home country. His nationality drew criticisim of Mirza in India./
PHOTOGRAPH BY FAISAL MAHMOOD / REUTERS

On account of her marriage, some of Mirza’s critics in India have called her the “daughter-in-law of Pakistan.” In an interview with a New Delhi television station, in 2014, she burst into tears, saying she was exhausted by the need to “keep asserting my Indianness.” “I have no problem if they attack me about my tennis or they attack me about what I’m doing,” Mirza told me, adding, “I come from a country of 1.2 billion people, and I’ve accepted the fact that I’m not going to be liked by all of them.” Her family, in any case, approved of the union, Imran said. “She wasn’t getting married to a country but a person.”

Mirza and her father spend much of the year on the road, but when they’re not travelling they can often be found at the Sania Mirza Tennis Academy, a set of nine hard courts nestled among farmland and jungle, with a sweeping view of Hyderabad. The family bought the plot of land four years ago, with the goal of making it a hub for tennis in India. Some hundred children are now enrolled in the academy, almost all of them having heard about it by word of mouth. Some are the children of Hyderabad’s rising middle and upper-middle classes, but others have never seen a tennis court prior to joining, and rely on scholarships, which are offered according to financial need. Backing from sponsors was not forthcoming when the academy opened, in March of 2013, so the program was jump-started with funding from the Mirza Family Trust.

Here Mirza can practice in relative seclusion. She and her father also talk to parents about the nuances of a good backhand, what competition is like internationally, and the grit required to make it as a professional. Some aspiring players have shown up at the academy’s gates on rickshaw, their parents willing to relocate some or all of the family to Hyderabad or nearby villages solely in pursuit of tennis. “They thought Sania was an overnight success, and they want results in six months,” Imran told me when I visited the academy last year. “And I keep telling them it takes ten years to find out whether they even have a chance. It cannot be done for the money or the fame. It has to be done for the passion.”

When I spoke with Mirza in Flushing, a year later, she said it had been two months since she’d been home to India. She and Strýcová won their first match at the U.S. Open, convincingly, 6–3, 6–2, and she noted afterward that the dynamic she shares with Strýcová on the court is not dissimilar from her partnership with Hingis: Mirza is strong and powerful, sweeping the back of the court, while Strýcová is nimble and poppy at the net. The two have known each other since they were teen-agers on the junior circuit, which has helped with the transition. But earlier this week they were knocked out of the Open by Caroline Garcia and Kristina Mladenovic, the tournament’s top seeds. (Garcia is ranked No. 3 in the world in women’s doubles, and Mladenovic is No. 4. Hingis is No. 2.)

Mirza published an autobiography in India this summer. She said she doesn’t know how long she’ll play, or what the future holds for Indian women, but she pointed to India’s victories at the Rio Games as a sign of progress. The Indian Olympic Committee, which had been banned, was reinstated in 2014, and the country sent its largest-ever delegation, a hundred and seventeen athletes. They won two medals: a silver in badminton, for Pusarla Venkata Sindhu, and a bronze in wrestling, for Sakshi Malik. “It was amazing,” Mirza said. “And it was the women who won!”

Mary Pilon is the author of “ The Monopolists,” a book about the board game Monopoly. She previously worked as a staff reporter at the Times and the Wall Street Journal, where she wrote about sports and business.

source:  http://www.newyorker.com / The New Yorker / Home> Sections> The Sporting Scene / by Mary Pilon / September 10th, 2016

Tayabun Nisha to train twelve school athletes

Guwahati, ASSAM :

Guwahati :

The uncertainty over the state’s Class XII examinations, scheduled from Monday, has not curbed the “sporting” instincts of the Assam Higher Secondary Education Council.

The council has roped in former five-time national discus champion Tayabun Nisha to train 12 athletes, who were picked up from among the participants at the first higher secondary and junior college students meet here in December. The shortlisted athletes will attend a special coaching camp under Nisha at the NF Railway stadium in Maligaon.

