Tag Archives: Hussain Zaidi

Jannat Mari is Shah Rukh Khan’s brainchild: Bilal Siddiqi on ‘Bard of Blood’

Mumbai, MAHARASHTRA :

EmraanHashimiMPOs25sept2019

Ahead of its release this Friday, Bard of Blood writers Bilal Siddiqi and Mayank Tewari discuss the challenges involved in adapting a book into a seven-episode TV format

In 2015, at the book launch of The Bard of Blood, author Bilal Siddiqi and novelist, Hussain Zaidi, made jokes on Emraan Hashmi as to how he is the right candidate to essay RAW agent Kabir Anand, without considering the eventuality that would transpire four years later. Bilal agrees that he did not put an image to the character while writing, and that the casting of Emraan Hashmi happened organically. “When you have a star like Emraan on board, it will obviously elevate the viewership of the show. He embodied the character and brought in lots of nuances to Kabir Anand,” says Bilal Siddiqi, who has written the screenplay of Bard of Blood along with writer Mayank Tewari, known for writing Newton and The Accidental Prime Minister.

Inside the writer’s world

The biggest selling point of The Bard of Blood was Bilal’s age (he was 20) — too young to be dealing with guns, agents and weapons of mass destruction (read: third world politics). But his fascination for the espionage genre stems from his mentor Hussain Zaidi, with whom he assisted in books like Byculla to BangkokMumbai Avengers and My Name Is Abu Salem. Bilal wrote a brief outline of Kabir Singh, the protagonist of The Bard of Blood, and says he never had the intention to make it into a novel. “He [Zaidi] liked whatever I had written and sent it to my publisher. They called me one day, asking to finish the book so that they can take a call. I somehow managed to fulfil my dream of writing,” he says.

He was “subconsciously influenced” by Zaidi, who had one advice for him: ‘Make it visceral and graphic’. That he did when he sat with Mayank Tewari in the writer’s room, having discussions back and forth on how to better the book. “Bilal was very proactive in saying, ‘let us use this material as a springboard to take it to the next level’. Since it was written five years back, we had to spend more time on the screenplay to make it relevant and real,” says Mayank Tewari, adding that the duo has taken the “best chunk from the book”.

Unlike The Accidental Prime Minister, which was non-fiction, the challenge for Mayank was to construct scenes that drives the characters throughout the season, in a satisfying way for the audience. “The one good advantage is that, all characters were sharply etched out. There were some really good lines in the book, which we have retained,” he adds. Mayank did have heated exchanges with Bilal on how to interpret Balochistan. He quips, “But that’s what makes the collaboration rewarding, right? Disagreements lead to fruitful agreements. And everything was in the spirit of making a good show.”

Writing a novel has its own perks. For instance, Bilal had the luxury to use The Bard of Blood as a device to get into the character’s psyche, exploring his inner voice and go overboard with the descriptions — a counter to the film format, where you need to show these things on screen rather than tell. He admits that they had to tone down the details, adding, “Screenplay is like a manual for filmmakers to shoot. So, it is a different ball game and Mayank has given some valuable inputs.”

Bilal acknowledges the timely suggestions of Shah Rukh Khan, who has produced it along with Netflix. In fact, Jannat Mari, the character played by Kirti Kulhari, is Shah Rukh Khan’s brainchild and was not there in the book. “He [SRK] saw the pitch before it went to Netflix. The series has several characters that were not part of the book. In that sense, you can say that Bard of Blood is the best version of my book.”

(The writer was in Mandawa at the invitation of Netflix)

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by Srivatsan S / September 24th, 2019

How I wrote a novel at 19 and was published at 20

Mumbai, MAHARASHTRA :

A first-person account from a student of St Xavier’s College, Mumbai, whose first thriller, ‘The Bard of Blood’, has just hit the shelves.

BilalMPOs31mar2017

Being a published writer at 20, to be honest, is not something I thought I would have to speak about too much. I could speak about being a writer (writer’s block, etc.). Or I could speak about being 20 (how I never quite liked college, etc.). But, a writer at 20? Well, let’s give that a shot.

How I got around to writing my first novel, The Bard of Blood , is an interesting journey itself. Around the time I had turned 17, I had a sudden growing interest in the covert world of espionage. And it wasn’t a James Bond film that drew me to this newfound interest of mine. It was, in fact, the entire talk of jihad and Islamic extremism that plagued every newspaper. There was always an article of some extremist outfit wreaking havoc.

Being a Muslim, I wanted to understand why I was so different from them, when ideally, we both were supposed to believe in the same set of principles? One thing led to another, and I had suddenly read a lot more than anyone else my age probably had about the subject, finding myself disagreeing with the ideology that had tweaked itself conveniently to something it was never meant to be.

Simultaneously, being an avid reader of fiction, I always kept myself abreast with the latest Lee Child or Jack Higgins novel. And then, I soon realised that India itself was bereft of a fictional character who was as powerful as a James Bond or a Jack Reacher. I wanted to fill that void. I wanted to create a character worth his salt, that wouldn’t seem like a ‘me too’ of a Bond or a Bourne, but could stand his own and be equally magnetic. And what’s more, he was going to be set in the real world dealing with what could well be real situations.

Writing to write, not to be published

I was going to write the novel regardless of whether it would get published or not. It was going to be for my satisfaction, perhaps for a 40-year-old me to look back and find traces of himself in a character he had created two decades ago.