The council’s novel brainchild, the three-day meet at the Nehru Stadium had attracted 297 boys and 146 girls in seven disciplines — 100m, 200m and 1,500m-sprint, high jump, long jump, discus and shotput events.

It had formed a four-member committee — comprising Nisha, Assam Amateur Athletics Association secretary Sarif Ullah, Thaneswar Saikia and district sports officer of Nalbari, Bhupen Choudhury — to spot talent at the meet.

“The council should be lauded for its efforts. I will contribute my mite to make the camp more meaningful. The trainees will be accommodated at the railway sports hostel. We need more such initiatives for the state to do well in the National Games,” Nisha said.

“The camp will begin after the higher secondary exams. It will be a short camp of maximum 10 days,” chairman of the council D.K. Kakati said. The next course of action will be taken after the council’s physical education committee is formed.

“We hope the sports administrators of the state will take a look at our selected players because some of them could be groomed for the 2005 National Games,” he said.

THE SELECTED PLAYERS

Boys: Kamal Hainary (Darrang); Robin Baishya (Nalbari); Gagan Baruah (Kamrup); Dwipen Rabha (Darrang); Biju Barman (Kokrajhar) and Tultul Saikia (Dibrugarh). Girls:Mina Deka (Nalbari); Jonali Devi (Kokrajhar); Sundari Barman (Kokrajhar); Rupamoni Bora (Jorhat); Puspha Bora (Golaghat); Gitanjal Bora (Golaghat).

source: http://www.telegraphindia.com / The Telegraph, Calcutta,India / Front Page> Northeast> Story / by Umanand Jaiswal / Guwahati – February 19th(20th), 2003

Expat gets creative with his Rolls-Royce for National Day

Kasargod District, KERALA / UNITED ARAB EMIRATES :

Indian expatriate, Iqbal Abdul Hameed, with his car decorated with Shaikh Hamdan's photos. - Supplied photo
Indian expatriate, Iqbal Abdul Hameed, with his car decorated with Shaikh Hamdan’s photos. – Supplied photo

Dubai :

A regular face at car parades, Hameed chooses Dubai Crown Prince’s photos to decorate his car this time.

His craze for displaying distinctive car decorations during UAE National Day celebrations has been hitting headlines for many years. Indian expatriate Iqbal Abdul Hameed has done it once again.

This time, the young businessman came up with a special design dedicated to Shaikh Hamdan bin Mohammed bin Rashid Al Maktoum, Crown Prince of Dubai, on his Rolls-Royce car that caught all the eyes at the National Day parades organised by major police stations in Dubai.

An ardent fan of the Crown Prince, Iqbal chose special photos of Shaikh Hamdan from his childhood till date to decorate his car.

Married to an Emirati, Iqbal said his wife helped him select Shaikh Hamdan’s pictures.

“We have selected memorable pictures of Shaikh Hamdan’s life, especially the ones that show his adventurous nature and love for sports,” he told Khaleej Times.

“I decided to get his photos designed in the shape of UAE postal stamps for this year’s car decoration.It took a couple of months’ preparations to get the car ready with this design,” said Iqbal who has won accolades for his car decorations for the past seven years.

While the luxury cars’ both sides have been splashed with the young prince’s pictures this time, the car’s bonnet features the portraits of the UAE President His Highness Shaikh Khalifa bin Zayed Al Nahyan; His Highness Shaikh Mohammed bin Rashid Al Maktoum, the Vice-President and Prime Minister of the UAE and Ruler of Dubai, as well as His Highness Shaikh Mohammed bin Zayed Al Nahyan, Crown Prince of Abu Dhabi and Deputy Supreme Commander of the UAE Armed Forces.

Images of the UAE flag, Martyr’s Day’s emblem and emblem for the Spirit of the Union on the 44th National Day have also been used. A regular invitee at the car parades of Dubai Police, Iqbal won appreciation at the parades organised by four police stations this week. The photos of his car have also gone viral on social media.

“I am so glad and proud that the Emiratis and expatriates appreciate my efforts in this. This is just a small gesture from my side to show how much I love and feel indebted to this country that has given me everything including my life partner,” he said.

“I have travelled to many countries in the world. But I have not seen any other country that has embraced so many nationalities and cultures with both hands like the UAE has done.”

Chairman of Alia Al Hathboor Group, Iqbal has been seen as a cultural ambassador among Emiratis and Indians here.

Hailing from Kasaragod district in south Indian state of Kerala, the entrepreneur has been known for his charitable activities as well.

sajila@khaleejtimes.com

source:  http://www.khaleejtimes.com / Khaleej Times / Home> National Day 2016 / sajila@khaleejtimes.com / December 02nd, 2015

Bantwal: Author Bolwar Mohammed Kunhi Bags Vishukumar Award

Bantwal (Mangalore), KARNATAKA :

Bantwal:

Noted author and story-writer Bolwar Mohammed Kunhi has been selected to receive the annual Vishukumar award instituted by Yuva Vahini Kendra Samiti.

Kunhi holds the credit of introducing the lesser-known facets of Muslim way of life to the field of Kannada prose. He has written over 250 short stories in Kannada. Atta itta sutta mutta, DevarugaLa rajyadalli, Anka, Akashakke neeli paradey, Ondu tunDu goDe, Ruqia and RoTTi Patumma are some of his best-remembered works.

Author Upadhya will confer the award on him at a function to be held in the Birwa auditorium at Melkar next week. The award comprises Rs 10,000 in cash, a memento and a citation.

source: http://www.mangalorean.com / Mangalorean / Home> Agency News> Regional / by Jyothi, Team Mangalore / August 03rd, 2015

Melody manzil

NEW DELHI :

Family harmony: Ustad Iqbal Ahmed Khan on the terrace of his home, Mosiqui Manzil. Photo: Monica Tiwari
Family harmony: Ustad Iqbal Ahmed Khan on the terrace of his home, Mosiqui Manzil. Photo: Monica Tiwari

 

RAJAN about the hoary tradition of the Dilli gharana of which he is the torchbearer

A family that sings together stays together. Ustad Iqbal Ahmed Khan and his clan — that spreads itself genially through the rooms, nooks and surprise terraces of “Mosiqui Manzil” in Delhi’s Darya Ganj — exemplify this adapted adage. It takes some perseverance to reach the ustad, the khalifa or senior most exponent of the Dilli gharana of Hindustani music. Leaving the main road, automobiles and ‘Delhi now’ behind, we proceed deeper and deeper into the bylanes behind Golcha cinema. The helpfulness of the bystanders and shopkeepers is inversely proportional to the width of the streets. As the lanes get progressively slimmer, there is less and less need to ask for directions by house number. ‘Iqbal Bhai’ is well known to his neighbours. As he is, indeed to India and much of the world.

The 200-year-old house does not get its name from a passing flight of fancy. For generations, it has been the seat of the stalwarts of the Dilli gharana. As the ustad reels off a battery of eminent names, one can just catch those of the past few generations: “Ustad Sangi Khan, father of Ustad Mamman Khan, then Ustad Chand Khan, then my father Zahoor Ahmed Khan, then me, my sons, and by God’s grace my grandson Aalif.” That makes seven generations, though the musical family tree goes back much further, to Miyan Achpal, a musician at the Delhi Sultanate.

He names many a celebrated vocalist who has been a student at Mosiqui Manzil, learning from his great grandfather, grandfather and granduncles: “Mallika Pukhraj, Siddheshwari Devi, her sister Kamleshwari, K.L. Saigal, Madhubala, Mumtaz…they all learnt here. Others too, like Vidushi Krishna Bisht, my guru-behen,” he says, adding, “And I too learnt in this very room.”

He notes fondly, “I was born in this house. Nafeesa Begum, my mother, is Ustad Chand Khan’s daughter.” Thus, he has been gifted both his music and his house as a precious inheritance.

Soon to complete 60 years, he has already performed for 50 of them, and the golden jubilee of his career was celebrated not long ago by Sursagar Society of Delhi Gharana. When he was eight, he performed under the auspices of Gandharva Mahavidyalya, and last week he was there again, singing at the Vidyalaya’s annual Vishnu Digambar Jayanti Samaroh.