So, at the age of 19 I had begun writing the novel, burning the midnight oil and still making it to college on time the next morning. Soon afterwards, I met Chiki Sarkar, then the Chief Editor of Penguin Books, through Hussain Zaidi (a renowned crime writer whom I have been assisting for thethe past three years). Zaidi had discovered my writing skills and had dropped in a word to Sarkar, who agreed to read the synopsis.

She responded saying that she would like to read half the manuscript, after which she would take the final call. I was suddenly motivated to complete the book, which I might have drifted with otherwise. To meet Penguin’s high standards, I had to up my game. I had to get my facts in place and research the topics well. Zaidi helped me at every step, and there was a reversal of roles, from me assisting him, he started assisting me! It took me roughly a year to get done with the project.

The benefits of writing a book at 20

You get applauded for doing something at an early age, something that people spend a lifetime hoping to do. You begin to be taken a lot more seriously too.This stood true in my case especially, because I picked a topic like the Taliban instead of writing a soppy teen romance.

There are drawbacks too. When you set out to write, there is bound to be apprehension – perhaps you’re too young to write about this subject? But you must learn to brush that away. Believe in yourself even if others don’t. In my case, especially, I backed myself as a story-teller. I had a good story and I was going to tell it.

And being 20, I was in college, which came with a set of problems that I could dedicate another article to! Writing was that much-needed escape, a catharsis of sorts.

But once that’s done, you can’t let the fact that you’ve been published get to your head. Because then you would be remembered as the guy who wrote a novel at 20 and then never wrote another. Or, worse still, you wouldn’t be remembered at all!

Like any other book-lover, I absolutely love the smell of books; new and fresh, or old and musty. But you know what’s better than the smell of a book? The smell of your own book! And I intend to smell many more of them!

We welcome your comments at letters@scroll.in.

source: http://www.scroll.in / Scroll.in / Home> Write to Win / by Bilal Siddiqui / April 04th, 2015

A viewfinder on crime

In the hands of a master chronicler, Mumbai’s underworld reveals itself to the world. Hussain Zaidi’s latest book is interesting, to say the least.

Publisher : Harper Collins India Pages: 271,  Price: Rs.299
Publisher : Harper Collins India
Pages: 271, Price: Rs.299

From Byculla to Bangkok by Hussain Zaidi is alternately spine-chilling and moving. As Zaidi takes readers through the inner mechanism of the Mumbai underworld, it becomes obvious how much intense research has gone into the subject. In retrospect, only a seasoned journalist like Zaidi (who was a crime reporter at Mid-Day and Asian Age, among others) could have kept a neutral voice while writing about the underbelly of the city. Byculla to Bangkok takes off from Dongri to Dubai, his previous chronicle on the mafia.

Have you ever feared for your life?

I have never feared for my life during crime investigation. But when I wrote Black Friday in 2001, I feared for my son Ammar’s life. I received a threat over the phone, saying they knew in which school my son was studying. My heart was in my mouth. But I nonchalantly told them in which class and section he was studying and his school timings before hanging up the phone. It was sheer bravado, but I refused to let them know I was scared. Of course, I didn’t send my son to school for a few days, but the next few weeks were hell. I had not even told my wife about the threat. It was a terrible period.

You have documented the Mumbai underworld from the 70s. Have things changed?

Earlier, gangsters were reckless, in it for money, and unafraid of the cops. Post 1998’s MCOCA (Maharashtra Control of Organised Crime Act), they were more cautious. The encounters made them realise that the cops meant business. Those who escaped are lying low in places such as Bangkok and the rest are in prisons in India, if not dead. Currently, the underworld is not as active as in the 90s. They have also gone legit in many businesses.

Are encounter specialists maligned? 

Whatever the excuse, a police encounter is nothing but an extra judicial killing. I do not condone it as it is wrong to take law into your own hands. Within the police force itself, there was a lot of debate on encounters. Most officers gave in because they felt there was no other way. But the fact remains that encounters made the Mumbai mafia very insecure. At one point, gangs found it hard to recruit jobless youths. And the encounter police of Mumbai did wipe out the underworld.

Your book speaks of politicians who recruited the underworld for personal work. Why haven’t you named them?

Knowing is different from proving. Police officers and other sources have told me of these people but I have no evidence that can stand in a court of law. A don like Arun Gawli had 45 cases against him but they were all dropped because of lack of evidence. So, where is the likelihood that my statements will stand?

Are politicians to be blamed for the rise of the underworld?

Politicians are just a cog in the wheel. Criminals and politicians feed off each other. Personally, I feel we should stop voting for corrupt politicians. Voters put corrupt politicians into power. One bad apple will spoil everything. Why should I be responsible for putting a politician into power only to see him/her misuse the powers?

You have written about crimes and criminals. Under different circumstances, do you think gangsters could have contributed to society?

It is the movies that dramatise such situations. All dons entered this field out of choice. If circumstances forced an educated man to be a gangster, then half of our population would be gangsters. There is no excuse for a life of crime.

If not a crime investigator, would you have been a police officer?

In my younger days, I very much wanted to join the IPS. But my family wanted me to do commerce and pursue management. I know for a fact that a good police officer, someone who is smart, intelligent and brave enough to not cow down to political pressure can make a tremendous impact on society. Today, I keep telling my two sons to join the IPS.

source: http://www.bangaloremirror.com / Bangalore Mirror / Home> Entertainment> Lounge / by  Jayanthi Madhukar, Bangalore Mirror Bureau / March 19th, 2014 (20th in Print Edition).