As a baby, Iqbal Ahmed was virtually adopted by his maternal grandfather and guru. “I was three months old. My mother tells me she used to take me only to feed me. I can’t remember those days, but she tells me that when I was two, he would hold me to him and pat out talas on my back. When I was three, he started teaching me a bit, and by the time I was four I had started formally training. He always kept me by his side.”

He points out an old newspaper clipping where he is seen as a tiny tot sitting beside his grandfather-guru. The paper is dated 1957, and, ironically, the article heading shows that preserving the tradition was a significant concern even then.

Mehfils and impromptu concerts were common occurrences, he recalls. “Any musician coming to Delhi visited our house. It was the focal point.” They would stay at hotels like the Haji Hotel nearby, but meals were at Mosiqui Manzil. The concerts would be held on the ground floor of the house in a portion that is no longer free, since with the expansion of the family, many new rooms have been built and partitioned off.

The memories come out like landmarks in Hindustani musical lore. Ustad Amir Khan came when the film with which he was associated, Baiju Bawra, was released. “ Kya buzurg, kya kalakaar (Such revered elders, such artistes)! Bade Ghulam Ali Khan, Bhai Lalji Lahorewale, Ravi Shankar, Vinayakrao Patwardhan, Vilayat Khan Saheb Agrawale, Rahimuddin Khan Saheb Dagar, Shiv Kumar Sharma’s father…you name them, and they came. My grandfather loved to invite them and arrange feasts and concerts for them.”

Surrounded as he was by loving gurus, friends and family, there was one special cousin, Zohra, who became his wife. “She has been the support I needed to accomplish anything in life,” he says affectionately. The ustad, a graduate of Dayal Singh College, also informs us, “My wife is the first woman graduate in our khandaan. She went to Mata Sundari College. That is why our children too have studied well.”

Life is different today. The city around him has changed beyond recognition, and, despite his protective zeal in preserving the layout of the room in which he and his forefathers practised music, life in Mosiqui Manzil too has changed. The ustad weeps freely when he remembers the various festivals when the gurus and shishyas got together to sing bhajans in praise of the relevant deity or genres of the season. “On Holi we would sing horis one after the other, during Bahar, we would sing Bahar ke prakaar (varieties of raga Bahar). On Durga Puja we would have mehfils till midnight, then make a round of the temples. All that is over. I feel very alone when I remember those days,” he sighs.

But on a more cheerful note, he sings a bhajan composition in a silky-sandy voice. “ Kripa samudram sumukham trinetram…I have composed hundreds of bhajans,” he recounts with relish. He also likes to compose music for classical dancers and promptly comes out with a Sanskrit shloka to Shiva, the lord of dance, “ Angikam bhuvanam yasya…”

The ustad spends a few months of the year in the U.S. where he has a number of disciples. “It is because of them that I go,” he says. “I do my bit to propagate art and culture.”

What brought him back from a three-month stint there this summer was the pull of his grandson. As he takes him in his lap and starts to sing, the five-month-old needs no patting, no soothing. He is all alertness. The parivar parampara, it is obvious, is in full flow.

Changing tunes, one raga

One can imagine that Mosiqui Manzil used to be a sprawling mansion when Ustad Iqbal Ahmed Khan was a child. Dividing it up between family members, adding rooms and floors, has changed the structure substantially. “The house number was once 1071, then it became 1593, then 1594,” he says. Now his portion is number 1595. But then the city is no longer an expansive place either. From the terrace of his house, the ustad says, the Qutub Minar was once clearly visible. Later, only Jama Masjid, being closer by, could be seen. But now, all around Mosiqui Manzil are buildings and more buildings, rising in crooked verticals to a smoggy sky. A few intrepid young residents fly kites from precarious perches. The ustad waves to a neighbour looking over from his terrace. “We have grown up together,” he says with a contented smile. There’s always room for harmony.

source: http://www.thehindu.com / The Hindu / Home> Music / by Anjana Rajan / New Delhi – August 23rd, 2013